Joshua Reiss

Q: What Schools Are Affiliated With Joshua Reiss

Joshua Reiss is affiliated with the following schools: Queen Mary University of London, Monash University

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Joshua Reiss

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Joshua Reiss

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computer-science Degrees

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Engineering
Computer Science

Joshua Reiss's Degrees

PhD Audio Signal Processing Queen Mary University of London
Masters Sound and Music Computing Queen Mary University of London

Why Is Joshua Reiss Influential?

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According to Wikipedia, Joshua Reiss is a British author, academic, inventor and entrepreneur. He is best known for his work in intelligent audio technologies and his co-authorship of the book Audio Effects Theory Implementation and Application.

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Joshua Reiss's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Construction of symbolic dynamics from experimental time series (1999) (148)
Digital Dynamic Range Compressor Design—A Tutorial and Analysis (2012) (107)
All About Audio Equalization: Solutions and Frontiers (2016) (90)
Web Audio Evaluation Tool: A Browser-based Listening Test Environment (2015) (78)
Intelligent systems for mixing multichannel audio (2011) (77)
Self-Localization of Ad-Hoc Arrays Using Time Difference of Arrivals (2016) (69)
Description of limit cycles in sigma-delta modulators (2005) (60)
An Evaluation of Audio Feature Extraction Toolboxes (2015) (58)
Automatic Equalization of Multichannel Audio Using Cross-Adaptive Methods (2009) (58)
Understanding Sigma-Delta Modulation: The Solved and Unsolved Issues (2008) (57)
An Interlanguage Study of Musical Timbre Semantic Dimensions and Their Acoustic Correlates (2014) (54)
SAFE: A System for the Extraction and Retrieval of Semantic Audio Descriptors (2014) (54)
An Iterative Approach to Source Counting and Localization Using Two Distant Microphones (2016) (48)
Automatic gain and fader control for live mixing (2009) (46)
Intelligent Audio Production Strategies Informed by Best Practices (2014) (42)
An Analysis and Evaluation of Audio Features for Multitrack Music Mixtures (2014) (40)
Intelligent Multitrack Dynamic Range Compression (2015) (38)
Parameter Automation in a Dynamic Range Compressor (2013) (38)
The Open Multitrack Testbed (2014) (37)
A Knowledge-Engineered Autonomous Mixing System (2013) (35)
An Interlanguage Unification of Musical Timbre: Bridging Semantic, Perceptual, and Acoustic Dimensions (2015) (35)
Autonomous Multitrack Equalization Based on Masking Reduction (2015) (35)
A Real-Time Semiautonomous Audio Panning System for Music Mixing (2010) (34)
AUTOMATIC MIXING: LIVE DOWNMIXING STEREO PANNER TEMPLATES FOR DAFX04, NAPLES, ITALY (2007) (34)
Implementation and Evaluation of Autonomous Multi-Track Fader Control (2012) (32)
Reverse Engineering of a Mix (2010) (31)
Ten Years of Automatic Mixing (2017) (31)
Modeling Nonlinear Audio Effects with End-to-end Deep Neural Networks (2018) (30)
An Autonomous System for Multitrack Stereo Pan Positioning (2012) (28)
Spectral Characteristics of Popular Commercial Recordings 1950-2010 (2013) (28)
IMPROVED CONTROL FOR SELECTIVE MINIMIZATION OF MASKING USING INTER- CHANNEL DEPENDANCY EFFECTS (2008) (28)
Over-Determined Source Separation and Localization Using Distributed Microphones (2016) (28)
Deep Learning for Black-Box Modeling of Audio Effects (2020) (27)
End-to-end equalization with convolutional neural networks (2018) (27)
Audio Effects: Theory, Implementation and Application (2014) (26)
MIXPLORATION: rethinking the audio mixer interface (2014) (26)
Web Audio Evaluation Tool: A framework for subjective assessment of audio (2016) (26)
APE: Audio Perceptual Evaluation Toolbox for MATLAB (2014) (25)
An Investigation of Musical Timbre: Uncovering Salient Semantic Descriptors and Perceptual Dimensions (2011) (25)
Calculating Time Delays of Multiple Active Sources in Live Sound (2010) (23)
Analysis of Musical Timbre Semantics through Metric and Non-Metric Data Reduction Techniques (2012) (23)
ONSET DETECTION COMBINING ENERGY-BASED AND PITCH-BASED APPROACHES (2007) (23)
Automatic subgrouping of multitrack audio (2015) (22)
Audio Fingerprinting for Multi-Device Self-Localization (2015) (22)
A Meta-Analysis of High Resolution Audio Perceptual Evaluation (2016) (22)
Computer aided music therapy evaluation: Testing the Music Therapy Logbook prototype 1 system☆ (2012) (22)
Design of Audio Parametric Equalizer Filters Directly in the Digital Domain (2011) (22)
AN AUTONOMOUS METHOD FOR MULTI-TRACK DYNAMIC RANGE COMPRESSION TEMPLATES FOR DAFX-08, FINLAND, FRANCE (2012) (21)
Semantic Description of Timbral Transformations in Music Production (2016) (21)
Efficient Multidimensional Searching Routines for Music Information Retrieval (2001) (21)
Multitrack Mixing Using a Model of Loudness and Partial Loudness (2012) (20)
Enabling access to sound archives through integration, enrichment and retrieval (2008) (20)
Automatic Monitor Mixing for Live Musical Performance (2009) (20)
Model-Based Inversion of Dynamic Range Compression (2013) (20)
Perceptual Evaluation of Music Mixing Practices (2015) (20)
Selective Adaptation to “Oddball” Sounds by the Human Auditory System (2014) (19)
Audio Latency Measurement for Desktop Operating Systems with Onboard Soundcards (2010) (19)
Perceptual Evaluation and Analysis of Reverberation in Multitrack Music Production (2017) (19)
A Semantic Approach To Autonomous Mixing (2013) (19)
Evaluation of Distance Based Amplitude panning for spatial audio (2010) (19)
Fuzzy Impulsive Control of High-Order Interpolative Low-Pass Sigma–Delta Modulators (2006) (19)
An Automatic Maximum Gain Normalization Technique with Applications to Audio Mixing. (2008) (18)
A Wiener Filter Approach to Microphone Leakage Reduction in Close-Microphone Applications (2012) (18)
A Machine-Learning Approach to Application of Intelligent Artificial Reverberation (2017) (18)
Implementation of an Intelligent Equalization Tool Using Yule-Walker for Music Mixing and Mastering (2013) (17)
Design of Interpolative Sigma Delta Modulators Via Semi-Infinite Programming (2006) (17)
The benefits of multibit chaotic sigma delta modulation. (2001) (17)
Benchmarking Music Information Retrieval Systems (2002) (17)
Perceptual Evaluation of Synthesized Sound Effects (2018) (16)
Idle Tone Behavior in Sigma Delta Modulation (2007) (16)
Determination and Correction of Individual Channel Time Offsets for Signals Involved in an Audio Mixture (2008) (16)
AUTOMATIC TARGET MIXING USING LEAST-SQUARES OPTIMIZATION OF GAINS AND EQUALIZATION SETTINGS (2009) (16)
A general-purpose deep learning approach to model time-varying audio effects (2019) (16)
The Influence of Graphical User Interface Design on Critical Listening Skills (2013) (16)
Automatic Noise Gate Settings for Drum Recordings Containing Bleed from Secondary Sources (2010) (16)
Time Domain Performance of Decimation Filter Architectures for High Resolution Sigma Delta Analogue to Digital Conversion (2012) (15)
Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models (2018) (15)
A Pairwise and Multiple Stimuli Approach to Perceptual Evaluation of Microphone Types (2013) (15)
FXive: A Web Platform for Procedural Sound Synthesis (2018) (15)
THE ANALYSIS OF CHAOTIC TIME SERIES (2001) (15)
EXTRACTION OF LONG-TERM STRUCTURES IN MUSICAL SIGNALS USING THE EMPIRICAL MODE DECOMPOSITION (2005) (15)
Microphone interference reduction in live sound (2011) (15)
Fuzzy Impulsive Control of High Order Interpolative Lowpass Sigma Delta Modulators (2005) (14)
JSAP: A Plugin Standard for the Web Audio API with Intelligent Functionality (2016) (14)
Interactive Mixing Using Wii Controller (2011) (13)
A Sub-Band Approach to Modification of Musical Transients (2012) (13)
Modal Synthesis of Weapon Sounds (2016) (13)
Adaptive Control of Amplitude Distortion Effects (2014) (13)
Loudness Measurement of Multitrack Audio Content Using Modifications of ITU-R BS.1770 (2013) (12)
Reduction of quantization noise via periodic code for oversampled input signals and the corresponding optimal code design (2014) (12)
Proximity Effect Detection for Directional Microphones (2011) (12)
A REAL-TIME POLYPHONIC MUSIC TRANSCRIPTION SYSTEM (2008) (12)
Physical Modeling and Synthesis of Motor Noise for Replication of a Sound Effects Library (2010) (11)
Automatic Control of a Digital Reverberation Effect using Hybrid Models (2016) (11)
Physically Derived Synthesis Model of an Aeolian Tone (2016) (11)
Adaptive Audio Reproduction Using Personalized Compression (2015) (11)
Detection and Removal of Limit Cycles in Sigma Delta Modulators (2008) (11)
The Dynamic Range Paradox: A Central Auditory Model of Intensity Change Detection (2013) (11)
A Comparative Approach to Sound Localization Within a 3-D Sound Field (2009) (11)
A Computationally Efficient Method for Polyphonic Pitch Estimation (2009) (11)
Sound Synthesis of Objects Swinging through Air Using Physical Models (2017) (11)
The impact of subgrouping practices on the perception of multitrack mixes (2015) (11)
Music Information Technology and Professional Stakeholder Audiences: Mind the Adoption Gap (2012) (11)
Determined Source Separation for Microphone Recordings Using IIR Filters (2010) (11)
Intelligent audio plugin framework for the Web Audio API (2017) (11)
Reducing comb filtering on different musical instruments using time delay estimation (2011) (10)
A Cross-Adaptive Dynamic Spectral Panning Technique (2014) (10)
Physically Derived Sound Synthesis Model of a Propeller (2017) (10)
Analysis of Peer Reviews in Music Production (2015) (10)
Description of Limit Cycles in Feedback Sigma Delta Modulators (2004) (10)
The Persian Music and the Santur Instrument (2005) (10)
Unsupervised Taxonomy of Sound Effects (2017) (10)
Automatic Minimisation of Masking in Multitrack Audio using Subgroups (2018) (9)
Tuning of Human Modulation Filters Is Carrier-Frequency Dependent (2013) (9)
Beyond Recall and Precision : A Full Framework for MIR System Evaluation (2002) (9)
An Additive Synthesis Technique for Independent Modification of the Auditory Perceptions of Brightness and Warmth (2011) (9)
Analysis of the Subgrouping Practices of Professional Mix Engineers (2017) (8)
NONLINEAR TIME SERIES ANALYSIS OF MUSICAL SIGNALS (2003) (8)
Audio Issues In MIR Evaluation (2004) (8)
What do your footsteps sound like? An investigation on interactive footstep sounds adjustment (2016) (8)
Performance Evaluation of a New Flexible Time Division Multiplexing Protocol on Mixed Traffic Types (2017) (8)
Intelligent Multitrack Reverberation Based on Hinge-Loss Markov Random Fields (2017) (8)
DIGITAL AUDIO EFFECTS APPLIED DIRECTLY ON A DSD BITSTREAM (2004) (8)
Real-time physical model of an Aeolian harp (2017) (8)
Stability Analysis of Limit Cycles in High Order Sigma Delta Modulators (2003) (8)
Efficient Neural Networks for Real-time Analog Audio Effect Modeling (2021) (8)
Performance Optimization of GCC-PHAT for Delay and Polarity Correction under Real World Conditions (2013) (8)
REAL-TIME PHYSICAL MODEL FOR SYNTHESIS OF SWORD SWING SOUNDS (2017) (8)
Audio Mixing Displays: The Influence of Overviews on Information Search and Critical Listening (2015) (7)
Implementation and Evaluation of Dynamic Level of Audio Detail (2015) (7)
They Exist: Limit Cycles in High Order Sigma Delta Modulators (2003) (7)
Intelligent Music Production (2019) (7)
Efficient neural networks for real-time modeling of analog dynamic range compression (2021) (7)
Applications of Cross-Adaptive Audio Effects: Automatic Mixing, Live Performance and Everything in Between (2018) (7)
Interactive Audio Augmented Reality in Participatory Performance (2021) (6)
Detection and Removal of Limit Cycles in (2008) (6)
The Impact of Subgrouping Practices on the Perception of Multitrack Music Mixes (2015) (6)
Reverse engineering of a recording mix with differentiable digital signal processing. (2021) (6)
Using Delay Estimation to Reduce Comb Filtering of Arbitrary Musical Sources (2013) (6)
THE MIX EVALUATION DATASET (2017) (6)
