David Ian Rabey
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Most Influential Person Now
British academic
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Why Is David Ian Rabey Influential?
(Suggest an Edit or Addition)According to Wikipedia, David Ian Rabey FLSW is an Emeritus Professor of Theatre and Theatre Practice at Aberystwyth University. He worked there for 35 years, until he retired from teaching at the end of August 2020. He is the Artistic Director of Lurking Truth Theatre Company for which he has written several plays including:
David Ian Rabey's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- British and Irish Political Drama in the Twentieth Century (1986) (25)
- The Secret Art of The Performer: A Dictionary of Theatre Anthropology . By Eugenio Barba and Nicola Savarese. London and New York: Routledge, 1991. Pp. 272 + illus. £25. (1992) (20)
- English Drama Since 1940 (2003) (15)
- The Theatre and Films of Jez Butterworth (2015) (14)
- British and Irish Political Drama in the Twentieth Century: Implicating the Audience (1986) (10)
- Defining Difference: Timberlake Wertenbaker's Drama of Language, Dispossession and Discovery (1990) (10)
- Howard Barker, politics and desire (1989) (7)
- Howard Barker: Ecstasy and Death : An Expository Study of His Drama, Theory and Production Work, 1988-2008 (2009) (7)
- Drama Today: A Critical Guide to British Drama, 1970–1990. By Michelene Wandor. Longman and the British Council: London and New York, 1993. Pp. x + 81 + illus. £5.99. (1994) (7)
- Howard Barker: Ecstasy and Death (2009) (7)
- The Bone Won't Break: On Theatre and Hope in Hard Times . By John MacGrath. London: Methuen, 1990. £7.99. (1991) (6)
- Theatre Audiences: A Theory of Production and Reception. By Susan Bennett. London and New York: Routledge, 1990. Pp. ix + 219. £8.99. (1991) (4)
- Theatre of Catastrophe: New Essays on Howard Barker (2016) (4)
- Power, Culture and the Politics of Absolute Play: Heartbreak House and Too True to be Good as Existential Expressionism (1992) (4)
- Howard Barker's art of theatre: Essays on his plays, poetry and production work (2016) (4)
- The English Shakespeare Company: The Story of ‘The Wars of the Roses’, 1986–1989 . By Michael Bogdanov and Michael Pennington. London: Nick Hern Books, 1990. Pp. xiv + 321 + illus. £14.95. (1991) (4)
- Players of Shakespeare 3: Further Essays in Shakespearian Performance by Players with the Royal Shakespeare Company. Edited by Jackson Russell and Smallwood Robert. Cambridge: Cambridge University Press, 1993. Pp. xiv + 222 + illus. £17.95; $34.95. (1994) (3)
- Red Sun and Merlin Unchained (2011) (3)
- Howard Barker: Ecstasy and Death: An Expository Study of His Plays and Production Work, 1988-2008 (2009) (3)
- Theatre, Time and Temporality: Melting Clocks and Snapped Elastics (2016) (3)
- Howard Barker: Politics and Desire: An Expository Study of His Drama and Poetry, 1969-87 (2009) (3)
- Shakespeare and The Birmingham Repertory Theatre, 1913–1929 . By Claire Cochrane. London: The Society for Theatre Research, 1993. Pp. vi + 181 + illus. £15; $30. (1995) (3)
- For the Absent Truth Erect : Impotence and Potency in Howard Barker's Recent Drama (1991) (2)
- Chasing the ellipses: Staging Howard Barker's The Forty (Few Words) (2012) (2)
- Power and the Body (1989) (2)
- David Rudkin: Sacred Disobedience: An Expository Study of his Drama 1959-1994 (1997) (1)
- Crisis is the essential condition for art forms (2011) (1)
- Liberations from the Literal, or Why I Write for Theatre (1998) (1)
- The Second Time As Farce: Reflections on the Drama of Mean Times . By David Edgar, London: Lawrence and Wishart. 1988. Pp. 265. £12.95 (1989) (1)
- The Call of the Chthonic: From Titus Andronicus to X (2018) (1)
- Shakespeare in Performance: Hamlet . By Anthony B. Dawson. Manchester and New York: Manchester University Press, 1995. Pp. x + 261 + illus. £40. (1996) (1)
- Howard Barker in Conversation with David Ian Rabey and Karoline Gritzner (2006) (1)
- A Review of Plays Published in Britain, 1990–1991 (1992) (1)
- 'A Gallery of Images': From the Aberystwyth Students (2015) (1)
- Flirting with Disaster (2010) (1)
- There Are No Secrets: Thoughts On Acting and Theatre . By Peter Brook. London: Methuen, 1993. Pp. 120. £12.99. (1994) (1)
- Shakespeare in Performance: A Midsummer Night's Dream. By Jay L. Halio. Manchester and New York: Manchester University Press, 1995. Pp. viii + 148 + illus. £35. (1995) (1)
- Alistair McDowall's Pomona (2017) (1)
- Shakespeare Survey, Volume 44: Shakespeare and Politics . Edited by Stanley Wells. Cambridge: Cambridge University Press, 1992. Pp. viii + 268 + illus. £35/ $54.95. (1992) (0)
- Intimacy with the Unforgivable (2009) (0)
- Land of My Fathers (2018) (0)
- The City Staged: Jacobean Comedy, 1603–13. By Theodore B. Leinwand. Madison: The University of Wisconsin Press, 1986. Pp. viii + 233.Dangerous Matter: English Drama And Politics 1623–24. By Jerzy Limon. Cambridge: Cambridge University Press, 1986. Pp. vii + 174. £22.50. (1987) (0)
- After Words: Shapes in the Darkness (2011) (0)
- Audience engagement and reflexive history in the plays of David Edgar (1983) (0)
- Howard Barker in dialogue with David Ian Rabey, City University, New York, 10 May 2010 (2016) (0)
- Jumping to (and Away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama (2020) (0)
- Wye Plays: The Back of Beyond and the Battle of the Crows (2004) (0)
- A Review of Playscripts Published in Britain, 1993 (1994) (0)
- I am Hamlet . By Steven Berkoff. London: Faber & Faber. Pp. xi + 209 + illus. £5.99. (1990) (0)
- Reviews A Review of Playtexts Published in Britain, 1991-2 (1993) (0)
- Inconclusion: Consolations in Extremity (2009) (0)
- Burning Alone in the Dark : An Interview With David Rudkin (1995) (0)
- On Being a Shakespearian Dramatist: An Approach to The Back of Beyond (2000) (0)
- Robert Smallwood, ed. Players of Shakespeare 6 Cambridge: Cambridge University Press, 2004. 236 p. £35.00. ISBN: 0-521-84088-0. (2005) (0)
- Peter Barnes: A Memorial in Correspondence (2005) (0)
- Play, Satire, Self-Definition and Individuation in Hamlet (1983) (0)
- Review: Book: Dreams of Love and Power: On Shakespeare's Plays (1986) (0)
- Welsh Theatre : Inventing New Myths (1990) (0)
- Lovefuries: The Contracting Sea; The Hanging Judge; Bite or Suck (2008) (0)
- Pain and Breakthrough (1989) (0)
- Modern British Drama, 1890–1990 . By Christopher Innes. Cambridge: Cambridge University Press, 1992. Pp. xxiii + 484 + illus. £40; £12.95. (1992) (0)
- Scenes from an Execution (2012) (0)
- Dances of Death: The Group Theatre of London in the Thirties. By Michael Sidnell. London: Faber & Faber, 1984. Pp. 368 + 35 illustrations. £18.50. (1985) (0)
- The Function of Song in Contemporary British Drama . By Elizabeth Hale Winkler. London and Toronto: Associated University Presses/University of Delaware, 1990. Pp. 368. £35. (1992) (0)
- Voice and New Writing, 1997–2007: Articulating the Demos by Maggie Inchley (review) (2016) (0)
- The Bite of Exiled Love : Abjective Protagonists in Some Contemporary Anglo-Irish Dramas (1994) (0)
- Landscapes of Shame, Eruptions of Desire (1989) (0)
- Every Man’s Evil Expresses Me (1989) (0)
- Afterword: beckoning beyond reach... (2016) (0)
- Scenic Form in Shakespeare . By Emrys Jones. Oxford: Clarendon Press, 1985. Pp. 269. £8·95. - Alternative Shakespeares . Edited by John Drakakis. London: Methuen New Accents, 1985. Pp. xii + 260. £10·95; £4·95. (1986) (0)
- The Best of Plays and Players : Volume One, 1953–1968; Volume Two, 1969–1983. Edited by Peter Roberts. London: Methuen, 1989. Pp. 254, 272 + photographs by Zoe Dominic and Donald Cooper. £19.50; £9.99 each. (1990) (0)
- Unlocking the World: Images of Terrorism in Contemporary British Drama (1990) (0)
- Coriolanus on Stage in England and America, 1609–1994 . By John Ripley. Cranbury, NJ, London & Mississauga: Associated University Presses, 1998. Pp. 431 + illus. £45 Hb. (1999) (0)
- Cultural Re-Fashionings and Shakespearean Negotiations (2009) (0)
- Shakespeare: an Illustrated Stage History . Edited by Jonathan Bate and Russell Jackson. Oxford: Oxford University Press, 1996. Pp. xix + 253 + illus. £20 Hb. (1997) (0)
- Independence and the Family (1989) (0)
- Political Violence In Drama: Classical Models, Contemporary Variations . By Mary Karen Dahl, Ann Arbor, Michigan,: UMI Research Press, 1987. Pp. xi+ 161. (1989) (0)
- Stages Of History: Shakespeare's English Chronicles. By Phyllis Rackin. London: Routledge 1991. Pp. xii + 256. £14.99. (1992) (0)
- Catastrophe is also Birth: Inconclusion (1989) (0)
- 'Why Can't This Crazy Love Be Mine?' : An Introduction to Edward Thomas, Y Cwmni and East from the Gantry (1994) (0)
- Innocence and Authority (1989) (0)
- Adrian Curtin. Death in Modern Theatre: Stages of Mortality. (2019) (0)
- New Manner for New Situation (1989) (0)
- Making space for the shadows: PENDA'S FEN: tradition and legacy (2019) (0)
- Brian Friel and Ireland's Drama . By Richard Pine. London: Routledge, 1990. Pp. xii + 260. £9.99. (1991) (0)
- Watching the Watchmen : Graphic Novels as Counter-Culture (1989) (0)
- The Boundary and Beyond (2009) (0)
- Facing the Wound (2009) (0)
- The ecstasy of vanishing meaning (2009) (0)
- Splintered Faith and Scar Tissue (1989) (0)
- The Almeida Theatre : Love, Death and a Journey of the Soul (1991) (0)
- Lubricating Progress Through the Forbidden (1989) (0)
- Theatre, Time and Temporality (2016) (0)
- Death in Modern Theatre: Stages of Mortality by Adrian Curtin (review) (2019) (0)
- Gifts of Loss: An Introduction to Barker’s Writing and Theatre (2009) (0)
- Dialogues in Contemporary Theatre: Land of My Fathers (2018) (0)
- Shakespeare In Performance: King John . By Geraldine Cousin. Manchester & New York: Manchester University Press & St Martin's Press, 1994. Pp. xii + 152 + illus. £29.99. (1995) (0)
- Servility and Servitude (2009) (0)
- British and Irish Women Dramatists Since 1958: A Critical Handbook . Edited by Trevor R. Griffiths and Margaret Llewellyn-Jones. Buckingham and Philadelphia: Open University Press, 1993. Pp. viii + 193. £37.50 Hb; £12.99 Pb. (1993) (0)
- British Theatre: A Bibliography 1901–1985 . By John Cavanagh. Mottisfont: Motley Press, 1989. Pp. 510. £65. (1990) (0)
- The substrata of experience (2016) (0)
- The Theatrical in the Sexual, the Sexual in the Theatrical: Some Parallels and Provocations (2008) (0)
- Wrestling with God (2009) (0)
- Separation, Sacrifice and Sainthood (2009) (0)
- Two Against Nature: Rehearsing and Performing Howard Barker's Production of his Play The Twelfth Battle of Isonzo (2005) (0)
- Players of Shakespeare 2 . Edited by Russell Jackson and Robert Small-wood, Cambridge University Press, 1988, Pp. x + 203 + illustrations. (1989) (0)
- ‘What do you see?’: Howard Barker's The Europeans: A Director's Perspective (1992) (0)
- Afterword : The Lurking Truths of the Self (2007) (0)
- Ed Thomas: Jazz Pictures in the Gaps of Language (2008) (0)
- A Review of Playtexts Published in Britain, 1994 (1995) (0)
- The Properties of Othello . By James L. Calderwood. Amherst: The University of Massachusetts Press, 1989. Pp. 176. £15; $22.50. (1990) (0)
- Shakespeare’s History Plays: Performance, Translation, and Adaptation in Britain and Abroad (review) (2009) (0)
- A Review of Plays Published in Britain, 1989–90 (1991) (0)
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David Ian Rabey is affiliated with the following schools:
