Aaron Gerow

Q: What Schools Are Affiliated With Aaron Gerow

Aaron Gerow is affiliated with the following schools: Yale University, University of Tokyo, Princeton University, University of Iowa

Aaron Gerow's AcademicInfluence.com Rankings

Aaron Gerow

Philosophy

#12912

World Rank

#18078

Historical Rank

Logic

#9938

World Rank

#12680

Historical Rank

philosophy Degrees

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Philosophy

Aaron Gerow's Degrees

PhD Film Studies University of Tokyo
Masters Film Studies University of Tokyo
Bachelors East Asian Studies Princeton University

Why Is Aaron Gerow Influential?

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According to Wikipedia, Aaron Gerow is an American historian of Japanese cinema, and a member of the faculty of Yale University where he holds a joint position between the Department of East Asian Languages and Literatures and the Film Studies Programs.

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Aaron Gerow's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Measuring discursive influence across scholarship (2018) (37)
Visions of Japanese Modernity (2010) (34)
Mining the Web for the "Voice of the Herd" to Track Stock Market Bubbles (2011) (24)
Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895-1925 (2010) (22)
Cloud Kotta: Enabling secure and scalable data analytics in the cloud (2016) (16)
Is level of prematurity a risk/plasticity factor at three years of age? (2017) (16)
Introduction: The Theory Complex (2010) (15)
Consuming Asia, consuming Japan: The new neonationalist revisionism in Japan (1998) (12)
From the National Gaze to Multiple Gazes: Representations of Okinawa in Recent Japanese Cinema (2003) (12)
A Page of Madness: Cinema and Modernity in 1920s Japan (2009) (11)
Celluloid Masks: The Cinematic Image and the Image of Japan (1993) (10)
Fantasies of War and Nation in Recent Japanese Cinema (2006) (9)
Recognizing 'Others' in a New Japanese Cinema (2002) (8)
Fast, Flexible Models for Discovering Topic Correlation across Weakly-Related Collections (2015) (7)
Word and Image in Japanese Cinema: The Word before the Image: Criticism, the Screenplay, and the Regulation of Meaning in Prewar Japanese Film Culture (2000) (7)
Narrating the Nation-ality of a Cinema: The Case of Japanese Prewar Film (2020) (6)
Research Guide to Japanese Film Studies (2009) (6)
Identifying Metaphor Hierarchies in a Corpus Analysis of Finance Articles (2012) (6)
THE HOMELESSNESS OF STYLE AND THE PROBLEMS OF STUDYING MIIKE TAKASHI (2009) (6)
In praise of film studies : essays in honor of Makino Mamoru = 映画学ノススメ : 牧野守に捧げる (2001) (5)
A secure data enclave and analytics platform for social scientists (2016) (5)
Writing a pure cinema : articulations of early Japanese film (1996) (5)
Kind Participation: Postmodern Consumption and Capital with Japan's Telop TV (2010) (5)
Diachronic Variation in Grammatical Relations (2012) (4)
Identifying Metaphoric Antonyms in a Corpus Analysis of Finance Articles (2012) (4)
A Scene at the Threshold: Liminality in the Films of Kitano Takeshi (1999) (4)
Extracting Clusters of Specialist Terms from Unstructured Text (2014) (4)
The Empty Return: Circularity and Repetition in Recent Japanese Horror Films (2002) (3)
Critical Reception: Historical Conceptions of Japanese Film Criticism (2014) (3)
Wrestling with Godzilla: Intertextuality, Childish Spectatorship, and the National Body (2006) (3)
Proposing Ties in a Dense Hypergraph of Academics (2015) (3)
From Film to Television: Early Theories of Television in Japan (2017) (3)
Retrospective Irony: Film Festivals and Japanese Cinema History (2013) (2)
9. War and Nationalism in Recent Japanese Cinema: Yamato, Kamikaze, Trauma, and Forgetting the Postwar (2017) (2)
The Self Seen as Other: Akutagawa and Film (1995) (2)
The Modular Community Structure of Linguistic Predication Networks (2014) (2)
The Sword and The Screen: The Japanese Period Film 1915-1960 (2012) (2)
Playing with Postmodernism: Morita Yoshimitsu’s Family Game (2008) (2)
It's Distributions All The Way Down! (2014) (1)
Nation, Citizenship, and Cinema (2007) (1)
Japanese film and television (2011) (1)
Globalism, New Media, and Cinematically Imagining the Inescapable Japan (2016) (0)
Lone Wolves and Stray Dogs: The Japanese Crime Film, 1931-1969 (2015) (0)
The Past of Japanese Science Fiction and Fantasy Movies (2016) (0)
Kawabata and cinema: the ambivalence of knowledge, medium, and influence (2018) (0)
4. The Subject of the Text (2019) (0)
Documentarists of Japan, No. 2: An Interview with Hara Kazuo (1993) (0)
Japan on the Streets : Teaching Popular Culture to International Students (2000) (0)
大島という作家、観客という猥褻『愛のコリーダ』裁判とポルノの政治 / Ōshima to iu sakka, kankyaku to iu waisetsu: Ai no koriida saiban to poruno no seiji / Oshima the Author and the Obscene Audience: The In the Realm of the Senses Trial and the Politics of Pornography (2000) (0)
Finding an Indigenous Film Voice: An Interview with Auraeus Solito (2012) (0)
Makino Mamoru and Film Theory: The Case of Nakagawa Shigeaki (2011) (0)
Gerow 2012 Japan : The Japanese Film Musical (2018) (0)
Japan: The Japanese Film Musical (2012) (0)
5. Managing the Internal (2019) (0)
Reflexive Regular Equivalence for Bipartite Data (2017) (0)
AARON GEROW The Industrial Ichikawa : Kon Ichikawa after 1976 1 A (2017) (0)
街頭の日本-留学生へのポピュラー・カルチャー教育 (2000) (0)
Conclusion: Mixture, Hegemony, and Resistance (2019) (0)
Research Guide to Japanese Film Studies (Introduction) (2009) (0)
Theorizing the theory complex in Japanese film studies (2019) (0)
Junior Year Overseas at Yokohama National University : Five Years of the Short-term Student Exchange Program and Initiatives Towards Further Progress (2003) (0)
Takahisa Zeze: Film-making in No Man's Land (2015) (0)
The Industrial Ichikawa: Ichikawa Kon after 1976 (2001) (0)
1. The Motion Pictures as a Problem (2019) (0)
It's distributions all the way down!: Second order changes in statistical distributions also occur (2014) (0)
Japan at Present : Study Abroad and Material Culture (1999) (0)
Playing with Postmodernism: Morita Yoshimitsu’s The Family Game (1983) (2007) (0)
Books Received (2011) (0)
A Unique Perspective on Learning : In Honor of Yamada Mitsuyoshi (2001) (0)
3. Studying the Pure Film (2019) (0)
COLONIAL-ERA FILM THEORY, SPECTATORSHIP, AND THE PROBLEM OF INTERNALIZATION (2022) (0)
War and Nationalism in Recent Japanese Cinema (2016) (0)
Identification and interpretation of figurative language with computational semantic models (2014) (0)
Colonial Era Korean Cinema and the Problem of Internalization (2015) (0)
Kitano Takeshi (excerpt) (2007) (0)
Measuring discursive inﬂuence across scholarship (2018) (0)

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Other Resources About Aaron Gerow

en.wikipedia.org

What Schools Are Affiliated With Aaron Gerow?

Aaron Gerow is affiliated with the following schools:

Aaron Gerow's Academic­Influence.com Rankings