David Bordwell
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Philosophy
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(Suggest an Edit or Addition)David Bordwell's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Film Art: An Introduction (1979) (1701)
- Narration in the Fiction Film (1985) (1329)
- The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1985) (725)
- Film History: An Introduction (1994) (328)
- The Way Hollywood Tells It: Story and Style in Modern Movies (2006) (327)
- Post-Theory: Reconstructing Film Studies (1998) (306)
- On the history of film style (1997) (253)
- Intensified Continuity Visual Style in Contemporary American Film (2002) (204)
- Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (1989) (201)
- Planet Hong Kong: Popular Cinema and the Art of Entertainment (2000) (193)
- Poetics Of Cinema (2007) (154)
- The Art Cinema as a Mode of Film Practice (2012) (135)
- The classical Hollywood cinema (1985) (104)
- Ozu And The Poetics Of Cinema (1988) (103)
- The Cinema of Eisenstein (2020) (90)
- Figures Traced in Light: On Cinematic Staging (2005) (85)
- Film Futures (2002) (55)
- Moving Image Theory: Ecological Considerations (2005) (54)
- Space and Narrative in the Films of Ozu (1976) (53)
- The films of Carl-Theodor Dreyer (1981) (52)
- The Idea of Montage in Soviet Art and Film (1972) (24)
- Eisenstein's Epistemological shife (1974) (21)
- The Musical Analogy (1980) (20)
- French Impressionist Cinema: Film Culture, Film Theory, and Film Style (1980) (20)
- Cognition and Comprehension: Viewing and Forgetting in Mildred Pierce (1992) (18)
- ApProppriations and ImPropprieties: Problems in the Morphology of Film Narrative (1988) (17)
- Convention, Construction, and Cinematic Vision (2012) (16)
- The Viewer’s Share: Models of Mind in Explaining Film (2013) (14)
- Crouching tiger, hidden dragon : portrait of the Ang Lee film (2000) (14)
- The Part-Time Cognitivist: A View from Film Studies (2010) (12)
- Minding Movies: Observations on the Art, Craft, and Business of Filmmaking (2011) (10)
- Film Art an Introduction, -10/E (2018) (10)
- Three Dimensions of Film Narrative (2012) (9)
- Toward a scientific film history (1985) (9)
- Book review:Post-theory: Reconstructing film studies (1997) (9)
- From primitive to classical (1988) (9)
- Principles of Narration (2013) (8)
- An excessively obvious cinema (2003) (8)
- The Cinema of Hong Kong: Richness through Imperfection: King Hu and the Glimpse (2000) (7)
- Filmguide To La Passion De Jeanne D'arc (1973) (7)
- Post-Theory: Reconstructing Film (1998) (7)
- Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling (2017) (7)
- Analysis of Plunger Lift Applications in the Marcellus Shale (2011) (7)
- David Bordwell - A Case for Cognitivism (7)
- Filmguide to "The General"@@@Filmguide to "La Passion de Jeanne d'Arc"@@@Filmguide to "The Rules of the Game"@@@Filmguide to "The Grapes of Wrath"@@@Filmguide to "Henry V"@@@Filmguide to "Psycho"@@@Filmguide to "The Battle of Algiers"@@@Filmguide to "2001: A Space Odyssey" (1975) (6)
- Space in the classical film (1988) (6)
- The package-unit system: unit management after 1955 (2003) (6)
- Technology, style and mode of production (2003) (6)
- Visual style in cinema : vier Kapitel Filmgeschichte (2001) (6)
- The continuity system (2003) (6)
- Story causality and motivation (2003) (5)
- Visual Style in Japanese Cinema, 1925–1945 (2012) (5)
- Moving Image Theory (2007) (5)
- Standardization and differentiation: the reinforcement and dispersion of Hollywood’s practices (1988) (4)
- The Hollywood mode of production: its conditions of existence (1988) (4)
- The Films of Carl-Theodore Dreyer (1982) (4)
- The formulation of the classical narrative (2003) (3)
- 2 The Value of Oriented Geometry for Ecological Psychology and Moving Image Art (2005) (3)
- The Viewer's Activity (2013) (3)
- The Formalist's Dreyer@@@The Films of Carl-Theodor Dreyer (1982) (3)
- A Life in Cinema (2020) (2)
- Making Meaning (1989) (2)
- Preaching Pluralism: Pluralism, Truth, and Scholarly Inquiry in Film Studies (1998) (2)
- Film Theory: Shifting Paradigms and Material Ghosts (1999) (2)
- Five Lessons from Stealth Poetics (2016) (2)
- The Rhapsodes: How 1940s Critics Changed American Film Culture (2016) (2)
- Since 1960: the persistence of a mode of film practice (1988) (2)
- The cinema of Eisenstein : with a new preface by the author (2005) (1)
- The director system: management in the first years (1988) (1)
- Classical Narration: The Hollywood Example / (2013) (1)
- Deep-focus cinematography (2003) (1)
- Narration in the Fiction Film@@@Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film (1986) (1)
- Adventures in the Highlands of Theory (1988) (1)
- The division and order of production: the subdivision of the work from the first years through the 1920s (1988) (1)
- Shot and scene (1988) (1)
- Response to Oksana Bulgakowa (2006) (1)
- The labor-force, financing and the mode of production (1988) (1)
- : The Avant-Garde Finds Andy Hardy . Robert B. Ray. (1997) (1)
- Classical narrative space and the spectator’s attention (1988) (1)
- The modern miracle you see without glasses : the aesthetics of CinemaScope (2007) (1)
- Innovation by accident (2014) (1)
- Eisenstein's Epistemology: A Response (1975) (1)
- Wölfflin and Film Style: Some Thoughts on a Poetics of Pictures (2015) (1)
- The bounds of difference (1988) (1)
- Monumental Heroics: The Silent Films (2019) (0)
- Godard and Narration (2013) (0)
- Practical Aesthetics: Pedagogy (2020) (0)
- Cinema History Criticism : new paradigms in film studies (1994) (0)
- Measuring Transnationalism: Comparing TV Formats using Digital Tools (2020) (0)
- Time in the classical film (1988) (0)
- Letter to the Editors of Screen (1991) (0)
- 2. Some Likely Sources (2019) (0)
- Part Three. Film as Art (2019) (0)
- Part One. The Business (2019) (0)
- Alternative modes of film practice (1988) (0)
- Narration and Time (2013) (0)
- Come racconta Hollywood (2011) (0)
- 3. Style, Plain and Fancy (2019) (0)
- Part Four. Storytelling and Style (2019) (0)
- 4. James Agee: All There and Primed to Go Off (2019) (0)
- Big appetites, small portions (2010) (0)
- Seizing the Spectator: Film Theory in the Silent Era (2020) (0)
- 4. A Certain Amount of Plot: Tentpoles, Locomotives, Blockbusters, Megapictures, and the Action Movie (2019) (0)
- The producer-unit system: management by specialization after 1931 (2003) (0)
- Picture Planes∗ (2019) (0)
- Narration and Space (2013) (0)
- Modes and Norms (2013) (0)
- 2. Pushing the Premises (2019) (0)
- 3. Subjective Stories and Network Narratives (2019) (0)
- Fall 2002. First-Year Seminar. Contemporary American Film (2002) (0)
- Normas históricas y narración hollywoodiense (1991) (0)
- Mimetic Theories of Narration (2013) (0)
- Art-Cinema Narration / (2013) (0)
- Introduction. The Film Critic as Superstar (2019) (0)
- 3. Otis Ferguson: The Way of the Camera (2019) (0)
- 2. A Newer Criticism (2019) (0)
- Faith and Form on Screen (2016) (0)
- 1. Up Close and Impersonal: Hal Hartley and the Persistence of Tradition David Bordwell (2016) (0)
- The central producer system: centralized management after 1914 (2003) (0)
- 6. Parker Tyler: A Suave and Wary Guest (2019) (0)
- The Making and Remaking of Sergei Eisenstein (2020) (0)
- Widescreen processes and stereophonic sound (2003) (0)
- Reply to Joseph P. Magliano and James A. Clinton, Paisley Livingston, and Brian Boyd (2016) (0)
- Part Six. Into the Future (2019) (0)
- 1. Intensified Continuity: Four Dimensions (2019) (0)
- Industrytechnologyart, new readings of American media (1988) (0)
- Introduction: Beyond The Blockbuster (2019) (0)
- 1. Continuing Tradition, By Any Means Necessary (2019) (0)
- From the Silver Screen to Cybercinema : Conceptions of Space in Interactive Narrative Design (2004) (0)
- In Pursuit of The Chase (2023) (0)
- A Salt and Battery (1986) (0)
- Review: The Avant-Garde Finds Andy Hardy by Robert B. Ray (1997) (0)
- The director-unit system: management of multiple-unit companies after 1909 (2003) (0)
- 4. What’s Missing? (2019) (0)
- History and Tragedy: The Late Films (2020) (0)
- 5. Manny Farber: Space Man (2019) (0)
- The stability of the classical approach after 1917 (1988) (0)
- Cinema as Synthesis: Film Theory, 1930–1948 (2020) (0)
- 1. The Rhapsodes (2019) (0)
- Book of the Month (1985) (0)
- Film aesthetics and the college textbook (1976) (0)
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