David Freedberg

Q: What Schools Are Affiliated With David Freedberg

David Freedberg is affiliated with the following schools: Yale University, University of Cape Town, University of Oxford, The Courtauld Institute of Art, Warburg Institute, Columbia University

David Freedberg's AcademicInfluence.com Rankings

David Freedberg

Education

#850

World Rank

#1232

Historical Rank

#362

USA Rank

Pedagogy

#118

World Rank

#159

Historical Rank

#41

USA Rank

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Education

David Freedberg's Degrees

PhD Art History Columbia University
Bachelors Art History Columbia University

Why Is David Freedberg Influential?

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According to Wikipedia, David Freedberg is Pierre Matisse Professor of the History of Art and Director of the Italian Academy for Advanced Studies in America at Columbia University. He was also Director of the Warburg Institute at the University of London from July 2015 to April 2017.

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David Freedberg's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The power of images : studies in the history and theory of response (1990) (1049)
Motion, emotion and empathy in esthetic experience (2007) (838)
When Art Moves the Eyes: A Behavioral and Eye-Tracking Study (2012) (140)
Abstract art and cortical motor activation: an EEG study (2012) (131)
The Eye of the Lynx: Galileo, His Friends, and the Beginnings of Modern Natural History (2002) (95)
The Power of Images (1989) (85)
ERP Modulation during Observation of Abstract Paintings by Franz Kline (2013) (73)
Corticomotor Excitability during Observation and Imagination of a Work of Art (2011) (46)
Mirror and canonical neurons are crucial elements in esthetic response (2007) (37)
Iconoclasts and Their Motives (1985) (29)
Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture (1996) (20)
Beholders’ sensorimotor engagement enhances aesthetic rating of pictorial facial expressions of pain (2018) (18)
Iconoclasm and painting in the revolt of the Netherlands, 1566-1609 (1988) (17)
El poder de las imágenes: estudios sobre la historia y la teoría de la respuesta (1992) (17)
THE HIDDEN GOD: IMAGE AND INTERDICTION IN THE NETHERLANDS IN THE SIXTEENTH CENTURY (1982) (15)
Empathy, Motion and Emotion (2007) (14)
Dutch landscape prints of the seventeenth century (1980) (12)
The Representation of Martyrdoms During the Early Counter-Reformation in Antwerp (1976) (12)
The Structure of Byzantine and European Iconoclasm (1977) (11)
Neural circuits underlying motor facilitation during observation of implied motion (2015) (11)
Observation of implied motion in a work of art modulates cortical connectivity and plasticity (2016) (9)
Science, Commerce, and Art: Neglected Topics at the Junction of History and Art History (1992) (9)
The drawings of Pieter Bruegel the elder (1952) (8)
Holy Images and Other Images (1995) (8)
Continuous aesthetic judgment of image sequences. (2018) (8)
Movement, Embodiment, Emotion (2009) (8)
The Fear of Art: How Censorship Becomes Iconoclasm (2016) (8)
Johannes Molanus on Provocative Paintings: "De Historia Sanctarum Imaginum et Picturarum," Book II, Chapter 42 (1971) (8)
Motor facilitation during observation of implied motion: Evidence for a role of the left dorsolateral prefrontal cortex. (2018) (7)
Feelings on Faces. From Physiognomics to Neuroscience (2014) (6)
Damnatio Memoriae: Why Mobs Pull Down Statues (2003) (6)
Warburg's Mask: A Study in Idolatry (2005) (6)
Painting and the Counter Reformation in the Age of Rubens (1993) (5)
The Origins and Development of the Flemish Madonnas in Flower Garlands: Decoration and Devotion (1981) (5)
Contextual bias and insulation against bias during aesthetic rating. The roles of VMPFC and DLPFC in neural valuation (2015) (5)
Ferrari on the Classification of Oranges and Lemons (1992) (4)
The object of art history (1994) (4)
Speed of person perception affects immediate and ongoing aesthetic evaluation. (2019) (4)
Why Connoisseurship Matters (2006) (4)
Iconography Between the History of Art and the History of Science: Art, Science, and the Case of the Urban Bee (1998) (4)
Composition and Emotion (2006) (3)
Choirs of Praise: Some Aspects of Action Understanding in Fifteenth-Century Painting and Sculpture (2010) (3)
Rubens : the life of Christ after the Passion (1984) (3)
The Problem of Images in Northern Europe and Its Repercussions in the Netherlands (1976) (3)
From Absorption to Judgment: Empathy in Aesthetic Response (2017) (3)
The play of the unmentionable (1992) (3)
Embodiment and the Aesthetic Experience of Images (2021) (3)
Rubens as a Painter of Epitaphs, 1612-1618 (1978) (2)
The Power of Wood and Stone; The Taliban Is Not the First to Fear the Mysterious Lure of Art (2001) (2)
The Problem of Classicism: Ideology and Power (1988) (2)
A Source for Rubens's Modello of the Assumption and Coronation of the Virgin in Leningrad: A Case Study in the Response to Images (1978) (2)
The inner muses: How affective temperament traits, gender and age predict film genre preference (2021) (2)
Rubens and Titian: Art and Politics (1998) (2)
Gombrich and Warburg : Making and Matching, Grasping and Comprehending (2018) (2)
The Body in the Picture. The Lesson of Phantom Limbs and the origins of the BIID (2020) (2)
The Failure of Colour (1994) (2)
Peter Paul Rubens : oil paintings and oil sketches (1995) (2)
Iconoclasts and their Motives (The Second Horst Gerson Lecture, held on October 7, 1983) (1983) (2)
Prints and the Status of Images in Flanders (1983) (2)
Editor's Statement: The Problem of Classicism: Ideology and Power (1988) (1)
Censorship Revisited (1992) (1)
Van Dyck and Virginio Cesarini: A Contribution to the Study of Van Dyck's Roman Sojourns (1994) (1)
Joseph Kosuth and the Play of the Unmentionable (1992) (1)
Cassiano and the Art of Natural History (1993) (1)
Motor Cortex Response to Pleasant Odor Perception and Imagery: The Differential Role of Personality Dimensions and Imagery Ability (2022) (1)
Cognitive framing modulates emotional processing through dorsolateral prefrontal cortex and ventrolateral prefrontal cortex networks: A functional magnetic resonance imaging study (2020) (1)
SEEING WITH EYES CLOSED (2011) (1)
The Perceptual Experience of Portraits and Self-Portraits: A Behavioural and Eye-Tracking Study (2020) (1)
Preface to the Polish Edition of "The Power of Images" (2005) (1)
Iconoclasm (2021) (1)
Antropología e Historia del Arte: ¿El Fin de las Disciplinas? (2013) (1)
Notices of Books (2004) (0)
THE PAPER MUSEUM (1999) (0)
Johannes Molanus on Provocative Paintings. De Historia Sanctarum Imaginum et Picturarum, Book II, Chapter 42 (1971) (0)
Glenn Brown: Three Exhibitions (2009) (0)
Author response for "Cognitive framing modulates emotional processing through dorsolateral prefrontal cortex and ventrolateral prefrontal cortex networks: A functional magnetic resonance imaging study" (2020) (0)
Review of "Verzameld Werk," by J. A. Emmens (1983) (0)
Paintings or Prints? Experiens Sillemans and the Origins of the "Grisaille" Sea-Piece: Notes on a Rediscovered Technique (1984) (0)
Poster 154 Augmenting Physical Therapy through Modulation of Dorsal Premotor-motor Connectivity (2011) (0)
Emotional Temperament and Character Dimensions and State Anger as Predictors of Preference for Rap Music in Italian Population (2022) (0)
Memory in Art (2010) (0)
Beholders’ sensorimotor engagement enhances aesthetic rating of pictorial facial expressions of pain (2018) (0)
The Paper Museum: Early in the seventeenth century, Cassiano dal Pozzo made an attempt to gather a comprehensive visual record of the natural world. (1999) (0)
Les actes de colloques du musée du quai Branly Jacques Chirac (2017) (0)
Lorenzo Da Ponte: Cultural Pioneer in New York (2005) (0)
La "Danza de aldeanos" de Rubens en el Prado (2004) (0)
Pacheco, Nadal, and Velazquez (1991) (0)
Pathos at Oraibi: What Warburg Did Not See (2004) (0)
Los retratos de Van Dyck en el Prado: las connexiones españoles y flamencas (2009) (0)
Uncertainty-based overestimation in the perception of group actions (2020) (0)
From Hebrew and Gardens to Oranges and Lemons: Giovanni Battista Ferrari and Cassiano dal Pozzo (1989) (0)
Fame, Convention and Insight: On the Relevance of Fornenberg and Gerbier (1983) (0)
From Defamation to Mutilation Gender Politics and Reason of State in Africa (2016) (0)
Cassiano dal Pozzo's Drawings of Citrus Fruits (1989) (0)
Cassiano on the Jewish Races (1992) (0)
Cuestionario sobre historia del arte (2018) (0)
The Limits of Translation (1998) (0)
Ferrari and the Pregnant Lemons of Pietrasanta (1996) (0)
David Freedberg, Seven Keys to Kentridge (2020) (0)

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Other Resources About David Freedberg

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What Schools Are Affiliated With David Freedberg?

David Freedberg is affiliated with the following schools:

David Freedberg's Academic­Influence.com Rankings