Barbara Maria Stafford

Barbara Maria Stafford's AcademicInfluence.com Rankings

Education

#529

World Rank

#779

Historical Rank

#240

USA Rank

Pedagogy

#158

World Rank

#207

Historical Rank

#55

USA Rank

education Degrees

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Education

Barbara Maria Stafford's Degrees

PhD Art History University of Chicago
Masters Art History University of Chicago
Bachelors Art History University of California, Berkeley

Why Is Barbara Maria Stafford Influential?

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According to Wikipedia, Barbara Maria Stafford is an art historian whose research focuses on the developments in imaging arts, optical sciences, and performance technologies since the Enlightenment. Early life and education Stafford is of European parentage and was born in Vienna, Austria. Her family immigrated to the United States when she was seven, first living in Ft. Monroe, Virginia. However, her American stepfather's job as a military attaché caused the family to move every few years to postings in cities including Leghorn and Rome, Italy; Yokohama, Japan; Kilene, Texas; and Ft. Knox, Kentucky.

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Barbara Maria Stafford's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1981) (469)
Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine (1994) (240)
Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education by Barbara M. Stafford (1996) (197)
Visual Analogy: Consciousness as the Art of Connecting (1999) (193)
Working Minds (2006) (129)
Reading and writing with images: a review of four texts. Good Looking: Essays on the Virtue of Images (1996) (128)
Voyage into Substance: Art, Science, Nature, and the Illustrated Travel Account, 1760-1840 (1984) (84)
Echo Objects: The Cognitive Work of Images (2007) (48)
Devices of Wonder: From the World in a Box to Images on a Screen (2001) (47)
Media Art Histories (2007) (44)
Beauty of the Invisible: Winckelmann and the Aesthetics of Imperceptibility (1980) (27)
One face of beauty, one picture of health: the hidden aesthetic of medical practice. (1989) (25)
Depth studies: illustrated anatomies from Vesalius to Vicq d'Azyr. (1992) (15)
Romantic Systematics and the Genealogy of Thought: The Formal Roots of a Cognitive History of Images (2007) (14)
From "Brilliant Ideas" to "Fitful Thoughts": Conjecturing the Unseen in Late Eighteenth-Century Art (1985) (14)
A field guide to a new meta-field : bridging the humanities-neurosciences divide (2011) (12)
Symbol and Myth: Humbert De Superville's Essay on Absolute Signs in Art (1979) (11)
Voyeur or Observer?: Enlightenment Thoughts on the Dilemmas of Display (1993) (10)
Th e Remaining 10 Percent: Th e Role of Sensory Knowledge in the Age of the Self-Organizing Brain (2009) (10)
Digital Culture and the Practices of Art and Art History (1997) (9)
Voyage into Substance. Art, Science, and the Illustrated Travel Account, 1760-1840. (1985) (9)
Thoughts Not Our Own (2009) (9)
“Peculiar Marks”: Lavater and the Countenance of Blemished Thought (1987) (5)
The Eighteenth-Century: Towards an Interdisciplinary Model (1988) (5)
Design and the Future of Museums (2009) (4)
Seizing Attention: Devices and Desires (2016) (4)
“Fantastic” Images: From Unenlightening to Enlightening “Appearances” Meant to Be Seen in the Dark (1990) (4)
An Image of One's Own: Design Discipline vs. Visual Studies (1995) (4)
Self-eugenics: the creeping illusionising of identity from neurobiology to newgenics (2007) (4)
Characters in Stones, Marks on Paper: Enlightenment Discourse on Natural and Artificial Taches (1984) (3)
Arena of Virtue and Temple of Immortality: An Early Nineteenth-Century Museum Project (1976) (3)
Leveling the New Old Transcendence: Cognitive Coherence in the Era of Beyondness (2004) (3)
'Medusa' or the Physiognomy of the Earth: Humbert de Superville's Cosmological Aesthetics (1972) (2)
Reconceiving the Warburg Library as a Working Museum of the Mind (2012) (2)
The Enlightenment “Catholization” of Projective Technology: Theurgy and the Media Origins of Art (2008) (2)
How the Virtuoso Romantic Learned from the Enlightened Charlatan (1993) (2)
Desperately Seeking Connections: Four Scenes From Eighteenth-Century Laboratory Life (1995) (2)
Lying side by side: fitting colour to eros (2012) (1)
The Art of Captain Cook's Voyages. Rudiger Joppien , Bernard SmithEuropean Vision and the South Pacific. Bernard Smith (1986) (1)
Ribbon of Darkness (2019) (1)
Engaging Smithsonian Objects through Science, History, and the Arts ed. by Mary Jo Arnoldi (review) (2017) (1)
The Transformation of Traditional Histories of Representation: An Introduction (1995) (1)
From Communicable Matter to Incommunicable “Stuff”: Extreme Combinatorics and the Return of Ineffability (2017) (0)
Review: The Picturesque Garden in France by Dora Wiebenson (1979) (0)
Impossible to Name (2017) (0)
Discovering the Same in the Other: On the Role of Consciousness and Visual Analogy in Verena Vanoli’s Multimedia Installation “Can You Hear the Grass Grow?” (2008) (0)
Guest editorial. Present image, past text, post word: Educating the late modern citizen (1992) (0)
Science as Fine Art: Another Look at Boullée's Cenotaph for Newton (2021) (0)
Toward Romantic Landscape Perception: Illustrated Travels and the Rise of "Singularity" as an Aesthetic Category (2021) (0)
Définitions de la culture visuelle II : Utopies modernistes -Postformalisme et pureté de la vision = Definitions of Visual Culture II : Modernist Utopias - Postformalism and Pure Visuality (1996) (0)
Linked or Merged? Collecting and the Enduring Problem of Arranging Visual Information (1999) (0)
Symbol and myth (1979) (0)
Symbionts say a firm no to a free lunch (1993) (0)
Echo Objects: The Work of Images (2018) (0)
Book Reviews (2004) (0)
Redesigning the Image of Images: A Personal View (1994) (0)
Instructive Games: Apparatus and the Experimental Aesthetics of Imposture (1995) (0)
Black and Glittering (2017) (0)
W kręgu badań nad sztuką portretową XVIII wieku : Marcia Pointon "Hanging the head", Barbara Maria Stafford "Body criticism", Richard Wendorf "The elements of life", Roland Kanz "Dichter und Denker im Porträt" : [recenzje] / Hanna Moryń. (1995) (0)

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Barbara Maria Stafford's Academic­Influence.com Rankings