Barbara Baert

Q: What Schools Are Affiliated With Barbara Baert

Barbara Baert is affiliated with the following schools: KU Leuven, Vrije Universiteit Brussel

Barbara Baert's AcademicInfluence.com Rankings

Barbara Baert

Education

#1929

World Rank

#2764

Historical Rank

Pedagogy

#246

World Rank

#320

Historical Rank

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Education

Why Is Barbara Baert Influential?

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According to Wikipedia, Barbara Baert is a Belgian art historian, and professor of art history at KU Leuven. In 2016 Baert earned the prestigious , which is yearly awarded by the to a scientist in human, exact and biological-medical sciences.

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Barbara Baert's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

A Heritage of Holy Wood: The Legend of the True Cross in Text and Image (2004) (40)
The dancing daughter and the head of John the Baptist (Mark 6:14-29) revisited: an interdisciplinary approach (2014) (18)
An Issue of Blood: The Healing of the Woman with the Haemorrhage (Mark 5.24B–34; Luke 8.42B–48; Matthew 9.19–22) in Early Medieval Visual Culture (2012) (15)
Weaving, veiling, and dressing : textiles and their metaphors in the late Middle Ages (2007) (12)
Characterization of the amylovorin locus of Lactobacillus amylovorus DCE 471, producer of a bacteriocin active against Pseudomonas aeruginosa, in combination with colistin and pyocins. (2008) (11)
Multiple phenotypic alterations caused by a c-type cytochrome maturation ccmC gene mutation in Pseudomonas aeruginosa. (2008) (10)
‘An Odour. A Taste. A Touch. Impossible to Describe’: Noli me tangere and the Senses (2012) (8)
Touching the Hem: The Thread between Garment and Blood in the Story of the Woman with the Haemorrhage (Mark 5:24b-34parr) (2011) (6)
Noli Me Tangere. Mary Magdalene: One Person, Many Images (2006) (6)
Fluid flesh : the body, religion and the visual arts (2009) (5)
‘Who touched my clothes?’: The Healing of the Woman with the Haemorrhage (Mark 5: 24–34; Luke 8: 42–48 and Matthew 9: 19–22) in Early Medieval Visual Culture (2010) (5)
The pool of Bethsaïda: the cultural history of a holy place in Jerusalem (2005) (5)
The gendered visage: facets of the Vera icon (2000) (4)
New Observations on the Genesis of Girona (1050-1100). The Iconography of the Legend of the True Cross (1999) (4)
About Sieves and Sieving (2019) (4)
Late Medieval Enclosed Gardens of the Low Countries: Contributions to Gender and Artistic Expression (2016) (3)
The healing of the blind man at Siloam, Jerusalem: a contribution to the relationship between holy places and the visual arts in the Middle Ages (parte II) (2007) (3)
Instrumentalities and the Late Medieval ‘Enclosed Gardens’ of the Low Countries (2016) (3)
Interspaces between Word, Gaze and Touch: The Bible and the Visual Medium in the Middle Ages. Collected Essays on Noli me tangere, the Woman with the Haemorrhage, the Head of John the Baptist (2011) (3)
Nymph motif, phantom, affect: a contribution to the study of Aby Warburg (1866-1929) (2014) (3)
The Twilight Zone of the Noli me tangere (2007) (3)
Revisiting the Enclosed Gardens of the Low Countries (Fifteenth Century Onwards). Gender, Textile, and the Intimate Space as Horticulture (2017) (3)
Echoes of liminal spaces. revisiting the late mediaeval 'enclosed gardens' of the Low Countries (a hermeneutical contribution to Chthonic artistic expression) (2014) (3)
Iconographic Studies from the Middle Ages to the Baroque (2013) (3)
Iconogenesis or Reflections on the byzantine theory of imagery (2002) (2)
Kairos or Occasion as Paradigm in the Visual Medium: 'nachleben', Iconography, Hermeneutics (2016) (2)
Revisiting Salome's Dance in Medieval and Early Modern Iconology (2016) (2)
In Response to Echo: Beyond Mimesis or Dissolution as Scopic Regime (with Special Attention to Camouflage) (2016) (2)
New Perspectives in Iconology: Visual Studies and Anthropology (2012) (2)
Caput Johannis in Disco: {essay on a Man's Head} (2012) (2)
New Perspectives in Iconology (2012) (2)
7 The Gaze in the Garden: Mary Magdalene in Noli me tangere (2012) (2)
THE JOHANNESSCHÜSSEL AS ANDACHTSBILD: THE GAZE, THE MEDIUM AND THE SENSES (2011) (2)
Stains. Trace—Cloth—Symptom (2017) (2)
About Stain(s) (2016) (2)
Late Medieval Enclosed Gardens of the Low Countries 1 (2017) (2)
The wood, the water, and the foot, or How the Queen of Sheba met up with the True Cross. With emphasis on the northern European iconography (2004) (1)
The Tree as Narrative, Formal, and Allegorical Index in Representations of the Noli me tangere (2014) (1)
The Weeping Rock (2020) (1)
'locus Amoenus' and the Sleeping Nymph: 'ekphrasis', Silence, and 'genius Loci' (2016) (1)
The glorified body: relics, materiality and the internalized image (2009) (1)
Around the Sieve. Motif, Symbol, Hermeneutic (2019) (1)
"Who touched my clothes?” The Healing of the Woman with the Haemorrhage (Mark 5.24b-34parr) between Text, Image and Taboo in Early Medieval Visual Culture (2012) (1)
The Figure of Seth in the Vault‐Paintings in the Parish Church of Östofte (1997) (1)
Saint-John's head on a platter by Andrea Solario (1507, Louvre): transmission and transformation of a 'Andachtsbild' between Middle Ages and Renaissance, between North and South (2006) (1)
The gaze in the garden: body and embodiment in “Noli me tangere” with an emphasis on the Low Countries during the 15th-century (2007) (1)
Pentecost and the Senses: a Hermeneutical Contribution to the Visual Medium and the Sensorium in Early Medieval Manuscript Tradition (2016) (1)
The allegory of a virgin: contributions to the solution of an iconographical enigma (1997) (1)
He Must Increase, But I Must Decrease. On The Spiritual And Pictorial Intertwining Between The Johannesschüssel And The Vera Icon (1200-1500) (2011) (1)
The Embroidered Antependium of Wernigerode, Germany: Mary Magdalene and Female Spirituality in the Thirteenth Century* (2007) (1)
Hierotopy, Jerusalem and the legend of the wood of the cross (2007) (1)
Decapitation and the paradox of the meditative image (2006) (1)
Who touched my clothes? The healing of the woman with the Hemorrhage (Mark 5.24b-34parr) in early medieval visual culture (2012) (1)
The pact between space and gaze: The narrative and the iconic in Noli me tangere (2013) (1)
Who touched me and my clothes? The healing of the woman with the haemorrhage (Mark 5:24b-34parr) in mediaeval visual culture (2011) (1)
Nymph. Motif, Phantom, Affect. 2: Aby Warburg's (1866-1929) Butterflies as Art Historical Paradigms (2016) (1)
To touch with the gaze: Noli me tangere and the iconic space (2011) (1)
Twilight between tradition and innovation: the iconography of the Cross-legend in the sinopie of Masolino da Panicale at Empoli (2000) (1)
Mantle, Fur, Pallium: Veiling and Unveiling in the Martyrdom of Agnes of Rome (2007) (1)
Heraclius and Chosroes or The desire for the True Cross (2005) (1)
Between technique and symbolism: notes on the meaning of the use of gold in pre-Eyckian panel painting: a contribution to the comparative history of art north and south of the Alps (2009) (1)
Changing Publication Cultures in the Humanities: impact (2012) (1)
Death, gaze, performativity: the Johannesschüssel (2008) (0)
The iconic and the narrative space (2008) (0)
Jerusalem as seed: Seth and the foundations of sacred space (2006) (0)
The Annunciation revisited: essay on the concept of wind and the senses in late medieval and early modern visual culture (2013) (0)
The washing wound: late-medieval ideas concerning Christ as Fons Pietatis (2004) (0)
The Sleeping Nymph Revisited: Ekphrasis, Genius Loci and Silence (2018) (0)
Didgahi jadid dar Iconology ya takvin Icon (2016) (0)
Wild is the wind: pathosfomel and iconology of a quintessence (2013) (0)
The gaze of death: the head of Saint John the Baptist on a platter between North and South (2012) (0)
In hoc vinces: iconography of the stone cross in the Parish church of Kelloe (Durham, ca. 1200) (1996) (0)
Pentecost in the Codex Egberti (c. 980) and the Benedictional of Archbishop Robert (late tenth century). The Visual Medium and the Senses (2014) (0)
Pitcher and Comb: Verena of Zurzach and the possibilities and limitations of iconology (2006) (0)
A head on a platter: the Johannesschlüssel or The image of the mediator and the precursor (2003) (0)
Aspects of the invention of the cross: iconography around 1400 and its relationship with the genre of the classes and the Adamite peasant (1995) (0)
Introduction or Thresholds 1 (2018) (0)
10 The Annunciation and the Senses: Ruach, Pneuma, Odour (2015) (0)
Noli me tangere: narrative and iconic space (2009) (0)
The Antependium of Nedstryn and the Exultation of the Cross (2012) (0)
The haemorrhoïssa in text and image (2009) (0)
Who touched my clothes (2012) (0)
The Intimacy of the Excessive Space: Trompe-l‘oeil as Horticulture in the Enclosed Gardens (2016) (0)
The head upon the head: Salome’s dance as anomaly (2015) (0)
Andria: a new found legend of the true cross (2008) (0)
Looking Into the Rain (2022) (0)
Pneuma and the Visual Medium in the Middle Ages and Early Modernity: Essays on Wind, Ruach, Incarnation, Odour, Stains, Movement, Kairos, Web and Silence (2016) (0)
The discovery in the Campanile of Lanciano: re-writing the iconographical tradition of the Legend of the true cross in Italy (2000) (0)
John's platter (2008) (0)
Anna and the annunciation: essays on the meaning of the well and the tree during the early Middle Ages (2005) (0)
Folds of thought, or The encounter in an intermediate space (2009) (0)
Caput Joannis in disco (1200-1500): essay on the history of a man's head (2012) (0)
The wood and the skin: iconographical encounters between the true cross and the true face in the East and the West (2001) (0)
A history of a man's head: the Johannesschüssel or The image of the mediator and the precursor (2010) (0)
Image of the truth or True image? Considerations on the relationship between the iconography of the invention of the Cross and the Volto Santo: the cases of Fontebuona (1215) and Polling (1445) (1998) (0)
What about Enthusiasm? A Rehabilitation (2019) (0)
15 Pentecost and the Senses (2016) (0)
Wind—On a Pictorial Quintessence (2013) (0)
4The as : The Gaze, the Medium, and the Senses 131 (2018) (0)
The spinning head: the Johannesschüssel as paradigm for sculpture (2016) (0)
Folded stones: tied up tree (2009) (0)
notes on the contributors (2018) (0)
Notes to the pact between veil and wound (2013) (0)
Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510) (2020) (0)
The waning and the waxing: 'The head of St. John the Baptist on a Tazza' by Andrea Solario (1507, Louvre) (2011) (0)
But such high-flown movements are not for me. Aby Warburg's (1866--‐1929) Butterflies as Art Historical Paradigms Congress Universität Tübingen: visuelle Kulturen des Affektiven in der Frühen Neuzeit (2015) (0)
The head of St John the Baptist on a tazza by Andrea Solario (1507): the transformation and the transition of the Johannesschüssel from the Middle Ages to the Renaissance (2007) (0)
Hrabanus Maurus, Mont Saint-Michel and the image of Heraclius: on the exultation of the cross in PML ms. 641 (2004) (0)
A Franco-Netherlandish John's head ('ca. 1390): object, context, function, medium (2014) (0)
Who touched me and my clothes?’The Healing of the Woman with the Hemorrhage (Mark 5.24b-34parr) (2013) (0)
The role of cloth in the narrative and the visual representation of the meeting with the haemorrhoïssa (2009) (0)
The wood, the water and the foot: gender and the Queen of Sheba (2002) (0)
Vox clamantis in deserto: The Johannesschüssel: senses and silences (2015) (0)
HE OR SHE WHO GLIMPSES, DESIRES, IS WOUNDED (2018) (0)
1 Pentecost and the Senses: A Hermeneutical Contribution to the Visual Medium and the Sensorium in Early Medieval Manuscript Tradition 11 (2018) (0)
6 Wild Is the Wind: Pathosformel and Iconology of a Quintessence 221 (2018) (0)
Chasing the Caput. Head Images of John the Baptist in a Political Conflict (2013) (0)
Revisiting Seth in the Legend of the Wood of the Cross: Interdisciplinary Perspectives between Text and Image (2017) (0)
The Head of Saint John the Baptist on a Platter: the Gaze of Death (2011) (0)
Nourished by inwardness: the Beato Chiarito Tabernacle (c. 1340) (2006) (0)
The legend of the True Cross between North and South: suggestions and nuances for the current research (2004) (0)
New iconological perspectives on marble as Divinus Spiritus: hermeneutical change and iconogenesis (2017) (0)
Time paradigms in the Middle Ages and Modernity: when Kairos passes by (2016) (0)
Legend of the True Cross (2018) (0)
St. Anne, Mother of Mary: Visual arts (2013) (0)
'Und mal yr auch eyn gensfuss': the Queen of Sheba's goose-foot in medieval literature and art (1999) (0)
The Nymph of the Grotto. (2021) (0)
Noli me tangere or The untouchable body: five exercises in the prohibition on touching (2009) (0)
Iconographical notes to the Prognosticatio by Johannes Lichtenberger (1488): using a copy printed by Peter Quentel (Cologne, 1526) and preserved in the Library of the Theology faculty in Leuven (1994) (0)
Marble and the Sea or Echo Emerging (A Ricercar) (2017) (0)
Around the sieve. Motif, Symbol, Hermeneutic. (2018) (0)
A sign of health: new perspectives in iconology (2012) (0)
Noli me tangere: new interdisciplinary perspectives (2015) (0)
St. John in disco: the macabre as Andachtsbild (2005) (0)
He must increase, but I must decrease: late medieval pictorial and spiritual exchanges between the Vera icon and John's head on a platter (2009) (0)
Such a portrait I recall image of God: Cusanus and the vera icon (2007) (0)
Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture (2018) (0)
The wall paintings in the Campanile of the Church of S. Nicola in Lanciano (c. 1300-1400): reading an unknown legend of the cross in the Abruzzi (2005) (0)
Disembodied Heads in Medieval and Early Modern Culture (2013) (0)
The mural paintings of Wiedenest (ca. 1450, Cologne) (2000) (0)
The annunciation and the senses: late medieval devotion and the pictorial Ggze (2015) (0)
3 “Who Touched Me and My Clothes?” The Healing of the Woman with the Haemorrhage in Early Medieval Visual Culture 73 (2018) (0)
Art and mysticism as horticulture (2018) (0)
{Arm} {Head} {Cut}: framing as decapitation. The casus of St. John in early modern painting (2015) (0)
The iconography of the discovery of the true cross: Gellone, Vercelli and Wessobrunn: identity, context, function (2003) (0)
The retable of the Master of Tressa (Siena, 1215): iconography and function (1999) (0)
To Touch or Not to Touch?: Interdisciplinary Perspectives on the Noli me tangere (2013) (0)
Noli me Tangere or Touching with the eye (2005) (0)
5 “When the Daughter Came in and Danced:” Revisiting Salome’s Dance in Medieval and Early Modern Iconology 169 (2018) (0)
Noli me tangere in the Codex Egberti (Reichenau, c. 977–93) and in the Gospel Book of Otto iii (Reichenau, 998–1000): Visual Exegesis in Context (2020) (0)
Contributions to the Origins of the Noli me tangere motif (2010) (0)
The human body, religion and the visual arts (2006) (0)
Signed 'PAN' (2020) (0)
Noli me tangere and the iconic space (2008) (0)
The wall paintings in the Campanile of the Church of St. Nicola in Lanciano (ca. 1330-1400): reading an unknown legend of the cross in the Abruzzi, Italy (2003) (0)
Saint Jean Baptiste in disco (2012) (0)
The tree as narrative, formal and allegorical index in Noli me tangere (2014) (0)
2 An Odour, a Taste, a Touch: Impossible to Describe: Noli me tangere and the Senses 36 (2018) (0)
The image beyond the water: Christ and the Samaritan woman in Sant'Angelo in Formis (2004) (0)
The antependium of wernigerode, 13th century, Germany: textilization (2010) (0)
Hem-Blood-Space: the healing of the woman with the flux (2012) (0)
Brian O'Connell: flashbulbs: a project at the University library Leuven, Belgium, 2005 (2005) (0)
Noli me tangere: the pact between space and gaze (2009) (0)
Between word and image: Mary Magdalene and her hair in medieval art (2003) (0)
Boec van den Houte, Culemborg, Johan Veldener, 1483: Brussels, Royal library Albert I, INC A 1582 (1997) (0)
Life is Short, Art is Long, Crisis is Fleeting Kairos or Weaving the Right Moment* (2020) (0)
Textile, Tactility, and the Senses: the 13th-century Embroidered Antependium of Wernigerode revisited (2015) (0)
Between anxiety and refinement: Malou Swinnen's iconofily (2011) (0)
The interchanges between Vera icon and Johannesschotel (2009) (0)
The Piscina Probatica: a reception history in medieval text and image (2004) (0)

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What Schools Are Affiliated With Barbara Baert?

Barbara Baert is affiliated with the following schools:

Barbara Baert's Academic­Influence.com Rankings