E. Ann Kaplan | Academic Influence

Q: What Schools Are Affiliated With E. Ann Kaplan

E. Ann Kaplan is affiliated with the following schools: Stony Brook University, Harvard University

Why Is E. Ann Kaplan Influential?

According to Wikipedia, E. Ann Kaplan is an American professor, author, and director. She currently teaches English at the Stony Brook State University of New York, and is the founder and director of The Humanities Institute at Stony Brook University. She coined the term "“Future-Tense Trauma Cinema” for a select group of films, a sub-set of the Science Fiction film, that focus on human and natural causes of complete social collapse instead of, as in standard Sci-Fi, displacing cultural anxieties into allegories of aliens invading planet Earth from elsewhere."" She is also one of the precursors of the Madonna studies.

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E. Ann Kaplan's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Trauma Culture: The Politics of Terror and Loss in Media and Literature (2005) (484)
Women and Film Both Sides of the Camera (1983) (384)
Motherhood and Representation: The Mother in Popular Culture and Melodrama (1992) (345)
Women in Film Noir (1980) (193)
The Oxford Guide to Film Studies (1998) (98)
Regarding television : critical approaches--an anthology (1983) (79)
Feminism and film (2002) (71)
Climate Trauma: Foreseeing the Future in Dystopian Film and Fiction (2015) (66)
Postmodernism and Its Discontents: Theories, Practices (1989) (54)
Is the gaze male (2013) (53)
Trauma and Cinema - Cross-Cultural Explorations (2010) (50)
Film studies : critical approaches (2000) (49)
Global trauma and public feelings: Viewing images of catastrophe (2008) (47)
Psychoanalysis and Cinema (1990) (45)
The Althusserian Legacy (1993) (44)
Late Imperial Culture (1995) (33)
Melodrama, cinema and trauma (2001) (31)
Playing dolly : technocultural formations, fantasies, and fictions of assisted reproduction (1999) (27)
The politics of research (1966) (26)
Empathy and Trauma Culture:Imaging Catastrophe (2011) (24)
Melodrama and Asian Cinema: Melodrama / subjectivity / ideology: Western melodrama theories and their relevance to recent Chinese cinema (1993) (22)
The ‘Monstrous-Feminine’ (2019) (19)
Is Climate-Related Pre-Traumatic Stress Syndrome a Real Condition? (2020) (19)
Feminist Futures: Trauma, the Post-9/11 World and a Fourth Feminism? (2003) (16)
‘The Dark Continent of Film Noir’: Race, Displacement and Metaphor in Tourneur’s Cat People (1942) and Welles’ The Lady from Shanghai (1948) (1978) (16)
American cinema and Hollywood : critical approaches (2000) (16)
Global Feminisms and the State of Feminist Film Theory (2004) (16)
FANON, TRAUMA AND CINEMA (2005) (13)
History, the Historical Spectator and Gender Address in Music Television (1986) (12)
8 PROBLEMATIZING CROSS-CULTURAL ANALYSIS: THE CASE OF WOMEN IN THE RECENT CHINESE CINEMA (2019) (12)
Theories of melodrama: A feminist perspective (1983) (10)
The Routledge Companion to Cinema and Gender and fandom (2019) (6)
Women, Trauma, and Late Modernity: Sontag, Duras, and Silence in Cinema, 1960–1980 (2009) (5)
Trauma Studies Moving Forward: Interdisciplinary Perspectives (2013) (5)
Trauma and Cinema (2004) (5)
The Routledge Companion to Cinema & Gender (2016) (3)
The Unconscious of Age: Performances in Psychoanalysis, Film, and Popular Culture (2010) (3)
Gender Politics and MTV: Voicing the Difference. Lisa A. LewisGender Trouble: Feminism and the Subversion of Identity. Judith ButlerSubversive Intent: Gender, Politics and the Avant-Garde. Susan Rubin Suleiman (1992) (3)
The Place of Women in Fritz Lang’s The Blue Gardenia (1978) (3)
Avant‐garde feminist cinema: Mulvey and wollen's riddles of the sphinx (1979) (3)
10. Reading Formations and Chen Kaige’s Farewell My Concubine (2017) (3)
Performing traumatic dialogue: On the border of fiction and autobiography (1999) (3)
The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Lea JacobsWomen Watching Television: Gender, Class, and Generation in the American Television Experience. Andrea L. PressAll That Hollywood Allows: Re-Reading Gender in 1950s Melodrama. Jackie Byars (1994) (2)
Eye Tracking and Spoken Language Comprehension (2019) (2)
Feminism (s)/Postmodernism (s): MTV and alternate women's videos and performance art (1993) (2)
Five. Sontag, Modernity, and Cinema: Women and an Aesthetics of Silence, 1960–1980 (2009) (2)
Motherhood and Representation: From Post World War II Freudian Figurations to Postmodernism (2011) (2)
Television Criticism and American Studies@@@Comic Visions: Television Comedy and American Television@@@Boxed in: The Culture of TV@@@Rocking Around the Clock: Music Television, Postmodernism, & Consumer Culture@@@Television Culture: Popular Pleasures & Politics (1991) (2)
