Daniel Leech-Wilkinson

Daniel Leech-Wilkinson's AcademicInfluence.com Rankings

Philosophy

#9386

World Rank

#12939

Historical Rank

Logic

#9296

World Rank

#11767

Historical Rank

philosophy Degrees

Download Badge

Philosophy

Why Is Daniel Leech-Wilkinson Influential?

(Suggest an Edit or Addition)

According to Wikipedia, Daniel Leech-Wilkinson is a musicologist, who is Emeritus Professor of Music at King's College London. He studied composition, harpsichord and the organ at the Royal College of Music, and then completed an M.Mus at King's College London specialising in 15th-century music. He received his PhD from the University of Cambridge, on the topic of 14th century compositional processes.

(See a Problem?)

Daniel Leech-Wilkinson's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

European Society for the Cognitive Sciences of Music (ESCOM) (1991) (114)
The Cambridge Companion to Recorded Music (2009) (102)
Portamento and Musical Meaning (2006) (59)
Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time (2014) (36)
Investigating the influence of musical training on cross-modal correspondences and sensorimotor skills in a real-time drawing paradigm (2014) (30)
What we are doing with early music is genuinely authentic to such a small degree that the word loses most of its intended meaning (1984) (30)
The Modern Invention of Medieval Music: Scholarship, Ideology, Performance (2002) (30)
Le Voir Dit and La Messe de Nostre Dame: aspects of genre and style in late works of MacHaut (1993) (29)
Recordings and histories of performance style (2009) (27)
Le Voir Dit: a reconstruction and a guide for musicians (1993) (27)
The Changing Sound of Music (2009) (27)
Compositions, scores, performances, meanings (2012) (25)
Machaut's 'Rose, Lis' and the Problem of Early Music Analysis (1984) (23)
From wind-up to iPod: Techno-cultures of listening (2009) (20)
Performance Style in Elena Gerhardt's Schubert Song Recordings (2010) (17)
Heuristics for expressive performance (2013) (15)
Selling sounds: Recordings and the record business (2009) (13)
Research and results (1981) (12)
Classical music as enforced Utopia (2016) (12)
Sound and Meaning in Recordings of Schubert's “Die junge Nonne” (2007) (12)
Recording practices and the role of the producer (2009) (11)
The Emergence of ars nova (1995) (11)
Machaut's Mass: An Introduction (1990) (11)
The recorded document: Interpretation and discography (2009) (9)
Listening and Responding to the Evidence of Early Twentieth-Century Performance (2010) (9)
Related Motets from Fourteenth-Century France (1982) (9)
The emotional power of musical performance (2013) (8)
Afterword: Recording: From reproduction to representation to remediation (2009) (8)
Cortot's 'Berceuse' (2015) (6)
Making music with Alfred Cortot: ontology, data, analysis (2011) (6)
Getting the shapes “right” at the expense of creativity? How musicians’ and non-musicians’ visualizations of sound differ. (2012) (5)
Rose lis revisited (2003) (5)
The development of recording technologies (2009) (5)
Voices and Instruments of the Middle Ages (1988) (5)
The danger of virtuosity (2018) (5)
Getting sounds: The art of sound engineering (2009) (4)
The Changing Sound of Music: approaches to the study of recorded musical performances (2009) (4)
Synaesthetic Traces: Digital Acquisition of Musical Shapes (2011) (4)
A brief history of recording (2009) (4)
My Lady's Tears: a pair of songs by John Dowland (1991) (4)
Compositional Procedure in Machaut's ‘Hoquetus David’ (1980) (3)
Playing and thinking (1999) (3)
Tractatus figurarum: A New Critical Text and Translation on Facing Pages@@@Compositional Techniques in the Four-Part Isorhythmic Motets of Philippe de Vitry and His Contemporaries (1991) (3)
Expressive Gestures in Schubert Singing on Record (2006) (3)
Learning to live with recording (2009) (3)
‘It could have happened’: The evolution of music construction (2009) (3)
Using recordings to study musical performance (2001) (2)
Music and Shape (2013) (2)
Broadening horizons: ‘Performance’ in the studio (2009) (2)
Producing a credible vocal (2009) (2)
Review: Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS français 146 by Margaret Bent, Andrew Wathey (2000) (2)
Raiders of the lost archive (2009) (1)
A Longitudinal Study of Performance Practices in Recordings of Bach's Violin Sonata BWV1003 (2017) (1)
A matter of circumstance: On experiencing recordings (2009) (1)
The politics of the recording studio: A case study from South Africa (2009) (1)
Techniques for analysing recordings: an introduction (2009) (1)
Articulating Ars Subtilior song (2003) (1)
Early music—observations and predictions (1997) (1)
The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture. By Steven Jan. (2009) (1)
Limitations and creativity in recording and performance (2009) (1)
Still small voices (2009) (1)
Paper presented at the biennial meeting of the Society for Music Perception and Cognition (2013) (1)
Musical shape and feeling (2018) (1)
Revisiting concert life in the mid-century: The survival of acetate discs (2009) (1)
Ars Antiqua — Ars Nova — Ars Subtilior (1990) (1)
Records and recordings in post-punk England, 1978–80 (2009) (1)
Brahms on record (2005) (1)
The Emotional Power of Music (2013) (1)
Eight Centuries of Troubadours and Trouvères: The Changing identity of medieval music By John Haines. pp. xii + 347. Musical Performance and Reception. (Cambridge University Press, Cambridge, 2004, £50. ISBN 0-521-82672-1.) (2006) (1)
Early recorded violin playing: evidence for what? (2011) (1)
An Elizabethan Motet from Longleat (1980) (1)
Aversa parverse? (1997) (0)
Introduction to Special Issue on Music and Shape (2013) (0)
Music and Shape: Pedagogy and Performance (2013) (0)
The Codex J.II.9, Torino, Biblioteca Nazionale Universitaria: Facsimile Edition. Introductory study by Isabella Data and Karl Kügle. Ars Nova 4. Lucca: Libreria Musicale Italiana, 1999. 448 pp. ISBN 88 7096 158 3 (2001) (0)
Introduction to Special Issue on Music and Shape: Perception and Theory (2013) (0)
A short take in praise of long takes (2009) (0)
Moral judgement in response to performances of Western art music (2020) (0)
One man's approach to remastering (2009) (0)
Eight Centuries of Troubadours and Trouveres: The Changing Identity of Medieval Music (review) (2006) (0)
Aversa parverse? (1997) (0)
Musicology and performance (2009) (0)
Technology, the studio, music (2009) (0)
Proceedings of the 2nd Supporting Digital Humanities Conference (2011) (0)
'Music & Letters' Awards (2006) (0)
[Letter from Daniel Leech-Wilkinson] (1987) (0)
The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture (review) (2009) (0)
Ensemble Project Ars Nova (1994) (0)
History, Imagination and the Performance of Music (review) (2005) (0)
Music and Shape: Motion Shapes (2013) (0)
Tonality and the Cultural (2013) (0)
Introduction to Special Issue on Music and Shape: Motion Shapes (2013) (0)
Le Chansonnier Cordiforme: reviews the complete recording (1981) (0)
From Lanza to Lassus (2009) (0)
Music & Shape Coffee and Poster Presentation (room G35) Alinka Greasley & Helen Prior: Mix Tapes and Turntablism: Djs' Perspectives on Musical Shape (2012) (0)
Techniques for analysing recordings (2009) (0)
Stanley Boorman, ed., Studies in the Performance of Late Mediaeval Music . Cambridge, Cambridge University Press, 1983. xvi + 282 pp. (1984) (0)
A guide to Machaut (1997) (0)
Secure and insecure bases in the performance of Western classical music (2021) (0)
Reading the Leaves (2004) (0)
Music and Shape: Perception and Theory (2013) (0)
Chapter 3 Heuristics for expressive performance (2013) (0)
On the Origins of Harmonic Tonality (1993) (0)
Preserving historical instruments (1994) (0)
Machaut's Music: New Interpretations. (2003) (0)
Response to Erlend Hovland, ‘Future musicianship and present educational practices: eight questions on the future of the conservatoire as an institution’ (2017) (0)
The original cast recording of West Side Story (2009) (0)
When medieval music meets modern technology (1996) (0)

This paper list is powered by the following services:

Other Resources About Daniel Leech-Wilkinson

en.wikipedia.org

What Schools Are Affiliated With Daniel Leech-Wilkinson?

Daniel Leech-Wilkinson is affiliated with the following schools: