Diana Taylor
American professor of Spanish and Performance Studies
Diana Taylor 's AcademicInfluence.com Rankings
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Anthropology
Diana Taylor 's Degrees
- PhD Spanish Columbia University
- Masters Spanish Columbia University
- Bachelors Spanish Connecticut College
Why Is Diana Taylor Influential?
(Suggest an Edit or Addition)According to Wikipedia, Diana Taylor is an American academic. She is a professor of performance studies and Spanish at New York University' s Tisch School of the Arts and the founding director of the Hemispheric Institute of Performance and Politics. She is also the president of the Modern Language Association in 2017–2018. Her work focuses on Latin American and U.S. theatre and performance, performance and politics, feminist theatre and performance in the Americas, Hemispheric studies, and trauma studies. She is married to Eric Manheimer, former New York Bellevue Hospital medical director and current producer of the NBC television show New Amsterdam.
Diana Taylor 's Published Works
Published Works
- The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003) (1721)
- Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's "Dirty War" (1997) (461)
- The Politics of Motherhood: Activist Voices from Left to Right (1997) (76)
- Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America (2012) (61)
- Cultural Agency and Political Struggle in the Era of the Indio Permitido (2005) (51)
- You Are Here: The DNA of Performance (2002) (45)
- Remapping Genre through Performance: From “American” to “Hemispheric” Studies (2007) (37)
- Holy terrors: Latin American women perform (2000) (32)
- A Savage Performance: Guillermo Gmez-Pea and Coco Fusco's Couple in the Cage (1998) (31)
- Trauma and Performance: Lessons from Latin America (2006) (27)
- Afterword: War Play (2009) (18)
- Is Performance Studies Imperialist? Part 3: A Forum (2007) (16)
- (Re)Conceiving Politics? Women's Activism and Democracy in a Time of Retrenchment (2001) (13)
- Theater and Terrorism: Griselda Gambaro's "Information for Foreigners" (1990) (11)
- Saving the “Live”? Re-performance and Intangible Cultural Heritage (2016) (11)
- Dancing with Diana: A Study in Hauntology (1999) (11)
- Denise Stoklos: The Politics of Decipherability (2000) (10)
- A Forum on Theatre and Tragedy: A Response to September 11, 2001 (2002) (9)
- Bush's Happy Performative (2003) (8)
- Trauma as Durational Performance (2011) (8)
- "High Aztec" or Performing Anthro Pop: Jesusa Rodriguez and Liliana Felipe in "Cielo de abajo" (1993) (6)
- The Discourses of Diversity: Language, Ethnicity, and Interculturality in Latin America (2020) (6)
- Questioning State Geographies of Inclusion in Argentina: The Cultural Politics of Organizations with Mapuche Leadership and Philosophy (2005) (5)
- We Have Always Been Queer (2016) (4)
- The Many Lives of Performance: The Hemispheric Institute of Performance and Politics (2010) (3)
- Framing the Revolution: Triana's La noche de los asesinos and Ceremonial de guerra (1990) (3)
- The Crossroads of Faith: Heroism and Melancholia in the Colombian “Violentologists” (1980–2000) (2005) (3)
- Between Technology and Culture: Communication and Modernity in Latin America (2020) (2)
- Intervening from and through Research Practice: Meditations on the Cuzco Workshop (2020) (2)
- Conspiracy on the Sidelines: How the Maya Won the War (2020) (2)
- Augusto Boal 19312009 (2009) (2)
- Presidential Address 2018: iPresente! (2018) (1)
- What is Diana Raznovich laughing at? (2000) (1)
- Culture Across Borders: Mexican Immigration & Popular Culture . Edited by David R. Maciel and María Herrera-Sobek . Tucson : University of Arizona Press , 1998 ; 268 pp. $16.95. (1999) (1)
- Radio Taino and the Cuban Quest for Identi . . . qué (2005) (1)
- Memory, trauma, performance (2011) (1)
- Political Construction and Cultural Instrumentalities of Indigenism in Brazil, with Echoes from Latin America (2020) (1)
- Traumatic Memes (2020) (1)
- The League of Time (2009) (0)
- ‘The Demon’s Nuns’: Petrona de la Cruz Cruz and Isabel Juárez Espinosa (Mexico) (2007) (0)
- Paul Mann (2003) (0)
- Freak Performances: Dissidence in Latin American Theater. By Analola Santana. Ann Arbor: University of Michigan Press, 2018; 266 pp.; illustrations. $75.00 cloth, $29.95, e-book available. (2019) (0)
- Olodum’s Transcultural Spaces: Community and Difference in Afro–Brazilian Contemporary Performance (2005) (0)
- Introduction: Actions of Transfer (2010) (0)
- Motherhood Is Powerful (1997) (0)
- A City that Improvises Its Globalization (2020) (0)
- Exorcising History: Argentine Theater under Dictatorship by Jean Graham-Jones (review) (2013) (0)
- Raging On: The Politics of Violence in the Work of Jesusa Rodríguez and Liliana Felipe (2017) (0)
- Being ¡Presente! An Interview with Diana Taylor by Kyle B. T. Lambelet (2020) (0)
- Tradition, Transnationalism, and Gender in the Afro–Brazilian Candomblé (2005) (0)
- The Decision Dilemma: Academic Freedom in the Age of Monsanto (2016) (0)
- Mothers at Risk: The War on Poor Women and Children (2019) (0)
- The Cultural Agency of Wounded Bodies Politic: Ethnicity and Gender as Prosthetic Support in Postwar Guatemala (2020) (0)
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