Caroline Joan S. Picart | Academic Influence

Caroline Joan S. Picart's AcademicInfluence.com Rankings

Caroline Joan S. Picart

Philosophy

#5172

World Rank

#7906

Historical Rank

Aesthetics

#38

World Rank

#50

Historical Rank

Ethics

#425

World Rank

#521

Historical Rank

Logic

#9820

World Rank

#12516

Historical Rank

philosophy Degrees

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Philosophy

Caroline Joan S. Picart's Degrees

PhD Philosophy University of the Philippines
Masters Philosophy University of the Philippines
Bachelors Philosophy University of the Philippines

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Why Is Caroline Joan S. Picart Influential?

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According to Wikipedia, Caroline Joan S. Picart is a Filipino-born American academic who has written and edited numerous books and anthologies on philosophy and cultural studies, especially horror film. She is also a lawyer and had a radio show, The Dr. Caroline Picart Show. In 2011, she received the Lord Ruthven Award, non-fiction category, for the book Dracula in Visual Media Film, Television, Comic Book and Electronic Game Appearances, 1921-2010, co-authored with John Edgar Browning.

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Caroline Joan S. Picart's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Rhetorically Reconfiguring Victimhood and Agency: The Violence Against Women Act's Civil Rights Clause (2003) (46)
Scientific Controversy as Farce: The Benveniste-Maddox Counter Trials (1994) (29)
Frames of Evil: The Holocaust as Horror in American Film (2006) (25)
Dancing Through Different Worlds: An Autoethnography of the Interactive Body and Virtual Emotions in Ballroom Dance (2002) (23)
Speaking of Monsters: A Teratological Anthology (2012) (21)
THE COMPULSION OF REAL / REEL SERIAL KILLERS AND VAMPIRES : TOWARD A GOTHIC (2003) (17)
Metaphysics in Gaston Bachelard's “Reverie” (1997) (15)
Resentment and the "Feminine" in Nietzche's Politico-Aesthetics (1999) (12)
Remaking the Frankenstein Myth on Film: Between Laughter and Horror (2003) (12)
The Cinematic Rebirths of Frankenstein: Universal, Hammer, and Beyond (2001) (12)
“Jihad Cool/Jihad Chic”: The Roles of the Internet and Imagined Relations in the Self-Radicalization of Colleen LaRose (Jihad Jane) (2015) (10)
Critical Race Theory and Copyright in American Dance: Whiteness as Status Property (2013) (10)
Speaking of Monsters (2012) (9)
Critical Race Theory and Copyright in American Dance (2013) (9)
Dharma Dancing: Ballroom Dancing and the Relational Order (2004) (9)
Draculas, vampires, and other undead forms : essays on gender, race, and culture (2009) (9)
The third shadow and hybrid genres: horror, humor, gender, and race in Alien Resurrection (2004) (8)
From Ballroom to DanceSport: Aesthetics, Athletics, and Body Culture (2007) (8)
Reflections on power and intersectionality (2013) (7)
Beyond Unbridled Optimism and Fear: Indigenous Peoples, Intellectual Property, Human Rights and the Globalisation of Traditional Knowledge and Expressions of Folklore: Part II (2013) (6)
A Growth Cone Collapsing Activity in Chicken Gray Matter (1991) (6)
Re‐birthing the monstrous: James Whale's (Mis) reading of Mary Shelley's Frankenstein (1998) (6)
The Frankenstein Film Sourcebook (2001) (5)
From Ballroom To Dancesport (2006) (5)
Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter (1999) (4)
Horror and the Holocaust: Genre Elements in Schindler’s List and Psycho (2020) (4)
Media star and monster: Spectacle and the “Imeldific” (2005) (3)
The Documentary Impulse and Reel/Real Horror (2014) (3)
Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921-2010 (2010) (3)
Race and Serial Killing in the Media: The Case of Wayne Williams (2012) (3)
George Balanchine, “Genius of American Dance”: Whiteness, Choreography, Copyrightability in American Dance (2013) (3)
The Holocaust film sourcebook (2004) (3)
Beyond Good and Evil: The Black–White Divide in Critical Race Theory (2007) (2)
Introduction: Monstrosity and Multiculturalism (2012) (2)
Transnationalities, Bodies, and Power: Dancing Across Different Worlds (2008) (2)
American Self-Radicalizing Terrorists and the Allure of "Jihadi Cool/Chic" (2017) (1)
Troping the Tropics: Reflections on Nietzsche's Geophilosophy and the Philippine Rice Terraces Caroline Joan (Kay) Picart (2010) (1)
Introduction: Preliminary Remarks (2013) (1)
Documenting, Dissecting, and Decrying Terrorism and Anti-Terrorism (2007) (1)
Where Reality and Fantasy Meet and Bifurcate (2012) (1)
Where Reality and Fantasy Meet and Bifurcate: Holocaust Themes in Pan’s Labyrinth (2006), X-Men (2000), and V (1983) (2012) (1)
Profiling the Terrorist as a Mass Murderer (Extract) (2012) (1)
An invitation to ‘radical interactionism’ (2019) (1)
Attempting to Go Beyond Forgetting: the Legacy of the Tokyo IMT and Crimes of Ciolence Against Women (2011) (1)
A metaphysics of the transcendent through a phenomenology of film: Choosing metaphysics over politics (2004) (1)
Inside Notes from the Outside: The Politics of Gender, Race, Myth, Language and Spatiality in bell hooks and Margaret Fuller (1996) (1)
Remaking the Frankenstein myth on film (2003) (1)
Conclusions: Quo Vadis? (2013) (1)
Nietzsche and "An Architecture of Our Minds" (review) (2004) (0)
LoÃe Fuller, âGoddess of Lightâ and Josephine Baker, âBlack Venusâ (2013) (0)
Forthcoming Meetings and Conferences of General Interest (2001) (0)
Moving into New Directions: Cunningham and Ailey (2013) (0)
Memory, Pictoriality, and Mystery: (Re)viewing Husserl Via Magritte and Escher (1997) (0)
Inside/Outside Nietzsche: Psychoanalytic Explorations (review) (2002) (0)
Apt Pupil (1998): The Hollywood Nazi-as-Monster Flick (extract) (2012) (0)
Framing Law and Crime (2016) (0)
Loíe Fuller, “Goddess of Light” and Josephine Baker, “Black Venus”: Non-narrative Choreography as Mere “Spectacle” (2013) (0)
A Review of: “Marouf A. Hasian, Jr., Rhetorical Vectors of Memory in National and International Holocaust Trials.” (2011) (0)
American self-radicalising terrorists and conversions to radical action (2019) (0)
French SMEs: profitable but not very dynamic? (2008) (0)
Through the Lens of an Insider-Outsider (2020) (0)
10. GENERAL COMMUNICATIONS (2011) (0)
Moving into New Directions (2013) (0)
Martha Graham, “Picasso of American Dance,” and Katherine Dunham, “Matriarch of Black Dance”: Exoticism and Nonwhiteness in American Dance (2013) (0)
Rethinking Resistance: Reflections on the Cultural Lives of Property, Collective Identity, and Intellectual Property, 47 J. Marshall L. Rev. 1349 (2014) (2014) (0)
Gazelles in France (2006) (0)
Weaving Monster-Talk (2003) (0)
Job flows and worker flows: a reappraisal - Job flows scaled down and only moderately linked to worker flows (2007) (0)
Comparing Aesthetics of Whiteness and Nonwhiteness in Relation to American Dance (2013) (0)
Assess profitability of non-financial firms (2004) (0)
A Snapshot from Multiple Perspectives (2005) (0)
Nationalities, Histories, Rhetorics: Real/Reel Representations of the Holocaust and Holocaust Trials and a Poethics of Film and Law (2015) (0)
Martha Graham, âPicasso of American Dance,â and Katherine Dunham, âMatriarch of Black Danceâ (2013) (0)
George Balanchine, âGenius of American Danceâ (2013) (0)
Framing Law and Crime: An Experiment in Interdisciplinary Commensurability (2016) (0)
Media Myths Regarding Serial Killers: A Gothic Criminology (2016) (0)
Framing Law and Crime: An Interdisciplinary Anthology (2016) (0)
Book Review: Eugene Victor Wolfenstein.INSIDE/OUTSIDE NIETZSCHE: PSYCHOANALYTIC EXPLORATIONS.Ithaca and London: Cornell University Press, 2000. (2002) (0)
Blurring Boundaries: A Reply to Fadlon and Lewin-Epstein (1997) (0)
Memory, pictoriality, and mystery (1997) (0)
Humour and Horror in Science Fiction and Comedic Frankensteinian Films (2015) (0)
Working at the Limen (2020) (0)
Corporate Product Diversification, Refocusing and Development of Functional Businesses in France (1993-2000) (2006) (0)

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