Cat

Cat Hope

#157,899
Most Influential Person Now

Australian musician

Cat Hope's Academic­Influence.com Rankings

Cat Hope
Communications
#10120
World Rank
#13655
Historical Rank
communications Degrees
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  • Communications

Cat Hope's Degrees

Why Is Cat Hope Influential?

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According to Wikipedia, Catherine Anne "Cat" Hope , is an Australian composer, musician and academic. She started her music and academic careers in Perth and relocated to Melbourne in 2017. Her opera, Speechless, was first performed in 2019 at the Perth Festival. At the Art Music Awards of 2020 she won Work of the Year: Dramatic for Speechless. Steve Dow of The Age described the opera, "fuelled by outrage over the imprisonment of asylum seeker children, which features growling and screaming to an unconventional score without musical notation." Hope has also won the Art Music Award for Excellence in Experimental Music in 2011 for Decibel's 2009–2010 Annual Programs and in 2014 for her Drawn from Sound exhibition.

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Cat Hope's Published Works

Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
19801990200020102020012.52537.55062.57587.5100112.5

Published Works

  • with the fishes (2015) (51)
  • Ethnic differences in diabetic retinopathy (2007) (44)
  • The Decibel ScorePlayer - A digital tool for reading graphic notation (2015) (37)
  • Screen Scores: New Media Music Manuscripts (2011) (23)
  • Digital Arts: An Introduction to New Media (2014) (20)
  • Ecological connections: Reimagining the role of farmers’ markets (2014) (18)
  • Creating a career as a woman composer: Implications for music in higher education (2018) (14)
  • Establishing connectivity between the existing networked music notation packages Quintet.net, Decibel ScorePlayer and MaxScore (2017) (13)
  • Electronic Scores for Music: The Possibilities of Animated Notation (2017) (13)
  • Animated Music Notation on the iPad (Or: Music stands just weren't designed to support laptops) (2013) (12)
  • Hiding gender: How female composers manage gender identity (2019) (12)
  • Entangled recovery: refugee encounters in community gardens (2019) (11)
  • Visualising the Score: Screening Scores in Realtime Performance (2011) (10)
  • The Decibel ScorePlayer: New Developments and Improved Functionality (2015) (10)
  • The Rise and Fall, and the Rise (Again) of Feminist Research in Music: ‘What Goes Around Comes Around’ (2017) (9)
  • Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery (2017) (8)
  • Staging the Local: rethinking scale in farmers' markets (2015) (8)
  • An International Perspective on Managing a Career as a Woman Composer (2019) (7)
  • Infrasonic Music (2009) (7)
  • Women composers’ use of online communities of practice to build and support their careers (2019) (6)
  • CAPITAL REGION FARMERS' MARKET Navigating the local (2013) (6)
  • Animated Music Notation on the iPad (2013) (6)
  • Hearing the story: sound design in the films of Rolf de Heer (2004) (5)
  • 'Ill-will with the trade': The Sydney and Melbourne Film Festivals (1959- 1964) (2006) (4)
  • 'Films for the intelligent layman': The origins of the Sydney and Melbourne Film Festivals (1952 - 1958) (2006) (4)
  • 2D and 3D Timbral spatialisation: Spatial motion, Immersiveness, and Notions of Space (2013) (4)
  • TEACHING TERTIARY MUSIC IN THE #METOO ERA (2020) (4)
  • THE POSSIBILITIES OF A LINE : MARKING THE GLISSANDO IN WESTERN ART MUSIC (2016) (4)
  • New digital interactions with John Cage's Variations IV, V and VI (2012) (4)
  • New Scores for Electronic Music: The Possibilities of Animated Notation (2017) (3)
  • The Future is Graphic: Animated notation for contemporary practice (2020) (3)
  • 'Separating the sheep from the goats': The Sydney and Melbourne Film Festivals (1965 - 1972) (2006) (3)
  • Multidimensional Data Sets: Traversing Sound Synthesis, Sound Sculpture, and Scored Composition (2011) (3)
  • Wording New Paths: Text-Based Notation in New Solo Percussion Works by Natasha Anderson, Erik Griswold, and Vanessa Tomlinson (2017) (3)
  • From Xenakis's UPIC to Graphic Notation Today, ed. Peter Weibel, Ludger Brümmer and Sharon Kanach. Hatje Cantz. Free download, or £41 hardback. (2020) (3)
  • Vibrating Performance: Experiencing Music through Vibration in the Work of Abe Sada (2010) (2)
  • Mobilising John Cage: The Design and Creation of Score Generators for the Complete John Cage Variations I–VIII (2013) (2)
  • Sound Art Mobile Art (2005) (2)
  • Publishing an archive: A meta-narrative of (be)longing (2014) (2)
  • The Sydney and Melbourne Film Festivals, and the Liberalisation of Film Censorship in Australia (2012) (2)
  • Cultural Terrorism and anti music: Noise music and its impact on experimental music in Australia (2009) (2)
  • The Western Australian New Music Archive: Performing as remembering (2015) (2)
  • ECOLOGICAL CONNECTIONS: REIMAGINING THE ROLE OF FARMERS’ MARKETS IN URBAN AREAS (2014) (1)
  • Music Technology/Technological Music (2009) (1)
  • OCCAM HEX II: A COLLABORATIVE COMPOSITION (2017) (1)
  • Archiving Western Australian New Music Performance (2017) (1)
  • The UK Police Service Approach to Specialist Search: Structure, Training and Capability of Search Assets (2013) (1)
  • 'Give it a go you apes': relations between the Sydney and Melbourne Film Festivals (2011) (1)
  • The Western Australian New Music Archive: finding, accessing, remembering and performing a community of practice (2013) (1)
  • The Wonderment of the Bleak: Sculpting the Static (2009) (1)
  • The End of ABE SADA (2014) (1)
  • The Decibel ScorePlayer (2013) (1)
  • Gender as performance, experience, identity and, variable: A systematic review of gender research in jazz and improvisation (2022) (1)
  • Silence as Stillness? Sonic experiences in art using Infrasonics (2007) (1)
  • Map-making towards an onto-cartography of the digital audio workstation (2015) (1)
  • Musical Technology / Technological Music: Teaching Electronic Music in the Academy (2009) (1)
  • Totally Huge New Music Festival (2005) (1)
  • The battle to open Australia's airwaves: the Whitlam government and youth station 2JJ (2015) (1)
  • Drawn from Sound (2013) (1)
  • TOWARDS THE SUMMERS NIGHT: A MENTORING PROJECT FOR AUSTRALIAN COMPOSERS IDENTIFYING AS WOMEN (2020) (1)
  • Freedom and structure take on instruments and hardware: a conversation with Lindsay Vickery (2008) (1)
  • What is New, Here? Locating an Art Form Within the Western Australian New Music Archive (2017) (1)
  • The Complete John Cage Variations Project (2012) (1)
  • The Possibilities of a Line: Marking the Glissando In Music. (2016) (1)
  • The Bottom End of Cinema: Low Frequency Effects in soundtrack composition (2009) (1)
  • Site in Sound: a review of four musical works that integrate site into sound (2012) (1)
  • Play: Canberra Destination Playgrounds Study (2018) (1)
  • Report for WA Music: Preliminary economic impact of the music industry in WA (2016) (0)
  • Music Camera - Co-Curator (2009) (0)
  • Archiving the new, now, for future users yet unknown (2015) (0)
  • Electronic Music is Here to Stay - Or is it? (2013) (0)
  • Candied Limbs at Katakamuna (2011) (0)
  • Signals Directorate [new composition] (2014) (0)
  • Press headlines for music: Laura Jane Lowther’s “Loaded (NSFW)” iPad score generator (2016) (0)
  • Music History Education in Australian Universities (2020) (0)
  • Agerasia by Chris De Groot - Decibel (2011) (0)
  • Beginning to Collapse by Julian Day - Decibel (2011) (0)
  • Featured Article: Notating electronics (2020) (0)
  • Spatialising Threads/Hallucinations: Closing the gap between installation and performance (2011) (0)
  • Drawn from sound - exhibition, performances, catalogue (2013) (0)
  • IN-E-GRESS, installation by cAVity, International Symposium of Electronic Arts. (2004) (0)
  • Manifesting Meaning from a Performance of Cruelty: Parallels in the Musical Experimentalism of Antonin Artaud and Sub Ordnance (2011) (0)
  • Epic of Gilgamesh: Abe Sada (2008) (0)
  • Kaboom - experiencing music through vibration in the bass project Abe Sada (2009) (0)
  • Mothlight by Austin Buckett - Decibel (2011) (0)
  • U Bahn c1985: The Rosenberg Variations by Lindsay Vickery and Jon Rose (2012) (0)
  • National core curriculum apprenticeship courses and student reading ability (1990) (0)
  • Zubin Kanga and Decibel in Concert (2016) (0)
  • Notations for noise music - freedom, determinacy and structure (2012-2014) [new compositions] (2012) (0)
  • Artist in Residence, performing Abe Sada: Sada Abe 1936 and Abe Sada: Carpark (2010) (0)
  • Conning the Text (sound installation) (2005) (0)
  • Decibel - The Talking Board by Lindsay Vickery and Cat Hope (2011) (0)
  • White Lines by Marina Rosenfeld - Decibel (2011) (0)
  • The Talking Board II (2013) (0)
  • Empire - Decibel (part 2) (2010) (0)
  • The Light That is Waiting (2016) (0)
  • New Possibilities for Electroacoustic Music Performance (2011) (0)
  • Documenting Music Performance in the Digital Archive: What do we have here? (2017) (0)
  • Playful Seriousness and Serious Play: Poetry as creative practice in the international prose poetry project (2017) (0)
  • The Possiblity of Infrasonic Music (2008) (0)
  • Do Androids Dream of Computer Music? Proceedings of the Australasian Computer Music Conference 2017 (2017) (0)
  • Canberra Urban Activation Study (2017) (0)
  • Inner Space: the Giacinto Scelsi Project (2013) (0)
  • Decibel - Possible Stories of Harry Power (2010) (0)
  • I Am Sitting in a Room - Decibel (2010) (0)
  • Harnessing the Arc-Hive (2013) (0)
  • Ethical Entrepreneurship in the Nonprofit Sector: A Case Study of the Capital Region Farmers Market (2015) (0)
  • Night Fragments by Lindsay Vickery - Decibel (2011) (0)
  • Lapsang and Beyond the Infinite (2005) (0)
  • Canberra Destination Playgrounds Study (2018) (0)
  • The Ballad of Sacco and Vanzetti by Ennio Morricone - Decibel (2011) (0)
  • Social responsibility, public relations and pedagogy: Student perceptions using mental illness as a case study (2014) (0)
  • Cruel and Usual (2012) for string quartet and bass amplifiers [new composition] (2012) (0)
  • Western Australian New Music Archive (WANMA) (2014) (0)
  • Tape IT! : Decibel (2009) (0)
  • HzHzHz self titled album (2013) (0)
  • Phonebox (sound installation) (2005) (0)
  • WANMA: The Western Australian New Music Archive (2013) (0)
  • Radio Music by John Cage - Decibel (2011) (0)
  • Kagel : Prima Vista-Decibel (2008) (0)
  • Abe Sada: Music Venue (2007) (0)
  • From Traffic Rises by Mace Francis (2012) (0)
  • Zeitebenen: for quartet and live electronics (2016) (0)
  • Club Zho (Curatorship and Coordination) (2005) (0)
  • When Lines Become Bits - Engaging Digital Technology to perform works by Alvin Lucier (2010) (0)
  • Sada Abe 1936 (2009) (0)
  • Reinterpreting technology and concert techniques for electronic instruments in chamber music performance (2011) (0)
  • The Sound of Decay (2013-2016) [new composition] (2013) (0)
  • Roger Smalley: North to South - Interview (2003) (0)
  • Kynan Tan - Split Mirror Planes (2011) (0)
  • Curator of Decibel's "A Voice from the Dark Space" program (2011) (0)
  • Drone Mosaic by Adam Trainer - Decibel (2011) (0)
  • Processes in Composition and Performance Leading to Performance (2011) (0)
  • Prima Vista by Mauricio Kagel - Decibel European Tour (2012) (0)
  • Pretty Lightweight by Thomas Meadowcroft - Decibel (2011) (0)
  • Impulses by Roger Smalley (2016) (0)
  • The Right Stuff? The Original Double Jay as Site for Youth Counterculture (2014) (0)
  • Towards the Summers Night (2019) (0)
  • Curator of Decibel Programs 2010 (2010) (0)
  • Western Australian New Music Archive: An Ongoing Journey (2016) (0)
  • Women in Transit (2004) (0)
  • OCCAM HEX II: A COLLABORATIVE COMPOSITION - ERRATUM (2017) (0)
  • Anime, a portfolio of seven new works for animated digital notation using the Decibel Score Player. (2015) (0)
  • Revealing Sonic Wisdom in the Works of Cat Hope (2020) (0)
  • Film Music that engages very low frequency Sound [new compositions] (2014) (0)
  • Tura- Thirty Years of Building New Music practice in Western Australia (2018) (0)
  • Headline grabs for music: The development of the iPad score generator for 'Loaded (NSFW).' (2016) (0)
  • Women in transit (music for dance) (2004) (0)
  • "Intermodulations" performed by Decibel new music (2016) (0)
  • Proceedings of the 2015 WA Chapter of MSA Symposium on Music Performance and Analysis (2015) (0)
  • N Dimension by Stuart James - Decibel (2013) (0)
  • Making music as contemporary art (2007) (0)
  • West Park by Samuel Dunscombe - Decibel (2011) (0)
  • Decibel Australian Music Program, Krakow and Kosice (2013) (0)
  • Decabell by Lyndon Blue (2012) (0)
  • Club Zho 81 at Liquid Architecture 9 - Live Semi Improvised Performance (2008) (0)
  • Clara (Benito's Dream) by Scott Walker - Decibel (2011) (0)
  • PUBLIC ADDRESS, installation by cAVity (2004) (0)
  • Adress.mov International Symposium of electronic arts (2004) (0)
  • Notating Drawings for Performance [new compositions] (2015) (0)
  • Pickpocket ( sound installation) (2005) (0)
  • Abe Sada: Live at Sonic Boom - 4-piece bass guitar act (2008) (0)
  • Plug (sound installation) (2005) (0)
  • Cat Hope + Kouhei Harada (2011) (0)
  • After Julia - Decibel (2014) (0)
  • The Tigers Mind: Night Piece by Cornelius Cardew - Decibel (2011) (0)
  • From Early Soundings to Locative Listening in Mobile Media Art (2020) (0)
  • Performing Newness and Nowness: Repertoire and improvisation in the Western Australian New Music Archive (2017) (0)
  • The Nth art: The state of the sonic image (2009) (0)
  • Abe Sada: Sada Abe 1936 (2006) (0)
  • Composing experimental music for film and video (2006) (0)
  • Music of our time: let’s embrace experimental music once and for all (2015) (0)
  • Very low Frequency (VLF) Tones in acoustic composition [new compositions] (2009) (0)
  • Still and Moving Lines: The Music of Alvin Lucier recording (2013) (0)
  • Deviance by Ross Bolleter - Decibel (2011) (0)
  • The Talking Board by Cat Hope and Lindsay Vickery - Decibel European Tour (2012) (0)
  • Headline grabs for music: The development of an iPad score generator (2016) (0)
  • The interaction between drone and glissando in acoustic composition [new compositions] (2011) (0)
  • Silent Revolution by Lindsay Vickery - Decibel (2013) (0)
  • Variations VI (1966) (2012) (0)
  • Abe Sada/SubOrdinance Redux/Organ Grinder split EP (2011) (0)
  • Speechless: An Operatic Response to Human Rights Abuses in Twenty First Century Australia (2018) (0)
  • The composer and the machine: organic processes and musicality in computer programming for music (2011) (0)
  • Innovative Scoring Electronics for Performance (2010-2016) [new compositions] (2012) (0)
  • Curator of Decibel's "Camera Obscura Program" (2011) (0)
  • Abe Sada: The Lost Chord (2008) (0)
  • Who Wants a Trautonium Must Build One (2015) (0)
  • The Western Australia New Music Archive: 1970 - today: Accessing, remembering, performing. (2010) (0)
  • Lost - a Low Frequency Soundscape for Kate McMillan's Lost Exhibition (2008) (0)
  • Disintegration: Mutation CD (2011) (0)
  • Variations II (1961) (2012) (0)
  • Liminum (2012) for sustaining instruments and effects [new composition] (2012) (0)
  • Curator of Decibel's "Pretty Things" program (2011) (0)
  • The End of Abe Sada (installation) (2014) (0)
  • Perth: City of Noise (2007) (0)
  • Cat Hope Live at Socrates (2011) (0)
  • Create-a-Place Evaluation Report Part 2 (2018) (0)
  • Roger Smalley: an ongoing legacy (2019) (0)
  • Very low frequency tones as instruments in acoustic composition [new compositions] (2016) (0)
  • Loaded (NFSW) by Laura Jane Lowther (2015) (0)
  • Candied Limbs + Sawada (2011) (0)
  • The Plateau of the Screaming Popes (2008) (0)
  • Low Frequency in sound installation (2009 - 2014) (2011) (0)
  • Decibel: Audible designs (2011) (0)
  • Lowest Drawer (2014) for cello, bass flute, bass clarinet and electronics [new composition] (2014) (0)
  • International Computer Music Conference - Music Director (2013) (0)
  • The Earths Defeats Me (2014) [new composition] (2014) (0)
  • Variations VIII (1967) (2012) (0)
  • Sampling for timbral transformation in chamber performance (2012-2014) [new compositions] (2012) (0)
  • Music that Speaks for Itself (2008) (0)
  • W(h)ither Trautonium (2014) (0)
  • The John Cage Complete Variations Project (2012) (0)
  • Calcutta Underground - 10-minute dance music piece (2008) (0)
  • Canberra Nature Play Space Study (2018) (0)
  • Regional Western Australia and Sound Art: A survey of works by Alan Lamb and Ross Bolleter (2016) (0)
  • Drawn From Sound - Curator (2013) (0)
  • Cultivating Creative Cities; Nonhumans, urban agriculture and ecological belonging (2015) (0)
  • Sound Unbound: Music from Visitors 1 2016 (2016) (0)
  • Animating Drawings as Music Notation [new compositions] (2009) (0)
  • Mountains never meet - Original Music Score (2008) (0)
  • Sogno 102 (2012) for bass flute, bass clarinet, cello, viola, piano and electronics [new compostion] (2012) (0)
  • The Book of Daughters: Tone Being, Carol Speak (2016) (0)
  • Abe Sada Amp Redux (2009) (0)
  • Cruel and Usual (2015) (0)
  • Configuring Music a conversation with Anthony Pateras (2008) (0)
  • Study no. 48 [catalog1] (2015) (0)
  • The decibel new music ensemble: artistic research in experimental music at the academy (2017) (0)
  • Variations III by John Cage - Decibel (2012) (0)
  • Editorial: I am the music I don’t notate (2008) (0)
  • Online environments for new music composition: The WAAPA composers server (2007) (0)
  • The vanishing bass: Possible implications of internet centric delivery and listening on bass perception (2009) (0)
  • Majority of one (score) (2016) (0)
  • Low Groom - Sound Spectrum series (2006) (0)
  • Farmers' markets and consumer choices for good health (2014) (0)
  • Documenting music performance in the Western Australian New Music Archive (2017) (0)
  • Introduction: A New Historicism? Sound, music and ruined pianos. (2005) (0)
  • 'Is Happiness Festival-shaped Any Longer?': The Melbourne and Sydney Film Festivals and the Growth of Australian Film Culture 1973-1977 (2013) (0)
  • Ear Drops: Sonic Boundaries (2017) (0)
  • We could play that last century: Archiving digital 20th century digital performing arts in Western Australia (2016) (0)
  • Compositions engaging with embedded live performance (2014) [new compositions] (2014) (0)
  • Shuffle over: Aleatoric electronic percussion notation representing sound and gesture (2019) (0)
  • Do You Know How To Waltz by Low (2012) (0)
  • Vice Versa by Amanda Stewart - Decibel (2013) (0)
  • Abe Sada Amp Stack (2009) (0)

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Cat Hope is affiliated with the following schools: