Elizabeth Eva Leach

Elizabeth Eva Leach's AcademicInfluence.com Rankings

Elizabeth Eva Leach

History

#4228

World Rank

#5886

Historical Rank

Medieval Studies

#34

World Rank

#37

Historical Rank

history Degrees

Elizabeth Eva Leach

Philosophy

#9363

World Rank

#12910

Historical Rank

Logic

#9792

World Rank

#12480

Historical Rank

philosophy Degrees

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History
Philosophy

Why Is Elizabeth Eva Leach Influential?

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According to Wikipedia, Elizabeth Eva Leach is a British musicologist and music theorist who specializes in medieval music, especially that of the fourteenth century. Much of her scholarship concerns the life and work of Guillaume de Machaut.

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Elizabeth Eva Leach's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Vicars of ‘Wannabe’: authenticity and the Spice Girls (2001) (71)
Sung Birds: Music, Nature, and Poetry in the Later Middle Ages (2006) (35)
Machaut's balades with four voices (2001) (32)
Guillaume de Machaut: Secretary, Poet, Musician (2011) (23)
Gendering the Semitone, Sexing the Leading Tone: Fourteenth-Century Music Theory and the Directed Progression (2006) (21)
Intertextual and intersonic resonance in Richard de Fournival’s Bestiaire d’amour: combining perspectives from literary studies and musicology (2017) (19)
The fourteenth century (2011) (16)
Counterpoint and Analysis in Fourteenth-Century Song (2000) (16)
'The Little Pipe Sings Sweetly while the Fowler Deceives the Bird': Sirens in the Later Middle Ages (2006) (16)
Citation and authority in medieval and Renaissance musical culture : learning from the learned (2005) (16)
Cristle Collins Judd (ed.), Tonal Structures in Early Music (2001) (7)
Fortune's demesne: the interrelation of text and music in Machaut's Il mest avis (B22), De fortune (B23) and two related anonymous balades* (2000) (7)
Machaut's music : new interpretations (2003) (7)
Death of a Lover and the Birth of the Polyphonic Ballade: Machaut's Notated Ballades 1––5 (2002) (7)
Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts (2011) (6)
Interpretation and Counterpoint: The Case of Guillaume de Machaut's De Toutes Flours (2000) (5)
Manuscripts and medieval song : inscription, performance, context (2015) (5)
Notes on Adorno’s ‘Musical Material’ during the New Materialisms (2018) (4)
Music and Verbal Meaning: Machaut's Polytextual Songs (2010) (4)
Learning French by singing in 14th-century England (2005) (3)
Machaut's peer, Thomas Paien (2009) (3)
Dead Famous: Mourning, Machaut, Music, and Renown in the Chantilly Codex (2010) (2)
Grammar and Music in the Medieval Song-School (2009) (2)
Early music and Web 2.0 (2013) (2)
Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries (2015) (2)
Writing, performance, and devotion in the thirteenth-century motet: the ‘La Clayette’ manuscript (2015) (2)
Which Came First, the Demandes D’amours or the Jeu-parti? Evidence from Oxford, Bodleian Library, Ms Douce 308 (2021) (1)
A courtly compilation: the Douce Chansonnier (2015) (1)
Guillaume de Machaut, royal almoner: Honte, paour (B25) and Donnez, signeurs (B26) in context (2010) (1)
Counterpoint and Compositional Process in the Time of Dufay: Perspectives from German Musicology. Ed. and trans. Kevin N. Moll (Garland, 1997). ISBN 0 8153 2346 8. (1999) (1)
Elizabeth Eva Leach Responds (2011) (1)
Love, Hope, and the Nature of Merci in Machaut's Musical Balades Esperance (B13) and Je ne cuit pas (B14) (2003) (1)
Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song (2011) (1)
3. Poet as Musician (2012) (1)
New light on the earliest medieval songbook (2015) (1)
The Genre(s) of Medieval Motets (2018) (1)
Review: Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (2002) (1)
Preserving and recycling: functional multiplicity and shifting priorities in the compilation and continued use of London, British Library, Egerton 274 (2015) (1)
Wine, women, and song? Reconsidering the Carmina Burana (2015) (1)
Manuscripts and Medieval Song: Machaut's first single-author compilation (2015) (1)
The arcane yet pervasive art of canon (2008) (1)
Music and Masculinity in the Middle Ages (2017) (1)
Song and subjectivity (2012) (1)
Seeing Sens: Guillaumes de Machaut and de Melun (2015) (0)
Shared Small Sources for Two Early Fourteenth-Century Metz Chansonniers? (2022) (0)
An Introduction to Music Studies: Popular music (2009) (0)
Johannes de Grocheio, Ars Musice , ed. and trans. Constant J. Mews, John N. Crossley, Catherine Jeffreys, Leigh McKinnon, and Carol J. Williams. (TEAMS Varia.) Kalamazoo, MI: Medieval Institute Publications, 2011. Paper. Pp. ix, 168; tables. $20. ISBN: 9781580441650. (2013) (0)
'Music & Letters' Awards (2006) (0)
Witnesses of insular song (2014) (0)
‘All the world's a stage’ (2008) (0)
Anne Walters Robertson, Guillaume de Machaut and Reims: Context and Meaning in His Musical Works. Cambridge: Cambridge University Press, 2002. ISBN 0 521 41876 3 hardcover. (2004) (0)
Confronting the ‘cyclic’ Mass (2011) (0)
Books Received (1991) (0)
Motets from the Chansonnier de Noailles ed. by Gaël Saint-Cricq, Eglal Doss-Quinby, Samuel N. Rosenberg (review) (2018) (0)
Jennifer Saltzstein, The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry , Gallica 30. Woodbridge: D.S. Brewer, 2013. xii+194 pp. £60. ISBN 978 1 84384 349 8. (2014) (0)
Song Texts or Sung Texts in Trecento Italy (2015) (0)
The Unquiet Thoughts of Edmund Spenser’s Scudamour and John Dowland’s First Booke of Songes (2009) (0)
Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire. By Mary O’Neill. (2007) (0)
Imagining the un-encoded: staging affect in Blondel de Nesle’s Mes cuers me fait conmencier (2020) (0)
Review: Music as Concept and Practice in the Late Middle Ages (2003) (0)
Young Choristers 650-1700 (review) (2010) (0)
Adam de la Halle and Arras (2019) (0)
The Provenance, Date, and Patron of Oxford, Bodleian Library, MS Douce 308 (2022) (0)
Restricting online access: what evidence do publishers have to support their claims that open access negatively affects sales? (2011) (0)
Across divides: Aquitaine's new song and London, British Library, Additional 36881 (2015) (0)
Adapting the motet(s)? The case of Hé bergier in Oxford MS Douce 308 (2019) (0)
Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire (review) (2008) (0)
Ciconia in transition (2004) (0)
Do Trouvère Melodies Mean Anything? (2019) (0)
Satire in the Songs of Renart le Nouvel. By John Haines. (2011) (0)
Review: The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music by David J. Rothenberg (2012) (0)
The Old French Ballette: Oxford, Bodleian Library, MS Douce 308. Ed. and trans. by Eglal Doss Quinby and Samuel N. Rosenberg. Music Editions and Commentary by Elizabeth Aubrey. (2007) (0)
REPETITION AS REBIRTH: A SUNG EPITAPH FOR GAUTIER DE COINCI (2021) (0)
The Old French Ballette: Oxford, Bodleian Library, MS Douce 308 (review) (2008) (0)
Books received (1996) (0)
Andrew Hicks, Composing the World: Harmony in the Medieval Platonic Cosmos. (Critical Conjunctures in Music and Sound 1.) New York: Oxford University Press, 2017. Pp. xviii, 321; 9 black-and-white figures. $45. ISBN: 978-0-19-065820-5. (2018) (0)
Songs, scattered and gathered (2015) (0)
The careful cantor and the Carmina Cantabrigiensia (2015) (0)
We need to say yes to academic self-publishing but senior academics must lead the way (2012) (0)
Agostino Paravicini Bagliani, ed., “Ideas of Harmony in Medieval Culture and Society.” Special issue, Micrologus: Nature, Sciences and Medieval Societies 25 (2017).Table of contents available online at http://www.sismel.it/tidetails.asp?hdntiid=1524 (2019) (0)
Beauty: The sound of beauty (2013) (0)
Vernacular Song III: Polyphony (2018) (0)
The Chansonnier of Oxford Bodleian MS Douce 308: Essays and Complete Edition of Texts (review) (2006) (0)
The Estampies of Douce 308 (2020) (0)
Rupturing Skin through the Power of Vox (2021) (0)
Satire in the Songs of Renart le Nouvel (review) (2011) (0)
Motets from the Chansonnier de Noailles. Ed. Gaël Saint-Cricq with Eglal Doss-Quinby and Samuel N. Rosenberg (2018) (0)
The Middle Ages (2020) (0)
Young Choristers 650–1700. Ed. by Susan Boynton and Eric Rice. (2010) (0)

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Published Works

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