Chris Chafe
Swiss musicologist and scientist
Chris Chafe's AcademicInfluence.com Rankings

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Philosophy
Chris Chafe's Degrees
- PhD Music Stanford University
- Masters Music Stanford University
- Bachelors Music University of California, Santa Cruz
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Why Is Chris Chafe Influential?
(Suggest an Edit or Addition)According to Wikipedia, Christopher David Chafe, born 1952 in Bern, Switzerland, is a musician, scientist, and the director of the Stanford University Center for Computer Research in Music and Acoustics . He is Duca Family Professor at Stanford University, holding a Doctor of Musical Arts in music composition from Stanford University , a Master of Arts in music composition from University of California, San Diego, and a Bachelor of Arts in music from Antioch College. He won a Net Challenge Prize from the IEEE and Association for Computing Machinery in 2000, and a National Science Foundation research award in 1999. He has been performing with the Tintinnabulate ensemble at Rensselaer Polytechnic Institute.
Chris Chafe's Published Works
Published Works
- Neural Dynamics of Event Segmentation in Music: Converging Evidence for Dissociable Ventral and Dorsal Networks (2007) (165)
- Playing by feel: incorporating haptic feedback into computer-based musical instruments (2001) (138)
- JackTrip: Under the Hood of an Engine for Network Audio (2010) (125)
- Effect of Time Delay on Ensemble Accuracy (2004) (117)
- An Overview on Networked Music Performance Technologies (2016) (83)
- Tactile Audio Feedback (1993) (78)
- A SIMPLIFIED APPROACH TO HIGH QUALITY MUSIC AND SOUND OVER IP (2000) (76)
- Source separation and note identification in polyphonic music (1986) (72)
- Toward an Intelligent Editor of Digital Audio: Recognition of Musical Constructs (1982) (58)
- Effect of Temporal Separation on Synchronization in Rhythmic Performance (2010) (56)
- Network Time Delay and Ensemble Accuracy: Effects of Latency, Asymmetry (2004) (56)
- Techniques for Note Identification in Polyphonic Music (1985) (46)
- To the Edge with China: Explorations in Network Performance (2008) (41)
- LEVELS OF TEMPORAL RESOLUTION IN SONIFICATION OF NETWORK PERFORMANCE (2001) (36)
- Tapping into the Internet as an Acoustical/Musical Medium (2007) (33)
- Contemporary Music Review (2005) (29)
- Physical model synthesis with application to Internet acoustics (2002) (29)
- Musical Muscle Memory and the Haptic Display of Performance Nuance (1996) (28)
- Distributed Internet Reverberation for Audio Collaboration (2003) (28)
- Telematic Music: Six Perspectives (2009) (28)
- Detecting silent seizures by their sound (2018) (27)
- Pulsed noise in self-sustained oscillations of musical instruments (1990) (26)
- Analysis of Flute Control Parameters: A Comparison Between a Novice and an Experienced Flautist (2008) (25)
- Simulating performance on a bowed instrument (1988) (25)
- Don't Be Alarmed: Sonifying Autonomous Vehicle Perception to Increase Situation Awareness (2018) (24)
- Simulation of Networked Ensemble Performance with Varying Time Delays: Characterization of Ensemble Accuracy (2004) (24)
- In a World (1983) (23)
- Using Data Sonification to Overcome Science Literacy, Numeracy, and Visualization Barriers in Science Communication (2020) (23)
- JackTrip/SoundWIRE Meets Server Farm (2010) (18)
- Cyberinstruments via Physical Modeling Synthesis: Compositional Applications (2007) (18)
- Living with Net Lag (2011) (18)
- The shape of an instant: measuring and modeling perceptual attack time with probability density functions (if a tree falls in the forest, when did 57 people hear it make a sound?) (2008) (17)
- Analysis and synthesis of unusual friction-driven musical instruments (2002) (16)
- Delayed feedback embedded in perception-action coordination cycles results in anticipation behavior during synchronized rhythmic action: A dynamical systems approach (2019) (16)
- Studies of Physical Models in Music Composition (2004) (15)
- The Performer-Instrument Interaction: A Sensory Motor Perspective (2000) (14)
- Qualitative and Quantitive Assessment of a Virtual Bowed String Instrument (2000) (13)
- Mobile Music, Sensors, Physical Modeling, and Digital Fabrication: Articulating the Augmented Mobile Instrument (2017) (12)
- Adding Vortex Noise to Wind Instrument Physical Models (1995) (11)
- Augmenting the iPad: the BladeAxe (2016) (9)
- A Generative Model for Raw Audio Using Transformer Architectures (2021) (9)
- Thevbow: an expressive musical controller haptic human-computer interface (2003) (9)
- Real-Time Pitch Tracking in Audio Signals with the Extended Complex Kalman Filter (2017) (9)
- Acoustic analysis of the Chavín pututus (Strombus galeatus marine shell trumpets). (2010) (9)
- Passively augmenting mobile devices towards hybrid musical instrument design (2017) (8)
- Neuralogram: A Deep Neural Network Based Representation for Audio Signals (2019) (8)
- Sonifying ECoG seizure data with overtone mapping: a strategy for creating auditory gestalt from correlated multichannel data (2012) (7)
- Autonomous New Media Artefacts (AutoNMA) (2011) (7)
- A Deep Learning Approach for Low-Latency Packet Loss Concealment of Audio Signals in Networked Music Performance Applications (2020) (7)
- NUANCE : ADDING MULTI-TOUCH FORCE DETECTION TO THE IPAD (2016) (6)
- Oxygen flute: A computer music instrument that grows (2005) (6)
- Haptic interactions for audio navigation (2004) (6)
- A modular computational acoustic model of ancient Chavín de Huántar, Perú. (2010) (6)
- I am Streaming in a Room (2018) (6)
- faust2api: a Comprehensive API Generator for Android and iOS (2017) (5)
- Electronic instruments (2020) (4)
- Statistical Pattern Recognition for Prediction of Solo Piano Performance (1997) (4)
- Musical synthesizer system and method using pulsed noise for simulating the noise component of musical tones (1993) (4)
- Interplay(er) machines (1999) (3)
- Mixing Console Design Considerations for Telematic Music Applications (2009) (3)
- Op 1254: Music for Neutrons, Networks and Solenoids using a Restored Organ in a Nuclear Reactor (2018) (3)
- Automatic transcription of tabla music (2005) (3)
- THE FAUST PHYSICAL MODELING LIBRARY : A MODULAR PLAYGROUND FOR THE DIGITAL LUTHIER (2018) (3)
- Characterization of aperiodicity in nearly periodic signals (1990) (3)
- Sound synthesis for a brain stethoscope (2013) (2)
- The brain stethoscope: A device that turns brain activity into sound (2015) (2)
- 3D Printing and Physical Modeling of Musical Instruments: Casting the Net (2018) (2)
- Experiencing Remote Classical Music Performance Over Long Distance: A JackTrip Concert Between Two Continents During the Pandemic (2021) (2)
- Pulsed Noise in Musical Systems, Techniques for Extraction, Analysis and Visualization (1990) (2)
- Improved Real-Time Monophonic Pitch Tracking with the Extended Complex Kalman Filter (2020) (2)
- FAUST2SMARTKEYB: A TOOL TO MAKE MOBILE INSTRUMENTS FOCUSING ON SKILLS TRANSFER IN THE FAUST PROGRAMMING LANGUAGE (2018) (1)
- Adding pulsed noise to a flute physical model (1993) (1)
- Music synthesizer and method for simulating period synchronous noise associated with air flows in wind instruments (1997) (1)
- Glitch Free FM Vocal Synthesis (2013) (1)
- Web-Based Networked Music Performances via WebRTC: A Low-Latency PCM Audio Solution (2022) (1)
- Internet rooms from internet audio (2013) (1)
- A Faust Based Driving Simulator Sound Synthesis Engine (2016) (1)
- A Content Adaptive Learnable Time-Frequency Representation For Audio Signal Processing (2023) (0)
- One-Shot Acoustic Matching Of Audio Signals - Learning to Hear Music In Any Room/ Concert Hall (2022) (0)
- Table of Contents (2011) (0)
- Internet Reverberation DISTRIBUTED INTERNET REVERBERATION FOR AUDIO COLLABORATION (2003) (0)
- Simulating Ensemble Rhythmic Interaction Based on Quantifiable Strategy Functions (2010) (0)
- T23. Individuals without EEG training can detect subclinical seizures and seizure-like activity by listening to sonified EEG (2018) (0)
- Chaos In Aperiodicity Of Musical Oscillators (1991) (0)
- Current Work at CCRMA: An Overview (1986) (0)
- Time Crystal-ized, 5-Feb-2021 (2021) (0)
- The Qualities and Flow of Imagined Sound and Music (2021) (0)
- 92.08.09 - essential epiphanies: a computer-music soundscape, collage and performance environment (original composition) (2000) (0)
- What would a Webchuck Chuck? (2023) (0)
- Earth Symphony (2020) (0)
- A Real-time Implementation of Physical Models (1990) (0)
- Studio Report: Center for Computer Research in Music and Acoustics (CCRMA) (1993) (0)
- Playing Attention (2023) (0)
- Mending Bells and Closing Belfries with Faust (2019) (0)
- Tapping into the Internet as an acoustical and Musical Medium (2008) (0)
- Music from "an evil subterranean beast." (2011) (0)
- CDCM Volume 11: The Virtuoso in the Computer Age (II) (1993) (0)
- Temporal Coordination in Piano Duet Networked Music Performance (NMP): Interactions Between Acoustic Transmission Latency and Musical Role Asymmetries (2021) (0)
- Architectural Acoustics Session 2 pAAa : Adapting , Enhancing , and Fictionalizing Room Acoustics II 2 pAAa 3 . Internet rooms from Internet audio (2013) (0)
- Sound and Video Anthology: Content (2014) (0)
- In Memorium: Dexter Morrill (2020) (0)
- Wergo Computer Music Currents 6 (1993) (0)
- Evolution of teaching and research at CCRMA (2001) (0)
- Organum Film Invitation (2006) (0)
- (The) speaking of characters, musically speaking (2017) (0)
- Content Adaptive Front End For Audio Signal Processing (2023) (0)
- Ice Core Walk (2020) (0)
- Dream Machine 1990 (1991) (0)
- CCRMA Papers on Physical Modeling and Signal Processing from the 1993 International Computer Music (2010) (0)
- Guest Artist Recital: 1991-02-04 - Chris Chafe, midi cello and composer (1991) (0)
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