Eduardo Reck Miranda

Eduardo Reck Miranda's AcademicInfluence.com Rankings

Computer Science

#3944

World Rank

#4146

Historical Rank

Information Systems

#37

World Rank

#41

Historical Rank

Artificial Intelligence

#3909

World Rank

#3966

Historical Rank

Database

#7485

World Rank

#7761

Historical Rank

computer-science Degrees

Eduardo Reck Miranda

Communications

#6622

World Rank

#9113

Historical Rank

communications Degrees

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Computer Science
Communications

Eduardo Reck Miranda's Degrees

Bachelors Physics Federal University of Rio Grande do Sul

Why Is Eduardo Reck Miranda Influential?

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According to Wikipedia, Eduardo Reck Miranda is a Brazilian composer of chamber and electroacoustic pieces but is most notable in the United Kingdom for his scientific research into computer music, particularly in the field of human-machine interfaces where brain waves will replace keyboards and voice commands to permit the disabled to express themselves musically.

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Eduardo Reck Miranda's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

A COMPUTATIONAL MODEL (2011) (328)
New Digital Musical Instruments: Control And Interaction Beyond the Keyboard (Computer Music and Digital Audio Series) (2006) (327)
Evolutionary Computer Music (2007) (191)
Composing Music with Computers (2001) (187)
A new model of sensorimotor coupling in the development of speech (2004) (186)
A survey of computer systems for expressive music performance (2009) (99)
Neural correlates of emotional responses to music: An EEG study (2014) (96)
Making Music with Algorithms: A Case-Study System (1999) (89)
A Framework for the Evaluation of Music Representation Systems (1993) (89)
Computer Sound Design : Synthesis techniques and programming (2002) (79)
Brain-Computer Music Interfacing (BCMI): From Basic Research to the Real World of Special Needs (2011) (73)
Granular Synthesis of Sounds by Means of a Cellular Automaton (2017) (68)
Guide to Brain-Computer Music Interfacing (2014) (65)
Interfacing the Brain Directly with Musical Systems: On Developing Systems for Making Music with Brain Signals (2005) (63)
Brain-computer music interface for composition and performance (2006) (62)
On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars (2003) (60)
Readings in Music and Artificial Intelligence (2000) (59)
On Harnessing the Electroencephalogram for the Musical Braincap (2003) (55)
Toward Direct Brain-Computer Musical Interfaces (2005) (55)
Cellular Automata Music: An Interdisciplinary Project (1993) (55)
At the Crossroads of Evolutionary Computation and Music: Self-Programming Synthesizers, Swarm Orchestras and the Origins of Melody (2004) (52)
Constraint programming systems for modeling music theories and composition (2011) (44)
Music-induced emotions can be predicted from a combination of brain activity and acoustic features (2015) (44)
A framework for comparison of process in algorithmic music systems (2005) (44)
Investigating affect in algorithmic composition systems (2015) (44)
Cellular Automata in MIDI based Computer Music (2004) (43)
Computer Sound Synthesis for the Electronic Musician (1998) (43)
Composing Music with Computers with Cdrom (2001) (43)
Guide to Computing for Expressive Music Performance (2012) (43)
Affective brain–computer music interfacing (2016) (43)
Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks (2009) (38)
An Artificial Intelligence Approach to Sound Design (1995) (37)
On the Music of Emergent Behavior: What Can Evolutionary Computation Bring to the Musician? (2003) (36)
Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience (2010) (35)
On the evolution of music in a society of self-taught digital creatures (2003) (34)
Emergent Sound Repertoires in Virtual Societies (2002) (34)
Sounds synthesis with slime mould of Physarum Polycephalum (2011) (32)
Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music (2019) (31)
