Charles Rufus Morey
#76,096
Most Influential Person Across History
American art historian
Charles Rufus Morey's AcademicInfluence.com Rankings
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Education
Charles Rufus Morey's Degrees
- PhD Art History Princeton University
- Masters Art History Princeton University
- Bachelors Art History Princeton University
Why Is Charles Rufus Morey Influential?
(Suggest an Edit or Addition)According to Wikipedia, Charles Rufus Morey was an American art historian, professor, and chairman of the Department of Art and Archaeology at Princeton University from 1924 to 1945. He had expertise in medieval art and founded the Index of Christian Art at Princeton University in 1917. He was one of the founders of the College Art Association.
Charles Rufus Morey's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- The Excavations at Dura-Europos (1931) (58)
- Early Christian art (1942) (30)
- The mosaics of Antioch (1938) (16)
- The Gospel-book of Landevennec (the Harkness Gospels) in the New York Public Library (1931) (10)
- The miniatures of the manuscripts of Terence : prior to the thirteenth century (1931) (10)
- At the Metropolitan Museum (1929) (10)
- Marvels Of Ancient Rome (1955) (9)
- Early Christian art : an outline of the evolution of style and iconography in sculpture and painting from antiquity to the eighth century (1943) (6)
- The Excavation of Antioch - on - the - Orontes (1935) (6)
- The Mosaics of Hagia Sophia (1944) (5)
- The `Byzantine Renaissance' (1939) (5)
- Mediaeval Art and America (1944) (4)
- Romanesque Sculpture in Saintonge (1941) (4)
- A Group of Gothic Ivories in the Walters Art Gallery (1936) (4)
- The Sarcophagus of Claudia Antonia Sabina and the Asiatic Sarcophagi (1924) (4)
- East Christian Art (1927) (4)
- The American spirit in art (3)
- S. Maria in Trastevere (1933) (3)
- Exhibition of illuminated manuscripts, held at the New York Public Library (1934) (2)
- Sardis. Vol. V. Roman and Christian Sculpture. Part I. The Sarcophagus of Claudia Antonia Sabina, and the Asiatic SarcophagiSardis. Vol. VI. Lydian Inscriptions. Part I. A Collection of the Texts in Lydian Script Found at Sardis and Elsewhere (2)
- Early Christian Art. An Outline of the Evolution of Style and Iconography in Sculpture and Painting from Antiquity to the Eighth Century (1943) (2)
- The Sources of Mediæval Style (1924) (2)
- Value of Art as an Academic Subject (1929) (2)
- Notes on East Christian Miniature (1929) (2)
- Studies in East Christian and Roman art (2)
- Castelseprio and the Byzantine “Renaissance” (1952) (1)
- An Exhibition of the Morgan Manuscripts (1934) (1)
- Pseudo-Gothic Ivories in the Hearn Collection (1919) (1)
- The Silver Casket of San Nazaro in Milan (1919) (1)
- The Art of Auguste Rodin (1)
- The Fine Arts in Higher Education (1943) (1)
- East Christian Art.By O. M. Dalton: XV, 396pp.; 70pls. New York, Oxford University Press, 1925 (1927) (1)
- The Mediaeval History of the Double-Axe Motif (1920) (1)
- The Sources of Romanesque Sculpture (1919) (1)
- The Origin of the Asiatic Sarcophagi (1921) (1)
- A Statement on the Place of the History of Art in the Liberal Arts Curriculum (1944) (1)
- Coptic Egypt: Papers Read at a Symposium Held under the Joint Auspices of New York University and the Brooklyn Museum (1944) (1)
- The Inscription on the Enameled Cross of Paschal I (1937) (1)
- Art and the History of Art in Italy (1951) (1)
- The Covers of the Lorsch Gospels (1928) (1)
- The "Arming of an Ephebe" on a Princeton Vase (1907) (1)
- A Survey of the Manuscripts of Tours (Studies in the Script of Tours, I) (1931) (1)
- The New Mediaeval Wing of the Pennsylvania Museum (1931) (0)
- The Elizabeth Day McCormick Apocalypse, Vol. I: A Greek Corpus of Revelation Iconography. Harold R. WilloughbyVol. II: History and Text. Ernest C. Colwell , Juliette Renaud (1942) (0)
- S. Maria in Trastevere By Carlo Cecchelli (0)
- The Vatican Terence (1931) (0)
- Abstracts of Papers Read at the Twentieth Annual Meeting of the College Art Association (1931) (0)
- Walter Haring (1944) (0)
- The War and Mediaeval Art (1945) (0)
- Roman Sources of Christian Art. Emerson H. Swift (1952) (0)
- The Covers of the Lorsch Gospels (1929) (0)
- Abstracts from Current Periodicals (1929) (0)
- A Survey of the Manuscripts of Tours (Studies in the Script of Tours, I). By Edward Kennard Rand (0)
- Inscriptions from Rome (1906) (0)
- Summaries of Papers Read at the Nineteenth Annual Meeting of the College Art Association (1929) (0)
- The Early Christian Ivories of the Eastern Empire (1941) (0)
- The Elizabeth Day McCormick Apocalypse, Vol. I. A Greek Corpus of Revelation Iconography@@@Vol. II. History and Text (1940) (0)
- The Cambridge Ancient History: Volume of Plates V (1940) (0)
- Early Christian Art: An Outline of the Evolution of Style and Iconography in Sculpture and Painting from Antiquity to the Eighth Century@@@The Index of Christian Art at Princeton University: A Handbook (1943) (0)
- Graduate Work in the Fine Arts (1934) (0)
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