Bruno H. Repp
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Psychology
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(Suggest an Edit or Addition)Bruno H. Repp's Published Works
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Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Sensorimotor synchronization: A review of the tapping literature (2005) (1214)
- Sensorimotor synchronization: A review of recent research (2006–2012) (2013) (855)
- Diversity and commonality in music performance: an analysis of timing microstructure in Schumann's "Träumerei". (1992) (391)
- Categorical Perception: Issues, Methods, Findings (1984) (346)
- Auditory dominance in temporal processing: new evidence from synchronization with simultaneous visual and auditory sequences. (2002) (345)
- The influence of metricality and modality on synchronization with a beat (2005) (319)
- Influence of vocalic context on perception of the [∫]-[s] distinction (1980) (304)
- Top‐Down Control of Rhythm Perception Modulates Early Auditory Responses (2009) (287)
- Rhythmic movement is attracted more strongly to auditory than to visual rhythms (2004) (278)
- Phonetic trading relations and context effects: new experimental evidence for a speech mode of perception. (1982) (268)
- Pianists duet better when they play with themselves: On the possible role of action simulation in synchronization (2007) (232)
- Phonetic trading relations and context effects : new experimental evidence for a speech mode of perception (1982) (220)
- Rate Limits in Sensorimotor Synchronization With Auditory and Visual Sequences: The Synchronization Threshold and the Benefits and Costs of Interval Subdivision (2003) (218)
- Sensorimotor synchronization and perception of timing: effects of music training and task experience. (2010) (188)
- Adaptation to tempo changes in sensorimotor synchronization: Effects of intention, attention, and awareness (2004) (182)
- Influence of preceding fricative on stop consonant perception. (1981) (177)
- Phase correction, phase resetting, and phase shifts after subliminal timing perturbations in sensorimotor synchronization. (2001) (170)
- Perceptual integration of acoustic cues for stop, fricative, and affricate manner. (1978) (164)
- The sound of two hands clapping: an exploratory study. (1987) (162)
- Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists. (1988) (162)
- Compensation for subliminal timing perturbations in perceptual-motor synchronization (2000) (161)
- Tapping to a Very Slow Beat: A Comparison of Musicians and Nonmusicians (2007) (151)
- Integration of melody and text in memory for songs (1982) (148)
- A microcosm of musical expression. I. Quantitative analysis of pianists' timing in the initial measures of Chopin's Etude in E major. (1998) (148)
- Relative Amplitude of Aspiration Noise as a Voicing Cue for Syllable-Initial Stop Consonants (1979) (147)
- Spectral decomposition of variability in synchronization and continuation tapping: comparisons between auditory and visual pacing and feedback conditions. (2002) (143)
- Processes underlying adaptation to tempo changes in sensorimotor synchronization. (2001) (136)
- Probing the cognitive representation of musical time: Structural constraints on the perception of timing perturbations (1992) (131)
- Categories and context in the perception of isolated steady-state vowels. (1979) (128)
- Sensorimotor synchronization with adaptively timed sequences. (2008) (124)
- The Aesthetic Quality of a Quantitatively Average Music Performance: Two Preliminary Experiments (1997) (113)
- On the nature of melody-text integration in memory for songs☆ (1986) (112)
- Measuring laterality effects in dichotic listening. (1977) (110)
- Perceiving Action Identity (2004) (108)
- Expressive timing in Schumann's "Träumerei:" an analysis of performances by graduate student pianists. (1995) (106)
- The Practice of Performance: Musical motion and performance: theoretical and empirical perspectives (1995) (105)
- Synchronization with competing visual and auditory rhythms: bouncing ball meets metronome (2013) (103)
