Dudley Andrew | Academic Influence

Dudley Andrew's AcademicInfluence.com Rankings

Dudley Andrew

Philosophy

#2188

World Rank

#3800

Historical Rank

#808

USA Rank

Logic

#9401

World Rank

#11911

Historical Rank

#1676

USA Rank

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Philosophy

Dudley Andrew's Degrees

PhD Film Studies University of Iowa
Masters Film Studies University of Iowa
Bachelors English University of Iowa

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Why Is Dudley Andrew Influential?

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According to Wikipedia, James Dudley Andrew is an American film theorist. He is R. Selden Rose Professor of Film and Comparative Literature at Yale University, where he has taught since the year 2000. Before moving to Yale, he taught for thirty years at the University of Iowa. Andrew has been called, on the occasion of one of his invited lecture series, "one of the most influential scholars in the areas of theory, history and criticism". He particularly specializes in world cinema, film theory and aesthetics, and French cinema. He has also written on Japanese cinema, especially the work of Kenji Mizoguchi. He has been given a Guggenheim Fellowship and was named an Officier of the Ordre des Arts et des Lettres by the French Ministry of Culture. He was elected a Fellow of the American Academy of Arts and Sciences in 2006. In 2011, he received the Society for Cinema and Media Studies Distinguished Career Achievement Award. Also he has been honored in some countries where his works has been translated and used as textbook in the field. In December 2020, University of Tehran held a session in honor of Dudley Andrew with his presence as the keynote speaker. In this session Nadia Maftouni called Andrew a successful scholar in forming a whole new academic field. Dudley Andrew is currently chair of the Department of Comparative Literature at Yale.

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Dudley Andrew's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The Major Film Theories: An Introduction (1976) (91)
What Cinema Is (2010) (58)
An Atlas of World Cinema (2004) (57)
The image in dispute : art and cinema in the age of photography (1997) (36)
The “Three Ages” of Cinema Studies and the Age to Come (2000) (35)
What Cinema Is!: Bazin's Quest and its Charge (2010) (30)
Film in the Aura of Art (1984) (24)
Popular Front Paris and the Poetics of Culture (2005) (23)
The Core and the Flow of Film Studies (2009) (21)
Interview With Jia Zhang-Ke (2009) (17)
André Bazin, What is Cinema?, translated by Timothy Barnard, Montréal, Caboose, 2009. (2009) (17)
Grizzly ghost: Herzog, Bazin and the cinematic animal (2008) (14)
Leaving the Movie Theater (2016) (13)
The Ontology of a Fetish (2008) (12)
A Film Aesthetic to Discover (2007) (10)
Adapting Cinema to History (2007) (9)
Sound in France: The Origins of a Native School (1980) (9)
Roland Barthes' Cinema (2016) (9)
Interview with Jacques Rancière (2016) (9)
The Lion's Gaze: Truth and Legend in I Wish I Knew (2011) (7)
Mists of Regret (1995) (6)
The Compound Cinema: Film Writings of Harry Alan Potamkin (1979) (5)
Tracing Ricoeur (2000) (4)
The Post-War Struggle for Colour (1980) (3)
The gravity of “sunrise” (1977) (3)
Time for Epic Cinema in an Age of Speed (2016) (3)
Roundtable on the Return to Classical Film Theory (2014) (2)
Film analysis or film therapy: To step beyond semiotics (1977) (2)
Announcing the End of the Film Era (2017) (2)
Of Canons and Quietism: Dudley Andrew Responds to Janet Staiger's "The Politics of Film Canons" ("Cinema Journal," Spring 1985) (1985) (2)
Global Cinema Networks (2018) (2)
Interpretation, the Spirit in the Body (1982) (2)
The Impact of the Novel on French Cinema of the 30s (2017) (2)
The Postwar Struggle for Color (1979) (2)
Broken blossoms: The art and the Eros of a perverse text (1981) (1)
The Past and the Passing of Death in French Cinema (2017) (1)
The absent subject of The World (2018) (1)
Fade In, Fade Out: Aspirations of National Cinema (1997) (1)
The Film Theory of Jean Mitry (1975) (1)
The Values of Close Analysis (1971) (1)
A Companion to François Truffaut: Andrew/A Companion to François Truffaut (2013) (1)
National Turbulence and the Turbos of the World Cinema System (2021) (1)
Barthes and Bazin (2016) (1)
Eric Rohmer’s Magnetic Fluid (2014) (0)
The Projector as Spectator's Searchlight (2010) (0)
A series of 20-minute presentations by individual speakers followed by an extended Q&A / discussion session. (2010) (0)
Susan Sontag and the Criticism of Cinema's Modernity: An Introduction (2007) (0)
Interview with Arnaud Desplechin, Part II (2013) (0)
Interview with Arnaud Desplechin, Part II: Truffaut and His Methods (2013) (0)
Moving Peoples and Motion Pictures: Migration in Film and Other Media (2022) (0)
Historical Critique and History as Criticism (1988) (0)
Refresh the Perception of the World (2016) (0)
Seeing through Renoir, Seen through Bazin (2013) (0)
Introduction: André Bazin Meets the New Media of the 1950s (2019) (0)
Film Criticism and Theory (1981) (0)
richard abel. French Cinema: The First Wave, 1915–1929. Princeton: Princeton University Press. 1984. Pp. xxi, 672. $75.00 (1985) (0)
Jean Mitry [Obituary] (1988) (0)
Review: Landscapes of Loss: The National Past in Postwar French Cinema by Naomi Greene (2000) (0)
From the Literature (2012) (0)
Jacques Becker and his partners in ‘La Ronde’ of French 50s cinema (2017) (0)
The Evolution of the Subjects of Cinema (2010) (0)
For the first time on screen together (2019) (0)
An Incredible Shrunken History: A Response to Sean Shesgreen II (2009) (0)
Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema (2012) (0)
: Landscapes of Loss: The National Past in Postwar French Cinema . Naomi Greene. (2000) (0)
The Camera Searching in the World (2010) (0)
1. BEYOND AND BENEATH THE MAP OF WORLD CINEMA (2019) (0)
Eric Rohmerâs Magnetic Fluid (2014) (0)
1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” (2022) (0)
Stages of an Encounter with Filmic Identification (2019) (0)
‘Sanshô Dayû’ and the Overthrow of History (2000) (0)
Sanshō Dayū (Sansho the Bailiff) (2020) (0)
Film and power in American universities 1 (1976) (0)
Is Cinema Contagious? Transnationalism and the Case of Korea (2013) (0)
12. André Bazin: Dark Passage into the Mystery of Being (2019) (0)
Every Teacher Needs a Truant (2013) (0)
The Editor's Discovery of Form (2010) (0)
Premises: Invested Spaces in Visual Arts, Architecture & Design from France 1958-1998 (2003) (0)
The CI Review (2020) (0)
Tami Williams, Germaine Dulac: A Cinema of Sensations (2017) (0)
Where Cinema Finds Itself Today (2007) (0)
A Degraded Spectacle (2016) (0)
The Melodramatic Imagination (2016) (0)
"Writing on the Screen": An Interview with Emmanuel Burdeau (2009) (0)
3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 (2020) (0)

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