Daisuke Miyao | Academic Influence

Daisuke Miyao's AcademicInfluence.com Rankings

Daisuke Miyao

Philosophy

#11615

World Rank

#16032

Historical Rank

Logic

#10379

World Rank

#13334

Historical Rank

philosophy Degrees

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Philosophy

Daisuke Miyao's Degrees

PhD Film Studies University of Tokyo

Why Is Daisuke Miyao Influential?

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According to Wikipedia, Daisuke Miyao is a professor of Japanese films at the University of Oregon and the University of California San Diego. He is also the author of Sessue Hayakawa: Silent Cinema and Transnational Stardom and The Aesthetics of Shadow: Lighting and Japanese Cinema, editor of Oxford Handbook of Japanese Cinema and co-translator of Ozu's Anti-Cinema.

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Daisuke Miyao's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Sessue Hayakawa: Silent Cinema and Transnational Stardom (2007) (21)
Before anime : animation and the Pure Film Movement in pre-war Japan (2002) (16)
The Oxford Handbook of Japanese Cinema (2014) (12)
Japonisme and the Birth of Cinema (2020) (7)
Ozu's Anti-Cinema (2003) (5)
Sessue Hayakawa (2020) (4)
Bright Lights, Big City: Lighting, Technological Modernity, and Ozu Yasujirô’s Sono yo no tsuma (That Night’s Wife, 1930) (2014) (3)
The Aesthetics of Shadow: Lighting and Japanese Cinema (2013) (3)
Dark Visions of Japanese Film Noir: Suzuki Seijun’s Branded to Kill (1967) (2007) (3)
How can we talk about ‘transnational’ when we talk about Japanese cinema? (2019) (2)
Thieves of Baghdad: Transnational Networks of Cinema and Anime in the 1920s (2010) (1)
What’s the Use of Culture? Cinematographers and the Culture Film in Japan in the Early 1940s (2019) (1)
From Doppelgänger to Monster: Kitano Takeshi’s Takeshis’ (2009) (1)
A ghost cat, a star and two intertexts: a historical analysis of A Cat, Shozo, and Two Women (1956) (2016) (1)
Sessue Hayakawa a Movie Star--Early Hollywood and the Japanese (1996) (1)
Telephilia vs. Cinephilia = Beat Takeshi vs. Takeshi Kitano? (2004) (1)
The Hand of Buddha: Madame Butterfly and the Yellow Peril in Fritz Lang's Harakiri (1919) (2016) (1)
Triple Consciousness: Sessue Hayakawa at Haworth Pictures Corporation (2002) (0)
After The Cheat: The Birth of the Japanese American Film Audience (2022) (0)
After The Cheat (2022) (0)
Sympathetic Villains and Victim-Heroes: The Soul of Kura San and The Call of the East (2007) (0)
Treasures III: Social Issues in American Film, 1900–1934 (review) (2009) (0)
Kitano Takeshi (review) (2010) (0)
Hollywood Zen: A Historical Analysis of Oshima Nagisa’s Unfinished Film (2017) (0)
4. Sessue Hayakawa:The Mirror, the Racialized Body, and Photogénie (2020) (0)
Flashes of the Sword and the Star: Shochiku and Jidaigeki (2013) (0)
Self-Sacrifice in the First World War: The Secret Game (2007) (0)
Street Films: Shochiku and Germany (2013) (0)
Cinema and the Haptic in Modern Japan (2018) (0)
From Kabuki to Cinema to Kabuki: Japanese Cinema Before World War II (2019) (0)
Serialities and Japonisme in Lumière Brothers’ Actuality Films (2017) (0)
Comment of Takuya NISHITANI, "GHQ Film Policies and the Postwar Japanese Cinema" (1999) (0)
Translation Of "Beat Takeshi Vs. Takeshi Kitano" By K. Abe (1994) (0)
Return of the Americanized Orientals: Robertson-Cole’s Expansion and Standardization of Sessue Hayakawa’s Star Vehicles (2007) (0)
The Aesthetics of Shadow: Shochiku, Toho, and Japan (2013) (0)
Screen Debut: O Mimi San, or The Mikado in Picturesque Japan (2007) (0)
The Noble Savage and the Vanishing Race: Japanese Actors in “Indian Films” (2007) (0)
Hanako, Rodin, and the Close-up (2023) (0)
United States Asian Policy (1996) (0)
The Cosmopolitan Way of Life: The Americanization of Sessue Hayakawa in Magazines (2007) (0)
Americanization and Nationalism: The Japanese Reception of Sessue Hayakawa (2007) (0)
Balancing Japaneseness and Americanization: Authenticity and Patriotism in His Birthright and Banzai (2007) (0)
Cinema Is a Cat (2019) (0)
A Star Is Born: The Transnational Success of The Cheat and Its Race and Gender Politics (2007) (0)
The Making of an Americanized Japanese Gentleman: The Honorable Friend and Hashimura Togo (2007) (0)
The Mask: Sessue Hayakawa’s Redefinition of Silent Film Acting (2007) (0)
Yasujiro Ozu (2019) (0)
Introduction (2017) (0)
More Americanized than the Mexican: The Melodrama of Self-Sacrifice and the Genteel Tradition in Forbidden Paths (2007) (0)
The melodrama of Ozu: Tokyo Story and its time (2021) (0)
Peace Before Storm: The Concept of Trans-Asian Cinema and Peace After Storm (Yuguo Tianqing, 1931) (2018) (0)
Lighting and Capitalist-Industrial Modernity: Shochiku and Hollywood (2013) (0)
Out of the Past: Film Noir, Whiteness and the End of the Monochrome Era in Japanese Cinema (2015) (0)
Christianity versus Buddhism: The Melodramatic Imagination in The Wrath of the Gods (2007) (0)
The Star Falls: Postwar Nativism and the Decline of Sessue Hayakawa’s Stardom (2007) (0)
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II (2022) (0)
Nationalizing Madame Butterfly (2014) (0)

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What Are Daisuke Miyao's Academic Contributions?

Daisuke Miyao is most known for their academic work in the field of philosophy. They are also known for their academic work in the fields of

Daisuke Miyao has made the following academic contributions:

Sessue Hayakawa: Silent Cinema and Transnational Stardom