Andrew Hemingway
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Professor of art history
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Andrew Hemingway education Degrees
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#350
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(Suggest an Edit or Addition)Andrew Hemingway 's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Farewell to an Idea: Episodes from a History of Modernism (2000) (124)
- Painting and the Politics of Culture: New Essays on British Art 1700-1850. (1993) (33)
- Artists on the Left: American Artists and the Communist Movement, 1926-1956 (2002) (31)
- Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain (1992) (31)
- Meyer Schapiro and Marxism in the 1930s (1994) (16)
- Sustainable Urban Drainage Systems (SUDS) treatment train assessment tool. (2009) (16)
- Art in Bourgeois Society, 1790-1850 (1998) (12)
- Marxism and the History of Art: From William Morris to the New Left (2015) (11)
- Marxism and Art History-after the Fall of Communism (1996) (9)
- The ‘Sociology’ of Taste in the Scottish Enlightenment (1989) (7)
- Cultural Democracy by Default: The Politics of the New Deal Arts Programmes (2007) (7)
- review of Dave Beech & John Roberts (ed.), 'The Philistine Controversy' (London & New York: Verso, 2002) (2005) (5)
- Romantic landscape : the Norwich school of painters (2000) (5)
- GENIUS, GENDER AND PROGRESS: BENTHAMISM AND THE ARTS IN THE 1820s (1993) (4)
- The Mysticism of Money: Precisionist Painting and Machine Age America (2013) (4)
- As radical as reality itself : essays on Marxism and art for the 21st century (2007) (4)
- The Realist Aesthetic in Painting: "Serious and committed, ironic and brutal, sincere and full of poetry" (2007) (3)
- review of T.J. Clark, 'Farewell to an Idea: Episodes from a History of Modernism', and O.K. Werckmeister,' Icons of the Left: Benjamin and Eisenstein, Picasso and Kafka after the Fall of Communism' (2001) (3)
- Landscape between Ideology and the Aesthetic (2016) (2)
- 'American Communists View Mexican Muralism: Critical and Artistic Responses' (2010) (2)
- The Norwich School of Painters, 1803-1833 (1979) (2)
- Cultural Philanthropy and the Invention of the Norwich School (1988) (2)
- Transatlantic Romanticism: British and American Art and Literature, 1790-1860 (2015) (2)
- 'American Art pre-1940 and the Problem of Art History's Object' (2009) (2)
- Introduction: College art association radical art caucus: Papers from the 2003 conference session (2005) (2)
- 'From Cultural Studies to Visual Culture Studies: An Historical and Political Critique' (2008) (2)
- Paul Strand and Twentieth-Century Americanism: Varieties of Romantic Anti-Capitalism (2015) (1)
- THE POLITICAL THEORY OF PAINTING WITHOUT THE POLITICS (1987) (1)
- The regulatory regime for bringing SUDS into routine use for industrial estates and business parks in Scotland, UK (2017) (1)
- To “Personalize the Rainpipe”: The Critical Mythology of Edward Hopper (1992) (1)
- E. H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism (2009) (1)
- "Norwich School": Myth and Reality (2000) (1)
- Constituents of Romantic Genius: John Sell Cotman's Greta Drawings (1997) (1)
- The Two Paths (1996) (1)
- review of Barbara Zabel, 'Assembling Art: The Machine and the American Avant-Garde' (Jackson, Miss., 2004) (2005) (1)
- Fictional Unities: ‘Antifascism’ and ‘Antifascist Art’ in 30s America (1991) (1)
- Individualism and/or Solidarity? Anarchist Modernism in the United States. Review of Allan Antiff, Anarchist Modernism: Art, Politics and the First American Avant-Garde (2002) (1)
- Degas: The Painter as Printmaster; Degas Monotypes (1985) (1)
- Where Have All the Leftists Gone (2005) (0)
- Marxism and Art (2014) (0)
- The Debate on Art and the State in Postwar America (1999) (0)
- John Crome’s ‘Local Scenery’: Iconography and the Ideology of the Picturesque (2016) (0)
- Franz Roh's Nach-Expressionismus and the Weltanschauung of the Weimar Republic (2017) (0)
- Regarding Art and Art History (2012) (0)
- Cultural Democracy by Default: The Communist Contribution to the New Deal Arts Programs (2008) (0)
- Introduction : realism then and now (2018) (0)
- The Science of Taste in the Eighteenth Century: Philosophical Criticism and the Scottish Historical School (2016) (0)
- Constable and His Audience: An Argument for Iconography (2016) (0)
- Review. Middlebrow: for and against (1999) (0)
- Assembling Art: The Machine and the American Avant-Garde (review) (2005) (0)
- Meeting hydrogen needs (2006) (0)
- Artist on the Left and their Critics (1997) (0)
- 'Middlebrow: For and Against', review of Michael Denning, 'The Cultural Front: The Laboring of American Culture in the Twentieth Century', and Jonathan Harris, 'Federal Art and National Culture' (1999) (0)
- Artisanal Worldview in the Paintings of John Crome (2017) (0)
- Strategic directions: encouraging the national uptake of Source Control SUDS (2015) (0)
- Coda: Regarding Art History (2016) (0)
- Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral (2016) (0)
- Marxism and the History of Art (0)
- College Art Association Radical Art Caucus: Papers from the 2003 Session (2005) (0)
- What Does a Materialist Art History Do? Andrew Hemingway's Response (2001) (0)
- National Icons and the Consolations of Imagery (1994) (0)
- Realism under duress: the 1930s (2015) (0)
- Between Zhdanovism and 57th Street: Artists and the CPUSA, 1945-56 (2006) (0)
- Middlebrow: For and Against (1999) (0)
- Subject‐matter in the paintings of John Crome (1984) (0)
- The Field of Waterloo Exposed: Turner, Byron, and the Politics of Reaction (2017) (0)
- Bourgeois Critiques of the Monopoly of Taste (2016) (0)
- The Philistine Controversy, edited by Dave Beech and John Roberts (2005) (0)
- MEANING IN COTMAN'S NORFOLK SUBJECTS (1984) (0)
- Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century (2016) (0)
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