On generating EEG for controlling musical systems (2004) (30)
Modelling the Development of Mirror Neurons for Auditory-Motor Integration (2002) (29)
Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies (2014) (29)
Dynamic Time Warping for Music Conducting Gestures Evaluation (2015) (27)
An Overview of Computer Systems for Expressive Music Performance (2013) (27)
Changes in music tempo entrain movement related brain activity (2014) (27)
Combining EEG Frontal asymmetry studies with affective algorithmic composition and expressive performance models (2011) (25)
Cellular Automata Music: From Sound Synthesis to Musical Forms (2007) (25)
Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System (2017) (24)
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach (2010) (23)
Identifying music-induced emotions from EEG for use in brain-computer music interfacing (2015) (22)
Evolving Cellular Automata Music: From Sound Synthesis to Composition (2001) (22)
Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms (2010) (21)
Music Representation - Between the Musician and the Computer (1993) (20)
Musical Instruments, Body Movement, Space, and Motion Data: Music as an Emergent Multimodal Choreography (2017) (19)
Mimetic Development of Intonation (2002) (18)
A Connectionist Architecture for the Evolution of Rhythms (2006) (18)
Towards a Model for Embodied Emotions (2005) (18)
Real-Time Notation Using Brainwave Control (2013) (18)
A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications (2015) (17)
The Space Between Us: Evaluating a multi-user affective brain-computer music interface (2015) (17)
Cellular Automata Sound Synthesis with an Extended Version of the Multitype Voter Model (2010) (17)
Towards Brain-Computer Music Interfaces: Progress and challenges (2008) (17)
Patterns for the design of musical interaction with everyday mobile devices (2010) (17)
Musical interaction patterns: communicating computer music knowledge in a multidisciplinary project (2010) (16)
Directed Motor-Auditory EEG Connectivity Is Modulated by Music Tempo (2017) (16)
Constraint Application with Higher-Order Programming for Modeling Music Theories (2010) (15)
Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition (2015) (15)
Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum (2015) (15)
A COMPUTATIONAL MODEL THAT GENERALISES SCHOENBERG'S GUIDELINES FOR FAVOURABLE CHORD PROGRESSIONS (2009) (15)
Computational Musicology: An Artificial Life Approach (2005) (15)
Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli (2014) (15)
Personalised, Multi-Modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing (2020) (14)
Emergent Rhythmic Phrases in an A-Life Environment (2007) (14)
GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison (2009) (14)
Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence (2011) (13)
Mix-It-Yourself with a Brain-Computer Music Interface (2008) (13)
DYNAMIC GAME SOUNDTRACK GENERATION IN RESPONSE TO A CONTINUOUSLY VARYING EMOTIONAL TRAJECTORY (2015) (13)
Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition (2014) (13)
Towards Affective Algorithmic Composition (2013) (13)
Categorising complex dynamic sounds (2000) (13)
Effects of different bow stroke styles on body movements of a viola player: an exploratory study (2014) (13)
Constraint-Based Composition in Realtime (2009) (13)
Towards human-computer music interaction: Evaluation of an affectively-driven music generator via galvanic skin response measures (2015) (12)
On Building Practical Biocomputers for Real-world Applications: Receptacles for Culturing Slime Mould Memristors and Component Standardisation (2017) (12)
Emotional and Multi-agent Systems in Computer-aided Writing and Poetry (2013) (12)
An instrument of sound and visual creation driven by biological signals (2006) (12)
Evolving musical performance profiles using genetic algorithms with structural fitness (2006) (12)
Granular synthesis of sounds through Markov Chains with fuzzy control (2005) (12)
Plymouth brain-Computer Music Interface Project: Intelligent assistive Technology for Music-Making (2005) (11)
Use of Body Motion to Enhance Traditional Musical Instruments (2014) (11)
Evolving Expressive Music Performance through Interaction of Artificial Agent Performers (2007) (11)
Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis (2013) (11)
Interfacing Manual and Machine Composition (2009) (11)
Enhancing Sound Design with Conceptual Blending of Sound Descriptors (2004) (11)
A-Life and Musical Composition : A Brief Survey (2003) (11)
You Only Hear Once: A YOLO-like Algorithm for Audio Segmentation and Sound Event Detection (2021) (10)
Neural and physiological data from participants listening to affective music (2020) (10)
Sounds of artificial life (2002) (10)
Investigating music tempo as a feedback mechanism for closed-loop BCI control (2014) (10)
The art of rendering sounds from emergent behaviour: cellular automata granular synthesis (2000) (10)
Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook* (2010) (10)
On the origins and evolution of music in virtual worlds (2001) (10)
Using agent-based models to understand the role of individuals in the song evolution of humpback whales (Megaptera novaeangliae) (2018) (10)
Synthesising Prosody with Variable Resolution (2001) (10)
Emergent songs by social robots (2008) (9)
Striking the right note with ARTIST: an AI-based synthesiser (2000) (9)
BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors (2015) (9)
Physarum-Based Memristors for Computer Music (2016) (9)
STEERING GENERATIVE RULES WITH THE EEG : AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING (2005) (9)
UNFOLDING | CLUSTERS : A MUSIC AND VISUAL MEDIA MODEL OF ALS PATHOPHYSIOLOGY (2014) (9)
BCI for Music Making: Then, Now, and Next (2018) (9)
Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks (2009) (9)
Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing Transparency (2013) (9)
Cellular automata sound synthesis: from histograms to spectrograms (2008) (8)
Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? (2018) (8)
Musical Acoustics, Timbre, and Computer–Aided Orchestration Challenges (2018) (8)
Artificial Life Models for Musical Applications: Workshop Report (2002) (8)
Granular Sampling Using a Pulse-Coupled Network of Spiking Neurons (2005) (8)
Experiments in Sound and Music Quantum Computing (2017) (8)
Composition for Ubiquitous Responsive Sound Environments (2004) (7)
Neural correlates of tonality in music (2007) (7)
Brain–Computer Music Interfacing: Interdisciplinary Research at the Crossroads of Music, Science and Biomedical Engineering (2014) (7)
Guide to Unconventional Computing for Music (2017) (7)
Towards using expressive performance algorithms for typist emotion detection (2011) (7)
Iterative sound synthesis by means of cross-coupled digital oscillators (2005) (7)
Quantum Computer: Hello, Music! (2020) (7)
Towards Harmonic Extensions of Pulsed Melodic Affective Processing - Further Musical Structures for Increasing Transparency in Emotional Computation (2014) (7)
A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents (2005) (7)
Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation (2014) (7)
Spectral synthesis and control with Cellular Automata (2009) (7)
Generating source streams for extralinguistic utterances (2002) (7)
TOWARDS AN INTELLIGENT RHYTHMIC GENERATOR BASED ON GIVEN EXAMPLES : A MEMETIC APPROACH (2005) (7)
ChaOs: A Model for Granular Synthesis by Means of Cellular Automata (1991) (6)
Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition (2017) (6)
On Unconventional Computing for Sound and Music (2017) (6)
Computer Sound Design: Synthesis Techniques and Programming [With CDROM] (2002) (6)
The development of musical styles in a society of software agents (2006) (6)
Breeding Rhythms with Artificial Life (2008) (6)
CAPTURING THE AESTHETIC : RADIAL MAPPINGS FOR CELLULAR AUTOMATA MUSIC (2007) (6)
Application of Pulsed Melodic Affective Processing to Stock Market Algorithmic Trading and Analysis (2012) (6)
Towards a Timbral Classification System for Musical Excerpts (2016) (6)
