Eduardo Reck Miranda
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Brazilian music composer and scientist
Eduardo Reck Miranda's AcademicInfluence.com Rankings
Eduardo Reck Mirandacomputer-science Degrees
Computer Science
#3944
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#4146
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Information Systems
#37
World Rank
#41
Historical Rank
Artificial Intelligence
#3909
World Rank
#3966
Historical Rank
Database
#7485
World Rank
#7761
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Computer Science Communications
Eduardo Reck Miranda's Degrees
- Bachelors Physics Federal University of Rio Grande do Sul
Why Is Eduardo Reck Miranda Influential?
(Suggest an Edit or Addition)According to Wikipedia, Eduardo Reck Miranda is a Brazilian composer of chamber and electroacoustic pieces but is most notable in the United Kingdom for his scientific research into computer music, particularly in the field of human-machine interfaces where brain waves will replace keyboards and voice commands to permit the disabled to express themselves musically.
Eduardo Reck Miranda's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- A COMPUTATIONAL MODEL (2011) (328)
- New Digital Musical Instruments: Control And Interaction Beyond the Keyboard (Computer Music and Digital Audio Series) (2006) (327)
- Evolutionary Computer Music (2007) (191)
- Composing Music with Computers (2001) (187)
- A new model of sensorimotor coupling in the development of speech (2004) (186)
- A survey of computer systems for expressive music performance (2009) (99)
- Neural correlates of emotional responses to music: An EEG study (2014) (96)
- Making Music with Algorithms: A Case-Study System (1999) (89)
- A Framework for the Evaluation of Music Representation Systems (1993) (89)
- Computer Sound Design : Synthesis techniques and programming (2002) (79)
- Brain-Computer Music Interfacing (BCMI): From Basic Research to the Real World of Special Needs (2011) (73)
- Granular Synthesis of Sounds by Means of a Cellular Automaton (2017) (68)
- Guide to Brain-Computer Music Interfacing (2014) (65)
- Interfacing the Brain Directly with Musical Systems: On Developing Systems for Making Music with Brain Signals (2005) (63)
- Brain-computer music interface for composition and performance (2006) (62)
- On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars (2003) (60)
- Readings in Music and Artificial Intelligence (2000) (59)
- On Harnessing the Electroencephalogram for the Musical Braincap (2003) (55)
- Toward Direct Brain-Computer Musical Interfaces (2005) (55)
- Cellular Automata Music: An Interdisciplinary Project (1993) (55)
- At the Crossroads of Evolutionary Computation and Music: Self-Programming Synthesizers, Swarm Orchestras and the Origins of Melody (2004) (52)
- Constraint programming systems for modeling music theories and composition (2011) (44)
- Music-induced emotions can be predicted from a combination of brain activity and acoustic features (2015) (44)
- A framework for comparison of process in algorithmic music systems (2005) (44)
- Investigating affect in algorithmic composition systems (2015) (44)
- Cellular Automata in MIDI based Computer Music (2004) (43)
- Computer Sound Synthesis for the Electronic Musician (1998) (43)
- Composing Music with Computers with Cdrom (2001) (43)
- Guide to Computing for Expressive Music Performance (2012) (43)
- Affective brain–computer music interfacing (2016) (43)
- Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks (2009) (38)
- An Artificial Intelligence Approach to Sound Design (1995) (37)
- On the Music of Emergent Behavior: What Can Evolutionary Computation Bring to the Musician? (2003) (36)
- Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience (2010) (35)
- On the evolution of music in a society of self-taught digital creatures (2003) (34)
- Emergent Sound Repertoires in Virtual Societies (2002) (34)
- Sounds synthesis with slime mould of Physarum Polycephalum (2011) (32)
- Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music (2019) (31)
- On generating EEG for controlling musical systems (2004) (30)
- Modelling the Development of Mirror Neurons for Auditory-Motor Integration (2002) (29)
- Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies (2014) (29)
- Dynamic Time Warping for Music Conducting Gestures Evaluation (2015) (27)
- An Overview of Computer Systems for Expressive Music Performance (2013) (27)
- Changes in music tempo entrain movement related brain activity (2014) (27)
- Combining EEG Frontal asymmetry studies with affective algorithmic composition and expressive performance models (2011) (25)
- Cellular Automata Music: From Sound Synthesis to Musical Forms (2007) (25)
- Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System (2017) (24)
- Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach (2010) (23)
- Identifying music-induced emotions from EEG for use in brain-computer music interfacing (2015) (22)
- Evolving Cellular Automata Music: From Sound Synthesis to Composition (2001) (22)
- Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms (2010) (21)
- Music Representation - Between the Musician and the Computer (1993) (20)
- Musical Instruments, Body Movement, Space, and Motion Data: Music as an Emergent Multimodal Choreography (2017) (19)
- Mimetic Development of Intonation (2002) (18)
- A Connectionist Architecture for the Evolution of Rhythms (2006) (18)
- Towards a Model for Embodied Emotions (2005) (18)
- Real-Time Notation Using Brainwave Control (2013) (18)
- A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications (2015) (17)
- The Space Between Us: Evaluating a multi-user affective brain-computer music interface (2015) (17)
- Cellular Automata Sound Synthesis with an Extended Version of the Multitype Voter Model (2010) (17)
- Towards Brain-Computer Music Interfaces: Progress and challenges (2008) (17)
- Patterns for the design of musical interaction with everyday mobile devices (2010) (17)
- Musical interaction patterns: communicating computer music knowledge in a multidisciplinary project (2010) (16)
- Directed Motor-Auditory EEG Connectivity Is Modulated by Music Tempo (2017) (16)
- Constraint Application with Higher-Order Programming for Modeling Music Theories (2010) (15)
- Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition (2015) (15)
- Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum (2015) (15)
- A COMPUTATIONAL MODEL THAT GENERALISES SCHOENBERG'S GUIDELINES FOR FAVOURABLE CHORD PROGRESSIONS (2009) (15)
- Computational Musicology: An Artificial Life Approach (2005) (15)
- Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli (2014) (15)
- Personalised, Multi-Modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing (2020) (14)
- Emergent Rhythmic Phrases in an A-Life Environment (2007) (14)
- GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison (2009) (14)
- Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence (2011) (13)
- Mix-It-Yourself with a Brain-Computer Music Interface (2008) (13)
- DYNAMIC GAME SOUNDTRACK GENERATION IN RESPONSE TO A CONTINUOUSLY VARYING EMOTIONAL TRAJECTORY (2015) (13)
- Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition (2014) (13)
- Towards Affective Algorithmic Composition (2013) (13)
- Categorising complex dynamic sounds (2000) (13)
- Effects of different bow stroke styles on body movements of a viola player: an exploratory study (2014) (13)
- Constraint-Based Composition in Realtime (2009) (13)
- Towards human-computer music interaction: Evaluation of an affectively-driven music generator via galvanic skin response measures (2015) (12)
- On Building Practical Biocomputers for Real-world Applications: Receptacles for Culturing Slime Mould Memristors and Component Standardisation (2017) (12)
- Emotional and Multi-agent Systems in Computer-aided Writing and Poetry (2013) (12)
- An instrument of sound and visual creation driven by biological signals (2006) (12)
- Evolving musical performance profiles using genetic algorithms with structural fitness (2006) (12)
- Granular synthesis of sounds through Markov Chains with fuzzy control (2005) (12)
- Plymouth brain-Computer Music Interface Project: Intelligent assistive Technology for Music-Making (2005) (11)
- Use of Body Motion to Enhance Traditional Musical Instruments (2014) (11)
- Evolving Expressive Music Performance through Interaction of Artificial Agent Performers (2007) (11)
- Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis (2013) (11)
- Interfacing Manual and Machine Composition (2009) (11)
- Enhancing Sound Design with Conceptual Blending of Sound Descriptors (2004) (11)
- A-Life and Musical Composition : A Brief Survey (2003) (11)
- You Only Hear Once: A YOLO-like Algorithm for Audio Segmentation and Sound Event Detection (2021) (10)
- Neural and physiological data from participants listening to affective music (2020) (10)
- Sounds of artificial life (2002) (10)
- Investigating music tempo as a feedback mechanism for closed-loop BCI control (2014) (10)
- The art of rendering sounds from emergent behaviour: cellular automata granular synthesis (2000) (10)
- Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook* (2010) (10)
- On the origins and evolution of music in virtual worlds (2001) (10)
- Using agent-based models to understand the role of individuals in the song evolution of humpback whales (Megaptera novaeangliae) (2018) (10)
- Synthesising Prosody with Variable Resolution (2001) (10)
- Emergent songs by social robots (2008) (9)
- Striking the right note with ARTIST: an AI-based synthesiser (2000) (9)
- BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors (2015) (9)
- Physarum-Based Memristors for Computer Music (2016) (9)
- STEERING GENERATIVE RULES WITH THE EEG : AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING (2005) (9)
- UNFOLDING | CLUSTERS : A MUSIC AND VISUAL MEDIA MODEL OF ALS PATHOPHYSIOLOGY (2014) (9)
- BCI for Music Making: Then, Now, and Next (2018) (9)
- Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks (2009) (9)
- Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing Transparency (2013) (9)
- Cellular automata sound synthesis: from histograms to spectrograms (2008) (8)
- Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? (2018) (8)
- Musical Acoustics, Timbre, and Computer–Aided Orchestration Challenges (2018) (8)
- Artificial Life Models for Musical Applications: Workshop Report (2002) (8)
- Granular Sampling Using a Pulse-Coupled Network of Spiking Neurons (2005) (8)
- Experiments in Sound and Music Quantum Computing (2017) (8)
- Composition for Ubiquitous Responsive Sound Environments (2004) (7)
- Neural correlates of tonality in music (2007) (7)
- Brain–Computer Music Interfacing: Interdisciplinary Research at the Crossroads of Music, Science and Biomedical Engineering (2014) (7)
- Guide to Unconventional Computing for Music (2017) (7)
- Towards using expressive performance algorithms for typist emotion detection (2011) (7)
- Iterative sound synthesis by means of cross-coupled digital oscillators (2005) (7)
- Quantum Computer: Hello, Music! (2020) (7)
- Towards Harmonic Extensions of Pulsed Melodic Affective Processing - Further Musical Structures for Increasing Transparency in Emotional Computation (2014) (7)
- A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents (2005) (7)
- Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation (2014) (7)
- Spectral synthesis and control with Cellular Automata (2009) (7)
- Generating source streams for extralinguistic utterances (2002) (7)
- TOWARDS AN INTELLIGENT RHYTHMIC GENERATOR BASED ON GIVEN EXAMPLES : A MEMETIC APPROACH (2005) (7)
- ChaOs: A Model for Granular Synthesis by Means of Cellular Automata (1991) (6)
- Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition (2017) (6)
- On Unconventional Computing for Sound and Music (2017) (6)
- Computer Sound Design: Synthesis Techniques and Programming [With CDROM] (2002) (6)
- The development of musical styles in a society of software agents (2006) (6)
- Breeding Rhythms with Artificial Life (2008) (6)
- CAPTURING THE AESTHETIC : RADIAL MAPPINGS FOR CELLULAR AUTOMATA MUSIC (2007) (6)
- Application of Pulsed Melodic Affective Processing to Stock Market Algorithmic Trading and Analysis (2012) (6)
- Towards a Timbral Classification System for Musical Excerpts (2016) (6)
- Regarding Music, Machines, Intelligence and the Brain: An Introduction to Music and AI (2000) (6)
- The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member (2014) (6)
- Investigating the Effects of Training Set Synthesis for Audio Segmentation of Radio Broadcast (2021) (6)
- Experiments in Generative Musical Performance with a Genetic Algorithm (2007) (6)
- A Quantum Natural Language Processing Approach to Musical Intelligence (2021) (6)
- A Computational Model for Rule-Based Microtonal Music Theories and Composition (2021) (6)
- Frontiers: Expanding Musical Imagination With Audience Participation (2016) (6)
- Cloud Chamber: A Performance with Real Time Two-Way Interaction between Subatomic Particles and Violinist (2012) (6)
- Breeding Rhythms with Artificial Life (2008) (6)
- Music Knowledge Analysis: Towards an Efficient Representation for Composition (2005) (5)
- Game of Life Music (2010) (5)
- A knowledge-based, data-driven method for action-sound mapping (2017) (5)
- Preface: Aesthetic Decisions in Computer-Aided Composition (2009) (5)
- Musical Composition by Autonomous Robots : A Case Study with AIBO (2005) (5)
- Experiments in Musical Biocomputing: Towards New Kinds of Processors for Audio and Music (2017) (5)
- Music with Unconventional Computing : Towards a Platform for Physarum Polycephalum Sound Synthesis (2013) (5)
- Towards Intelligent Orchestration Systems (2015) (5)
- Brain-Computer Music Interface for Generative Music (2006) (5)
- A perceptual and affective evaluation of an affectively driven engine for video game soundtracking (2017) (5)
- Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast (2021) (5)
- Blyth – Eastbourne – Wembury: Sonification as a compositional tool in electroacoustic music (2016) (5)
- Unconsciously interactive Films in a cinema environment—a demonstrative case study (2018) (5)
- UNCONVENTIONAL COMPUTING IN MUSIC (2014) (5)
- Instrumental movements of neophytes: analysis of movement Periodicities, Commonalities and individualities in Mimed violin performance (2015) (5)
- Computational Evolutionary Musicology (2007) (5)
- A Method for Growing Bio-memristors from Slime Mold (2017) (5)
- A perceptually orientated approach for automatic classification of timbre content of orchestral excerpts (2017) (4)
- Towards an Evolution Model of Expressive Music Performance (2006) (4)
- Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum (2015) (4)
- Evaluating Mappings for Cellular Automata Music (2007) (4)
- Creative Quantum Computing: Inverse FFT, Sound Synthesis, Adaptive Sequencing and Musical Composition (2020) (4)
- i-Berlioz: Interactive Computer-Aided Orchestration with Temporal Control (2018) (4)
- Cellular Automata Synthesis of Acoustic Particles (1995) (4)
- Equipping Artificial Guitar Players with Biomechanical Constrains: a Case Study of Precision and Speed (2009) (4)
- Cellular automata dynamic control for sound design with histogram mapping synthesis and the multitype voter model (2011) (4)
- Algorithmic sound composition using coupled cellular automata (2011) (4)
- Higher-order Constraint applicators for Music Constraint Programming (2009) (4)
- Computer Generated Orchestration: Towards Using Musical Timbre in Composition (2017) (4)
- The Artificial Life Route to the Origins of Music (2000) (4)
- Musicianship for robots with style (2007) (4)
- Hearing Thinking (2009) (4)
- Orb3: adaptive interface design for real time sound synthesis & diffusion within socially mediated spaces (2005) (4)
- Automated identification of neural correlates of continuous variables (2015) (4)
- From Symbols to Sound: AI-based Investigation of Sound Synthesis (2019) (4)
- Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process (2011) (4)
- BCMI Systems for Musical Performance (2013) (3)
- An Instance Based Model for Generating Expressive Performance during Composition (2008) (3)
- On Interfacing the Brain with Quantum Computers: An Approach to Listen to the Logic of the Mind (2020) (3)
- Evaluation Perceptual Separation in an Pilot System for Affective Composition (2014) (3)
- On Mapping EEG Information into Music (2014) (3)
- Quantum Computer Music: Foundations and Initial Experiments (2021) (3)
- Evolutionary morphing for music composition (2011) (3)
- An a-life approach to machine learning of musical worldviews for improvisation systems (2012) (3)
- BCMI Systems for Musical Performance (2013) (3)
- EV: Multilevel Music Knowledge Representation and Programming (2005) (3)
- Parametric Factors Affecting Concatenative Sound Synthesis (2017) (3)
- Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control (2012) (3)
- Preface: The Neuroscience of Music (2009) (3)
- Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and Individualities (2015) (3)
- Application of multi-agent whale modeling to an interactive saxophone and whales duet (2011) (3)
- Engineering the Role of Social Pressure A New Artificial Life Approach to Software for Generative Music (2008) (3)
- Timbre morphing: near real-time hybrid synthesis in a musical installation (2014) (3)
- An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors (2017) (3)
- Artificial Affective Listening towards a Machine Learning Tool for Sound-Based Emotion Therapy and Control (2013) (3)
- Artabilitation Icmc Panel Paper Denmark 2007: non-Formal rehabilitation via Immersive Interactive Music Environments (2007) (3)
- Creative Music Neurotechnology with Symphony of Minds Listening (2014) (2)
- Sonification of Dark Matter: Challenges and Opportunities (2016) (2)
- Computer-Aided Song Design: Prosody as Scaffolding (2001) (2)
- Artificial Intelligence in Organised Sound (2015) (2)
- Sound design : an artificial intelligence approach (1995) (2)
- GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison (2009) (2)
- Evolution of Musical Lexicons by Singing Robots (2007) (2)
- An approach to interfacing the brain with quantum computers: practical steps and caveats (2022) (2)
- Brain-computer music interfacing for continuous control of musical tempo (2014) (2)
- Q-MUSE: A QUANTUM COMPUTER MUSIC SYSTEM DESIGNED FOR A PERFORMANCE FOR ORCHESTRA, ELECTRONICS AND LIVE INTERNET- CONNECTED PHOTONIC QUANTUM COMPUTER (2014) (2)
- ON THE LEARNING STAGES OF AN INTELLIGENT RHYTHMIC GENERATOR (2005) (2)
- Machine Learning of Sound Attributes: Computer-Assistance in Concept Formation and Musical Invention (1996) (2)
- Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education (2014) (2)
- Predicting timbral and perceptual characteristics of orchestral instrument combinations (2018) (2)
- INTEGRATING PERCEPTION AND PRODUCTION IN A NEURAL NETWORK MODEL (2002) (2)
- BCI for Music Making (2018) (2)
- Artificial Social Composition : A Multi-Agent System for Composing Music Performances by Emotional Communication (2011) (2)
- INTERACTIVE MUSICAL BIOCOMPUTER: AN UNCONVENTIONAL APPROACH TO RESEARCH IN UNCONVENTIONAL COMPUTING (2017) (2)
- Music Neurotechnology for Sound Synthesis (2)
- Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design (2014) (2)
- Technical Report On A Short Live-Action Film Whose Story With Soundtrack Is Selected In Real-Time Based On Audience Arousal During Performance (2013) (2)
- A Hybrid Computer Case Study for Unconventional Virtual Computing (2016) (2)
- Machine Learning and Sound Design: A Case Study (1997) (2)
- PhyBox: A Programmable Interface for Physarum Polycephalum-based Memristors (2019) (2)
- Evolving Emotional Behaviour for Expressive Performance of Music (2005) (2)
- Machine Learning and Sound Design (2000) (2)
- Instrumental Movements to Physical Models : Mapping Postural and Sonic Topologies through Machine Learning (2015) (2)
- Understanding biomechanical constraints for modelling expressive performance: A guitar case study (2019) (2)
- Composition as Game Strategy: Making Music by Playing Board Games against Evolved Artificial Neural Networks (2005) (1)
- Cloud chamber: a performance involving real time two-way interaction between subatomic radioactive particles and violinist (2011) (1)
- Three Modeling Approaches to Instrument Design (2000) (1)
- Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank (2015) (1)
- Genetic Music System with Synthetic Biology (2020) (1)
- Artificial Emotion - Simulating Affective Behaviour (2005) (1)
- A User-Centric Algorithmic Composition System (2016) (1)
- Special issue on evolutionary music (2012) (1)
- Unconventional Computing for Music: Sound Synthesis with Slime Mould (2011) (1)
- Idiomatic guitar synthesis (2006) (1)
- MIMED – P ROPOSAL FOR A PROGRAMMING LANGUAGE AT THE MEETING POINT BETWEEN CHOREOGRAPHY , MUSIC AND SOFTWARE DEVELOPMENT (2014) (1)
- Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT (2016) (1)
- i-Berlioz: Towards Interactive Computer-Aided Orchestration with Temporal Control (2018) (1)
- Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition (2016) (1)
- Parallel Computing for Musicians (1998) (1)
- Contextualizing eighteenth century Enlightenment through the lenses of contemporary science. (2010) (1)
- A musical instrument using in vitro neural networks (2011) (1)
- An Immersive Media Model of Amyotrophic Lateral Sclerosis (2014) (1)
- Multi-Agent Simulation for Generating Expressive Music Performance (2008) (1)
- Multi-Agent Simulation for Generating Expressive Music Performance (2008) (1)
- SSVEP-based Brain-computer Interface for Music using a Low-density EEG System. (2022) (1)
- PULSED MELODIC AFFECTIVE PROCESSING - USING MUSIC FOR NATURAL AFFECTIVE COMPUTATION AND INCREASED PROCESSING TRANSPARENCY (2012) (1)
- Expressivity of voice synthesis by emphasizing source signal features (2005) (1)
- An Idiomatic Plucked String Player (2006) (1)
- One Micro Song, Three Ends: an approach for musical composition and an interactive decision machine based on expressive live performance. (2015) (1)
- Autonomous Development of singing-like Intonations by interacting babbling robots (2009) (1)
- Voices of Artificial Life: On Making Music with Computer Models of Nature (2002) (1)
- Word Embeddings for Automatic Equalization in Audio Mixing (2022) (1)
- Reproducibility and random access in sound synthesis (2011) (1)
- Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT (2015) (1)
- A Nonlinear Approach to Generate Creative Data using Physarum polycephalum-based Memristors (2019) (1)
- Orb3 - Musical robots within an Adaptive Social Composition System (2005) (1)
- Fuzzy Granular Synthesis Controlled by Walsh Functions (2005) (1)
- The role of speech synthesis in Requiem per una veu perduda (1998) (1)
- The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems (2015) (1)
- Pulsed Melodic Processing-Using Music for natural Affective Computation and increased Processing Transparency (2011) (1)
- Automatic Sound Identification based on Prosodic Listening (2001) (1)
- Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music (2019) (1)
- Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance (2015) (1)
- ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER (2005) (1)
- Artificial Intelligence through the eyes of Organised Sound (2015) (0)
- Towards Modeling Song Propagation in Humpback Whales Using Multi-Agent Systems for Musical Composition (2015) (0)
- MUSIC NEUROTECHNOLOGY : FROM MUSIC OF THE SPHERES TO MUSIC OF THE HEMISPHERES (2015) (0)
- Prioritizing Audio Features Selection Using Analysis Hierarchy Process As A Mean To Extend User Control In Concatenative Sound Synthesis (2011) (0)
- Octopus Music API: Modelling Musical Performance (2007) (0)
- New Music in Edinburgh (1993) (0)
- 3CMS: An Interactive Decision System for Live Performance (2015) (0)
- A comparison of fitness functions in a genetic algorithm for acoustic-articulatory parameter inversion of vowels (2017) (0)
- A query-based framework to handle data issues in concatenative sound synthesis (2014) (0)
- Generating Orchestral Sequences with Timbral Descriptors (2018) (0)
- IDENTIFYING THE BASIS OF AUDITORY SIMILARITY IN CONCATENATIVE SOUND SYNTHESIS USERS : A STUDY BETWEEN MUSICIANS AND NONMUSICIANS (2015) (0)
- About This Issue (2018) (0)
- IMUSIC : Programming Non-Music Applications with Music (2015) (0)
- JCMS - Vol 1 Issue 2 (2018) (0)
- Quantum Representations of Sound: from mechanical waves to quantum circuits (2023) (0)
- On Growing Computers from Living Biological Cells (2021) (0)
- Automatic Music Accompaniment with a Chroma-based Music Data Representation (0)
- Proceedings of the X Reunion Nacional de Inteligencia Artificial. Mexico City: Sociedade Mexicana de Inteligencia Artificial (1993) (0)
- A generative system for the creation of new songs from the Portuguese prosody (2014) (0)
- Introduction: Leonardo Music Journal 29 (2019) (0)
- Using concatenation cost for unit selection of homosonic segments in concatenative sound synthesis (2016) (0)
- Towards a neural-compatible interface fur music research (1998) (0)
- Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-Coupled Network of Spiking Neurons (2011) (0)
- Enhancing the Social Impact of Contemporary Music with Neurotechnology (2015) (0)
- Comper: towards a Model for Generating Compositions from Expressive Music performances (2009) (0)
- Recomposing Beethoven with Music Neurotechnology (2016) (0)
- Brain-machine interfaces : a novel paradigm for the study of learning and adaptation (2005) (0)
- Music Neurotechnology: a natural progression (2018) (0)
- Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages (2005) (0)
- Evolving Emotional Behaviour in Autonomous Agents for Expressive Performance of Music (2005) (0)
- Teaching Qubits to Sing: Mission Impossible? (2022) (0)
- Q1Synth: A Quantum Computer Musical Instrument (2023) (0)
- A Phase Vocoder Model of the Glottis for Expressive Voice Synthesis (2000) (0)
- Neuroscience of music: progress, challenges and caveats (2018) (0)
- Editorial (2010) (0)
- Off the Lip Conference - Transdisciplinary Approaches to Cognitive Innovation. Conference Proceedings (2016) (0)
- Evolving Complex Sounds with Cellular Automata : an Approach to Granular Synthesis (2000) (0)
- Computer-Aided Musical Imagination (2013) (0)
- Digital Sound Synthesis for Multimedia Audio (2009) (0)
- Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces (2005) (0)
- Special issue on evolutionary music (2012) (0)
- IMUSIC : Programming Non-Music Applications with Music (2015) (0)
- Computer Music Studio in Porto Alegre, Brazil Seeks Donations (1995) (0)
- USIFICATION OF ALS P ATHOPHYSIOLOGY : NOTES ON TIMBRE AND SPATIALISATION IN Unfolding | Clusters (2014) (0)
- Developing methods for computer programming by musical performance and composition (2011) (0)
- Initial Project Report on Fi-Sci: Directed Entertainment Narrative Generation for Scientific and Technological Research (2014) (0)
- Creative Music Neurotechnology (2021) (0)
- Neural computation and music (2001) (0)
- Generative Music with Partitioned Quantum Cellular Automata (2023) (0)
- A Neurotechnology Approach to the Analysis of Electroacoustic Music: A Proposition (2007) (0)
- The music of particle collisions (2016) (0)
- Preface (2003) (0)
- computation Pulsed Melodic Affective Processing : Musical structures for increasing transparency in emotional (2014) (0)
- Performance Creativity in Computer Systems for Expressive Performance of Music (2021) (0)
- Electroacoustic Samba I (2000) (0)
- About This Issue (2015) (0)
- Dervish Sound Dress; a development of a musical interface garment which explores wearable technology using sound and haptic feedback for performance and interaction (2018) (0)
- Music and Dementia: Two Case-Studies (2015) (0)
- Eduardo Reck Miranda, Computer Sound Design, 2nd edition. Music Technology Series, Focal Press, Oxford, 2002. 263 pp. With CD-ROM, ISBN 0-240-51693-1 (2004) (0)
- Music and Biocomputing : Is Music Biotech the New Computer Music ? (2018) (0)
- Chapter 1 Game of Life music (2009) (0)
- Granular Synthesis of Sounds through Fuzzyfied Markov Chains (0)
- Seventh Brazilian Symposium on Computer Music: the musicologies of digital musics (2001) (0)
- REAL-TIME HALLUCATINATION SONIFICATION AND SIMULATION THROUGH USER-LED DEVELOPMENT OF AN IPAD AUGMENTED REALITY PERFORMANCE (2013) (0)
- ऀð Chapter 7: Evolutionary Morphing for Music Composition (2011) (0)
- Towards a Model forEmbodied Emotions (2005) (0)
- Affective brain Computer Music Interfacing: a Case Study of Use by an Individualwith Huntington's disease (2017) (0)
- Preliminary Results From A Computational Multi Agent Modelling Approach To Study Humpback Whale Song Cultural Transmission (2016) (0)
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