Alzheimer’s, Age Panic, Neuroscience: Media Discourses of Dementia and Care (2018) (1)
Fetishism and the repression of Motherhood in Von Sternberg's Blonde Venus {1932) (2013) (1)
Madonna Politics: Perversion, Repression, or Subversion? Or Masks and/as Master-y (2019) (1)
Comment on Marcus's "Storming the Toolshed" (1983) (1)
Shattered Subjects: Trauma and Testimony in Women's Life-Writing (review) (1999) (1)
The Hidden Agenda: Re-Vision: Essays in Feminist Film Criticism (1985) (1)
This is a Question? Prosody, Social Communication, and the N400 Effect (2018) (1)
CHAPTER 1. “Why Trauma Now?” (2020) (1)
CHAPTER 3. Melodrama and Trauma (2020) (1)
The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971–81) (2013) (1)
Review: Contesting Tears: The Hollywood Melodrama of the Unknown Woman by Stanley Cavell (1998) (1)
“Healing Imperialized Eyes”: Independent Women Filmmakers and the Look (2012) (0)
Conclusion: MTV, postmodernism, and the televisual apparatus (2016) (0)
Taking Stock at a Perilous Moment (2020) (0)
Visualizing climate trauma (2016) (0)
Review: Barbara Herrnstein Smith, Contingencies of Value: Alternative Perspectives for Critical Theory (1990) (0)
Symposium Women's Culture : Postmodern Expressions( Women's Self-Representation and Culture) (1991) (0)
EPILOGUE: “Wounded New York” (2020) (0)
"Hollywood, ciencia y cine : La mirada imperial y la mirada masculina en las películas clásicas" . Looking For the other. Feminism, FiIm and the imperial gaze. Capitulo III. (2000) (0)
Female politics in the symbolic realm: Von Trotta's Marianne and ]uliane (The German Sisters) (1981) (2013) (0)
Feminist Criticism in Television Studies (1986) (0)
Classical Hollywood and modernity: gender, style, aesthetics (2016) (0)
Hawthorne and romanticism : A study of Hawthorne's literary development in the context of the american and european romantic movements (1970) (0)
Tempting Treats and Bootleg Booze: a Working Class Woman's Story on Life and Crime From 1920-1933 (2011) (0)
The American experimental woman's film: Yvonne Rainer's Lives of Performers and Film about a Woman Who . . . (1972–4) (2013) (0)
Contemporary Political Satire: Narrative Strategies in the Post-Modern Context, and: Ellipse of Uncertainty: An Introduction to Postmodern Fantasy, and: Postmodernist Fiction (review) (2009) (0)
"Hollywood, ciencia y cine : La mirada imperial y la mirada masculina en las películas clásicas". Capitulo 3 Looking For the other. Feminism, FiIm and the imperial gaze. Londres. Routledge. 1997 (2000) (0)
Contributors (2004) (0)
Memory and future selves in futurist dystopian cinema: The Road (2010) and The Book of Eli (2010) (2015) (0)
CHAPTER 2. Memory as Testimony in World War II (2020) (0)
Psychoanalysis and Ideology as Signified in the Staircase: Nancy Meckler’s Sister, My Sister and Tracey Moffatt’s Laudanum (2003) (0)
Contributors (1989) (0)
Feminist porn: the politics of producing pleasure (2016) (0)
Global Trauma, Empathy, and Public Feelings: Viewing Images of Catastrophe (2008) (0)
Hemingway, Hollywood and Female Representation: The Macomber Affair (1985) (0)
Memory and future selves in futurist dystopian cinema (2015) (0)
Giant city invitational conference on cinema history November 16–20, 1980 (1981) (0)
Modern Allegory and Fantasy: Rhetorical Stances of Contemporary Writing (review) (2009) (0)
CHAPTER 4. Vicarious Trauma and “Empty” Empathy (2020) (0)
The woman director in the Third World: Sara Gomez's One Way or Another (1974) (2013) (0)
Visualizing climate trauma: the cultural work of films anticipating the future (2016) (0)
Silence as female resistance in Marguerite Duras's Nathalie Granger (1972) (2013) (0)
MTV and the avant-garde: the emergence of a postmodernist anti-aesthetic? (2016) (0)
CHAPTER 5. “Translating” Trauma in Postcolonial Contexts (2020) (0)
Conversations with Scholars of American Popular Culture: E Ann Kaplan (2005) (0)
Analysis of Leadership in Three Jewish Congregational Schools: Implications for Jewish Academia--Handout (2011) (0)
“Speaking Nearby”: Trinh T. Minh-ha’s Reassemblage and Shoot for the Contents (2012) (0)
Women and Film in International Perspective : Where are We? WhereDo We Go? ( Women's Self-Representation and Culture) (1991) (0)
“National Fictions: Struggles Over the Meaning of World War II” The British Film Institute 1983 Conference (1984) (0)
: Contesting Tears: The Hollywood Melodrama of the Unknown Woman . Stanley Cavell . (1998) (0)
CHAPTER 6. The Ethics of Witnessing (2020) (0)
Inside MTV.@@@Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture. (1989) (0)

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Other Resources About E. Ann Kaplan

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What Schools Are Affiliated With E. Ann Kaplan?

E. Ann Kaplan is affiliated with the following schools: