Aaron Gerow
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Philosophy
Aaron Gerow's Degrees
- PhD Film Studies University of Tokyo
- Masters Film Studies University of Tokyo
- Bachelors East Asian Studies Princeton University
Why Is Aaron Gerow Influential?
(Suggest an Edit or Addition)According to Wikipedia, Aaron Gerow is an American historian of Japanese cinema, and a member of the faculty of Yale University where he holds a joint position between the Department of East Asian Languages and Literatures and the Film Studies Programs.
Aaron Gerow's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Measuring discursive influence across scholarship (2018) (37)
- Visions of Japanese Modernity (2010) (34)
- Mining the Web for the "Voice of the Herd" to Track Stock Market Bubbles (2011) (24)
- Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895-1925 (2010) (22)
- Cloud Kotta: Enabling secure and scalable data analytics in the cloud (2016) (16)
- Is level of prematurity a risk/plasticity factor at three years of age? (2017) (16)
- Introduction: The Theory Complex (2010) (15)
- Consuming Asia, consuming Japan: The new neonationalist revisionism in Japan (1998) (12)
- From the National Gaze to Multiple Gazes: Representations of Okinawa in Recent Japanese Cinema (2003) (12)
- A Page of Madness: Cinema and Modernity in 1920s Japan (2009) (11)
- Celluloid Masks: The Cinematic Image and the Image of Japan (1993) (10)
- Fantasies of War and Nation in Recent Japanese Cinema (2006) (9)
- Recognizing 'Others' in a New Japanese Cinema (2002) (8)
- Fast, Flexible Models for Discovering Topic Correlation across Weakly-Related Collections (2015) (7)
- Word and Image in Japanese Cinema: The Word before the Image: Criticism, the Screenplay, and the Regulation of Meaning in Prewar Japanese Film Culture (2000) (7)
- Narrating the Nation-ality of a Cinema: The Case of Japanese Prewar Film (2020) (6)
- Research Guide to Japanese Film Studies (2009) (6)
- Identifying Metaphor Hierarchies in a Corpus Analysis of Finance Articles (2012) (6)
- THE HOMELESSNESS OF STYLE AND THE PROBLEMS OF STUDYING MIIKE TAKASHI (2009) (6)
- In praise of film studies : essays in honor of Makino Mamoru = 映画学ノススメ : 牧野守に捧げる (2001) (5)
- A secure data enclave and analytics platform for social scientists (2016) (5)
- Writing a pure cinema : articulations of early Japanese film (1996) (5)
- Kind Participation: Postmodern Consumption and Capital with Japan's Telop TV (2010) (5)
- Diachronic Variation in Grammatical Relations (2012) (4)
- Identifying Metaphoric Antonyms in a Corpus Analysis of Finance Articles (2012) (4)
- A Scene at the Threshold: Liminality in the Films of Kitano Takeshi (1999) (4)
- Extracting Clusters of Specialist Terms from Unstructured Text (2014) (4)
- The Empty Return: Circularity and Repetition in Recent Japanese Horror Films (2002) (3)
- Critical Reception: Historical Conceptions of Japanese Film Criticism (2014) (3)
- Wrestling with Godzilla: Intertextuality, Childish Spectatorship, and the National Body (2006) (3)
- Proposing Ties in a Dense Hypergraph of Academics (2015) (3)
- From Film to Television: Early Theories of Television in Japan (2017) (3)
- Retrospective Irony: Film Festivals and Japanese Cinema History (2013) (2)
- 9. War and Nationalism in Recent Japanese Cinema: Yamato, Kamikaze, Trauma, and Forgetting the Postwar (2017) (2)
- The Self Seen as Other: Akutagawa and Film (1995) (2)
- The Modular Community Structure of Linguistic Predication Networks (2014) (2)
- The Sword and The Screen: The Japanese Period Film 1915-1960 (2012) (2)
- Playing with Postmodernism: Morita Yoshimitsu’s Family Game (2008) (2)
- It's Distributions All The Way Down! (2014) (1)
- Nation, Citizenship, and Cinema (2007) (1)
- Japanese film and television (2011) (1)
- Globalism, New Media, and Cinematically Imagining the Inescapable Japan (2016) (0)
- Lone Wolves and Stray Dogs: The Japanese Crime Film, 1931-1969 (2015) (0)
- The Past of Japanese Science Fiction and Fantasy Movies (2016) (0)
- Kawabata and cinema: the ambivalence of knowledge, medium, and influence (2018) (0)
- 4. The Subject of the Text (2019) (0)
- Documentarists of Japan, No. 2: An Interview with Hara Kazuo (1993) (0)
- Japan on the Streets : Teaching Popular Culture to International Students (2000) (0)
- 大島という作家、観客という猥褻 『愛のコリーダ』裁判とポルノの政治 / Ōshima to iu sakka, kankyaku to iu waisetsu: Ai no koriida saiban to poruno no seiji / Oshima the Author and the Obscene Audience: The In the Realm of the Senses Trial and the Politics of Pornography (2000) (0)
- Finding an Indigenous Film Voice: An Interview with Auraeus Solito (2012) (0)
- Makino Mamoru and Film Theory: The Case of Nakagawa Shigeaki (2011) (0)
- Gerow 2012 Japan : The Japanese Film Musical (2018) (0)
- Japan: The Japanese Film Musical (2012) (0)
- 5. Managing the Internal (2019) (0)
- Reflexive Regular Equivalence for Bipartite Data (2017) (0)
- AARON GEROW The Industrial Ichikawa : Kon Ichikawa after 1976 1 A (2017) (0)
- 街頭の日本-留学生へのポピュラー・カルチャー教育 (2000) (0)
- Conclusion: Mixture, Hegemony, and Resistance (2019) (0)
- Research Guide to Japanese Film Studies (Introduction) (2009) (0)
- Theorizing the theory complex in Japanese film studies (2019) (0)
- Junior Year Overseas at Yokohama National University : Five Years of the Short-term Student Exchange Program and Initiatives Towards Further Progress (2003) (0)
- Takahisa Zeze: Film-making in No Man's Land (2015) (0)
- The Industrial Ichikawa: Ichikawa Kon after 1976 (2001) (0)
- 1. The Motion Pictures as a Problem (2019) (0)
- It's distributions all the way down!: Second order changes in statistical distributions also occur (2014) (0)
- Japan at Present : Study Abroad and Material Culture (1999) (0)
- Playing with Postmodernism: Morita Yoshimitsu’s The Family Game (1983) (2007) (0)
- Books Received (2011) (0)
- A Unique Perspective on Learning : In Honor of Yamada Mitsuyoshi (2001) (0)
- 3. Studying the Pure Film (2019) (0)
- COLONIAL-ERA FILM THEORY, SPECTATORSHIP, AND THE PROBLEM OF INTERNALIZATION (2022) (0)
- War and Nationalism in Recent Japanese Cinema (2016) (0)
- Identification and interpretation of figurative language with computational semantic models (2014) (0)
- Colonial Era Korean Cinema and the Problem of Internalization (2015) (0)
- Kitano Takeshi (excerpt) (2007) (0)
- Measuring discursive influence across scholarship (2018) (0)
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