- Control of Expressive and Metronomic Timing in Pianists. (1999) (99)
- Is Recognition of Emotion in Music Performance an Aspect of Emotional Intelligence (2004) (98)
- Effects of Auditory Feedback Deprivation on Expressive Piano Performance (1999) (97)
- Action Can Affect Auditory Perception (2007) (97)
- Relational invariance of expressive microstructure across global tempo changes in music performance: An exploratory study (1994) (95)
- Automaticity and voluntary control of phase correction following event onset shifts in sensorimotor synchronization. (2002) (94)
- Patterns of note onset asynchronies in expressive piano performance. (1996) (93)
- Detecting deviations from metronomic timing in music: Effects of perceptual structure on the mental timekeeper (1999) (92)
- Integration of segmental and tonal information in speech perception: A cross‐linguistic study (1990) (92)
- Influence of vocalic context on perception of the [zh]-[s] distinction. (1978) (91)
- Physical interaction and association by contiguity in memory for the words and melodies of songs (1990) (88)
- Perceptual integration and differentiation of spectral cues for intervocalic stop consonants (1978) (86)
- Rate limits of sensorimotor synchronization (2006) (81)
- Can speech perception be influenced by simultaneous presentation of print (1988) (78)
- Simultaneous Event-Based and Emergent Timing: Synchronization, Continuation, and Phase Correction (2010) (73)
- Acoustic properties and perception of stop consonant release transients. (1989) (73)
- The Art of Inaccuracy: Why Pianists' Errors Are Difficult to Hear (1996) (71)
- Does an auditory distractor sequence affect self-paced tapping? (2006) (70)
- Auditory Imagery (1992) (67)
- Speech Perception, Production and Linguistic Structure. (1993) (67)
- Effects of Tempo on the Timing of Simple Musical Rhythms (2002) (66)
- Perception of the [m]-[n] distinction in CV syllables. (1986) (65)
- Phase correction in sensorimotor synchronization: nonlinearities in voluntary and involuntary responses to perturbations. (2002) (65)
- Trading relations among acoustic cues in speech perception are largely a result of phonetic categorization (1983) (65)
- A microcosm of musical expression: II. Quantitative analysis of pianists' dynamics in the initial measures of Chopin's Etude in E major. (1999) (64)
- PRODUCTION AND SYNCHRONIZATION OF UNEVEN RHYTHMS AT FAST TEMPI (2005) (64)
- A Constraint on the Expressive Timing of a Melodic Gesture: Evidence from Performance and Aesthetic Judgment (1992) (64)
- Context independence and phonetic mediation in categorical perception. (1982) (63)
- Some observations on the development of anticipatory coarticulation. (1986) (61)
- Cues to the Perception of Taiwanese Tones (1989) (60)
- Altered sense of agency in schizophrenia and the putative psychotic prodrome (2011) (59)
- Detectability of duration and intensity increments in melody tones: A partial connection between music perception and performance (1995) (59)
- Perceptual restoration of a “missing” speech sound: Auditory induction or illusion? (1992) (58)
- Obligatory “expectations” of expressive timing induced by perception of musical structure (1998) (57)
- Dichotic Competition of Speech Sounds: The Role of Acoustic Stimulus Structure. (1977) (57)
- Toward a psychophysics of agency: detecting gain and loss of control over auditory action effects. (2007) (55)
- Perceptual assessment of fricative--stop coarticulation. (1980) (55)
- Rate Limits of On-Beat and Off-Beat Tapping With Simple Auditory Rhythms: : 2. The Roles of Different Kinds of Accent (2005) (55)
- Inferring agency from sound (2009) (55)
- Staying offbeat: Sensorimotor syncopation with structured and unstructured auditory sequences (2005) (54)
- Variations on a theme by chopin: relations between perception and production of timing in music. (1998) (54)
- Expressive Timing in a Debussy Prelude: A Comparison of Student and Expert Pianists (1997) (54)
- Hearing a melody in different ways: Multistability of metrical interpretation, reflected in rate limits of sensorimotor synchronization (2007) (54)
