Amanda Eubanks Winkler | Academic Influence

Amanda Eubanks Winkler's AcademicInfluence.com Rankings

Amanda Eubanks Winkler

Communications

#3576

World Rank

#5025

Historical Rank

#1565

USA Rank

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Communications

Amanda Eubanks Winkler's Degrees

Bachelors Music University of California, Berkeley

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Best Online Bachelor's in Music 2025

Why Is Amanda Eubanks Winkler Influential?

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According to Wikipedia, Amanda Eubanks Winkler is a British-American scholar of English music and theater. She is Director of the Department of Music at Mason Gross School of the Arts, Rutgers University. Formerly she was Chair and Professor of Music History and Cultures in the Department of Art and Music Histories at Syracuse University College of Arts and Sciences. Between 2017–2020, she collaborated with the theater historian Richard Schoch on the AHRC Research Project Performing Restoration Shakespeare.

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Amanda Eubanks Winkler's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage (2006) (26)
‘O ravishing delight’: the politics of pleasure in The Judgment of Paris (2003) (3)
Sexless Spirits?: Gender Ideology and Dryden's Musical Magic (2010) (3)
The Intermedial Dramaturgy of Dramatick Opera: Understanding Genre through Performance (2019) (2)
Beyond Boundaries: Rethinking Music Circulation in Early Modern England (2018) (2)
Enthusiasm and Its Discontents: Religion, Prophecy, and Madness in the Music for Sophonisba and The Island Princess (2006) (2)
Politics and the Reception of Andrew Lloyd Webber’s The Phantom of the Opera (2014) (2)
Dangerous Performance: Cupid in Early Modern Pedagogical Masques (2016) (2)
Schoolboy Performance in the Post-Reformation North-East (2020) (1)
Society and Disorder (2012) (1)
English Music in Benefit Concerts: Henry Purcell and the Next Generation (2019) (1)
Music for Macbeth (2004) (1)
Music, Dance, and Drama in Early Modern English Schools (2020) (1)
Reviews: Bodleian Library Broadside Ballads and English Broadside Ballad Archive (2014) (1)
Concepts of Creativity in Seventeenth-Century England: ‘Our Friend Venus Performed to a Miracle’: Anne Bracegirdle, John Eccles and Creativity (2013) (0)
A Tale of Twelfth Night: Music, Performance, and the Pursuit of Authenticity (2018) (0)
‘Armida's Picture we from Tasso Drew’?: The Rinaldo and Armida Story in Late Seventeenth- and Early Eighteenth-Century English Operatic Entertainments (2019) (0)
From Whore to Stuart Ally: Musical Venuses on the Early Modern English Stage (2017) (0)
Footstrike Pattern Characterization and Relationship to Performance in a Cohort Of U.S. Army Soldiers: 2978 Board #264 May 30, 3 (2014) (0)
‘Armida’s Picture we from Tasso Drew’?: (2019) (0)
Damnable Practices: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads by Sarah F. Williams (review) (2016) (0)
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler (2021) (0)
Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company (2022) (0)
Eroticism in Early Modern Music. Ed. by Bonnie J. Blackburn and Laurie Stras (2016) (0)
29. A Thousand Voices (2016) (0)
Introduction: Rethinking boundaries in musical practice and circulation (2017) (0)
Music, Science, and Natural Magic in Seventeenth-Century England (review) (2000) (0)
Performing the Professional (2020) (0)
The concluding chapters focus on the creative role of performers in musical compositions , with essays by (2018) (0)
Eroticism in Early Modern Music ed. by Bonnie J. Blackburn, Laurie Stras (review) (2016) (0)
Books Received (1927) (0)
TWENTY-FIFTH ANNUAL CONFERENCE OF THE SOCIETY FOR SEVENTEENTH-CENTURY MUSIC (2017) (0)

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What Schools Are Affiliated With Amanda Eubanks Winkler?

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