Dina Iordanova

Q: What Schools Are Affiliated With Dina Iordanova

Dina Iordanova is affiliated with the following schools: University of Leicester, University of St Andrews, Sofia University, University of Stirling

Dina Iordanova's AcademicInfluence.com Rankings

Dina Iordanova

Philosophy

#6757

World Rank

#9852

Historical Rank

#1560

USA Rank

Logic

#8735

World Rank

#10963

Historical Rank

#1471

USA Rank

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Philosophy

Why Is Dina Iordanova Influential?

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According to Wikipedia, Dina Iordanova is an educationalist and Professor of Film Studies at the University of St. Andrews. A specialist in world cinema, her special expertise is in the cinema of the Balkans, Eastern Europe, and Europe in general. Her research approaches cinema on a meta-national level and focuses on the dynamics of transnational film; she has special interest in issues related to cinema at the periphery and in alternative historiography. She has published extensively on international and transnational film art and film industry, and convenes research networks on film festivals and on the Dynamics of World Cinema, with funding from the Leverhulme Trust.

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Dina Iordanova's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

An ancient continuous human presence in the Balkans and the beginnings of human settlement in western Eurasia: A Lower Pleistocene example of the Lower Palaeolithic levels in Kozarnika cave (North-western Bulgaria) (2010) (95)
Cinema of Flames: Balkan Film, Culture, and the Media (2001) (93)
Cinema of the other Europe : the industry and artistry of East Central European film (2003) (77)
Digital Disruption: Cinema Moves On-line (2012) (43)
Release 2.0: A Design for Living in the Digital Age (1999) (38)
Film Festival Yearbook 2: Film Festivals and Imagined Communities (2010) (32)
Cinema at the Periphery (2010) (25)
Feature filmmaking within the new Europe: moving funds and images across the East-West divide (2002) (23)
Cashing in on Dracula: Eastern Europe's Hard Sells (2007) (22)
The Film Festival as an Industry Node (2015) (22)
The Film Festival Reader (2013) (20)
Mimicry and Plagiarism (2008) (19)
Migration and Cinematic Process in Post-Cold War Europe (2010) (18)
Moving People, Moving Images: Cinema and Trafficking in the New Europe (2009) (16)
The Cinema of the Balkans (2006) (13)
Film Festival Yearbook 3: Film Festivals and East Asia (2010) (12)
Showdown of the festivals: clashing entrepreneurships and post-communist management of culture (2006) (12)
Conceptualizing the Balkans in Film (1996) (11)
The festival circuit (2009) (11)
East Europe’s Cinema Industries Since 1989: Financing Structure and Studios (1999) (10)
Kusturica's 'Underground' (1995): Historical allegory or propaganda? (1999) (10)
Cinema of the Other Europe (2003) (9)
Balkan film representations since 1989: the quest for admissibility (1998) (9)
Film Festival Yearbook 4: Film Festivals and Activism (2012) (8)
Intercultural cinema and Balkan hushed histories (2008) (8)
Introduction: a peripheral view of world cinemas (2010) (7)
Before the Rain in a Balkan context (2000) (7)
Images of Romanies in Cinema: A Rough Sketch? (2003) (6)
The BFI Companion to Eastern European and Russian Cinema (2001) (6)
Turkish Cinema: Identity, Distance and Belonging (2010) (5)
Film festivals and imagined communities (2010) (5)
Film festivals and activism (2012) (4)
Welcome Pictures, Unwanted Bodies (2008) (4)
Bulgaria: Provisional Rules and Directorial Changes: Restructuring of National TV (1995) (4)
Post-Yugoslav cinema: towards a cosmopolitan imagining (2016) (4)
The Busan International Film Festival in Crisis or, What Should a Film Festival Be? (2015) (4)
Film Festival Yearbook 6: Film Festivals and the Middle East (2014) (4)
Transnational Film Studies (2007) (3)
INTRODUCTION: Indian cinema in the world (2006) (3)
Editorial Issue 34 (2008) (3)
Images of Romanies inCinema: A Rough Sketch? (2003) (3)
Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989: Re-Visions. Ed. Sanja Bahun and John Haynes. BASEES/Routledge Series on Russian and East European Studies 99. London: Routledge, 2014. xviii, 216 pp. Index. Illustrations. $160.00, hard bound. (2015) (3)
INDIAN CINEMA'S GLOBAL REACH (2006) (3)
BALKAN CINEMA in the 90s: AN OVERVIEW (2001) (3)
East-Central European cinema and literary history (2004) (2)
The New Russians: Nostalgia for the Occupier, Commiseration for the Immigrant (2000) (2)
Yingying, Zhenzhen, and Fenfen? China at the Festivals (2017) (2)
Balkan Wedding Revisited: Multiple Messages of Filmed Nuptuals (1998) (2)
I Am Cuba (1997) (2)
Screen Memories: The Hungarian Cinema of Márta Mészáros (1995) (1)
European cinema after the Wall: screening East–West mobility (2014) (1)
Prisoner of the Mountains. (Kavkazskii plennik) (1997) (1)
Canaries And Birds of Prey: The New Season of Bulgarian Cinema (2019) (1)
Global film at global airlines (2017) (1)
Expanding universe: from the ethnic food store to blockbuster's. (1999) (1)
Shifting Narratives: Representation and Mediation of the Balkan Conflicts (2001) (1)
Prostitution and Sex Work in Global Cinema: New Takes on Fallen Women, edited by Danielle Hipkins and Kate Taylor-Jones (2020) (1)
Foreword: (2022) (1)
Eastern European Cinema. (1999) (1)
INTRODUCTION (2006) (0)
Book reviews (1999) (0)
Book reviews (1999) (0)
Cinema of the Dispersed Yugoslavs: Diaspora in the Making (2000) (0)
Displaced Allegories: Post-Revolutionary Iranian Cinema (review) (2009) (0)
Film festivals and East Asia (2011) (0)
Around the Circuit Paris Cinéma: added value through repackaging and subsidies (2009) (0)
Around the Circuit: The New York Film Festival, 24 September–10 October 2010 (2011) (0)
Balkan Wedding (2021) (0)
Free binary options demo CarsonCity (2015) (0)
Window on Real World (1999) (0)
Kieslowski on Kieslowski. Ed. Danusia Stok. Boston: Faber and Faber, 1993. 268 pp. Illustrations. Index. Filmography. $22.95, hard bound. (1995) (0)
Film Review: Mother and Son (1999) (0)
Balkan Cinema in The 90S (2001) (0)
Kira Muratova: The Magnificent Maverick (2021) (0)
Marian TUTUI, Romanian Film Archive BALKAN CINEMA VERSUS CINEMA OF THE BALKAN NATIONS 3. Cinema Schools in the Balkans The whole rush undertaking of creating distinct film (2011) (0)
Contributors (2000) (0)
Five Filmmakers: Tarkovsky, Forman, Polanski, Szabó, Makavejev. Ed. Daniel J. Goulding. Bloomington: Indiana University Press, 1994. 289 pp. Illustrations. Selected bibliography. Filmography. Index. $18.95, paper. (1995) (0)
An International Study of Film Museums (2022) (0)
Turkish Cinema: Identity, Distance and Belonging (review) (2010) (0)
Women’s Place in Film History: the Importance of Continuity (2020) (0)
Bosnia by Television (1998) (0)
Film Festivals: Successful or Safe? (2013) (0)
Dark Alchemy: The Films of Jan Švankmajer. Ed. Peter Hames. Westport, Conn.: Greenwood Press, 1995. 202 pp. Filmography. Bibliography. Index. Plates. Paper. (1996) (0)
The Taste of a Man: A Novel (1998) (0)
New Political Cinema, Asia, and Beyond: Ten Years (2019) (0)
Preface. (2018) (0)
Cinémas de Paris / sous la direction de Jean-Michel Frodon et Dina Iordanova ; avec les contributions de William Brown, Daniel Fairfax, Michael Gott... [et al.] (2017) (0)
Identity Games: Globalization and the Transformation of Media Cultures in the New Europe. By Aniko Imre. Cambridge, Mass.: MIT Press, 2009. x, 257 pp. Notes. Bibliography. Index. Illustrations. Photographs. $35.00, hard bound. (2010) (0)
Notes on Contributors (2000) (0)
Archiving and Film Restoration: The View from Asia (2020) (0)
Preface.: The Cold War’s Documentary Crossroads Leipzig in the Galaxy of Festivals (2018) (0)
Around the Circuit: From the Source – Cinemas of the South (2010) (0)
Global film at global airlines : a “territory” in the air (2018) (0)

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Other Resources About Dina Iordanova

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What Schools Are Affiliated With Dina Iordanova?

Dina Iordanova is affiliated with the following schools: