Ernst Gombrich | Academic Influence

Ernst Gombrich's AcademicInfluence.com Rankings

Ernst Gombrich

Education

#100

World Rank

#162

Historical Rank

Pedagogy

#21

World Rank

#31

Historical Rank

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Education

Ernst Gombrich's Degrees

PhD Art History University of Vienna

Why Is Ernst Gombrich Influential?

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According to Wikipedia, Sir Ernst Hans Josef Gombrich was an Austrian-born art historian who, after settling in England in 1936, became a naturalised British citizen in 1947 and spent most of his working life in the United Kingdom.

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Ernst Gombrich's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

ART AND ILLUSION: A STUDY IN THE PSYCHOLOGY OF PICTORIAL REPRESENTATION. (1962) (1528)
Art and Illusion (1962) (624)
The Story of Art (1950) (623)
The Sense of Order: A Study in the Psychology of Decorative Art (1979) (407)
The Image and the Eye: Further Studies in the Psychology of Pictorial Representation (1983) (199)
Meditations On a Hobby Horse and Other Essays On the Theory of Art (1971) (191)
The Visual Image (1972) (166)
The Sense of Order. (1980) (156)
Aby Warburg: An Intellectual Biography (1986) (135)
The Image and the Eye (1982) (129)
Illusion in Nature and Art (1980) (107)
Art, Perception, and Reality (1972) (94)
Norm and form : Studies in the art of the Renaissance (1969) (87)
Moment and Movement in Art (1964) (81)
The Uses of Images: Studies in the Social Function of Art and Visual Communication (1999) (81)
In Search of Cultural History (1969) (78)
Icones Symbolicae: The Visual Image in Neo-Platonic Thought (1948) (61)
Standards of Truth: The Arrested Image and the Moving Eye (1980) (56)
Representation and Misrepresentation (1984) (54)
Apollonio di Giovanni: A Florentine Cassone Workshop Seen through the Eyes of a Humanist Poet (1955) (46)
The Preference for the Primitive: Episodes in the History of Western Taste and Art (2002) (44)
Bild und Auge : neue Studien zur Psychologie der bildlichen Darstellung (1984) (42)
Deep Storage: Collecting, Storing and Archiving in Art (1998) (39)
Tributes: Interpreters of Our Cultural Tradition (1984) (39)
Shadows: The Depiction of Cast Shadows in Western Art (1995) (38)
Renaissance and Golden Age (1961) (36)
Die Legende vom Künstler : ein geschichtlicher Versuch (1982) (34)
Botticelli's Mythologies: A Study in the Neoplatonic Symbolism of His Circle (1945) (34)
THE USE OF ART FOR THE STUDY OF SYMBOLS. (1965) (32)
THE PRINCIPLES OF CARICATURE1 (1938) (31)
E. H. Gombrich, Review of Panofsky, Three Essays on Style and Perspective as Symbolic Form, The New York Review of Books, February (1996) (29)
On J. J. Gibson's Approach to the Visual Perception of Pictures (1979) (29)
Image and word in twentieth-century art (1985) (27)
The Heritage of Apelles (1976) (26)
Review Lecture Mirror and Map: Theories of Pictorial Representation (1975) (26)
The Essential Gombrich Selected Writings on Art and Culture (1996) (25)
Ideals & Idols: Essays On Values in History and in Art (1980) (24)
The Essential Gombrich (1996) (24)
The image and the eye : further studies in the psychology of pictorial representation (1985) (23)
Art History and Psychology in Vienna Fifty Years Ago (1984) (22)
Topics of Our Time: Twentieth-century issues in learning and in art (1994) (22)
Studies in the art of the Renaissance (1972) (22)
Ritualized gesture and expression in art (1966) (22)
Die Geschichte der Kunst (1996) (20)
The Heritage of Apelles: Studies in the Art of the Renaissance (1976) (19)
Psycho-analysis and the history of art. (1954) (19)
The Sassetti Chapel Revisited: Santa Trinita and Lorenzo de' Medici (1997) (19)
Kunst und Illusion : zur Psychologie der bildlichen Darstellung (2002) (17)
Illusions in Nature and Art (1975) (17)
The Museum: Past, Present and Future (1977) (16)
Così fan Tutte (Procris Included) (1954) (15)
Art History and the Social Sciences (1975) (14)
Mirror and map: theories of pictorial representation. (1975) (14)
Criteria of Periodization in the History of European Art (1970) (14)
The Subject of Art (1994) (13)
Kunst und Fortschritt : Wirkung und Wandlung einer Idee (1978) (12)
Image and Code (1981) (12)
"They Were All Human Beings: So Much Is Plain": Reflections on Cultural Relativism in the Humanities (1987) (11)
A Plea for Pluralism (1971) (11)
Reflections on the History of Art: Views and Reviews (1987) (10)
A Lifelong Interest: Conversations On Art And Science With Didier Eribon (1993) (9)
Sight & insight : essays on art and culture in honour of E.H. Gombrich at 85 (1994) (9)
The Debate on Primitivism in Ancient Rhetoric (1966) (8)
NEW LIGHT ON OLD MASTERS (1986) (8)
Arnold Hauser, The Social History of Art (1953) (8)
Controversial methods and methods of controversy (1963) (8)
THE DREAM OF REASON:SYMBOLISM OF THE FRENCH REVOLUTION (2008) (8)
Vasari's Lives and Cicero's Brutus (1960) (7)
Aby Warburg: His Aims and Methods: An Anniversary Lecture (1999) (7)
Die Krise der Kulturgeschichte : Gedanken zum Wertproblem in den Geisteswissenschaften (1991) (7)
Research in the Humanities: Ideals and Idols. (1973) (7)
Art and the Language of the Emotions (1962) (7)
Meditationen über ein Steckenpferd : von den Wurzeln und Grenzen der Kunst (1978) (7)
Symmetrie, Wahrnehmung und künstlerische Gestaltung (1988) (6)
Gombrich on the Renaissance (1994) (6)
Huizinga's Homo ludens (1973) (5)
Means and ends: Reflections on the history of fresco painting (1976) (5)
A Classical Topos in the Introduction to Alberti's Della Pittura (1957) (5)
History of Art@@@The Story of Art (1989) (5)
The Earliest Description of Bosch's Garden of Delight (1967) (5)
Looking for Answers: Conversations on Art and Science (1993) (5)
Additional Thoughts on Perspective (1993) (4)
An Interpretation of Mantegna's 'Parnassus' (1963) (4)
A lifelong interest (1993) (4)
Canons and Values in the Visual Arts: A Correspondence (1976) (4)
Ornament und Kunst : Schmucktrieb und Ordnungssinn in der Psychologie des dekorativen Schaffens (1982) (3)
Interview: Ernst Gombrich (1971) (3)
Symposium: Art and the Language of the Emotions (1962) (3)
Das forschende Auge : Kunstbetrachtung und Naturwahrnehmung (1994) (3)
Kunstgeschichte und Kunsttheorie im 19. Jahrhundert (Probleme der Kunstwissenschaft, 1) (1964) (3)
Bridget Riley: Dialogues on Art (1978) (3)
Bosch's Garden of Earthly Delights: A Progress Report (1969) (3)
Die Kunst der Renaissance (1985) (3)
Bild als Waffe : Mittel und Motive der Karikatur in fünf Jahrhunderten (1984) (3)
A Discussion Paper on Research in the Visual Fine Arts Prepared for the Birmingham Polytechnic, England, In 1978 (1980) (2)
On Interpreting Pictorial Art (1978) (2)
BLURRED IMAGES AND THE UNVARNISHED TRUTH (1962) (2)
Bicentennial Address: Focus on the Arts and Humanities (1982) (2)
Should a museum be active (2009) (2)
THE LITERATURE OF ART (1992) (2)
Die Kunst, Bilder zum Sprechen zu bringen : ein Gespräch mit Didier Eribon (1993) (2)
EVOLUTION IN THE ARTS (1964) (2)
Lessing : Lecture on a master mind, Henriette Hertz trust of the British Academy 1957 (1957) (2)
Review: On Reflection (1998) (1)
Kokoschka in his time: Lecture given at the Tate Gallery on 2 July 1986 (1986) (1)
Studies in the Art of the Renaissance, Volume I, Norm and Form (1967) (1)
Reply to David Carrier (1985) (1)
Bonaventura Berlinghieri's Palmettes (1976) (1)
Map and Mirror: Theories of Pictorial Representation (1979) (1)
A GRILLPARZER ANECDOTE (1963) (1)
Art history and the social sciences : the Romanes lecture for 1973 (1975) (1)
The Wit of Saul Steinberg (1983) (1)
A Classical 'Rake's Progress' (1952) (1)
Charles Morris, Signs, Language and Behavior: New York, Prentice-Hall Inc., 1946. 365 + xii pages. $5.00 (1949) (1)
