Albert Bregman | Academic Influence

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Albert Bregman

Psychology

#1017

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#1264

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Psychology

Albert Bregman's Degrees

Bachelors Psychology University of Manitoba

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Why Is Albert Bregman Influential?

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According to Wikipedia, Albert Stanley Bregman was a Canadian academic and researcher in experimental psychology, cognitive science, and Gestalt psychology, primarily in the perceptual organization of sound. Bregman was known for having defined and conceptually organized the field of auditory scene analysis in his 1990 book, Auditory Scene Analysis: the perceptual Organization of Sound . His ideas about ASA have provided a new framework for research in the auditory systems of both humans and non-human animals, for behavioral and neurological studies of speech perception, for music theory, hearing aids, audio technology, and the separation of speech from other sounds by computers . In acknowledgement of these contributions, he was called "the father of auditory scene analysis".

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Albert Bregman's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The Auditory Scene. (Book Reviews: Auditory Scene Analysis. The Perceptual Organization of Sound.) (1990) (3390)
Auditory Scene Analysis (2001) (2253)
Primary auditory stream segregation and perception of order in rapid sequences of tones. (1971) (624)
Auditory streaming and the building of timbre. (1978) (247)
Auditory streaming is cumulative. (1978) (245)
Auditory segregation: stream or streams? (1975) (170)
Auditory scene analysis : hearing in complex environments (1993) (161)
Demonstrations of auditory scene analysis : the perceptual organization of sound (1995) (151)
Effects of time intervals and tone durations on auditory stream segregation (2000) (101)
The role of reference in the acquisition of a miniature artificial language (1972) (95)
Spectral integration based on common amplitude modulation (1985) (94)
Streaming vs. fusion of sinusoidal components of complex tones (1978) (94)
An experimental evaluation of three theories of auditory stream segregation (1993) (92)
Attentional modulation of electrophysiological activity in auditory cortex for unattended sounds within multistream auditory environments (2005) (90)
Auditory grouping based on fundamental frequency and formant peak frequency. (1990) (88)
Perceived continuity of gliding and steady-state tones through interrupting noise (1987) (87)
Hearing Musical Streams (2008) (83)
The perceptual segregation of simultaneous auditory signals: Pulse train segregation and vowel segregation (1989) (82)
Auditory stream segregation and the control of dissonance in polyphonic music (1987) (74)
Auditory streaming: Competition among alternative organizations (1978) (73)
Stream segregation and the illusion of overlap. (1976) (73)
The influence of different timbre attributes on the perceptual segregation of complex-tone sequences. (1997) (72)
Allocating attention to frequency regions (1994) (68)
Imagery and language acquisition (1973) (65)
Cumulation of the tendency to segregate auditory streams: Resetting by changes in location and loudness (1998) (65)
Resetting the pitch-analysis system. 2. Role of sudden onsets and offsets in the perception of individual components in a cluster of overlapping tones. (1994) (50)
Auditory continuity and amplitude edges. (1977) (48)
Forgetting curves with semantic, phonetic, graphic, and contiguity cues. (1968) (48)
Crossing of Auditory Streams (1985) (45)
Fusion of auditory components: Effects of the frequency of amplitude modulation (1990) (44)
Perception and behavior as compositions of ideals (1977) (41)
Memory for the syntactic form of sentences (1968) (38)
Fusion of simultaneous tonal glides: The role of parallelness and simple frequency relations (1984) (38)
Tone Profiles following Short Chord Progressions: Top-down or Bottom-up? (2000) (37)
Effects of the pattern of spectral spacing on the perceptual fusion of harmonics (1990) (36)
The perceptual segregation of simultaneous vowels with harmonic, shifted, or random components (1993) (35)
Is a common grouping mechanism involved in the phenomena of illusory continuity and stream segregation? (1999) (32)
Effect of silence between tones on auditory stream segregation. (1976) (32)
Rhythmic masking release: contribution of cues for perceptual organization to the cross-spectral fusion of concurrent narrow-band noises. (2002) (31)
Resetting the pitch-analysis system: 1. Effects of rise times of tones in noise backgrounds or of harmonics in a complex tone (1994) (30)
Auditory streaming and vertical localization: Interdependence of “what” and “where” decisions in audition (1980) (30)
Effects of test trials in paired-associate and free-recall learning. (1970) (30)
Visual stream Segregation (1973) (29)
Role of predictability of sequence in auditory stream segregation (1989) (28)
Asking the “What For” Question in Auditory Perception (2017) (27)
Capturing frequency components of glided tones: Frequency separation, orientation, and alignment (1981) (27)
Auditory streaming and the continuity illusion (1990) (27)
Psychological data and computational ASA (1998) (26)
Competition among auditory streaming, dichotic fusion, and diotic fusion (1982) (22)
Rhythmic masking release: effects of asynchrony, temporal overlap, harmonic relations, and source separation on cross-spectral grouping. (2005) (22)
Is recognition memory all-or-none? (1966) (20)
The effects of auditory streaming on duplex perception (1989) (20)
Stream segregation of narrow-band noise bursts (2001) (19)
Progress in Understanding Auditory Scene Analysis (2015) (15)
The Meaning of Duplex Perception: Sounds as Transparent Objects (1987) (14)
Effects of task-switching on neural representations of ambiguous sound input (2014) (14)
Adaptation of the wrist to displacing prisms (1969) (13)
Organization in audition by similarity in rate of change: Evidence from tracking individual frequency glides in mixtures (1994) (13)
Auditory scene analysis as a system (2008) (12)
Toward An Improved Model Of Auditory Saliency (2013) (11)
Auditory Scene Analysis and the Role of Phenomenology in Experimental Psychology (2005) (9)
The loud bird doesn't (always) get the worm: Why computational salience also needs brightness and tempo (2015) (9)
Effects of unit formation on the perception of a changing sound (2006) (9)
Propagation of constraints in auditory organization (1989) (8)
Ambiguous Musical Figures (2001) (6)
Perceptual segregation of simultaneous vowels presented as steady states and as parallel and crossing glides (1984) (5)
Progress in the Study of Auditory Scene Analysis (2007) (5)
Prioritizing foreground selection of natural chirp sounds by tempo and spectral centroid (2016) (5)
Negating the effects of binaural cues: competition between auditory streaming and contralateral induction. (1982) (4)
The Phonetic Integration of Speech and Non-speech Sounds: Effects of Perceived Location (1992) (4)
Rhythmic masking release: A paradigm to investigate auditory grouping resulting from the integration of time‐varying intensity levels across frequency and across ears (1997) (4)
Ambiguous musical figures. Sequential grouping by common pitch and sound-source location versus simultaneous grouping by temporal synchrony. (2001) (4)
Controlling the Perceptual Organization of Sound : Guidelines Derived from Principles of Auditory Scene Analysis ( ASA ) (2003) (4)
Creating Mixtures: The Application of Auditory Scene Analysis (ASA) to Audio Recording (2007) (4)
Use of psychological data in building ASA models (1995) (3)
Demonstrations to accompany Bregman ’ s Auditory Scene Analysis The perceptual organization of sound MIT Press , 1990 (2008) (3)
Auditory intensity changes can cue perception of transformation, accompaniment, or replacement (1991) (3)
Perceived Movement: The Flintstone Constraint (1982) (3)
Using brief glimpses to decompose mixtures (1991) (3)
How Does Physiology Support Auditory Scene Analysis (1992) (3)
Spectro‐temporal factors in the perceptual segregation of tonal sequences (1993) (2)
Chomsky without language (1981) (2)
Constraints on computational models of auditory scene analysis, as derived from human perception (1995) (2)
Three directions in research on auditory scene analysis (2013) (2)
Effect of amplitude modulation upon fusion of spectral components (1983) (1)
Two‐factor theory of auditory organization (1982) (1)
Prioritizing foreground selection of natural chirp sounds by tempo and spectral centroid (2016) (1)
Issues in the use of acoustic cues for auditory scene analysis (2003) (1)
The relative contribution of onset asynchrony, harmonic ratios and angular separation of sound sources to the cross‐spectral grouping of complex tones in a free field (1999) (0)
Klangfarbenmelodie in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 10 * (2022) (0)
RHYTHMS EMERGE FROM THE PERCEPTUAL GROUPING OF ACOUSTIC COMPONENTS (2008) (0)
Speech processing ability in alcoholics: a transient impairment and its relation to field dependence. (1985) (0)
The effect of GSR confirmed perception of bisensory input on immediate verbal memory. (1970) (0)
Formation of auditory descriptions (1976) (0)
Auditory scene analysis: Theory and phenomena (1993) (0)
Your attention, please! Determining saliency of competing audio stimuli in natural scenarios (2013) (0)
Scaling the perceptual clarity of the presence or absence of target tones embedded in modulated noise maskers (1992) (0)
Perceptual segregation of tones embedded in modulated noise maskers. (1992) (0)
Analyzing Spectra That Won't Stand Still (1982) (0)
The Perceptual Factoring of Acoustic Sequences into Musical Streams (1978) (0)
When Will We Hear Separate Events in a Sequence of Sounds (1997) (0)
Multiple pitch induced by frequency modulation of partials of complex tones (1982) (0)

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