A Practical Step-by-Step Guide to the Time-Varying Loudness Model of Moore, Glasberg, and Baer (1997; 2002) (2013) (6)
Practical considerations on optimising multistage decimation and interpolation processes (2016) (6)
A Comparison of Theoretical, Simulated, and Experimental Results Concerning the Stability of Sigma Delta Modulators (2008) (5)
A Real-Time Framework for Video Time and Pitch Scale Modification (2010) (5)
Aural Fabric: an interactive textile sonic map (2017) (5)
User Preference on Artificial Reverberation and Delay Time Parameters (2017) (5)
Style Transfer of Audio Effects with Differentiable Signal Processing (2022) (5)
13. Automatic Mixing (2011) (5)
Dither and Noise Modulation in Sigma Delta Modulators (2003) (5)
The Harmonic Content of a Limit Cycle in a DSD Bitstream (2004) (5)
Partial Loudness in Multitrack Mixing (2014) (5)
Computation of Generalized Mutual Information from Multichannel Audio Data (2001) (5)
Stem audio mixing as a content-basec transformation of audio features (2017) (5)
Latent force models for sound: Learning modal synthesis parameters and excitation functions from audio recordings (2017) (5)
Evaluating iBall—An Intuitive Interface and Assistive Audio Mixing Algorithm for Live Football Events (2013) (5)
Vambu Sound: A mixed-technique 4-D reproduction system with a heightened frontal localisation area (2012) (5)
Inherent Doppler Properties of Spatial Audio (2010) (5)
Towards a Procedure for Stability Analysis of High Order Sigma Delta Modulators (2005) (5)
End-to-End Probabilistic Inference for Nonstationary Audio Analysis (2019) (5)
PHYSICALLY DERIVED SYNTHESIS MODEL OF A CAVITY TONE (2017) (5)
Stability of sinusoidal responses of marginally stable bandpass sigma delta modulators (2006) (5)
MIR Benchmarking: Lessons Learned from the Multimedia Community (2002) (5)
AUTOMATIC NOISE GATE SETTINGS FOR MULTITRACK DRUM RECORDINGS (2009) (5)
Verification of chaotic behavior in an experimental loudspeaker. (2008) (5)
Visual Information Search in Digital Audio Workstations (2016) (5)
AUDITORY CUES FOR GESTURAL CONTROL OF MULTI-TRACK AUDIO (2011) (4)
Neural Synthesis of Footsteps Sound Effects with Generative Adversarial Networks (2021) (4)
Modeling Plate and Spring Reverberation Using A DSP-Informed Deep Neural Network (2019) (4)
Music Onset Detection (2011) (4)
Constructing narrative using a generative model and continuous action policies (2017) (4)
DEEP LEARNING AND INTELLIGENT AUDIO MIXING (2017) (4)
Unifying Probabilistic Models for Time-frequency Analysis (2018) (4)
Fine landmark-based synchronization of ad-hoc microphone arrays (2015) (4)
Direct Design of Biquad Filter Cascades with Deep Learning by Sampling Random Polynomials (2021) (4)
A Prototype Mixer to Improve Cross-Modal Attention During Audio Mixing (2018) (3)
A REAL-TIME FRAME-BASED MULTIPLE PITCH ESTIMAITON METHOD USING THE RESONATOR TIME-FREQUENCY IMAGE (2007) (3)
Estimation of an Initial Condition of Sigma–Delta Modulators via Projection Onto Convex Sets (2006) (3)
Detection of "Solo Intervals" in Multiple Microphone Multiple Source Audio Applications (2011) (3)
Realistic Procedural Sound Synthesis of Bird Song Using Particle Swarm Optimization (2019) (3)
Nonlinear Behaviors of Bandpass Sigma–Delta Modulators With Stable System Matrices (2005) (3)
Improved Compression of DSD for Super Audio CD (2002) (3)
A 2D Variable-Order, Variable-Decoder, Ambisonics based Music Composition and Production Tool for an Octagonal Speaker Layout (2012) (3)
Graphical Research Tools for Acoustic Design Training: Capturing Perception in Architectural Settings (2018) (3)
Guitar Effects Recognition and Parameter Estimation with Convolutional Neural Networks (2020) (3)
Centre for Digital Music (2006) (3)
Randomized Overdrive Neural Networks (2020) (3)
Real-Time Sound Synthesis of Audience Applause (2020) (3)
An Automatic Mixing System for Multitrack Spatialization for Stereo Based on Unmasking and Best Panning Practices (2019) (3)
Zero-Delay large signal convolution using multiple processor architectures (2017) (3)
Extraction of Long-Term Rhythmic Structures Using the Empirical Mode Decomposition (2007) (3)
Subjective comparison of music production practices using the Web Audio Evaluation Tool (2016) (3)
Queen Mary's "Media and Arts Technology Studios" Audio System Design (2011) (3)
The Open Multitrack Testbed: Features, content and use cases (2016) (3)
OPTIMISED KD-TREE INDEXING OF MULTIMEDIA DATA (2003) (3)
Spatial Audio System for Surround Video (2012) (3)
Nonlinear behaviors of bandpass sigma delta modulators with stable system matrices (2006) (3)
Global stability, Limit cycles and Chaotic Behaviors of Second Order interpolative Sigma Delta modulators (2011) (3)
Using SIP Techniques to Verify the Trade-off between SNR and Information Capacity of a Sigma Delta Modulator (2006) (3)
Analysis and Prediction of the Audio Feature Space when Mixing Raw Recordings into Individual Stems (2017) (2)
Real-Time Synthesis of Sound Effects Caused by the Interaction between Two Solids (2019) (2)
Restoring the dynamics of clipped audio material by inversion of dynamic range compression (2014) (2)
An empirical approach to the relationship between emotion and music production quality (2016) (2)
From my pen to your ears: automatic production of radio plays from unstructured story text (2018) (2)
Implementation and Assessment of Joint Source Separation and Dereverberation (2016) (2)
Sound Effect Synthesis (2019) (2)
Steerable discovery of neural audio effects (2021) (2)
Audio Morphing for Percussive Hybrid Sound Generation (2012) (2)
Amplitude Manipulation for Perceived Movement in Depth (2012) (2)
Why Can You Hear a Difference between Pouring Hot and Cold Water? An Investigation of Temperature Dependence in Psychoacoustics (2018) (2)
Efficient Multidimensional Searching Routines (2001) (2)
Control of sigma delta modulators via fuzzy impulsive approach (2009) (2)
Efficient Compression of Oversampled 1-bit Audio Signals (2001) (2)
Rearrangement of Timbre Space Due To Background Noise: Behavioural Evidence and Acoustic Correlates (2017) (2)
Tagging and Retrieval of Room Impulse Responses Using Semantic Word Vectors and Perceptual Measures of Reverberation (2019) (2)
An Intelligent Systems Approach to Mixing Multitrack Audio (2016) (2)
Perceptually Motivated Hearing Loss Simulation for Audio Mixing Reference (2019) (2)
Dynamic Panner: An Adaptive Digital Audio Effect for Spatial Audio (2009) (2)
TDCS: a new scheduling framework for real-time multimedia OS (2018) (2)
Occurrence of Elliptical Fractal Patterns in Multi-Bit bandpass Sigma Delta modulators (2005) (2)
BOUNDEDNESS AND APERIODICITY OF COMMERCIAL SIGMA DELTA MODULATORS (2006) (2)
A comparative perceptual evaluation of thunder synthesis techniques (2021) (1)
Designing spaces and soundscapes . Integrating sonic previews in architectural modelling applications (2019) (1)
A Generative Model for Natural Sounds Based on Latent Force Modelling (2018) (1)
Real-time binaural room modelling for augmented reality applications (2021) (1)
A deep learning approach to sound classification for film audio post-production (2020) (1)
WaveBeat: End-to-end beat and downbeat tracking in the time domain (2021) (1)
Influences of a Key Map on Soundwalk Exploration with a Textile Sonic Map (2017) (1)
Difference between irregular chaotic patterns of second-order double-loop ΣΔ modulators and second-order interpolative bandpass ΣΔ modulators (2007) (1)
A DATABASE FOR PERSIAN MUSIC (2005) (1)
Cross-Adaptive Polarity Switching Strategies for Optimization of Audio Mixes (2015) (1)
A mechanism for the detection and removal of limit cycles in the operation of sigma delta modulators (2005) (1)
Design of interpolative sigma delta modulators via a semi-infinite programming approach (2005) (1)
A Case Study of Cultural Influences on Mixing Practices (2018) (1)
IntelligentMusic Production (2019) (1)
FXIVE : INVESTIGATION AND IMPLEMENTATION OF A SOUND EFFECT SYNTHESIS SERVICE (2018) (1)
Intelligent Infrastructure for Accessing Sound and Related Multimedia Objects (2008) (1)
Visually Representing and Interpreting Multivariate Data for Audio Mixing (2016) (1)
Noise Analysis of Modulated Quantizer based on Oversampled Signals (2006) (1)
Investigation of a Drum Controlled Cross-Adaptive Audio Effect for Live Performance (2017) (1)
Objective Evaluations of Synthesised Environmental Sounds (2018) (1)
A robust pilot-assisted equaliser for the partially loaded downlink UMTS TDD (2007) (1)
Real-time Excitation Based Binaural Loudness Meters (2015) (1)
Performable Spectral Synthesis via Low-Dimensional Modelling and Control Mapping (2016) (1)
Exploring Preference for Multitrack Mixes Using Statistical Analysis of MIR and Textual Features (2019) (1)
Confirmation of Chaos in a Loudspeaker System Using Time Series Analysis (2008) (1)
Improving the Frequency Response Magnitude and Phase of Analogue-Matched Digital Filters (2018) (1)
Optimizing the Re-Enforcement Effect of Early Reflections on Aspects of Live Musical Performance Using the Image Source Method (2009) (0)
Enriched access to digital audiovisual content (2008) (0)
Understanding the Mix (2019) (0)
Investigation of Frequency-Specific Loudness Discomfort Levels in Listeners With Migraine: A Case-Control Study. (2023) (0)
The Effect of Loudness Overflow on Equal- Loudness-Level Contours (2011) (0)
REAL-TIME EXCITATION BASED BINAURAL LOUDNESS (2015) (0)
Investigation into the Effects of Subjective Test Interface Choice on the Validity of Results (2018) (0)
Intelligent Audio Mixing Using Deep Learning (2016) (0)
Automating time varying gains in multi-track mixing using a model of loudness and partial loudness (2012) (0)
EFFECT OF SPATIAL SAMPLING APPROACHES ON VIRTUAL HIGH ORDER AMBISONICS (2014) (0)
The Phase Amplitude Control Bit Stream Adder (2007) (0)
IMP Interfaces (2019) (0)
Conditioned Source Separation by Attentively Aggregating Frequency Transformations With Self-Conditioning (2022) (0)
Surround Sound Using Variable-Ambisonics and Variable-Polar Pattern Theories (2012) (0)
A design procedure for finding optimal third order delta-sigma modulator loopfilters (2009) (0)
Perceptual Evaluation of Synthesised Sound Effects (2016) (0)
IMP Systems (2019) (0)
Approaching the Gerzon-Craven Noise Shaping Limit Using Semi-Infinite Programming Techniques (2006) (0)
Audio Engineering Society (2008) (0)
Physically Derived Synthesis Model of an Edge Tone (2018) (0)
Perceptual Evaluation in Music Production (2019) (0)
WaveBeat: Pre-trained model (2021) (0)
Deep Learning of Segment-level Feature Representation for Speech Emotion Recognition in Conversations (2023) (0)
An empirically-based spatial segmentation and coreference annotation scheme for comics (2021) (0)
Modelling black-box audio effects with time-varying feature modulation (2022) (0)
Introduction (2019) (0)
Future Work (2019) (0)
Data Collection and Representation (2019) (0)
Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes (2012) (0)
Reproducing Bass Guitar Performances Using Descriptor Driven Synthesis (2019) (0)
Feature Extraction Effect Processor Computation Feature Extraction Feature Extraction channel 0 channel 1 channel N k-rate Parameter Update Audio Features Inputs Outputs channel 0 (2017) (0)
Two-Dimensional Hybrid Spatial Audio Systems 3 2 Variable-Order , Variable-Decoder Ambisonics (2013) (0)
Estimation of Initial States of Sigma-delta Modulators (2006) (0)
Semantic Music Production: A Meta-Study (2022) (0)
IMP Construction (2019) (0)
Chaotic Codes for Satellite Navigation Systems (2007) (0)
Advances in Thunder Sound Synthesis (2022) (0)
SYNTHESIS OF WEAPON SOUNDS (2016) (0)
Understanding Audio Effects (2019) (0)
IMP Processes (2019) (0)
Exploring Augmented Reality as Craft Material (2020) (0)
Stability of sinusoidal responses of marginally stable bandpass sigma delta modulators: Research Articles (2006) (0)
Interference Assessment Between GPS L1C and Galileo E1 Signals (2007) (0)
Investigation of a Real-Time Hearing Loss Simulation for use in Audio Production (2020) (0)
Simulating microphone bleed and tom-tom resonance in multi-sampled drum workstations (2012) (0)
Fuzzy impulsive control of high order sigma-delta modulators (2005) (0)

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Joshua Reiss's AcademicInfluence.com Rankings