Nature and art as needs of the mind : the fourth Leverhulme Memorial Lecture delivered 23 February, 1981 in the University of Liverpool (1981) (1)
The Repentance of Judas in Piero della Francesca's 'Flagellation of Christ' (1959) (1)
Aby Warburg: his aims and methods (1999) (1)
Henri Cartier-Bresson: His Archive of 390 Photographs from the Victoria and Albert Museum (1978) (1)
Art and Scholarship (1958) (1)
The story of art : with 370 illustrations (1951) (1)
The Open Society--A Comment (1952) (1)
Kunst, Wahrnehmung, Wirklichkeit (1977) (1)
Norm und Form (1985) (1)
Zur Kunst der Renaissance (1987) (1)
Schatten : ihre Darstellung in der abendländischen Kunst (2009) (1)
Ideal und Typus in der italienischen Renaissancemalerei (1983) (1)
Vom Wert der Kunstwissenschaft für die Symbolforschung (1966) (1)
Lateral Viewing of Pictures (1980) (0)
"A Lifelong Interest. Conversations on Art and Science with Dider Eribon", Ernst Hans Gombrich, Londyn 1993 : [recenzja] / Anna Bentkowska. (1993) (0)
Notes and Exchanges (1979) (0)
Kenneth Keele's Contribution to the Study of Leonardo Da Vinci (1989) (0)
Art as Image and Idea@@@The Story of Art (1968) (0)
Book Review: Drawings from Ancient Egypt (1983) (0)
Comment on "Theoretical Perspectives on the Arts, Sciences and Technology" (1985) (0)
Orbis pictus, the prints of Oskar Kokoschka, 1906-1976 : selected from the collection of Reinhold, Count Bethusy-Huc (1987) (0)
A Classical Quotation in Michael Angelo's "Sacrifice of Noah" (1937) (0)
Wege zur Bildgestaltung (1989) (0)
Iconography Revisited@@@The Renaissance Imagination@@@Symbolic Images: Studies in the Art of the Renaissance@@@The Renaissance and the Gods@@@Allegory and the Migration of Symbols (1977) (0)
Das symblische Bild (1986) (0)
Die Entdeckung des Sichtbaren (1987) (0)
A Pictorial Syntax of Shapes (1976) (0)
Goethe and the History of Art: The Contribution of Johann Heinrich Meyer (1990) (0)
The Sociology of Art and Literature: A Reader@@@Art History and the Social Sciences (1979) (0)
A Preference for the Primitive: Gombrich's Legacy (2003) (0)
Goethe's 'Zueignung' and Benivieni's 'Amore' (1938) (0)
An Early Seventeenth-Century Canon of Artistic Excellence: Pierleone Casella's Elogia Illustrium Artificum of 1606 (1987) (0)
Hegel-Preis-Reden 1977 (1977) (0)
Otto Kurz † (1975) (0)
Annibale Litolfi, a sixteenth-century nature lover: spoglie from the Gonzaga Archives (1988) (0)
Topics of Our Time: Comments on Twentieth-Century Issues in Learning and in Art (1992) (0)
Cornelius Vermeule, European Art and the Classical Past. Cambridge, Mass.: Harvard University Press (London: Oxford U.P.), 1964. Pp. xvi + 206, 128 illustrations. £4. (1966) (0)
Auge Macht Bild, Ohr Macht Klang, Hirn Macht Welt (1983) (0)
Erica Tietze-Conrat (1883–1958) (1959) (0)
Archaeologists or Pharisees? Reflections on a Painting by Maarten van Heemskerck (1991) (0)
Gastspiele : Aufsätze eines Kunsthistorikers zur deutschen Sprache und Germanistik (1992) (0)
RAPHAEL: A QUINCENTENNIAL ADDRESS (1984) (0)
Back Matter (1984) (0)
Reviews: Mind Sights: Original Visual Illusions, Ambiguities, and other Anomalies, with a Commentary on the Play of Mind in Perception and Art, the Visual Display of Quantitative Information, Envisioning information, Ecological Perception Research, Visual Communication and Aesthetics (1991) (0)
On Information Available in Pictures (Continued) (1971) (0)
Ernst Gombrich Lectures (1964) (0)
Art History and the Republic of Learning / Ernst Hans Gombrich. (1997) (0)
The Sense of Order (1980) (0)
History as a tool in critical interpretation : a symposium (1978) (0)

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What Are Ernst Gombrich's Academic Contributions?

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Ernst Gombrich has made the following academic contributions:

A Little History of the World

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