Elaine Chew
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Most Influential Person Now
Singaporean-born mathematician and pianist
Elaine Chew's AcademicInfluence.com Rankings
Elaine Chewmathematics Degrees
Mathematics
#7467
World Rank
#10148
Historical Rank
#2056
USA Rank
Applied Mathematics
#458
World Rank
#489
Historical Rank
#92
USA Rank
Measure Theory
#3608
World Rank
#4256
Historical Rank
#1040
USA Rank
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Mathematics Communications
Elaine Chew's Degrees
- PhD Mathematics University of California, Berkeley
Why Is Elaine Chew Influential?
(Suggest an Edit or Addition)According to Wikipedia, Elaine Chew is an operations researcher and pianist focused on the study of musical structures as they apply to musical performance, composition and cognition, the analysis of electrocardiographic traces of arrhythmia, and digital therapeutics. She is currently Professor of Engineering at King's College London, where she is jointly appointed in the Department of Engineering and the Department of Cardiovascular Imaging in the School of Biomedical Engineering & Imaging Sciences .
Elaine Chew's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Towards a mathematical model of tonality (2000) (180)
- A Functional Taxonomy of Music Generation Systems (2017) (96)
- The Spiral Array: An Algorithm for Determining Key Boundaries (2002) (95)
- From remote media immersion to Distributed Immersive Performance (2003) (78)
- A Hybrid System for Automatic Generation of Style-Specific A ccompaniment (2007) (73)
- Modeling Tonality: Applications to Music Cognition (2001) (68)
- Polyphonic Audio Key Finding Using the Spiral Array CEG Algorithm (2005) (66)
- Separating Voices in Polyphonic Music: A Contig Mapping Approach (2004) (65)
- Machine learning research that matters for music creation: A case study (2018) (62)
- MorpheuS: Generating Structured Music with Constrained Patterns and Tension (2018) (59)
- Real-Time Pitch Spelling Using the Spiral Array (2005) (53)
- Challenging Uncertainty in Query by Humming Systems: A Fingerprinting Approach (2008) (53)
- Tension ribbons: Quantifying and visualising tonal tension. (2016) (46)
- Mathematical and Computational Modeling of Tonality - Theory and Applications (2013) (45)
- Quantitative and visual analysis of the impact of music on perceived emotion of film (2007) (44)
- Visualizing Music: Tonal Progressions and Distributions (2007) (37)
- MorpheuS: automatic music generation with recurrent pattern constraints and tension profiles (2016) (30)
- Mapping Midi to the Spiral Array: Disambiguating Pitch Spellings (2003) (28)
- SEGMENTAL TEMPO ANALYSIS OF PERFORMANCES IN USER-CENTERED EXPERIMENTS IN THE DISTRIBUTED IMMERSIVE PERFORMANCE PROJECT (2005) (28)
- Fuzzy Analysis in Pitch-Class Determination for Polyphonic Audio Key Finding (2005) (28)
- A Meta-Analysis of the MIREX Structural Segmentation Task (2013) (27)
- Interactive multi-scale visualizations of tonal evolution in MuSA.RT Opus 2 (2005) (27)
- Audio Key Finding: Considerations in System Design and Case Studies on Chopin's 24 Preludes (2007) (27)
- Musical Interaction at a Distance : Distributed Immersive Performance (2004) (25)
- Distributed musical performances: Architecture and stream management (2008) (25)
- Visual feedback in performer-machine interaction for musical improvisation (2007) (25)
- Quantitative Analysis of Phrasing Strategies in Expressive Performance: Computational Methods and Analysis of Performances of Unaccompanied Bach for Solo Violin (2008) (25)
- DISTRIBUTED IMMERSIVE PERFORMANCE (2004) (25)
- Regards on two regards by Messiaen: Post-tonal music segmentation using pitch context distances in the spiral array (2005) (23)
- Determining context-defining windows: Pitch spelling using the spiral array (2003) (23)
- Slicing It All Ways: Mathematical Models for Tonal Induction, Approximation, and Segmentation Using the Spiral Array (2006) (22)
- Mimi4x: An interactive audio-visual installation for high-level structural improvisation (2010) (21)
- Generating and Evaluating Musical Harmonizations That Emulate Style (2011) (20)
- Audio Properties of Perceived Boundaries in Music (2014) (19)
- A statistical approach to retrieval under user-dependent uncertainty in query-by-humming systems (2004) (19)
- MuSA.RT: music on the spiral array. real-time (2003) (18)
- Mapping between dynamic markings and performed loudness: a machine learning approach (2016) (16)
- Probabilistic transcription of sung melody using a pitch dynamic model (2017) (16)
- The filter diagonalisation method for music signal analysis: frame-wise vibrato detection and estimation (2017) (15)
- ESP: A Driving Interface for Expression Synthesis (2005) (15)
- Dance Music Classification Using Inner Metric Analysis (2005) (15)
- Statistical Modeling and Retrieval of Polyphonic Music (2007) (14)
- Practical Implications of Dynamic Markings in the Score: Is Piano Always Piano? (2014) (14)
- A Dynamic Programming Approach to the Extraction of Phrase Boundaries from Tempo Variations in Expressive Performances (2007) (14)
- A Second Report on the User Experiments in the Distributed Immersive Performance Project (2005) (14)
- Adaptive Time-Frequency Scattering for Periodic Modulation Recognition in Music Signals (2019) (14)
- Music Summarization Via Key Distributions: Analyses of Similarity Assessment Across Variations (2006) (13)
- Listening as a Creative Act: Meaningful Differences in Structural Annotations of Improvised Performances (2014) (13)
- Foreword to special issue on music visualization (2005) (13)
- Playing Technique Recognition by Joint Time–Frequency Scattering (2020) (12)
- Mazurkabl: Score-Aligned Loudness, Beat, And Expressive Markings Data For 2000 Chopin Mazurka Recordings (2018) (12)
- Playing with the Edge: Tipping Points and the Role of Tonality (2016) (11)
- Palestrina Pal: A Grammar Checker for Music Compositions in the Style of Palestrina (2005) (11)
- Using quadratic programming to estimate feature relevance in structural analyses of music (2013) (10)
- Performer-centered visual feedback for human-machine improvisation (2011) (10)
- 4 Out of the Grid and Into the Spiral : Geometric Interpretations of and Comparisons with the Spiral-Array Model (2008) (10)
- A Musical Improvisation System That Provides Visual Feedback to the Performer (2007) (10)
- An Architectural Framework for Interactive Music Systems (2006) (9)
- AVA: An Interactive System for Visual and Quantitative Analyses of Vibrato and Portamento Performance Styles (2016) (9)
- Improvising with Digital Auto-Scaffolding: How Mimi Changes and Enhances the Creative Process (2014) (9)
- ESP: roadmaps as constructed interpretations and guides to expressive performance (2006) (9)
- Dynamics and relativity: Practical implications of dynamic markings in the score (2018) (9)
- CLASSIFICATION USING INNER METRIC ANALYSIS A Computational Approach and Case Study Using 101 Latin American Dances and National Anthems (2004) (9)
- A Change-Point Approach Towards Representing Musical Dynamics (2015) (8)
- Creating data resources for designing user-centric frontends for query by humming systems (2003) (8)
- Maximum a posteriori estimation of piecewise arcs in tempo time-series (2012) (8)
- Music Similarity: Concepts, Cognition and Computation (2016) (8)
- Computational Music Structure Analysis (Dagstuhl Seminar 16092) (2016) (7)
- Logistic Modeling of Note Transitions (2015) (7)
- Heart Rate Variability Synchronizes When Non-experts Vocalize Together (2020) (6)
- Mathematics and Computation in Music (2009) (6)
- Emergent Formal Structures of Factor Oracle-Driven Musical Improvisations (2011) (6)
- Evaluating and Visualizing Effectiveness of Style Emulation in Musical Accompaniment (2008) (6)
- Creating data resources for designing usercentric frontends for query-by-humming systems (2005) (6)
- Creating Ground Truth for Audio Key Finding: When the Title Key May Not Be the Key (2012) (6)
- Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons (2013) (6)
- IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations (2017) (6)
- From driving to expressive music performance: ensuring tempo smoothness (2006) (6)
- Towards Seamless Network Music Performance: Predicting an Ensemble's Expressive Decisions for Distributed Performance (2014) (5)
- Supporting Musical Creativity with Unsupervised Syntactic Parsing (2008) (5)
- Notating disfluencies and temporal deviations in music and arrhythmia (2018) (5)
- Neo-Riemannian Cycle Detection with Weighted Finite-State Transducers (2011) (5)
- Music interaction with others as conveyor of relational intent: A response to Cross (2014) (2014) (5)
- Key distributions as musical fingerprints for similarity assessment (2005) (5)
- Mathemusical Conversations: Mathematics and Computation in Music Performance and Composition (2016) (5)
- A Local Maximum Phrase Detection Method for Analyzing Phrasing Strategies in Expressive Performances (2007) (4)
- User-centered computing and design in esp: a driving interface for musical expression synthesis (2007) (4)
- Proceedings of the 1st ACM workshop on Audio and music computing multimedia (2006) (4)
- The KUSC Classical Music Dataset for Audio Key Finding (2014) (4)
- Putting (One's) Heart into Music (2021) (4)
- A dictionary based approach for robust and syllable-independent audio input transcription for query by humming systems (2006) (4)
- Examining Emotion Perception Agreement in Live Music Performance (2021) (4)
- A Study of Ensemble Synchronisation Under Restricted Line of Sight (2013) (4)
- Evidence that phrase-level tempo variation may be represented using a limited dictionary (2014) (4)
- Tectonic: a networked, generative and interactive, conducting environment for iPad (2017) (3)
- Multiple Regression Modeling of the Emotional Content of Film and Music (2007) (3)
- Centre for Digital Music (2006) (3)
- AUDIO KEY FINDING USING FACEG : FUZZY ANALYSIS WITH THE CEG ALGORITHM (2005) (3)
- The Spiral Array (2014) (3)
- Reconsidering the Affinity between Metric and Tonal Structures in Brahms' Capriccio Op. 76, No. 8 (2008) (3)
- Atrial Fibrillation Stratification via Fibrillatory Wave Characterization Using the Filter Diagonalization Method (2019) (3)
- Towards HMM-based glissando detection for recordings of Chinese bamboo flute (2018) (3)
- The Mechanics of Tipping Points: A Case of Extreme Elasticity in Expressive Timing (2017) (2)
- A Preplexity Based Cover Song Matching System for Short Length Queries (2011) (2)
- Automatic Interpretation of Music Structure Analyses: A Validated Technique for Post-Hoc Estimation of the Rationale for an Annotation (2017) (2)
- Quantifying the Benefits of Using an Interactive Decision Support Tool for Creating Musical Accompaniment in a Particular Style (2010) (2)
- Adaptive Scattering Transforms for Playing Technique Recognition (2022) (2)
- Music and Operations Research (2010) (2)
- A dynamic programming approach to adaptive tatum assignment for rhythm transcription (2005) (2)
- REGARDS ON TWO REGARDS BY MESSIAEN : AUTOMATIC SEGMENTATION USING THE SPIRAL ARRAY (2004) (2)
- Towards emotion based music generation: A tonal tension model based on the spiral array (2019) (1)
- Distributed Immersive Performance: Enabling Technologies for and Analyses of Remote Performance and Collaboration (2006) (1)
- Atrial Fibrillation Stratification Via Super-Resolution Analysis of Fibrillatory Waves (2019) (1)
- Visible Humour — Seeing P.D.Q. Bach’s Musical Humour Devices in The Short-Tempered Clavier on the Spiral Array Space (2007) (1)
- Analysis of Piano Duo Tempo Changes in Varying Convolution Reverberation Conditions (2018) (1)
- EFFECTS OF MUSICAL STIMULUS HABITUATION AND MUSICAL TRAINING ON FELT TENSION (2019) (1)
- USER-DIRECTED IMPROVISATION AND PLAY WITH META-COMPOSITIONS FOR MIMI 4 X (2011) (1)
- Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance (2013) (1)
- Modeling Tonality: Applications to Music Cognition - eScholarship (2001) (1)
- Filling The Space: The Impact of Convolution Reverberation Time on Note Duration and Velocity in Duet Performance (2019) (1)
- P478Cardiac response to live music performance: effect of large-scale musical structure on action potential duration (2020) (1)
- Cardiac Response to Live Music Performance: Computing Techniques for Feature Extraction and Analysis (2019) (1)
- Real-Time Pitch Spelling (2014) (1)
- Music generation with structural constraints : an operations research approach ∗ (2016) (1)
- CBF-periDB: A Chinese Bamboo Flute Dataset for Periodic Modulation Analysis (2019) (1)
- About Time: Stratedgies of Performance Revealed in Graphs (2021) (1)
- Preparing for the unpredictable : Identifying successful performance strategies in human-machine improvisation (2011) (1)
- MUSIC INFORMATION PROCESSING a new application for operations research (2002) (1)
- The Effect of Key and Tempo on Audio Onset Detection Using Machine Learning Techniques: A Sensitivity Analysis (2006) (1)
- Reconsidering the Affinity between Metric and Tonal Structures in Brahms ’ Op . 76 , No . 8 (2008) (1)
- AVA: A Graphical User Interface for Automatic Vibrato and Portamento Detection and Analysis (2016) (1)
- 34 34 (2017) (0)
- A Perceiver-Centered Approach for Representing and Annotating Prosodic Functions in Performed Music (2022) (0)
- An Optimization-Based Approach to Key Segmentation (2016) (0)
- Determining Key Boundaries (2014) (0)
- COSMOS: Computational Shaping and Modeling of Musical Structures (2022) (0)
- Viva Contemporary! Mobile Music Laboratory (2022) (0)
- Content-based Representations , Indexing and Retrieval of Music 1 (2003) (0)
- Computational Music Structure Analysis (Dagstuhl Reports) (2016) (0)
- Is Suicide at MIT a Poisson Process? (1996) (0)
- From driving to expressive music performance: ensuring tempo smoothness (2006) (0)
- Mathematics and Computation in Music: Second International Conference, MCM 2009, New Haven, CT, USA, June 19-22, 2009. Proceedings (2009) (0)
- The CEG Algorithm (Part II): Validation (2014) (0)
- Annotation and Analysis of Recorded Piano Performances on the Web (2022) (0)
- Evaluation of Performance-to-Score MIDI Alignment of Piano Duets (2010) (0)
- Hybrid methods for music analysis and synthesis: audio key finding and automatic style-specific accompaniment (2008) (0)
- MorpheuS : constraining structure in music generation (2016) (0)
- ISMIR 2008, 9th International Conference on Music Information Retrieval, Drexel University, Philadelphia, PA, USA, September 14-18, 2008 (2008) (0)
- Boundaries and novelty: the correspondence between points of change and perceived boundaries (2013) (0)
- Pitch Symmetry and Invariants in Webern’s Sehr Schnell from Variations Op.27 (2007) (0)
- Motion and Gravitation in the Musical Spheres (2016) (0)
- 1 REAL-TIME MUSIC INFORMATION PROCESSING (0)
- Argus Segmentation Method (2014) (0)
- The role of attention in the perception of music structure (2014) (0)
- Computational Music Structure Analysis 1 Executive Summary (2016) (0)
- Exploring melodic similarity in Hindustani classical music through the synthetic manipulation of raga phrases (2016) (0)
- A Novel Interface for the Graphical Analysis of Music Practice Behaviors (2018) (0)
- An Abbreviated Survey (2014) (0)
- Statistical Modeling and Retrieval of (2007) (0)
- MusicXML parser Tension model Optimization algorithm Pattern detection algorithm MIDI converter Yes MusicXML file : Template piece MusicXML file : output piece Manual tension profile input Manual tension input ? (2018) (0)
- From the Guest Editor---Special Cluster on Computation in Music (2006) (0)
- Musa: Music Information Processing Project Role in Support of Imsc Strategic Plan Pitch Structure Problems Tonal Induction (key-finding) Chord Identification Pitch Spelling, Voice Leading Line Separation Time Structure Problems Beat Tracking Meter Induction (2003) (0)
- The Internet for Ensemble Performance? Distributed Immersive Performance (2004) (0)
- The CEG Algorithm (Part I) (2014) (0)
- Mathematics and computation in music : Second International Conference, MCM 2009, John Clough Memoerial Conference, New Haven, CT, USA, June 19-22, 2009 : proceedings (2009) (0)
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