Alexander Rehding

Alexander Rehding's AcademicInfluence.com Rankings

Alexander Rehding

Communications

#5259

World Rank

#7328

Historical Rank

communications Degrees

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Communications

Why Is Alexander Rehding Influential?

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According to Wikipedia, Alexander Rehding is Fanny Peabody Professor of Music at Harvard University. Rehding is a music theorist and musicologist with a focus on intellectual history and media theory, known for innovative interdisciplinary work. His publications explore music in a wide range of contexts from Ancient Greek music to the Eurovision Song Contest—and even in outer space. His research has contributed to Riemannian theory, the history of music theory, sound studies, and media archaeology, reaching into the digital humanities and ecomusicology.

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Alexander Rehding's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The Quest for the Origins of Music in Germany Circa 1900 (2000) (83)
Neuroaesthetics and the Trouble with Beauty (2013) (73)
The Oxford handbook of neo-Riemannian music theories (2011) (45)
Music theory and natural order from the Renaissance to the early twentieth century (2005) (40)
Music and Monumentality (2009) (38)
Ecomusicology between apocalypse and nostalgia (2011) (33)
Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany (2009) (32)
Towards A 'Logic of Discontinuity' in Stravinsky's 'Symphonies of Wind Instruments': Hasty, Kramer and Straus Reconsidered (1998) (31)
Instruments of Music Theory (2016) (22)
Liszt's Musical Monuments (2002) (16)
Hugo Riemann and the Birth of Modern Musical Thought: Beethoven's deafness, exotic harmonies and tone imaginations (2003) (16)
Wax Cylinder Revolutions (2005) (16)
Hugo Riemann and the Birth of Modern Musical Thought: Glossary: Riemann's key terms as explained in the Musik-Lexikon (5th edn, 1900) (2003) (11)
Three Music-Theory Lessons (2016) (11)
Discrete/continuous: Music and media theory after Kittler (2017) (10)
Eco-Musicology (2002) (8)
Rousseau, Rameau, and Enharmonic Furies in the French Enlightenment (2005) (7)
Trial Scenes at Nuremberg (2001) (7)
Tonality between Rule and Repertory; Or, Riemann's Functions—Beethoven's Function (2011) (6)
Hugo Riemann and the Birth of Modern Musical Thought: Epilogue (2003) (6)
Review ArticleEco-Musicology (2002) (5)
Of Sirens Old and New (2014) (3)
Inventing Liszt's life: early biography and autobiography (2005) (3)
Consonance and Dissonance (2015) (2)
Music-Historical Egyptomania, 1650–1950 (2014) (2)
The Discovery of Slowness in Music (2015) (2)
Editors' Introduction: Adorno, Music, Modernity (2016) (2)
Alien Listening (2021) (1)
Timbre/Techne (2018) (1)
Beethoven's Symphony No. 9 (2017) (1)
On libraries, encyclopedias and contemporary theorizing (2006) (1)
Hugo Riemann and the Birth of Modern Musical Thought: Riemann's musical logic and the ‘As if’ (2003) (1)
The Structure of Plato's Dialogues and Greek Music Theory: A Response to J. B. Kennedy (2011) (1)
Marsha L. Morton and Peter L. Schmunk, eds, The Arts Entwined: Music and Painting in the Nineteenth Century (New York and London: Garland, 2000). viii + 239pp. £50 (2004) (0)
Collector, Critic, Fancier: In Memoriam Daniel Albright (2016) (0)
Review of Richard Cohn, Audacious Euphony (2014) (0)
The Dent Medal (2015) (0)
Neuroaesthetics and the Trouble with Beauty this access you. Your matters (2013) (0)
Musical syntax, nationhood and universality (2003) (0)
The Ninth at the Wall (2009) (0)
The Book of Music & Nature. Edited by David Rothenberg and Marta Ulvaeus. Middletown, Connecticut: Wesleyan University Press, 2001 (2003) (0)
Music Theory's Other Nature: Reflections on Gaia, Humans, and Music in the Anthropocene (2021) (0)
For the record (2004) (0)
Unsound Seeds (2019) (0)
Hugo Riemann and the Birth of Modern Musical Thought: Hugo Riemann's moonshine experiment (2003) (0)
Titles available for review (2022) (0)
Music Theory and Philosophy (2020) (0)
Riemann and Melodic Analysis (2011) (0)
Apologia for Erik (2005) (0)
Virtuosity and the Musical Work: The Transcendental Studies of Liszt (review) (2004) (0)
Grieg's Sonic Afterimages (2021) (0)
Music's Monisms (2021) (0)
Hugo Riemann and the Birth of Modern Musical Thought: The responsibilities of nineteenth-century music theory (2003) (0)
The Time of Musical Monuments (2009) (0)
Opening the Music Box (2019) (0)
Music at Hand: Instruments, Bodies, and Cognition by Jonathan De Souza (2020) (0)
A Note from the Guest Editors: Idea and Image in Schoenberg’s Moses und Aron (2008) (0)
Timbre: Alternative Histories and Possible Futures for the Study of Music (2018) (0)
Opelt’s Siren and the Technologies of Musical Hearing (2021) (0)

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