Diana Deutsch
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American psychologist
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Psychology
Diana Deutsch's Degrees
- PhD Psychology University of California, San Diego
Why Is Diana Deutsch Influential?
(Suggest an Edit or Addition)According to Wikipedia, Diana Deutsch is a British-American psychologist from London, England. She's a professor of psychology at the University of California, San Diego, and is a prominent researcher on the psychology of music. Deutsch is primarily known for her discoveries in music and speech illusions. She also studies the cognitive foundation of musical grammars, which consists of the way people hold musical pitcheses in memory, and how people relate the sounds of music and speech to each other. In addition, she is known for her work on absolute pitch , which she has shown is far more prevalent among speakers of tonal languages. Deutsch is the author of Musical Illusions and Phantom Words: How Music and Speech Unlock Mysteries of the Brain , the editor for Psychology of Music, and also the compact discs Musical Illusions and Paradoxes and Phantom Words and Other Curiosities .
Diana Deutsch's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Attention: Some theoretical considerations. (1963) (1820)
- The Psychology of Music (1983) (887)
- Short-term memory (1975) (458)
- The Internal Representation of Pitch Sequences in Tonal Music (1981) (333)
- Tones and Numbers: Specificity of Interference in Immediate Memory (1970) (279)
- Absolute pitch among American and Chinese conservatory students: prevalence differences, and evidence for a speech-related critical period. (2006) (254)
- The processing of structured and unstructured tonal sequences (1980) (236)
- Absolute Pitch, Speech, and Tone Language: Some Experiments and a Proposed Framework (2004) (178)
- An auditory illusion (1974) (178)
- Grouping Mechanisms in Music (1999) (163)
- THE PROCESSING OF PITCH COMBINATIONS (1999) (146)
- Two-channel listening to musical scales. (1975) (146)
- Octave generalization and tune recognition (1972) (141)
- The generation of two isochronous sequences in parallel (1983) (141)
- Illusory transformation from speech to song. (2011) (124)
- Absolute pitch among students in an American music conservatory: association with tone language fluency. (2009) (121)
- Paradoxes of musical pitch. (1992) (115)
- Music perception. (2007) (113)
- Separate "what" and "where" decision mechanisms in processing a dichotic tonal sequence. (1976) (107)
- The Tritone Paradox: An Influence of Language on Music Perception (1991) (106)
- Effect of repetition of standard and comparison tones on recognition memory for pitch. (1972) (95)
- A Musical Paradox (1986) (89)
- 6 – Grouping Mechanisms in Music (2013) (83)
- Speech versus song: multiple pitch-sensitive areas revealed by a naturally occurring musical illusion. (2013) (83)
- 9 – The Processing of Pitch Combinations (1982) (81)
- The tritone paradox: Effects of spectral variables (1987) (79)
- Some theoretical considerations. (1963) (75)
- Octave generalization of specific interference effects in memory for tonal pitch (1973) (74)
- Faster decline of pitch memory over time in congenital amusia (2010) (69)
- Music recognition. (1969) (66)
- The Tritone Paradox: Its Presence and Form of Distribution in a General Population (1987) (65)
- Delayed pitch comparisons and the principle of proximity (1978) (62)
- Binaural integration of melodic patterns (1979) (61)
- Mapping of Interactions in the Pitch Memory Store (1972) (60)
- Auditory memory. (1975) (56)
- Interference in memory between tones adjacent in the musical scale. (1973) (56)
- Disinhibition in pitch memory (1975) (55)
- The Tritone Paradox: Correlate with the Listener's Vocal Range for Speech (1990) (53)
- Pitch memory: an advantage for the left-handed. (1978) (49)
- Comments on “Selective Attention: Perception or Response?” Reply (1967) (45)
- Speech Patterns Heard Early in Life Influence Later Perception of the Tritone Paradox (2004) (44)
- Memory and Attention in Music (1977) (44)
- Generality of Interference by Tonal Stimuli in Recognition Memory for Pitch (1974) (42)
- Facilitation by repetition in recognition memory for tonal pitch (1975) (40)
- The Puzzle of Absolute Pitch (2002) (40)
- Absolute pitch correlates with high performance on musical dictation. (2010) (38)
- Musical illusions and paradoxes (1995) (38)
- 5 – Absolute Pitch (2013) (37)
- The Octave Illusion and Auditory Perceptual Integration (1981) (37)
- The pitch levels of female speech in two Chinese villages. (2009) (36)
- The Enigma of Absolute Pitch (2006) (35)
- The perceived height of octave-related complexes. (1986) (33)
- The octave illusion in relation to handedness and familial handedness background (1983) (33)
- Absolute pitch is demonstrated in speakers of tone languages (1999) (33)
- On-line perception of Mandarin Tones 2 and 3: evidence from eye movements. (2013) (32)
- Dislocation of Tones in a Musical Sequence: a Memory Illusion (1970) (32)
- Pitch circularity from tones comprising full harmonic series. (2008) (32)
- Auditory pattern recognition. (1986) (31)
- Absolute pitch correlates with high performance on interval naming tasks. (2011) (31)
- Organizational Processes in Music (1982) (30)
- The octave illusion revisited again. (2004) (30)
- Lateralization by frequency for repeating sequences of dichotic 400- and 800-Hz tones. (1978) (30)
- Error patterns in delayed pitch comparison as a function of relational context. (1974) (30)
- THE ORGANIZATION OF SHORT-TERM MEMORY FOR A SINGLE ACOUSTIC ATTRIBUTE (2004) (30)
- Absolute pitch is associated with a large auditory digit span: a clue to its genesis. (2012) (29)
- Ear dominance and sequential interactions. (1980) (28)
- Dichotic Listening to Melodic Patterns and Its Relationship to Hemispheric Specialization of Function (1985) (28)
- Some new pitch paradoxes and their implications. (1992) (27)
- The speech-to-song illusion. (2008) (26)
- Auditory Illusions, Handedness, and the Spatial Environment (1983) (26)
- Musical Illusions (2007) (24)
- Ethnicity versus early environment: Comment on ‘Early Childhood Music Education and Predisposition to Absolute Pitch: Teasing Apart Genes and Environment’ by Peter K. Gregersen, Elena Kowalsky, Nina Kohn, and Elizabeth West Marvin [2000] (2007) (24)
- A Regional Difference in Perception of the Tritone Paradox within the United States (1994) (23)
- The Semitone Paradox (1988) (23)
- The Tritone Paradox: Some Further Geographical Correlates (1994) (23)
- Recognition of durations embedded in temporal patterns (1986) (22)
- Binaural Hearing—Before and After the Stethophone (2008) (22)
- Lateralization and sequential relationships in the octave illusion. (1988) (21)
- Octave Equivalence and the Immediate Recall of Pitch Sequences (1984) (20)
- Interference in Pitch Memory as a Function of Ear or Input (1978) (20)
- Octave generalization and melody identification (1978) (19)
- The influence of melodic context on pitch recognition judgment (1982) (19)
- Threshold Differentiation of Drive and Reward in the Olds Effect (1962) (18)
- 11 – Handedness and Memory for Tonal Pitch1 (1980) (17)
- Speaking in Tones (2010) (16)
- Pitch classes differ with respect to height (1984) (15)
- THE PARADOX OF PITCH CIRCULARITY (2010) (15)
- 7 – The Processing of Pitch Combinations (2013) (14)
- Absolute pitch among students at the Shanghai Conservatory of Music: a large-scale direct-test study. (2013) (13)
- Pitch Proximity in the Grouping of Simultaneous Tones (1991) (12)
- Interactive effects in memory for harmonic intervals (1978) (12)
- The glissando illusion and handedness (2007) (12)
- LANGUAGE EXPERIENCE INFLUENCES NON-LINGUISTIC PITCH PERCEPTION (2013) (11)
- Large-scale direct-test study reveals unexpected characteristics of absolute pitch (2011) (11)
- Psychophysical Judgment and the Process of Perception edited by H.‐G. Geissler, P. Petzold, H.F.J.M. Buffart, and Yu. M. Zarodin (1984) (11)
- The Tritone Paradox and the Pitch Range of the Speaking Voice: Reply to Repp (1994) (10)
- Mothers and their children hear a musical illusion in strikingly similar ways. (1996) (10)
- No Disillusions in Auditory Extinction: Perceiving a Melody Comprised of Unperceived Notes (2007) (10)
- Musical Illusions and Phantom Words (2019) (10)
- Tone language and absolute pitch: Prevalence among American and Chinese conservatory students (2004) (9)
- The internal representation of information in the form of hierarchies (1982) (9)
- An illusion with musical scales (1974) (9)
- Reply to “Reconsidering evidence for the suppression model of the octave illusion,” by C. D. Chambers, J. B. Mattingley, and S. A. Moss (2004) (8)
- Octave equivalence and the processing of melodic sequences (1976) (7)
- Absolute pitch and tone language - Two new studies (2009) (7)
- Psychology and Music (2019) (7)
- Hearing music in ensembles (2010) (7)
- 4 – Grouping Mechanisms in Music (1982) (7)
- Handedness and Memory for Tonal Pitch (2004) (6)
- Recall of hierarchically structured melodic sequences (1980) (6)
- The tritone paradox: Implications for the representation and communication of pitch structures. (1992) (6)
- The glissando illusion: A spatial illusory contour in hearing (2005) (5)
- Chapter 8 The perception of auditory patterns (1996) (5)
- Comments and reply on "Selective attention: perception or response? (1967) (5)
- The Tritone Paradox (1997) (4)
- The Musical Mind: The Cognitive Psychology of Music by John A. Sloboda (1987) (4)
- Reply to "Comments on "ear dominance and sequential interactions"' by E. William Yund. (1983) (3)
- ATTENTION: SOME THEORETICAL CONSIDERATIONS1 (2005) (3)
- Auditory Illusions (2010) (3)
- Perceptual grouping of musical sequences: Pitch and timing as competing cues (2004) (3)
- Mothers and their offspring perceive the tritone paradox in closely similar ways (2007) (3)
- An auditory paradox (1986) (3)
- Deutsch's octave illusion (1978) (3)
- Lateralization by frequency in dichotic tonal sequences as a function of interaural amplitude and time differences (1976) (3)
- Overall pitch height as a cue for lexical tone perception (2011) (3)
- Processing of Endpoint Pitch in Mandarin Tone Perception: An Eye Movement Study (2010) (3)
- Bilingual speakers perceive a musical illusion in accordance with their first language (2000) (3)
- Octave equivalence in the processing of tonal sequences (1983) (2)
- Binaural integration of tonal patterns (1978) (2)
- Dichotic listening to musical sequences: Relationship to hemispheric specialization of function (1983) (2)
- Conclusion (2019) (2)
- Pitch circularity produced by varying the amplitudes of odd and even harmonics (2005) (2)
- What Are Musical Paradox and Illusion (2007) (2)
- A regional difference within the United States in perception of the tritone paradox (1993) (2)
- Absolute pitch is correlated with high performance on relative pitch tasks. (2011) (2)
- A link between music perception and speech production (1990) (2)
- SensationandPerception, by S. Cohen, C. Porac, and L. M. Ward. (1979) (1)
- Paradojas de la tonalidad musical (1992) (1)
- Commentary on “The octave illusion and handedness: A replication of Diana Deutsch’s 1974 study” (2013) (1)
- The ICMPC Series, and Some Current Research on Music Perception and Cognition (2008) (1)
- Daniel E. Berlyne, 1924-1976: Bibliography (1986) (1)
- A spectral contrast illusion (1984) (1)
- Music Perception 3. Grouping of Musical Sounds (2007) (0)
- Signal Processing Managing Acoustic Feedback and More Perceptual Portraits Acoustics Today (2008) (0)
- Speech and Music Intertwined (2019) (0)
- The Speech-to-Song Illusion (2019) (0)
- Priming effects and the Deutsch scale illusion: Comments on “The effects of familiarity and previous training on perception of an ambiguous musical figure,” by Davidson, Power, and Michie (1988) (0)
- Ear dominance depends on sequential, frequency‐specific interactions between tones at the two ears (1978) (0)
- The genesis of absolute pitch: Theories and experimental findings. (2009) (0)
- The effect of overall pitch height on Mandarin tone identification (2013) (0)
- Musical illusions created in the laboratory or concert hall provide insight on how the brain regroups auditory inputs. (2010) (0)
- Andrzej Rakowski, 1931–2018 (2018) (0)
- Computer evaluation of musical performance from the acoustic signal: An exploratory study on performance anxiety (1990) (0)
- Introduction (2019) (0)
- A Note on Music Education. (1980) (0)
- A udito r y Illusions , Handedness , and the Spatial En v ironment * ' (0)
- Read, Watch, Listen (2008) (0)
- Left handers outperform right handers on a pitch memory task (1977) (0)
- THE TRITONE PARADOX AMONG CHINESE CHILDREN AGED 12 AND 13 (2014) (0)
- Neural Mechanisms in Behavior, edited by D. McFadden (1981) (0)
- UNIVERSITY OF CALIFORNIA SAN DIEGO An examination of contextual factors that influence auditory processing in misophonia and absolute pitch A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Experimental Psychology by (2019) (0)
- Some Musical Illusions Are Discovered (2019) (0)
- Strange Loops and Circular Tones (2019) (0)
- Vocal range for speech determines perception of a musical pattern (1989) (0)
- The Unity of the Senses: Interrelations Among the Modalities, by L. E. Marks. (1979) (0)
- Mechanisms of Intersensory Perception. (1982) (0)
- Sensation and Perception, by Harvey Richard Schiffman (1983) (0)
- Demonstrations of Sensory Perception, by Melanie J. Mayer, Kristina S. Hooper, Martha Nagle, and Robert De Mayo (1983) (0)
- from the editor (1991) (0)
- Illusory transformation from speech to songa ) (2011) (0)
- The Mystery of Absolute Pitch (2019) (0)
- The Scale Illusion (2021) (0)
- Catchy Music and Earworms (2019) (0)
- Interference in Memory between Tones Adjacen R Ix the Musical Scale 1 (2005) (0)
- Structural and functional features of human auditor y-related cortex : Possible clues in the search for genetic links (2007) (0)
- Absolute pitch is disrupted by a memory illusion. (2021) (0)
- Musical illusions, absolute pitch, and other enigmas of sound perception. (2011) (0)
- “Phantom Words” are heard more frequently as coming from the right side of space (2019) (0)
- Communicating with the media: From the laboratory to the real world (2014) (0)
- Perceptual Organization, edited by M. Kubovy and J. R. Pomerantz (1982) (0)
- Absolute pitch is disrupted by an auditory illusion (2017) (0)
- Influence of relational context on pitch recognition as a function of retention interval (1976) (0)
- Two issues at the interface between speech and music (2006) (0)
- Phantom Words (2019) (0)
- A new pitch paradox (1988) (0)
- Perception and the Senses, by Evan L. Brown and Kenneth Deffenbacher (1980) (0)
- Believing Your Ears: Examining Auditory Illusions (2020) (0)
- Music, Speech, and Handedness (2019) (0)
- An Evolutionary Perspective on Music. (2003) (0)
- Musical Structure and Cognition edited by Peter Howell, Ian Cross, and Robert West (1986) (0)
- Acknowledgment to reviewers (1997) (0)
- Hallucinations of Music and Speech (2019) (0)
- The Perceptual Organization of Streams of Sound (2019) (0)
- An Interdisciplinary Perspective on Music and Memory. (2002) (0)
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