- Acoustics, perception, and production of legato articulation on a digital piano. (1995) (53)
- Mutual Adaptive Timing in Interpersonal Action Coordination (2013) (52)
- Stimulus order effects in vowel discrimination. (1990) (51)
- Quantifying phase correction in sensorimotor synchronization: empirical comparison of three paradigms. (2012) (51)
- The dynamics of expressive piano performance: Schumann's "Träumerei" revisited. (1996) (50)
- Quantitative Effects of Global Tempo on Expressive Timing in Music Performance: Some Perceptual Evidence (1995) (49)
- Multiple temporal references in sensorimotor synchronization with metrical auditory sequences (2007) (49)
- On Determining the Basic Tempo of an Expressive Music Performance (1994) (49)
- Perceiving the numerosity of rapidly occurring auditory events in metrical and nonmetrical contexts (2007) (46)
- Phase attraction in sensorimotor synchronization with auditory sequences: effects of single and periodic distractors on synchronization accuracy. (2003) (46)
- Identification of dichotic fusions. (1976) (46)
- On levels of description in speech research. (1981) (45)
- Acoustics, perception, and production of legato articulation on a computer-controlled grand piano. (1997) (45)
- Perfect Phase Correction in Synchronization With Slow Auditory Sequences (2008) (44)
- On the nature of phase attraction in sensorimotor synchronization with interleaved auditory sequences. (2004) (43)
- Rate Limits of On-Beat and Off-Beat Tapping With Simple Auditory Rhythms: 1. Qualitative Observations (2005) (43)
- Metrical Subdivision Results in Subjective Slowing of the Beat (2008) (43)
- Do metrical accents create illusory phenomenal accents? (2010) (42)
- Perceptual equivalence of two kinds of ambiguous speech stimuli (1981) (41)
- Tracking an Imposed Beat within a Metrical Grid (2008) (41)
- Exploring the “McGurk effect” (1983) (40)
- Mathematical Models for Social Psychology. (1979) (40)
- Is a stop consonant released when followed by another stop consonant (1981) (39)
- Relationships Between Performance Timing, Perception of Timing Perturbations, and Perceptual‐Motor Synchronisation in Two Chopin Preludes (1999) (39)
- Is a Stop Consonant Released when Followed by Another Stop Consonant? (1982) (39)
- Perception of the [m]-[n] distinction in VC syllables. (1988) (38)
- Performed or observed keyboard actions affect pianists’ judgements of relative pitch (2009) (38)
- Bidirectional contrast effects in the perception of VC-CV sequences (1983) (38)
- Closure Duration and Release Burst Amplitude Cues To Stop Consonant Manner and Place of Articulation (1984) (36)
- Expressive Microstructure in Music: A Preliminary Perceptual Assessment of Four Composers' "Pulses" (1989) (35)
- Pattern Typicality and Dimensional Interactions in Pianists' Imitation of Expressive Timing and Dynamics (2000) (34)
- Perception of timing is more context sensitive than sensorimotor synchronization (2002) (34)
- Self versus other in piano performance: detectability of timing perturbations depends on personal playing style (2010) (33)
- Pedal Timing and Tempo in Expressive Piano Performance: A Preliminary Investigation (1996) (33)
- Integration of segmental and tonal information in speech perception: a cross-linguistic study (1990) (32)
- The Detectability of Local Deviations from a Typical Expressive Timing Pattern (1998) (32)
- Fricative-stop coarticulation: acoustic and perceptual evidence. (1981) (32)
- A filled duration illusion in music: Effects of metrical subdivision on the perception and production of beat tempo. (2010) (31)
- Perception–production relationships and phase correction in synchronization with two-interval rhythms (2011) (30)
- Parameter estimation of linear sensorimotor synchronization models : phase correction, period correction, and ensemble synchronization (2015) (30)
- Melodic Intonation, Psychoacoustics, and the Violin Janina Fyk (1997) (30)
- A general linear framework for the comparison and evaluation of models of sensorimotor synchronization (2012) (29)
- Multilevel coordination stability: integrated goal representations in simultaneous intra-personal and inter-agent coordination. (2008) (28)
- The tritone paradox and the pitch range of the speaking voice : a dubious connection (1994) (27)
- Distortions in Reproduction of Two-Interval Rhythms: When the “Attractor Ratio” Is Not Exactly 1:2 (2012) (27)
- Systematic Distortions in Musicians’ Reproduction of Cyclic Three-Interval Rhythms (2013) (26)
- Influence of Vocalic Context on Perception of the [s]-[s] Distinction: v. Two Ways of Avoiding It (26)
- Lexical Mediation between Sight and Sound in Speechreading (1992) (26)
- Categorical tendencies in imitating self-produced isolated vowels (1987) (25)
- Categorical trends in vowel imitation: Preliminary observations from a replication experiment (1985) (25)
- Stimulus dominance and ear dominance in the perception of dichotic voicing contrasts (1978) (25)
- Tapping in Synchrony With a Perturbed Metronome: The Phase Correction Response to Small and Large Phase Shifts as a Function of Tempo (2011) (24)
- Phase Correction Following a Perturbation in Sensorimotor Synchronization Depends on Sensory Information (2002) (23)
- Variability of timing in expressive piano performance increases with interval duration (1997) (22)
- A microcosm of musical expression. III. Contributions of timing and dynamics to the aesthetic impression of pianists' performances of the initial measures of Chopin's Etude in E major. (1999) (22)
- Perception of intervocalic stop consonants: the contributions of closure duration and formant transitions. (1983) (22)
- When Two Limbs are Weaker than One: Sensorimotor Syncopation with Alternating Hands (2004) (21)
- Some empirical observations on sound level properties of recorded piano tones. (1993) (20)
- Integration and Segregation in Speech Perception (1988) (20)
- Measuring perceptual centers using the phase correction response (2011) (20)
- Context sensitivity and invariance in perception of octave-ambiguous tones (2010) (19)
- Temporal evolution of the phase correction response in synchronization of taps with perturbed two-interval rhythms (2010) (19)
- Can Musicians Track Two Different Beats Simultaneously (2013) (19)
- The effect of tempo on pedal timing in piano performance (1997) (18)
- Phase Correction in Sensorimotor Synchronization with Nonisochronous Sequences (2008) (17)
- Effects of preceding context on the voice-onset-time category boundary. (1991) (15)
- Anticipatory phase correction in sensorimotor synchronization. (2012) (15)
- Self-Generated Interval Subdivision Reduces Variability of Synchronization with a Very Slow Metronome (2010) (15)
- Some Observations on Pianists' Timing of Arpeggiated Chords (1997) (15)
- The Role of Psychophysics in Understanding Speech Perception (1987) (15)
- Influence of following context on perception of the voiced-voiceless distinction in syllable-final stop consonants. (1984) (14)
- Against a role of “chirp” identification in duplex perception (1984) (14)
- The role of release bursts in the perception of [s]-stop clusters. (1984) (14)
- Musical Motion : Some Historical and Contemporary Perspectives * (2009) (14)
- Comments on "Rapid motor adaptations to subliminal frequency shifts during syncopated rhythmic sensorimotor synchronization" by Michael H. Thaut and Gary P. Kenyon (Human Movement Science 22 [2003] 321-338). (2004) (14)
- Some cognitive and perceptual aspects of speech and music (1991) (14)
- Cognition and the Symbolic Processes: Applied and Ecological Perspectives (1991) (13)
- Parameters of spectral/temporal fusion in speech perception (1984) (13)
- Does an auditory perceptual illusion affect on-line auditory action control? The case of (de)accentuation and synchronization (2005) (13)
- Further Perceptual Evaluations of Pulse Microstructure in Computer Performances of Classical Piano Music (1990) (13)
- No Sustained Sound Illusion in Rhythmic Sequences (2010) (11)
- Perceptual coherence of speech: stability of silence-cued stop consonants. (1985) (11)
- Comfortable synchronization of cyclic drawing movements with a metronome. (2011) (11)
- Composers' Pulses: Science or Art? (1990) (11)
