Arne Eigenfeldt
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Canadian modern composer
Arne Eigenfeldt's AcademicInfluence.com Rankings
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Arne Eigenfeldt's Degrees
- PhD Music Composition Simon Fraser University
- Masters Music Composition University of Victoria
- Bachelors Music Composition University of Victoria
Why Is Arne Eigenfeldt Influential?
(Suggest an Edit or Addition)According to Wikipedia, Arne Eigenfeldt is a Canadian composer and creator of interactive and generative music systems based in Vancouver, British Columbia. Both his music and his research into intelligent systems have been presented internationally. He is currently a professor of music at Simon Fraser University. He also produces electronica under the pseudonyms Raemus and loadbang.
Arne Eigenfeldt's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Realtime Generation of Harmonic Progressions Using Constrained Markov Selection (2010) (64)
- An Introduction to Musical Metacreation (2016) (59)
- Evolving structures for electronic dance music (2013) (34)
- Considering Vertical and Horizontal Context in Corpus-based Generative Electronic Dance Music (2013) (31)
- Evaluating Musical Metacreation in a Live Performance Context (2012) (29)
- Towards a Taxonomy of Musical Metacreation: Reflections on the First Musical Metacreation Weekend (2021) (28)
- The Evolution of Evolutionary Software: Intelligent Rhythm Generation in Kinetic Engine (2009) (26)
- Negotiated Content: Generative Soundscape Composition by Autonomous Musical Agents in Coming Together: Freesound (2011) (25)
- Collaborative Composition with Creative Systems: Reflections on the First Musebot Ensemble (2015) (22)
- Drum Circle: Intelligent Agents in Max/MSP (2007) (21)
- Emergent Rhythms through Multi-agency in Max/MSP (2008) (20)
- An Agent-based System for Robotic Musical Performance (2008) (20)
- Manifesto for a Musebot Ensemble : A platform for live interactive performance between multiple autonomous musical agents (20)
- Populations of Populations: Composing with Multiple Evolutionary Algorithms (2012) (19)
- Corpus-based recombinant composition using a genetic algorithm (2012) (17)
- Collaborative Composition For Musical Robots (2009) (17)
- Hierarchical Sequential Memory for Music: A Cognitive Model (2009) (17)
- KINETIC ENGINE: TOWARD AN INTELLIGENT IMPROVISING INSTRUMENT (2006) (17)
- Real-time Composition as Performance Ecosystem (2011) (17)
- MUSICOG: A COGNITIVE ARCHITECTURE FOR MUSIC LEARNING AND GENERATION (2012) (16)
- The Generative Electronic Dance Music Algorithmic System (GEDMAS) (2021) (16)
- A Methodology for the Comparison of Melodic Generation Models Using Meta-Melo (2013) (16)
- A Sonic Eco-System of Self-Organising Musical Agents (2011) (15)
- Audio Metaphor: Audio Information Retrieval for Soundscape Composition (2012) (14)
- The Creation of Evolutionary rhythms within a Multi-Agent Networked Drum Ensemble (2007) (14)
- A Realtime Generative Music System using Autonomous Melody, Harmony, and Rhythm Agents (2009) (14)
- Flexible Generation of Musical Form: Beyond Mere Generation (2016) (13)
- Beatback: A Real-time Interactive Percussion System for Rhythmic Practise and Exploration (2010) (13)
- Creative Agents, Curatorial Agents, and Human-Agent Interaction in Coming Together (2012) (13)
- The Musical Metacreation Weekend: Challenges Arising from the Live Presentation of Musically Metacreative Systems (2021) (12)
- Real-Time Timbral Organisation: Selecting samples based upon similarity1 (2010) (10)
- Evaluating Musical Metacreation (2012) (10)
- Generating Structure - Towards Large-Scale Formal Generation (2014) (9)
- Generative Music for Live Musicians: An Unnatural Selection (2015) (8)
- Coming together: negotiated content by multi-agents (2010) (7)
- Manuscore: Music Notation-Based Computer Assisted Composition (2012) (7)
- Generative Music for Live Performance: Experiences with real-time notation (2014) (7)
- The MusicDB: A Music Database Query System for Recombinance-based Composition in Max/MSP (2008) (7)
- The Human Fingerprint in Machine Generated Music (2013) (6)
- Coming together: composition by negotiation (2010) (6)
- MediaScape: Towards a Video, Music, and Sound Metacreation (2014) (6)
- Interacting with Musebots (2018) (5)
- Distributed musical decision-making in an ensemble of musebots: dramatics changes and endings (2017) (5)
- EXPLORING MOMENT-FORM IN GENERATIVE MUSIC (2016) (5)
- Creative Agents (2012) (4)
- TOWARDS A GENERATIVE ELECTRONICA: HUMAN-INFORMED MACHINE TRANSCRIPTION AND ANALYSIS IN MAXMSP (2011) (4)
- Validation of Harmonic Progression Generator Using Classical Music (2012) (4)
- Distributed Musical Decision-making in an Ensemble of Musebots : Dramatic Changes and Endings A Brief History of Musebot Ensembles (2017) (4)
- Musebots at One Year: A Review (2016) (4)
- Embracing the Bias of the Machine: Exploring Non-Human Fitness Functions (2021) (4)
- Realtime Selection of Percussion Samples Through Timbral Similarity in Max/MSP (2009) (3)
- Special Issue on Musical Metacreation, Part I (2016) (2)
- A Music Database and Query System for Recombinant Composition (2008) (2)
- A Composer ’ s Search for Creativity Within Computational Style Modeling (2)
- Video, Music, And sound MetAcreAtion (2014) (2)
- Generating electronica: a virtual producer and virtual DJ (2013) (2)
- Multi-Agent Multimodal Performance Analysis (2008) (2)
- Special Issue on Musical Metacreation, Part II (2017) (1)
- A New Analytical Method For The Musical Study of Electronica (2011) (1)
- Reports of the Workshops Held at the Tenth AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment (2015) (1)
- Reports on the 2012 AIIDE Workshops (2012) (0)
- Scientitic Committee and Reviewers (2006) (0)
- MediaScape : Towards a V ideo , Music , and Sound Metacreat ion (2014) (0)
- International Computer Music Conference 2007: Live Electronics (review) (2008) (0)
- Imaginary Miles: Modeling Musebots After Musicians (2018) (0)
- Berlin Remix (2017) (0)
- Corpus-based recombinant composition using a genetic algorithm (2012) (0)
- NetBeat and Net4Tet--Networked Performance Instruments for Electroacoustic Music Students (2009) (0)
- Table of Contents (2019) (0)
- About This Issue (2008) (0)
- Preface (2021) (0)
- “ Grey Matter ” : The Challenge of Maintaining Harmonic Consistency and Thematic Ambiguity in the Age of Artificial Intelligence (2018) (0)
- INTERACTING WITH MUSEBOTS (THAT DON’T REALLY LISTEN) (2019) (0)
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What Schools Are Affiliated With Arne Eigenfeldt?
Arne Eigenfeldt is affiliated with the following schools:
