Dan Trueman
American composer
Dan Trueman's AcademicInfluence.com Rankings
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Communications
Dan Trueman's Degrees
- PhD Composition Columbia University
- Masters Composition Columbia University
- Bachelors Music University of California, Santa Cruz
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Why Is Dan Trueman Influential?
(Suggest an Edit or Addition)According to Wikipedia, Dan Trueman is a composer, fiddle player, improviser, new instrument creator and software designer. He plays the violin and the Norwegian Hardanger fiddle. Trueman studied physics at Carleton College in Northfield, Minnesota, composition and theory at the University of Cincinnati College-Conservatory of Music in Cincinnati and composition at Princeton University. He taught composition at Columbia, Colgate, and since 2002, at Princeton. As a performer, Trueman has played at both contemporary and folk music festivals, among them Bang on a Can and Den Norske Folkemusikkveka. Trueman has written for his own ensembles, Interface and the Princeton Laptop Orchestra , as well as the Brentano, Daedalus, Cassatt and Amernet string quartets, Non Sequitur, So Percussion and others. He has received awards from the Guggenheim and MacArthur Foundations .
Dan Trueman's Published Works
Published Works
- Human model evaluation in interactive supervised learning (2011) (189)
- A Meta-Instrument for Interactive, On-the-Fly Machine Learning (2009) (128)
- BoSSA: The Deconstructed Violin Reconstructed (2000) (104)
- Why a laptop orchestra? (2007) (100)
- Composing for Laptop Orchestra (2008) (89)
- PLOrk: The Princeton Laptop Orchestra, Year 1 (2006) (84)
- Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music (2001) (82)
- The Laptop Orchestra as Classroom (2008) (47)
- Toward Understanding Human-Computer Interaction In Composing The Instrument (2010) (43)
- Interface: electronic chamber ensemble (2001) (32)
- A Database of Measured Musical Instrument Body Radiation Impulse Responses , and Computer Applications for Exploring and Utilizing the Measured Filter Functions (1998) (26)
- Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs) (2000) (24)
- Alternative voices for electronic sound (2000) (18)
- N ≫ 2: multi-speaker display systems for virtual reality and spatial audio projection (1998) (16)
- Investigating group behavior in dance: an evolutionary dynamics approach (2016) (14)
- Munger1~: towards a Cross-Platform Swissarmy Knife of Real-Time Granular synthesis (2007) (10)
- NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulators, and a Database of Measured Impulse Responses (1998) (10)
- Don't Forget the Loudspeaker - A History of Hemispherical Speakers at Princeton, Plus a DIY Guide (2009) (9)
- Clapping Machine Music Variations: A Composition For Acoustic/Laptop Ensemble (2010) (7)
- The Wekinator: Software for using machine learning to build real-time interactive systems (2011) (6)
- Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controller (2004) (5)
- Social decision-making driven by artistic explore–exploit tension (2018) (5)
- End-User Machine Learning in Music Composition and Performance (2012) (4)
- Discovering expressive realtime parameters: The performing laptop artist as effects designer (2001) (3)
- Preparing the Digital Piano: Introducing bitKlavier (2019) (2)
- The cyclotron: a Tool for Playing with Time (2009) (2)
- TOWARDS A CROSS-PLATFORM SWISS-ARMY KNIFE OF REAL-TIME GRANULAR SYNTHESIS (2007) (2)
- Tuning Playfully: Composed and Adaptive Tunings in bitKlavier (2019) (1)
- ‘Teaching’ Composition at Princeton (2012) (1)
- Reinventing the violin [and] machine language (original composition) (1999) (1)
- Facial Feature Tracking for Audio and Video Synthesis (2004) (0)
- About This Issue (2008) (0)
- Erratum: The Laptop Orchestra as Classroom (2008) (0)
- Organised Sound DVD (2005) (0)
- Playing with Tuning in bitKlavier (2019) (0)
- 2009: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide (2017) (0)
- About This Issue (2008) (0)
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