- Flexibility of temporal expectations for triple subdivision of a beat (2009) (11)
- Detecting perturbations in polyrhythms: effects of complexity and attentional strategies (2013) (11)
- Dichotic forward and backward "masking" between CV syllables. (1975) (11)
- Does Rapid Auditory Stimulation Accelerate an Internal Pacemaker? Don’t Bet on It (2013) (11)
- On the possible role of auditory short-term adaptation in perception of the prevocalic [m]-[n] contrast. (1987) (10)
- Internal processes in speech perception. (1973) (10)
- Effects of Music Perception and Imagery on Sensorimotor Synchronization with Complex Timing Patterns (2001) (10)
- Anticipation of Rhythmic Stimuli: Speed of Establishment and Precision of Synchronization (1966) (2012) (9)
- Perception and Production of Staccato Articulation on the Piano (1999) (9)
- Dichotic masking of consonants by vowels. (1975) (8)
- PHONETIC AND AUDITORY TRADING RELATIONS BETWEEN ACOUSTIC CUES IN SPEECH PERCEPTION: PRELIMINARY RESULTS (1981) (8)
- Stimulus dominance in fused dichotic syllables: trouble for the category goodness hypothesis. (1980) (8)
- Lower Bound on the Accuracy of Parameter Estimation Methods for Linear Sensorimotor Synchronization Models (2015) (7)
- CONTEXT SENSITIVITY AND PHONETIC MEDIATION IN CATEGORICAL PERCEPTION : A COMPARISON OF FOUR STIMULUS CONTINUA (7)
- Coarticulation in sequences of two nonhomorganic stop consonants: perceptual and acoustic evidence. (1983) (7)
- Embodied Rhythm: Commentary on "The Contribution of Anthropometric Factors to Individual Differences in the Perception of Rhythm" by Neil P. McAngus Todd, Rosanna Cousins, and Christopher S. Lee (2007) (7)
- Short Article: Segregated in Perception, Integrated for Action: Immunity of Rhythmic Sensorimotor Coordination to Auditory Stream Segregation (2009) (7)
- Categorical perception, auditory memory, and dichotic interference: a (1975) (6)
- Accessing phonetic information during perceptual integration of temporally distributed cues (1980) (6)
- The Difficulty of Measuring Musical Quality (And Quantity): Commentary on Weisberg (1996) (6)
- Comments on “The Effects of Stimulus Rate and Tapping Rate on Tapping Performance” by Zendel, Ross, and Fujioka (2011) (2012) (6)
- Critique of "Measures of the sentence intonation of read and spontaneous speech in American English". (1985) (6)
- Difference in Second-Formant Transitions between Aspirated and Unaspirated Stop Consonants Preceding [α] (1987) (6)
- Objective performance analysis as a tool for the musical detective. (1993) (6)
- "Music in the Moment": A Discussion (1999) (6)
- Effects of temporal stimulus properties on perception of the [sl]-[spl] distinction. (1984) (5)
- Distinctive features, dichotic competition, and the encoding of stop consonants (1975) (5)
- Dichotic "masking" of voice onset time. (1975) (4)
- No temporal binding of action consequences to actions in a rhythmic context (2011) (4)
- Comments on "Tactus ≠ Tempo: Some Dissociations Between Attentional Focus, Motor Behavior, and Tempo Judgment" by Justin London (2011) (4)
- The Auditory Processing of Speech: From Sound to Words (1994) (4)
- Review of Embodied music cognition and mediation technology. (2009) (3)
- Relations between basic temporal error correction processes and the quality of interpersonal coordination (2011) (3)
- Erratum: ‘‘The sound of two hands clapping: An exploratory study’’ [J. Acoust. Soc. Am. 81, 1100–1109 (1987)] (1988) (3)
- Rhythmic sensorimotor coordination is resistant but not immune to auditory stream segregation (2009) (3)
- Acoustic properties of isolated stop consonant release transients (1988) (3)
- "Embodied Music Cognition and Mediation Technology" by Marc Leman (2009) (3)
- Perceptual assessment of coarticulation in sequences of two stop consonants (1982) (3)
- Music Notation, But Not Action on a Keyboard, Influences Pianists' Judgments of Ambiguous Melodies (2011) (3)
- Difference in second-formant transitions between aspirated and unaspirated stop consonants preceding [a]. (1987) (3)
- Is speech perception a cognitive process (1981) (3)
- Metrical interpretation modulates brain responses to rhythmic sequences (2006) (3)
- The Subject's References in Synchronization and Pseudo-Synchronization (2009) (3)
- Effects of fundamental frequency contrast on discrimination and identification of dichotic CV syllables at various temporal delays (1976) (3)
- Influences of metrical structure and grouping on the kinematics of rhythmic finger tapping (2004) (2)
- Shaping Time: Music, the Brain, and Performance David Epstein (1996) (2)
- Influence of Vocalic Context on Perception of the [f]~[s] Distinction: Iii. Acoustic Observations (2)
- Masking‐like phenomena in speech perception (1975) (2)
- Note on the possibility of syncopating as a function of the tempo of a sequence. (2009) (2)
- Perception and Production of Two-stop-consonant Sequences (2)
- Effects of auditory feedback deprivation on parameters of expressive piano perfomance (1998) (2)
- Further observations on the function relating the voicing boundary to changes along a place continuum (1977) (1)
- Book Review: Strategies and Techniques to Enhance Performance (2005) (1)
- Mine Dogantan, Mathis Lussy: A Pioneer in Studies of Expressive Performance (2003) (1)
- Expressive microstructure in music: A first assessment of (1987) (1)
- The voicing boundary as a function of F2 and F3 transitions and fundamental frequency (1976) (1)
- Can linguistic boundaries change the effectiveness of silence as a phonetic cue (1985) (1)
- Book Review: Psychology of Music (Second Edition) (1999) (1)
- Perception of dichotic place contrasts (1975) (1)
- The Legacy of Paul Fraisse: II. Two Further Studies of Sensorimotor Synchronization (2012) (1)
- Response to ‘‘Comments on ‘Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists’ ’’ [J. Acoust. Soc. Am. 96, 1174–1178 (1994)] (1994) (1)
- A note on single‐ and double‐correct responses in the dichotic two‐response paradigm (1978) (1)
- Does expressive timing remain relationally invariant under global tempo transformations (1994) (1)
- FMRI INVESTIGATION OF DYNAMIC COOPERATIVITY: SYNCHRONISED FINGER TAPPING WITH AN ADAPTIVE "VIRTUAL PARTNER" (2010) (1)
- A detuned simple-ratio attractor in production of cyclic two-interval rhythms (2010) (1)
- Further tests of “composers' pulses” in computer performances of piano music from the classical period (1989) (1)
- The Aesthetics of Music Roger Scruton (1998) (1)
- Acoustic determinants of “stimulus dominance” in dichotic competition (1976) (1)
- Metrical Accents Do Not Create Illusory Dynamic Accents (2012) (1)
- Response to ‘‘Comments on ‘Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists’ ’’ [J. Acoust. Soc. Am. 94, 3001–3003 (1993)] (1993) (1)
- Detecting perturbations in polyrhythms: effects of complexity and attentional strategies (2011) (1)
- Further tests of (1989) (1)
- Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791. By Danuta Mirka . Oxford, UK: Oxford University Press, 2009. (2010) (0)
- Influence of preceding [∫] or [s] on stop consonant perception (1978) (0)
- The "Divided Time Illusion" in Musicians: From Puzzling Data to Evidence for a Rate Limit (2012) (0)
- Temporal limits on spectro‐temporal fusion in speech perception (1984) (0)
- Relation invariance of expressive microstructure in music performance across moderate changes in tempo (1993) (0)
- Preliminary observations on the production and perception of clapping (1986) (0)
- Effects of interstimulus interval on identification and discrimination of isolated vowels (1978) (0)
- Can simultaneous presentation of print influence the detection of speech in noise (1988) (0)
- Cognitive Bases of Musical Communication Mari Riess Jones Susan Holleran (1993) (0)
- Erratum: Objective performance analysis as a tool for the musical detective [J. Acoust. Soc. Am. 93, 1203–1204 (1993)] (1993) (0)
- A Critical Examination of David Epstein ’ s “ Phase Synchrony ” Theory of Rubato (2010) (0)
- Sensorimotor synchronization: A review of recent research (2006–2012) (2013) (0)
- Categorical tendencies in vowel imitation: II. Natural vowel stimuli (1985) (0)
- Book Reviews (1998) (0)
- Perceptual trading relation between aspiration amplitude and VOT (1979) (0)
- Errors and latencies for same‐different judgments of dichotic CV syllables at various stimulus onset asynchronies (SOAs) (1974) (0)
- Word Recognition in Foreign and Native Language (1987) (0)
- Contribution of release burst cues to the perception of stops following [s] (1983) (0)
- Effects of Temporal Stimulus Properties on Perception of the [sl]-[spl] Distinction (1984) (0)
- Detection of temporal perturbations in a mechanical music performance: Lengthening is more difficult to detect where it makes musical sense (1991) (0)
- On the Sensory Cues That Permit Control of Movements Accompanying Periodic Stimuli (1958) (2012) (0)
- Influence of spectral and temporal properties of vocalic environment on silence as a cue distinguishing single intervocalic stop consonants from stop clusters and geminates (1978) (0)
- Accessibility of the Voicing Distinction for Learning (1980) (0)
- “Cross talk” between voicing and place cues in initial stops (1977) (0)
- "Co-perception" of speech segments (1975) (0)
- Action simulation mediates synchronization in piano duet playing (2005) (0)
- A general linear framework for the comparison and evaluation of models of sensorimotor synchronization (2012) (0)
- Exploring agency and self-other processing: an FMRI study of dynamic cooperation using an adaptively paced finger tapping task with variable auditory feedback (2011) (0)
- Spoken Word Recognition (1988) (0)
- A Review of Daniel Reisberg ( Ed . ) , Auditory Imagery * (2009) (0)
- Inferring agency from sound: (520562012-297) (2013) (0)
- Robert G. Crowder, 1939–2000 (2000) (0)
- Depth of phonological recoding in short-term memory (2010) (0)
- Traversing upper vowel space: A smooth or a bumpy ride? (1989) (0)
- Haskins Laboratories References (2003) (0)
- A Review of David Epstein ' s Shaping Time : Music , the Brain , and Performance ( New York : Schirmer Books (2009) (0)
- Psychology of Time (2011) (0)
- Audition dominates vision in temporal processing: New evidence from sensorimotor synchronization (2013) (0)
- Spatiotemporal Meter : Exploiting Hierarchical Structure in Visuomotor Synchronization (2010) (0)
- A Review of David Epstein's (1995) (0)
- Toward an Emancipation of the “Weaker Sense” (1991) (0)
- The Legacy of Paul Fraisse: Two Classic Papers on Synchronization (2009) (0)
- Synchronization with competing visual and auditory rhythms: bouncing ball meets metronome (2012) (0)
- The tritone paradox and speakers’ voice range: A dubious connection (1993) (0)
- PERCEPTUAL ASSESSt " lENT OF F ' RICATIVE ~ STOP COARTICULATION (2009) (0)
- Some relations between duration of silence and duration of friction noise as joint cues for fricatives, affricates, and stops (1977) (0)
- Correction of Abstract 4pPP7, ‘‘The tritone paradox and speakers’ voice range: A dubious connection’’ [J. Acoust. Soc. Am. 94, 1860(A) (1993)] (1994) (0)
- Categorical tendencies in vowel imitation: I. Synthetic vowel stimuli (1985) (0)
- A Review of Carol L . Krumhansl ' s Cognitive Foundations o / Musical Pitch * (2009) (0)
- Effects of preceding context on perception of voice onset time (1987) (0)
- Editorial comment and critique of "Syllable identification by children and adults for two task conditions". (1985) (0)
- David Sudnow, Ways of the Hand: A Rewritten Account. Cambridge, MA: MIT Press, 2001, xxi + 139 pp., $19.95. ISBN 0-262-19467-8 (hard cover) (2005) (0)
- Perception of the [m]‐[n] distinction: Insights from four converging procedures (1984) (0)
- The Production of Speech edited by P. F. MacNeilage (1983) (0)
- Review of Psychology of time edited by Simon Grondin. (2011) (0)
- Cross‐modal perception of vowels, stops, and approximants using reduced‐formant stimuli (2005) (0)
- Effects of phase perturbations on unimanual and alternating bimanual synchronization with auditory sequences (2005) (0)
- The influence of auditory action effects on bimanual coordination stability (2007) (0)
- Limits on the power of silence as a stop manner cue (1982) (0)
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