Regarding Music, Machines, Intelligence and the Brain: An Introduction to Music and AI (2000) (6)
The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member (2014) (6)
Investigating the Effects of Training Set Synthesis for Audio Segmentation of Radio Broadcast (2021) (6)
Experiments in Generative Musical Performance with a Genetic Algorithm (2007) (6)
A Quantum Natural Language Processing Approach to Musical Intelligence (2021) (6)
A Computational Model for Rule-Based Microtonal Music Theories and Composition (2021) (6)
Frontiers: Expanding Musical Imagination With Audience Participation (2016) (6)
Cloud Chamber: A Performance with Real Time Two-Way Interaction between Subatomic Particles and Violinist (2012) (6)
Breeding Rhythms with Artificial Life (2008) (6)
Music Knowledge Analysis: Towards an Efficient Representation for Composition (2005) (5)
Game of Life Music (2010) (5)
A knowledge-based, data-driven method for action-sound mapping (2017) (5)
Preface: Aesthetic Decisions in Computer-Aided Composition (2009) (5)
Musical Composition by Autonomous Robots : A Case Study with AIBO (2005) (5)
Experiments in Musical Biocomputing: Towards New Kinds of Processors for Audio and Music (2017) (5)
Music with Unconventional Computing : Towards a Platform for Physarum Polycephalum Sound Synthesis (2013) (5)
Towards Intelligent Orchestration Systems (2015) (5)
Brain-Computer Music Interface for Generative Music (2006) (5)
A perceptual and affective evaluation of an affectively driven engine for video game soundtracking (2017) (5)
Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast (2021) (5)
Blyth – Eastbourne – Wembury: Sonification as a compositional tool in electroacoustic music (2016) (5)
Unconsciously interactive Films in a cinema environment—a demonstrative case study (2018) (5)
UNCONVENTIONAL COMPUTING IN MUSIC (2014) (5)
Instrumental movements of neophytes: analysis of movement Periodicities, Commonalities and individualities in Mimed violin performance (2015) (5)
Computational Evolutionary Musicology (2007) (5)
A Method for Growing Bio-memristors from Slime Mold (2017) (5)
A perceptually orientated approach for automatic classification of timbre content of orchestral excerpts (2017) (4)
Towards an Evolution Model of Expressive Music Performance (2006) (4)
Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum (2015) (4)
Evaluating Mappings for Cellular Automata Music (2007) (4)
Creative Quantum Computing: Inverse FFT, Sound Synthesis, Adaptive Sequencing and Musical Composition (2020) (4)
i-Berlioz: Interactive Computer-Aided Orchestration with Temporal Control (2018) (4)
Cellular Automata Synthesis of Acoustic Particles (1995) (4)
Equipping Artificial Guitar Players with Biomechanical Constrains: a Case Study of Precision and Speed (2009) (4)
Cellular automata dynamic control for sound design with histogram mapping synthesis and the multitype voter model (2011) (4)
Algorithmic sound composition using coupled cellular automata (2011) (4)
Higher-order Constraint applicators for Music Constraint Programming (2009) (4)
Computer Generated Orchestration: Towards Using Musical Timbre in Composition (2017) (4)
The Artificial Life Route to the Origins of Music (2000) (4)
Musicianship for robots with style (2007) (4)
Hearing Thinking (2009) (4)
Orb3: adaptive interface design for real time sound synthesis & diffusion within socially mediated spaces (2005) (4)
Automated identification of neural correlates of continuous variables (2015) (4)
From Symbols to Sound: AI-based Investigation of Sound Synthesis (2019) (4)
Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process (2011) (4)
BCMI Systems for Musical Performance (2013) (3)
An Instance Based Model for Generating Expressive Performance during Composition (2008) (3)
On Interfacing the Brain with Quantum Computers: An Approach to Listen to the Logic of the Mind (2020) (3)
Evaluation Perceptual Separation in an Pilot System for Affective Composition (2014) (3)
On Mapping EEG Information into Music (2014) (3)
Quantum Computer Music: Foundations and Initial Experiments (2021) (3)
Evolutionary morphing for music composition (2011) (3)
An a-life approach to machine learning of musical worldviews for improvisation systems (2012) (3)
BCMI Systems for Musical Performance (2013) (3)
EV: Multilevel Music Knowledge Representation and Programming (2005) (3)
Parametric Factors Affecting Concatenative Sound Synthesis (2017) (3)
Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control (2012) (3)
Preface: The Neuroscience of Music (2009) (3)
Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and Individualities (2015) (3)
Application of multi-agent whale modeling to an interactive saxophone and whales duet (2011) (3)
Engineering the Role of Social Pressure A New Artificial Life Approach to Software for Generative Music (2008) (3)
Timbre morphing: near real-time hybrid synthesis in a musical installation (2014) (3)
An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors (2017) (3)
Artificial Affective Listening towards a Machine Learning Tool for Sound-Based Emotion Therapy and Control (2013) (3)
Artabilitation Icmc Panel Paper Denmark 2007: non-Formal rehabilitation via Immersive Interactive Music Environments (2007) (3)
Creative Music Neurotechnology with Symphony of Minds Listening (2014) (2)
Sonification of Dark Matter: Challenges and Opportunities (2016) (2)
Computer-Aided Song Design: Prosody as Scaffolding (2001) (2)
Artificial Intelligence in Organised Sound (2015) (2)
Sound design : an artificial intelligence approach (1995) (2)
GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison (2009) (2)
Evolution of Musical Lexicons by Singing Robots (2007) (2)
An approach to interfacing the brain with quantum computers: practical steps and caveats (2022) (2)
Brain-computer music interfacing for continuous control of musical tempo (2014) (2)
Q-MUSE: A QUANTUM COMPUTER MUSIC SYSTEM DESIGNED FOR A PERFORMANCE FOR ORCHESTRA, ELECTRONICS AND LIVE INTERNET- CONNECTED PHOTONIC QUANTUM COMPUTER (2014) (2)
ON THE LEARNING STAGES OF AN INTELLIGENT RHYTHMIC GENERATOR (2005) (2)
Machine Learning of Sound Attributes: Computer-Assistance in Concept Formation and Musical Invention (1996) (2)
Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education (2014) (2)
Predicting timbral and perceptual characteristics of orchestral instrument combinations (2018) (2)
INTEGRATING PERCEPTION AND PRODUCTION IN A NEURAL NETWORK MODEL (2002) (2)
BCI for Music Making (2018) (2)
Artificial Social Composition : A Multi-Agent System for Composing Music Performances by Emotional Communication (2011) (2)
INTERACTIVE MUSICAL BIOCOMPUTER: AN UNCONVENTIONAL APPROACH TO RESEARCH IN UNCONVENTIONAL COMPUTING (2017) (2)
Music Neurotechnology for Sound Synthesis (2)
Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design (2014) (2)
Technical Report On A Short Live-Action Film Whose Story With Soundtrack Is Selected In Real-Time Based On Audience Arousal During Performance (2013) (2)
A Hybrid Computer Case Study for Unconventional Virtual Computing (2016) (2)
Machine Learning and Sound Design: A Case Study (1997) (2)
PhyBox: A Programmable Interface for Physarum Polycephalum-based Memristors (2019) (2)
Evolving Emotional Behaviour for Expressive Performance of Music (2005) (2)
Machine Learning and Sound Design (2000) (2)
Instrumental Movements to Physical Models : Mapping Postural and Sonic Topologies through Machine Learning (2015) (2)
Understanding biomechanical constraints for modelling expressive performance: A guitar case study (2019) (2)
Composition as Game Strategy: Making Music by Playing Board Games against Evolved Artificial Neural Networks (2005) (1)
Cloud chamber: a performance involving real time two-way interaction between subatomic radioactive particles and violinist (2011) (1)
Three Modeling Approaches to Instrument Design (2000) (1)
Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank (2015) (1)
Genetic Music System with Synthetic Biology (2020) (1)
Artificial Emotion - Simulating Affective Behaviour (2005) (1)
A User-Centric Algorithmic Composition System (2016) (1)
Special issue on evolutionary music (2012) (1)
Unconventional Computing for Music: Sound Synthesis with Slime Mould (2011) (1)
Idiomatic guitar synthesis (2006) (1)
MIMED – P ROPOSAL FOR A PROGRAMMING LANGUAGE AT THE MEETING POINT BETWEEN CHOREOGRAPHY , MUSIC AND SOFTWARE DEVELOPMENT (2014) (1)
Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT (2016) (1)
i-Berlioz: Towards Interactive Computer-Aided Orchestration with Temporal Control (2018) (1)
Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition (2016) (1)
Parallel Computing for Musicians (1998) (1)
Contextualizing eighteenth century Enlightenment through the lenses of contemporary science. (2010) (1)
A musical instrument using in vitro neural networks (2011) (1)
An Immersive Media Model of Amyotrophic Lateral Sclerosis (2014) (1)
Multi-Agent Simulation for Generating Expressive Music Performance (2008) (1)
Multi-Agent Simulation for Generating Expressive Music Performance (2008) (1)
SSVEP-based Brain-computer Interface for Music using a Low-density EEG System. (2022) (1)
PULSED MELODIC AFFECTIVE PROCESSING - USING MUSIC FOR NATURAL AFFECTIVE COMPUTATION AND INCREASED PROCESSING TRANSPARENCY (2012) (1)
Expressivity of voice synthesis by emphasizing source signal features (2005) (1)
An Idiomatic Plucked String Player (2006) (1)
One Micro Song, Three Ends: an approach for musical composition and an interactive decision machine based on expressive live performance. (2015) (1)
Autonomous Development of singing-like Intonations by interacting babbling robots (2009) (1)
Voices of Artificial Life: On Making Music with Computer Models of Nature (2002) (1)
Word Embeddings for Automatic Equalization in Audio Mixing (2022) (1)
Reproducibility and random access in sound synthesis (2011) (1)
Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT (2015) (1)
A Nonlinear Approach to Generate Creative Data using Physarum polycephalum-based Memristors (2019) (1)
Orb3 - Musical robots within an Adaptive Social Composition System (2005) (1)
Fuzzy Granular Synthesis Controlled by Walsh Functions (2005) (1)
The role of speech synthesis in Requiem per una veu perduda (1998) (1)
The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems (2015) (1)
Pulsed Melodic Processing-Using Music for natural Affective Computation and increased Processing Transparency (2011) (1)
Automatic Sound Identification based on Prosodic Listening (2001) (1)
Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music (2019) (1)
Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance (2015) (1)
ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER (2005) (1)
Artificial Intelligence through the eyes of Organised Sound (2015) (0)
Towards Modeling Song Propagation in Humpback Whales Using Multi-Agent Systems for Musical Composition (2015) (0)
MUSIC NEUROTECHNOLOGY : FROM MUSIC OF THE SPHERES TO MUSIC OF THE HEMISPHERES (2015) (0)
Prioritizing Audio Features Selection Using Analysis Hierarchy Process As A Mean To Extend User Control In Concatenative Sound Synthesis (2011) (0)
Octopus Music API: Modelling Musical Performance (2007) (0)
New Music in Edinburgh (1993) (0)
3CMS: An Interactive Decision System for Live Performance (2015) (0)
A comparison of fitness functions in a genetic algorithm for acoustic-articulatory parameter inversion of vowels (2017) (0)
A query-based framework to handle data issues in concatenative sound synthesis (2014) (0)
Generating Orchestral Sequences with Timbral Descriptors (2018) (0)
IDENTIFYING THE BASIS OF AUDITORY SIMILARITY IN CONCATENATIVE SOUND SYNTHESIS USERS : A STUDY BETWEEN MUSICIANS AND NONMUSICIANS (2015) (0)
About This Issue (2018) (0)
IMUSIC : Programming Non-Music Applications with Music (2015) (0)
JCMS - Vol 1 Issue 2 (2018) (0)
Quantum Representations of Sound: from mechanical waves to quantum circuits (2023) (0)
On Growing Computers from Living Biological Cells (2021) (0)
Automatic Music Accompaniment with a Chroma-based Music Data Representation (0)
Proceedings of the X Reunion Nacional de Inteligencia Artificial. Mexico City: Sociedade Mexicana de Inteligencia Artificial (1993) (0)
A generative system for the creation of new songs from the Portuguese prosody (2014) (0)
Introduction: Leonardo Music Journal 29 (2019) (0)
Using concatenation cost for unit selection of homosonic segments in concatenative sound synthesis (2016) (0)
Towards a neural-compatible interface fur music research (1998) (0)
Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-Coupled Network of Spiking Neurons (2011) (0)
Enhancing the Social Impact of Contemporary Music with Neurotechnology (2015) (0)
Comper: towards a Model for Generating Compositions from Expressive Music performances (2009) (0)
Recomposing Beethoven with Music Neurotechnology (2016) (0)
Brain-machine interfaces : a novel paradigm for the study of learning and adaptation (2005) (0)
Music Neurotechnology: a natural progression (2018) (0)
Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages (2005) (0)
Evolving Emotional Behaviour in Autonomous Agents for Expressive Performance of Music (2005) (0)
Teaching Qubits to Sing: Mission Impossible? (2022) (0)
Q1Synth: A Quantum Computer Musical Instrument (2023) (0)
A Phase Vocoder Model of the Glottis for Expressive Voice Synthesis (2000) (0)
Neuroscience of music: progress, challenges and caveats (2018) (0)
Editorial (2010) (0)
Off the Lip Conference - Transdisciplinary Approaches to Cognitive Innovation. Conference Proceedings (2016) (0)
Evolving Complex Sounds with Cellular Automata : an Approach to Granular Synthesis (2000) (0)
Computer-Aided Musical Imagination (2013) (0)
Digital Sound Synthesis for Multimedia Audio (2009) (0)
Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces (2005) (0)
Special issue on evolutionary music (2012) (0)
IMUSIC : Programming Non-Music Applications with Music (2015) (0)
Computer Music Studio in Porto Alegre, Brazil Seeks Donations (1995) (0)
USIFICATION OF ALS P ATHOPHYSIOLOGY : NOTES ON TIMBRE AND SPATIALISATION IN Unfolding | Clusters (2014) (0)
Developing methods for computer programming by musical performance and composition (2011) (0)
Initial Project Report on Fi-Sci: Directed Entertainment Narrative Generation for Scientific and Technological Research (2014) (0)
Creative Music Neurotechnology (2021) (0)
Neural computation and music (2001) (0)
Generative Music with Partitioned Quantum Cellular Automata (2023) (0)
A Neurotechnology Approach to the Analysis of Electroacoustic Music: A Proposition (2007) (0)
The music of particle collisions (2016) (0)
Preface (2003) (0)
computation Pulsed Melodic Affective Processing : Musical structures for increasing transparency in emotional (2014) (0)
Performance Creativity in Computer Systems for Expressive Performance of Music (2021) (0)
Electroacoustic Samba I (2000) (0)
About This Issue (2015) (0)
Dervish Sound Dress; a development of a musical interface garment which explores wearable technology using sound and haptic feedback for performance and interaction (2018) (0)
Music and Dementia: Two Case-Studies (2015) (0)
Eduardo Reck Miranda, Computer Sound Design, 2nd edition. Music Technology Series, Focal Press, Oxford, 2002. 263 pp. With CD-ROM, ISBN 0-240-51693-1 (2004) (0)
Music and Biocomputing : Is Music Biotech the New Computer Music ? (2018) (0)
Chapter 1 Game of Life music (2009) (0)
Granular Synthesis of Sounds through Fuzzyfied Markov Chains (0)
Seventh Brazilian Symposium on Computer Music: the musicologies of digital musics (2001) (0)
REAL-TIME HALLUCATINATION SONIFICATION AND SIMULATION THROUGH USER-LED DEVELOPMENT OF AN IPAD AUGMENTED REALITY PERFORMANCE (2013) (0)
ऀð Chapter 7: Evolutionary Morphing for Music Composition (2011) (0)
Towards a Model forEmbodied Emotions (2005) (0)
Affective brain Computer Music Interfacing: a Case Study of Use by an Individualwith Huntington's disease (2017) (0)
Preliminary Results From A Computational Multi Agent Modelling Approach To Study Humpback Whale Song Cultural Transmission (2016) (0)

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