According to Wikipedia, Aaron Cassidy is an American composer. Education Cassidy was born in Illinois. He received a Bachelor of Music degree, with distinction, from the Northwestern University Bienen School of Music in Evanston, Illinois, where his main instructors in composition were Jay Alan Yim, Alan Stout, and Michael Pisaro. He went on to study composition with David Felder and Jeffery Stadelman at the State University of New York at Buffalo where he received a Ph.D. in composition in 2003. He also participated in masterclass and lessons with composers including Richard Barrett, Chaya Czernowin, Brian Ferneyhough, Jonathan Harvey, Alvin Lucier, and Tristan Murail, among others.
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
Determinate Action/Indeterminate Sound: Tablature and Chance in Several Recent Works (2008) (10)
Constraint Schemata, Multi-axis Movement Modeling, and Unified, Multi-parametric Notation for Strings and Voices (2013) (3)
I am an experimental composer (2012) (1)
Interconnectivity and abstraction: metallic dust as a testing ground for monopnonic and structural polyphonies (2004) (1)
Gestural modeling and compositional constraints in Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion) (2009) (1)
the green is either (2011) (1)
The Crutch of Memory, for solo string instrument (2012) (1)
The wreck of former boundaries (2016) (1)
What then renders these forces visible is a strange smile, for solo trumpet (2012) (0)
A painter of figures in rooms (2012) (0)
The wreck of former boundaries for 5.1 channel electronics (2016) (0)
ten monophonic miniatures for solo pianist (2002) (0)
The Pleats of Matter/The Matter of Pleats (2015) (0)
Self-Portrait, Three Times, Standing (15.3.1991–20.3.1991): A way of making ghosts, part 1 (2019) (0)
Self-portrait, 1996: A way of making ghosts, part 2 (2020) (0)
Donaueschinger Musiktage 2010 (2011) (0)
Being itself a catastrophe, the diagram must not create a catastrophe, for oboe, musette, English horn, E-flat clarinet, B-flat clarinet, bass clarinet (2012) (0)
Caring for each other: a parish approach. (1991) (0)
Gestural modelling and compositional constraints (2015) (0)
Metallic Dust, for amplified bass clarinet (2012) (0)
Because they mark the zone where the force is in the process of striking, for solo trombone (2012) (0)
And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion) (2010) (0)
The wreck of former boundaries (lap steel & electronics) (2016) (0)
The wreck of former boundaries (contrabass solo) (2015) (0)
Second Study for Figures at the Base of a Crucifixion (2008) (0)
Songs only as sad as their listener, for solo trombone (2012) (0)
The wreck of former boundaries (2014-16) [ 2 tr solo, cl/bs cl, sax, tbn, elec lap steel gtr, double bass, 5.1 channel electronics ] (2016) (0)
The wreck of former boundaries (electric lap steel guitar and 5.1 channel electronics) (2016) (0)
String Quartet and Second String Quartet (2011) (0)
The wreck of former boundaries (solo contrabass) (2016) (0)
A republic of spaces (2018) (0)
The wreck of former boundaries (piccolo trumpet, quartertone flugelhorn, and trombone) (2016) (0)
I, purples, spat blood, laugh of beautiful lips, for voice & live electronics (2012) (0)
The wreck of former boundaries (alto saxophone and live electronics) (2016) (0)
Mapping or Choreographing ? : Redefining Musical Notation (2014) (0)
The wreck of former boundaries (5.1 channel fixed media) (2016) (0)
The wreck of former boundaries for electric lap-steel guitar and electronics (2015) (2016) (0)
The wreck of former boundaries (B-flat clarinet) (2016) (0)
Francis Bacon, a painter of figures in rooms (2012) (0)
Gestural modelling and compositional constraints: the Articulation of Accident as Creative Method (2014) (0)
A Gift Rediscovered: Browning’s Revised Ring and the Book (2015) (0)
Imagining a Non-Geometrical Rhythm (2015) (0)
Asphyxia, for soprano saxophone (2012) (0)
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