Arnold Whittall

Arnold Whittall's AcademicInfluence.com Rankings

Arnold Whittall

Philosophy

#4489

World Rank

#7023

Historical Rank

Logic

#4995

World Rank

#6346

Historical Rank

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Philosophy

Why Is Arnold Whittall Influential?

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According to Wikipedia, Arnold Whittall is a British musicologist and writer. He is Professor Emeritus at King's College London. Between 1975 and 1996 he was Professor at King's. Previously he lectured at Cambridge, Nottingham and Cardiff , where one of his students was Australian composer Norma Tyer.

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Arnold Whittall's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Music and the Historical Imagination (1990) (95)
Music analysis in theory and practice (1988) (91)
Musical composition in the twentieth century (1999) (52)
The Ashgate research companion to experimental music (2010) (38)
Music since the First World War (1977) (27)
Variation in coumarin content of Melilotus species grown in South Australia (2010) (27)
Exploring twentieth-century music : tradition and innovation (2003) (26)
Music theory and the exploration of the past (1995) (25)
Wagner's Great Transition? From 'Lohengrin' to 'Das Rheingold' (1983) (24)
Analytic Voices: The Musical Narratives of Carolyn Abbate (1992) (22)
The Cambridge introduction to serialism (2008) (21)
György Ligeti. Music of the Imagination by Richard Steinitz, Faber and Faber, £25.00. György Ligeti: Style, Ideas, Poetics by Marina Lobanova, translated by Mark Shuttleworth, Verlag Ernst Kuhn. (2003) (20)
Review-article. The mechanisms of Lament: Harrison Birtwistle's 'Pulse Shadows' (1999) (19)
Ambiguity in tonal music: A preliminary study Kofi Agawu (1994) (19)
RESISTING TONALITY: TIPPETT, BEETHOVEN AND THE SARABANDE (1990) (19)
‘BYZANTIUM’: TIPPETT, YEATS AND THE LIMITATIONS OF AFFINITY (1993) (15)
New Opera, Old Opera: Perspectives on Critical Interpretation (2009) (14)
The later symphonies (2004) (14)
Cross-Currents and Convergencies: Britten, Maxwell Davies and the Sense of Place (1998) (14)
The Music of Britten and Tippett: Studies in Themes and Techniques (1982) (14)
The Oxford History of Western Music, Volume 3: The Nineteenth Century (2005) (13)
Music for 18 musicians (1978) (13)
Criticism and analysis: current perspectives (2008) (13)
Transformations of Musical Modernism: Expressionism revisited: modernism beyond the twentieth century (2015) (12)
Three questions for sixty-five composers (2012) (12)
The Cambridge History of Twentieth-Century Music (2003) (11)
The Theorist's Sense of History: Concepts of Contemporaneity in Composition and Analysis (1987) (11)
The What & the Why (1996) (9)
Romantic Music: A Concise History from Schubert to Sibelius (1987) (9)
Individualism and accessibility: the moderate mainstream, 1945-75 (2003) (8)
MUSIC ANALYSIS AS HUMAN SCIENCE? Le Sacre du Printemps in Theory and Practice (1982) (8)
Opera and modern culture: Wagner and Strauss (2005) (8)
Webern and Multiple Meaning (1987) (8)
Twelve-note Composition (1988) (8)
Subjectivity, Synthesis, and Hermeneutic Narrative: Dissenting Voices (2000) (8)
Webern and Atonality: The Path from the Old Aesthetic (1983) (7)
Metaphors of depth in German musical thought from E.T.A. Hoffmann to Arnold Schoenberg (2012) (7)
Reflections on Musical Meaning and its Representations by Leo Treitler (review) (2012) (6)
Effect of defoliation stress on 2-hydroxy cinnamic acid content at different growth stages in Melilotus albus (2006) (6)
‘Twisted relations’: Method and meaning in Britten's Billy Budd (1990) (6)
"Franz Schreker, 1878-1934: A Cultural Biography", Christopher Hailey [w:] Music in the twentieth century, red. Arnold Whittall, Cambridge 1993 : [recenzja] / Jolanta Guzy-Pasiakowa. (1999) (5)
Resistance and Reflection: Richard Barrett in the 21st Century (2005) (5)
Gyorgy Kurtag: three interviews and Ligeti homages (2010) (5)
The Music of Conlon Nancarrow@@@Music in the Twentieth Century (1997) (5)
Wagner and the romantic hero (2005) (5)
Isang Yun (2003) (4)
Pitch-class Sets (1988) (4)
American Muse. The Life and times of William Schuman (2010) (4)
‘Bona cadentia dictaminum’: Reconstructing Word Setting in Machaut’s Songs (2013) (4)
‘Unbounded Visions’: Boulez, Mallarmé and Modern Classicism (2004) (4)
Henze's Haunted Sensibility (2006) (4)
Hyde (2013) (4)
Some Recent Writings on Stravinsky (1989) (4)
Genetic Criticism and the Creative Process: Essays from Music, Literature, and Theatre. Ed. by William Kinderman and Joseph E. Jones. (2011) (3)
Andriessen's Recent Music: Three for All (2001) (3)
Unsuk Chin in Focus: Meditations & Mechanics (2000) (3)
The Instrumental Music of Nicholas Maw: Questions of Tonality (1973) (3)
Tonality in Britten's Song Cycles with Piano (1971) (3)
Plotting the path, prolonging the moment: Kurtág's Settings of German (2001) (3)
The Study of Britten: Triadic Harmony and Tonal Structure (1979) (3)
Understanding Music: The Nature and Limits of Musical Cognition. By Hans Heinrich Eggebrecht. Trans. by Richard Evans. (2011) (3)
Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981 (review) (2012) (3)
The Elements of James Dillon (2007) (3)
Other Planets. The Music of Karlhenz Stockhausen, by Robin Maconie. The Scarecrow Press, Inc, £24.99. (2006) (3)
Schoenberg and the 'True Tradition': Theme and Form in the String Trio (1974) (3)
THE MATTHEWS MARK: A PHILOSOPHER'S PERSPECTIVE (2011) (3)
The concerto since 1945 (2005) (3)
Musicology in Great Britain Since 1945 (1980) (3)
Connections and Constellations (2003) (3)
Schoenberg since 1951: Overlapping Opposites (2001) (3)
Comparatively Complex: Birtwistle, Maxwell Davies and Modernist Analysis (1994) (3)
Intertextuality in Western Art Music. By Michael L. Klein. pp. xi + 182. (Indiana University Press, Bloomington and Indianapolis, 2005. $44.95. ISBN 0-253-34468-9.) (2006) (2)
The chamber operas (1999) (2)
Stravinsky and the Russian Traditions: A Biography of the Works Through "Mavra" . Richard Taruskin . (1997) (2)
‘A dance of the deadly sins’: The Beltane Fire and the rites of modernism (2017) (2)
Hosokawa et al. (2013) (2)
Exploring Twentieth-Century Music (2003) (2)
Stravinsky in Context (2020) (2)
The Master Musicians: Stravinsky (1993) (2)
Orpheus: And after (1998) (2)
Letters from a Life: The Selected Letters of Benjamin Britten, Volume Four 1952–1957. Ed. By Philip Reed, Mervyn Cooke, and Donald Mitchell. (2009) (2)
Schoenberg chamber music (1972) (2)
Twentieth-Century Music in Retrospect: Fulfilment or Betrayal? (1999) (2)
Sensibility and English Song: Critical Studies of the Early 20th Century@@@Tippett: The Composer and His Music (1985) (2)
Music and Poetry: The Nineteenth Century and After (1985) (2)
Jonathan Harvey: Song Offerings and White as Jasmine (2010) (2)
‘Is there a choice at all?’ King Priam and motives for analysis (1999) (2)
Experience, Thought and Musicology. Music Analysis: Who Needs It? Arnold Whittall Analyses the Analysts (1993) (2)
Berg and the twentieth century (1997) (2)
Opera in transition (2005) (2)
Five Lines, Four Spaces. The World of My Music (2010) (2)
Breaking the Balance (1996) (2)
Letters from a Life: The Selected Letters of Benjamin Britten, Volume Four 1952–1957 (review) (2009) (2)
BOULEZ AT 80: THE PATH FROM THE NEW MUSIC (2005) (2)
MOTIVES FOR MUSIC: LONDON, MAY 2018 (2019) (1)
British Music Thirty Years Ago (1964) (1)
Contemporary German composers (2005) (1)
Post-Twelve-Note Analysis (1967) (1)
Defusing Dionysus? New Perspectives on The Rite of Spring (2002) (1)
Analysis@@@A Guide to Musical Analysis@@@Music Analysis in Theory and Practice (1989) (1)
‘SUBTLE SHIFTS’: HOWARD SKEMPTON'S TWENTY-FIRST-CENTURY MODERNISM (2018) (1)
Finnissy and pantonality (2019) (1)
Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981. By Eric Drott. (2012) (1)
Review: Britten, Voice and Piano: Lectures on the Vocal Music of Benjamin Britten (2004) (1)
Book review. Richard Wagner: 'Der Fliegende Hollander'. T Grey [ed] (2001) (1)
Harmony – and Symmetry (1988) (1)
British Music after Britten (2020) (1)
Gyorgy Ligeti: Style, ideas, poetics (2003) (1)
A TRANSATLANTIC FUTURE (1970) (1)
Robert S. Hatten, Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation. Bloomington and Indianapolis, Indiana University Press, 1994. xviii + 350 pp. ISBN 0 253 32742 3 (1996) (1)
Schenker and the Prospects for Analysis (1980) (1)
Perspectives on York Holler. All Contradictions Reconciled (1998) (1)
Song and Sign (2020) (1)
Understanding Music: The Nature and Limits of Musical Cognition (review) (2012) (1)
Uneasy Evaluatives: Perspectives on Babbitt (2004) (1)
Among the Rushes (2006) (1)
Holliger at 60. Keeping the Faith (1999) (1)
‘INTO THE BREACH’: OLIVER KNUSSEN IN HIS TIME (2013) (1)
Reading the Will (2006) (1)
Peter Maxwell Davies at Dartington: the composer as teacher (2009) (1)
Review: The Cambridge History of Western Music Theory, edited by Thomas Christensen (2005) (1)
Measures of Authenticity: The Macrotonal Music of Julian Anderson (2020) (1)
Elliott Carter Studies: The search for order (2012) (1)
Birtwistle's Last Supper and Adams's El Nino: Echoes of Old Beliefs (2002) (1)
Britten on Music, and: Britten, Voice and Piano: Lectures on the Vocal Music of Benjamin Britten (review) (2005) (1)
Germany: Cross-Currents and Contradictions (1991) (1)
The Study of Britten (2016) (1)
Analysis as Performance (1990) (1)
Carl Dahlhaus, the nineteenth century and opera (1991) (1)
The polypropylene hinge (1964) (1)
Lifting the Veil: The Biography of Sir John Tavener (review) (2004) (1)
A Theory of Musical Narrative. By Byron Almén. (2010) (1)
Being Courteous: The View from the Old Country (2011) (1)
Thematicism in Stravinsky's ‘Abraham and Isaac’ (1969) (1)
Summer's Long Shadows (1997) (0)
'A Slight Oversimplification': An Interview with Arnold Whittall (1995) (0)
Writing through Music: Essays on Music, Culture, and Politics (review) (2010) (0)
SPANISH SACRED MUSIC (1980) (0)
Reflection Three, “Strangely simple”: Howard Skempton's composing (2019) (0)
Toby Thacker, Music after Hitler, 1945–1955 (Aldershot: Ashgate, 2006), ISBN 978 0 7546 5346 2 (hb) (2007) (0)
Wagner and Venice (review) (2010) (0)
Modernism and Music: An Anthology of Sources (review) (2005) (0)
Judith Weir (2004) (0)
Wagner and Musicologists... (1986) (0)
Berio's Sequenzas: Essays on Performance, Composition and Analysis. Ed. by Janet K. Halfyard. (2008) (0)
Thoughts for the Future (1997) (0)
Carter’s Violin Concerto (2006) (0)
Mods and Cons (1994) (0)
Songs and Proverbs of William Blake; Holy Sonnets of John Donne (1969) (0)
Betsy Jolas (2013) (0)
ROUSSEAU AND THE SCOPE OF OPERA (1964) (0)
Music, Theatre and Politics in Germany: 1848 to the Third Reich (review) (2008) (0)
Britten's Children. By John Bridcut. (2007) (0)
Wagner and Venice. By John W. Barker. (2010) (0)
BBC Music in the Glock Era and After: A Memoir. By Leo Black, edited by Christopher Wintle with Kate Hopkins, and drawings by Milein Cosman. (2011) (0)
Roger Sessions. A Biography (2010) (0)
Webern 21 (review) (2011) (0)
HUMAN STRAINS: JAMES CLARKE AND THE MUTATING MUSICAL IDEA (2020) (0)
Elliott Carter: A Centennial Celebration, and: Elliott Carter: A Centennial Portrait in Letters and Documents (review) (2009) (0)
Erkki-Sven Tüür (2015) (0)
Maw's ‘Personae’ Chromaticism and Tonal Allusion (1978) (0)
Book review. French Cultural Politics & Music: from the Dreyfus Affair to the First World War. JF Fulcher (2001) (0)
Some Last Things (1999) (0)
Wagner and 21st-Century Opera (2008) (0)
The Public and the Personal: Birtwistle and Maxwell Davies at 80 (2020) (0)
Jonathan Harvey and Spectralism as “Spiritual Breakthrough” (2022) (0)
Developments of Schenker:: Katz and Salzer (1988) (0)
Books Received (1991) (0)
ADÈS AT 50: PRECARIOUS POISE (2021) (0)
Dane Rudhyar: His Music, Thought, and Art. By Deniz Ertan. (2010) (0)
Harrison Birtwistle Studies: ‘Let it drift’: Birtwistle's late-modernist music dramas (2015) (0)
Olivier Messiaen: Music, Art and Literature, and: Olivier Messiaen: Oiseaux exotiques (review) (2008) (0)
John Adams’s Nixon in China: Musical Analysis, Historical and Political Perspectives by Timothy A. Johnson (review) (2012) (0)
Review of books. Untwisting the Serpent: Modernism in Music, Literature and Other Arts. D Albright (2001) (0)
Hallelujah Junction: Composing an American Life. By John Adams. (2010) (0)
Letters from a Life: Selected Letters of Benjamin Britten, Vol. 3: 1946–1951. Ed. by Donald Mitchell, Philip Reed, and Mervyn Cooke. pp. xxvi + 758. (Faber, London, 2004, £25. ISBN 0-571-22282-X.) (2005) (0)
Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring (review) (2006) (0)
"The Music of John Cage", James Pritchett [w:] "Music in the Twentieth Century", red. Arnold Whittall, Cambridge 1993 : [recenzja] / Jolanta Guzy-Pasiakowa. (1996) (0)
Form – and Duration (1988) (0)
BBC Music in the Glock Era and After: A Memoir (review) (2011) (0)
Elliott Carter ou Le temps fertile. Max Noubel (2002) (0)
Lennox and Freda (review) (2012) (0)
Wagner's Themes: A Study in Musical Expression (review) (2006) (0)
Thirty (More) Years on. Arnold Whittall Looks Back on Thirty Years of British Music (1994) (0)
Wagner and Real Life (1996) (0)
Foundations and fixations (2018) (0)
Then and Now: or, Analysists are Human Too (2002) (0)
Schenker the Theorist (1988) (0)
Guidelines for Further Study (1988) (0)
Neoclassical Music in America: Voices of Clarity and Restraint by R. James Tobin (review) (2015) (0)
Artist or Acrobat (1964) (0)
Louis Andriessen: ‘De Staat’. By Robert Adlington. pp. xi + 167; CD. Landmarks in Music since 1950. (Ashgate, Aldershot and Burlington, Vt., 2004, £35. ISBN 0-7546-0925-1.) (2005) (0)
A Voyage Beyond Romance (1995) (0)
Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music (review) (2008) (0)
A WAR AND A WEDDING: TWO MODERN BRITISH OPERAS (1974) (0)
James Erber (2014) (0)
Is Language a Music? Writings on Musical Form and Signification (review) (2006) (0)
Sparks in the Dark (1997) (0)
'A Play of Pure Forces'? Elliott Carter's Opera in Context (2008) (0)
Sea-changes: Melville–Forster–Britten: The Story of Billy Budd and its Operatic Adaptation by Hanna Rochlitz (review) (2013) (0)
The Power of Robert Simpson: A Biography by Donald Macauley (review) (2014) (0)
Drama and the World of Richard Wagner (review) (2005) (0)
A Civil Tongue (1997) (0)
Representing Sonatas (2008) (0)
Lachenmann (2004) (0)
Barrett - BARRETT: Dark Matter. Elision and Cikada Ensembles, c. Christian Eggen. NMC D183. (2013) (0)
Double Dealer. Arnold Whittall Admires the Passion and Persistence of Composer and Theorist, George Perle, Whose Bergian Commitment Burns as Brightly as Ever (1996) (0)
Britten: Music and Words (1981) (0)
Where There's a Will (2007) (0)
DONATONI: Piano Music. Maria Isabella de Carli, with Mariarosa Bodini. Stradivarius STR33627 DONATONI: Arie; Voci; Prom; Doubles II. Pilar Jurado (sop), Netherlands Radio SO c. Arturo Tamayo. Stradivarius STR33628 (2003) (0)
The Operas of Benjamin Britten: Expression and Evasion. By Claire Seymour. pp. x + 358. (The Boydell Press, Woodbridge, 2004, £55. ISBN 0-85115-865-X.) (2005) (0)
The Operas of Benjamin Britten: Expression and Evasion (review) (2005) (0)
Tristain Murail’s complete piano music (2006) (0)
The Twelve-Tone Music of Luigi Dallapiccola. By Brian Alegant. (2011) (0)
Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music. Ed. by Ray Allen and Ellie M. Hisama. (2008) (0)
Semanticised sensuality: Studies on the reception and symbol structure of the leading motive technique of Richard Wagner (2007) (0)
The Geometry of Comedy. Arnold Whittall Raises the Curtain on Birtwistle's Secret Theatre (1993) (0)
Cold Comfort Balm (2008) (0)
Lennox and Freda. By Tony Scotland. (2012) (0)
'Music & Letters' Awards (2005) (0)
Stilts and All (2004) (0)
Harmony and Voice-leading (1988) (0)
Webern 21. Ed. by Dominik Schweiger and Nikolaus Urbanek. (2010) (0)
Multivalent Late-Modernist (1999) (0)
'Music & Letters' Awards (2008) (0)
Uppers and Downers (2007) (0)
Schoenberg and Musical Logic (1988) (0)
Review: Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer (2003) (0)
Harmonic Rhythm: Analysis and Interpretation (review) (2005) (0)
Elliott Carter Cello Concerto & Dialogues (2006) (0)
Letters from a Life: Selected Letters of Benjamin Britten, Vol. 3: 1946-1951 (review) (2005) (0)
Rosenkavalier and after (1993) (0)
Between Brno and Budapest (1998) (0)
Packaging the Recent Past (2017) (0)
FURRER: Aria; Solo; Gaspra. Petra Hoffmann (sop), Lucas Fels (vlc), ensemble recherche. Kairos 0012322KAI NEUWIRTH: Clinamen/Nodus; Construction in Space. London Symphony Orchestra c. Pierre Boulez; Klangforum Wein c. Emilio Pomàrico. Kairos 0012302KAI (2003) (0)
Tippett and Twentieth-Century Polarities (2013) (0)
Anthony Pople remembered (2003) (0)
Symphony of dreams: The conductor and patron Paul Sacher (2002) (0)
Erik Satie. By Mary E. Davis.Debussy. By David J. Code. (2011) (0)
Crosscurrents: American and European Music in Interaction, 1900–2000 ed. by Felix Meyer et al. (review) (2014) (0)
Whittall on Epstein's Response (1982) (0)
A Simple Case of Variation (1967) (0)
See Hear 2 (2001) (0)
Review: Form and Method: Composing Music. The Rothschild Essays (2003) (0)
Genetic Criticism and the Creative Process: Essays from Music, Literature, and Theatre (review) (2011) (0)
Home and Away (1998) (0)
From Means to Meaning:: Analysis and the Theory of Signs (1988) (0)
The Great War: A Documentary (1964) (0)
MONK Songs of Ascension ECM New Series 2154 (Meredith Monk and Vocal Ensemble, The M6 Voices, Montclair State University Singers, Todd Reynolds String Quartet, A Sniffin, B Hilash, J Hollenbeck) (2012) (0)
Allen Forte in Music Analysis (2007) (0)
The Bottom Line. Arnold Whittall Goes in Search of the 'Great Mystery' of Maxwell Davies, Who Celebrates His 60th Birthday This Month (1994) (0)
The Voyage Out (1998) (0)
PINTSCHER Sonic Eclipse; A Twilight's Song; She-cholat ahavah ani Kairos 0013162KAI (M Montalvo, G Flowers, D Byrd-Marrow, SWR Vocal Ensemble, M Creed, International Contemporary Ensemble M Pintscher) (2012) (0)
Analyst's Primer? (1988) (0)
SIERRA Cicada Shell; Birds and Insects, Book 1; Surrounded Ground; Two Neruda Odes; Colmena; Ballistae Bridge 9343 (S Naruki V Primakov, S Gosling, C Niedich, R Ramakrishnan, Daedalus Quartet, International Contemporary Ensemble, J Ogren) (2012) (0)
‘Uneasily Collective’: Reflections on Benjamin Britten’s Choral Writing (2013) (0)
Music Theory: Anatomy of a Disclipine (2016) (0)
Other planets. The music of Karlhenz Stockhausen (2006) (0)
Hearing the Light (2007) (0)
Olga Neuwirth's ‘Bählamms Fest’ (2004) (0)
PAST PERFECT (2021) (0)
Britten’s Rhetoric of Resistance (2013) (0)
Review: The Cambridge Companion to John Cage (2003) (0)
Metaphysical Materials: Schoenberg in Our Time (2016) (0)
Le cycle de l'eau for Flute and Piano (1993) (0)
Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France, 1914–1940 (New York: Oxford University Press, 2005), ISBN 978-0-19-517473-1 (2009) (0)
This Century's Music (1977) (0)
Managing modernism I (2010) (0)
Intertextuality in Western Art Music (review) (2006) (0)
Hallelujah Junction: Composing an American Life (review) (2010) (0)
Music lessons : the Colle??ge de France lectures / Pierre Boulez ; edited and translated by Jonathan Dunsby, Jonathan Goldman and Arnold Whittall. (2019) (0)
Dane Rudhyar: His Music, Thought, and Art (review) (2010) (0)
Interpreting Wagner (review) (2004) (0)
Olivier Messiaen: Music, Art and Literature. Ed. by Christopher Dingle and Nigel Simeone.Olivier Messiaen: Oiseaux exotiques. By Peter Hill and Nigel Simeone. (2008) (0)
A Theory of Musical Narrative (review) (2010) (0)
Treacherous Bonds and Laughing F ire: Politics and Religion in Wagner’s Ring. By Mark Berry. pp. xii + 287. (Ashgate, Aldershot and Burlington, Vt., 2006, £50. ISBN 0-7546-5356-0.) (2006) (0)
Distressed surfaces: Morgan Hayes and 21st-century expressionism (2012) (0)
Berio's Sequenzas: Essays on Performance, Composition and Analysis (review) (2008) (0)
STRAVINSKY AND MUSIC DRAMA (1969) (0)
The Wagner Style: Close Readings and Critical Perspectives (2015) (0)
RECENT AUSTRALIAN MUSIC (1976) (0)
Problems of Reference: Celebrating 2004 (2004) (0)
DYSON THE CONTEMPORARY (1965) (0)
Reviews of Books: Index (2009) (0)
The Twelve-Tone Music of Luigi Dallapiccola (review) (2012) (0)
CARTER 16 Compositions (2002-2009), vol 8, of The Music of Elliott Carter Bridge 9314A/B (Various performers) (2012) (0)
Perspectives on 'Music Theory Spectrum'@@@Music Theory Spectrum (Vols. 1-3, 1979-81) (1983) (0)
The Structure of Atonal Music:: Synthesis or Symbiosis? (1988) (0)
Britten's Children (review) (2008) (0)
Review. Robert S Hatten, Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1996) (0)
Messiaen (review) (2007) (0)
Grasping the Subject (2007) (0)
Pierre Boulez and the Suspension of Narrative (2016) (0)
Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde (review) (2005) (0)
Revision and Reversion:: Hindemith, Réti, Meyer (1988) (0)
Energy and discipline (1993) (0)
The British Context:: Tovey (1988) (0)
Shadows of Doubt (2006) (0)
Review: Pierre Boulez–John Cage: correspondance et document (2003) (0)
Stravinsky: Symphonies of Wind Instruments (1993) (0)
The Struggle with Conviction: A Trio of String Quartets (2020) (0)
Erik Satie, and: Debussy (review) (2012) (0)
'L'apres-midi' to IRCAM (1978) (0)
Carl Nielsen and the Idea of Modernism. By Daniel M. Grimley. (2012) (0)
Ferneyhough's ‘Shadowtime’ (2006) (0)
The History of Theory and Analysis:: A Short Survey (1988) (0)
Elective Affinities: Musical Essays on the History of Aesthetic Theory (review) (2011) (0)
"The Music of Conlon Nancarrow", Kyle Gann [w:] "Music in the Twentieth Century", red. Arnold Whittall, Cambridge 1993 : [recenzja] / Dorota Maciejewicz. (1996) (0)
Carl Nielsen and the Idea of Modernism (review) (2012) (0)
Review: Britten on Music (2004) (0)
Voices and Vices (2001) (0)
Schoenberg in Series (1973) (0)
COMRADES AND CONSERVATIVES (1966) (0)
Carter (2013) (0)
Thursday's Children (2000) (0)
Review: Shostakovich in Context (2002) (0)
Barrett (2013) (0)
Books Received (1976) (0)
Writing through Music: Essays on Music, Culture, and Politics. By Jann Pasler. (2010) (0)
Beyond the Enchanted Realm (2005) (0)
Crosscurrents: American and European Music in Interaction, 1900–2000. Ed. by Felix Meyer, Carol J. Oja, Wolfgang Rathert, and Anne C. Shreffler (2014) (0)
King Arthur in Music (review) (2004) (0)
'Music & Letters' Awards (2005) (0)
Music, Theatre and Politics in Germany: 1848 to the Third Reich. Ed. by Nikolaus Bacht. (2008) (0)
Reflection Three, “Strangely simple”: (2019) (0)
NICHOLAS MAW AND THE MUSIC OF MEMORY (2009) (0)
Reading opera between the lines: Orchestral interludes and cultural meaning from Wagner to Berg (2002) (0)
12 Notes. And More (1986) (0)
Wagner's Meistersinger: Performance, History, Representation (review) (2005) (0)
Reforging The ring: origins and new beginnings (2012) (0)
Elliott Carter: A Centennial Celebration. Ed. by Marc Ponthus and Susan Tang.Elliott Carter: A Centennial Portrait in Letters and Documents. Ed. by Felix Meyer and Anne C. Shreffler. (2009) (0)
Elective Affinities: Musical Essays on the History of Aesthetic Theory. By Lydia Goehr. (2010) (0)
TheRingin Theory and Practice (2020) (0)

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Other Resources About Arnold Whittall

en.wikipedia.org

What Schools Are Affiliated With Arnold Whittall?

Arnold Whittall is affiliated with the following schools:

King's College London