David Solkin's AcademicInfluence.com Rankings Why Is David Solkin Influential? (Suggest an Edit or Addition)
According to Wikipedia , David Hersh Solkin, FBA is the Walter H. Annenberg Professor of the History of Art at the Courtauld Institute, which he joined in 1986. In 2007, Solkin became the institute's first dean and deputy director. Solkin is an expert in the art of J. M. W. Turner.
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Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
1990 2000 2010 0 12.5 25 37.5 50 62.5 75 87.5 100 112.5 125 Published Works Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England (1993) Art on the line : the Royal Academy exhibitions at Somerset House, 1780-1836 (2001) Richard Wilson: The Landscape of Reaction (1982) (22)‘Great Pictures or Great Men? Reynolds, Male Portraiture, and the Power of Art’ (1986) Painting out of the Ordinary : Modernity and the Art of Everyday Life in Early Nineteenth-Century Britain (2008) Modernism and Modernity : the Vancouver Conference Papers (2004) (10)Art in Britain 1660-1815 (2015) Portrait! Portrait!! Portrait!!" (2001) (4)Isaac Fuller's Escape of Charles II: A Restoration Tragicomedy (1999) ‘Portraiture in Motion: Edward Penny's Marquis of Granby and the Creation of a Public for English Art' (1986) Joseph Wright of Derby and the Sublime Art of Labor (2003) Staging the Spectacle (2001) (3)‘ReWrighting Shaftesbury: the Air Pump and the Limits of Commercial Humanism’, (1995) (3)Turner and the Masters (2009) ‘The Battle of the Ciceros: Richard Wilson and the Politics of Landscape in the Age of John Wilkes’ (1983) ‘Crowds and Connoisseurs: Looking at Genre Painting at Somerset House’ (2001) This Great Mart of Genius (2001) (2)‘‘Conquest, usurpation, wealth, luxury, famine’: Mortimer’s Banditti and the Anxieties of Empire’ (2006) (2)The British and the Modern (1995) (1)Competing with Contemporaries (2009) (1)‘Richard Wilson's Variations on a Theme by Gaspard Dughet’ (1981) (1)Samaritan or Scrooge? The Contested Image of Thomas Guy in Eighteenth-Century England (1996) ‘Gainsborough’s Classically Virtuous Wife’ (2000) (1)Some Preparatory Drawings by James Barry for The Progress of Human Culture and Knowledge (1976) (0)David H. Solkin, Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England. New Haven and London, Yale University Press, 1993, 312 pp., ill (2022) (0)‘The Fetish over the Fireplace: Venereal Disease as Genius Loci in Marriage a-la-Mode’ (2000) (0)The Other Half of the Landscape: Thomas Heaphy’s Watercolour Nasties (2005) ‘Turner and the Masters: Gleaning to Excell’ (2009) (0)‘The Excessive Jew in the Harlot's Progress’ (2001) (0)Turner and the North (2009) (0)A Caernarvon Castle by Night by Joseph Wright of Derby (1977) (0)‘The English Revolution and the Revolution of History Painting: the Bowles Brothers’ Life of Charles I’ (2016) (0)A Landscape Drawing by James Barry (1983) (0)‘From Oddity to Odd Man Out: Contesting James Barry’s Critical Legacy 1806-1866’ (2009) (0)‘‘He said he held it very low’: Turner and Contemporary French Landscape Painting in 1802’ (2009) (0)Education and Emulation (2009) (0)The Best of Aubrey Beardsley by Kenneth Clark (review) (2017) (0)German Romanticism and English Art by William Vaughan (review) (2017) (0)Some New Light on the Drawings of Richard Wilson (1978) (0)Review Article: The Battle of the Books; or, the Gentleman Provok'd — Different Views on the History of British Art (1985) More Papers This paper list is powered by the following services:
Other Resources About David Solkin What Schools Are Affiliated With David Solkin? David Solkin is affiliated with the following schools:
