Diarmuid Costello

Diarmuid Costello's AcademicInfluence.com Rankings

Diarmuid Costello

Philosophy

#12424

World Rank

#17248

Historical Rank

Logic

#10190

World Rank

#13041

Historical Rank

philosophy Degrees

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Philosophy

Why Is Diarmuid Costello Influential?

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According to Wikipedia, Diarmuid Costello is a British philosopher and Professor of Philosophy at the University of Warwick. He is known for his works on aesthetics and the philosophy of art. Costello chaired the British Society of Aesthetics executive committee and was a Leverhulme Senior Research Fellow.

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Diarmuid Costello's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

On the Very Idea of a ‘Specific’ Medium: Michael Fried and Stanley Cavell on Painting and Photography as Arts (2008) (34)
Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography (2009) (33)
Art : key contemporary thinkers (2007) (18)
ON LATE STYLE: ARTHUR DANTO’S THE ABUSE OF BEAUTY (2004) (17)
The Life and Death of Images: Ethics and Aesthetics (2008) (15)
On Photography: A Philosophical Inquiry (2017) (14)
Kant and the Problem of Strong Non-Perceptual Art (2013) (13)
Kant After LeWitt: Towards an Aesthetics of Conceptual Art∗ (2006) (10)
Whatever happened to “embodiment”? the eclipse of materiality in danto's ontology of art (2007) (9)
Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts (2012) (9)
The life and death of images (2008) (8)
Greenberg's Kant and the Fate of Aesthetics in Contemporary Art Theory (2007) (8)
Photography after conceptual art (2010) (7)
The question concerning photography (2012) (7)
What's So New about the “New” Theory of Photography? (2017) (7)
Danto and Kant, Together at Last? (2008) (5)
Introduction: Photography between Art History and Philosophy (2012) (4)
Lyotard's Modernism (2000) (3)
Retrieving Kant’s Aesthetics for Art Theory After Greenberg (2009) (3)
Danto and Kant (2012) (2)
Photography after Conceptual Art: Costello/Photography after Conceptual Art (2010) (2)
Pictures, Again (2007) (2)
Introduction : photography after conceptual art (2009) (1)
Leaning into the wind : poiesis in Richard Long (2014) (1)
Doing justice to the art in photography (2016) (1)
Spontaneity and Materiality: What Photography is in the Photography of James Welling (2019) (1)
Without shame? Lee Friedlander's late self-portraits (2019) (1)
III“But I Am Killing Them!” Reply to Charles Palermo and Jan Baetens on Agency and Automatism (2014) (1)
‘Making Sense’ of Nonsense: Conant and Diamond Read Wittgenstein’s Tractatus (2017) (1)
What is Abstraction in Photography? (2018) (1)
New Theory Reconsidered: Reply to Scott Walden and Dominic McIver Lopes (2019) (1)
Museum as Work in the Age of Technological Display: Reading Heidegger Through Tate Modern (2008) (1)
On the (so called) problem of detail : Michael Fried, Roland Barthes, and Roger Scruton on photography and intentionality (2018) (0)
13 and Kant, Together at Last? (2008) (0)
Aesthetic scepticism and its critics (2017) (0)
Transparency and its critics (2017) (0)
Focus : On the new theory of photography (2018) (0)
On the Very Idea of a “Political” Work of Art* (2020) (0)
What is Abstraction in Photography? 1 (2020) (0)
Art: Key Contemporary Thinkers - cet. 1 (2010) (0)
S T U P I D A R T (2018) (0)
Xenophobia, stereotypes and empirical acculturation : neo-Kantianism in Adrian Piper’s performance-based conceptual art (2018) (0)
The New Theory of Photography: Critical Examination and Responses (2018) (0)
Go Social! Replies to Abell and Atencia-Linares (2018) (0)
Without Shame? (2019) (0)
Foundational intuitions and folk theory (2017) (0)
Action and automatism (2014) (0)
Danto and Kant Together at Last?* 2 Recent Danto on Kant's Aesthetics Danto's Perception of Kant's Aesthetics Has Always Been Mediated, and in My View Distorted, by the Controversial Use to Which Clement Greenberg Put a Version of Kant's 154 (0)
notes on the contributors (2007) (0)
On the (So-Called) Problem of Detail (2018) (0)
See the light : photography, perception, cognition. Ed. Britt Salvesen. New York : Prestel, 2013. 233 pp. (2015) (0)
Conceptual Art and Aesthetic Ideas (2021) (0)
Photography as a Category of Art (2021) (0)
Workshop in Post-Kantian Aesthetics and the Work of Art (Warwick, 18 Feb 11) (2011) (0)
Introduction : On photography, then and now (2017) (0)

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