Why Is Ernst Gombrich Influential?
According to Wikipedia , Sir Ernst Hans Josef Gombrich was an Austrian-born art historian who, after settling in England in 1936, became a naturalised British citizen in 1947 and spent most of his working life in the United Kingdom.
Ernst Gombrich's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
1940 1950 1960 1970 1980 1990 2000 0 250 500 750 1000 1250 1500 1750 2000 2250 Published Papers ART AND ILLUSION: A STUDY IN THE PSYCHOLOGY OF PICTORIAL REPRESENTATION. Art and Illusion The Story of Art The Sense of Order: A Study in the Psychology of Decorative Art Art and Illusion; a Study in the Psychology of Pictorial Representation Signs, Language and Behavior Meditations On a Hobby Horse and Other Essays On the Theory of Art The Image and the Eye: Further Studies in the Psychology of Pictorial Representation The Sense of Order. Aby Warburg: An Intellectual Biography The Image and the Eye (126) Art and Illusion. A Study in the Psychology of Pictorial Representation Illusion in Nature and Art Art, Perception, and Reality Norm and form : Studies in the art of the Renaissance The Uses of Images: Studies in the Social Function of Art and Visual Communication In Search of Cultural History Moment and Movement in Art Icones Symbolicae: The Visual Image in Neo-Platonic Thought Standards of Truth: The Arrested Image and the Moving Eye Representation and Misrepresentation Apollonio di Giovanni: A Florentine Cassone Workshop Seen through the Eyes of a Humanist Poet The Preference for the Primitive: Episodes in the History of Western Taste and Art Tributes: Interpreters of Our Cultural Tradition (39) Deep Storage: Collecting, Storing and Archiving in Art (36) The Sense of Order: A Study in the Psychology of Decorative Art Renaissance and Golden Age Botticelli's Mythologies: A Study in the Neoplatonic Symbolism of His Circle THE USE OF ART FOR THE STUDY OF SYMBOLS. On J. J. Gibson's Approach to the Visual Perception of Pictures E. H. Gombrich, Review of Panofsky, Three Essays on Style and Perspective as Symbolic Form, The New York Review of Books, February (29) THE PRINCIPLES OF CARICATURE1 The Heritage of Apelles A Little History of the World Shadows: The Depiction of Cast Shadows in Western Art Review Lecture Mirror and Map: Theories of Pictorial Representation The Essential Gombrich (24) The Essential Gombrich Selected Writings on Art and Culture Ideals & Idols: Essays On Values in History and in Art Art History and Psychology in Vienna Fifty Years Ago Image and word in twentieth-century art Topics of Our Time: Twentieth-century issues in learning and in art (21) Studies in the art of the Renaissance (20) The image and the eye : further studies in the psychology of pictorial representation Psycho-analysis and the history of art. (19) The Sassetti Chapel Revisited: Santa Trinita and Lorenzo de' Medici Ritualized gesture and expression in art Illusions in Nature and Art The Heritage of Apelles: Studies in the Art of the Renaissance The Museum: Past, Present and Future Così fan Tutte (Procris Included) Art History and the Social Sciences (14) Criteria of Periodization in the History of European Art The Subject of Art Mirror and map: theories of pictorial representation. (12) Image and Code A Plea for Pluralism Sight & insight : essays on art and culture in honour of E.H. Gombrich at 85 "They Were All Human Beings: So Much Is Plain": Reflections on Cultural Relativism in the Humanities A Lifelong Interest: Conversations On Art And Science With Didier Eribon (9) Reflections on the History of Art: Views and Reviews Arnold Hauser, The Social History of Art Controversial methods and methods of controversy (8) NEW LIGHT ON OLD MASTERS (7) Vasari's Lives and Cicero's Brutus Aby Warburg: His Aims and Methods: An Anniversary Lecture THE DREAM OF REASON:SYMBOLISM OF THE FRENCH REVOLUTION Art and Illusion. A Study in the Psychology of Pictorial Representation Gombrich on the Renaissance Art and the Language of the Emotions The Debate on Primitivism in Ancient Rhetoric Research in the Humanities: Ideals and Idols. (6) Huizinga's Homo ludens History of Art@@@The Story of Art Looking for Answers: Conversations on Art and Science Means and ends: Reflections on the history of fresco painting (5) A lifelong interest (4) Additional Thoughts on Perspective A Classical Topos in the Introduction to Alberti's Della Pittura The Earliest Description of Bosch's Garden of Delight Bosch's Garden of Earthly Delights: A Progress Report An Interpretation of Mantegna's 'Parnassus' Bridget Riley: Dialogues on Art (3) Interview: Ernst Gombrich Symposium: Art and the Language of the Emotions (2) On Interpreting Pictorial Art Canons and Values in the Visual Arts: A Correspondence EVOLUTION IN THE ARTS Lessing : Lecture on a master mind, Henriette Hertz trust of the British Academy 1957 (2) Bicentennial Address: Focus on the Arts and Humanities BLURRED IMAGES AND THE UNVARNISHED TRUTH Should a museum be active Art and Scholarship Reply to David Carrier THE LITERATURE OF ART Aby Warburg: his aims and methods (1) Charles Morris, Signs, Language and Behavior: New York, Prentice-Hall Inc., 1946. 365 + xii pages. $5.00 A GRILLPARZER ANECDOTE A Classical 'Rake's Progress' Art history and the social sciences : the Romanes lecture for 1973 (1) Kokoschka in his time: Lecture given at the Tate Gallery on 2 July 1986 (1) Nature and art as needs of the mind : the fourth Leverhulme Memorial Lecture delivered 23 February, 1981 in the University of Liverpool (1) Bonaventura Berlinghieri's Palmettes Review: On Reflection Studies in the Art of the Renaissance, Volume I, Norm and Form Map and Mirror: Theories of Pictorial Representation The story of art : with 370 illustrations (1) Art History and the Republic of Learning / Ernst Hans Gombrich. (0) Order and Tolerance Goethe and the History of Art: The Contribution of Johann Heinrich Meyer Henri Cartier-Bresson: His Archive of 390 Photographs from the Victoria and Albert Museum (0) Lateral Viewing of Pictures RAPHAEL: A QUINCENTENNIAL ADDRESS Book Review: Drawings from Ancient Egypt Comment on "Theoretical Perspectives on the Arts, Sciences and Technology" Goethe's 'Zueignung' and Benivieni's 'Amore' Back Matter Archaeologists or Pharisees? Reflections on a Painting by Maarten van Heemskerck Annibale Litolfi, a sixteenth-century nature lover: spoglie from the Gonzaga Archives The Sense of Order The Repentance of Judas in Piero della Francesca's 'Flagellation of Christ' Notes and Exchanges Cornelius Vermeule, European Art and the Classical Past. Cambridge, Mass.: Harvard University Press (London: Oxford U.P.), 1964. Pp. xvi + 206, 128 illustrations. £4. "A Lifelong Interest. Conversations on Art and Science with Dider Eribon", Ernst Hans Gombrich, Londyn 1993 : [recenzja] / Anna Bentkowska. (0) Art Is Long.… (0) A Preference for the Primitive: Gombrich's Legacy A Classical Quotation in Michael Angelo's "Sacrifice of Noah" The Open Society--A Comment Iconography Revisited@@@The Renaissance Imagination@@@Symbolic Images: Studies in the Art of the Renaissance@@@The Renaissance and the Gods@@@Allegory and the Migration of Symbols A Pictorial Syntax of Shapes Orbis pictus, the prints of Oskar Kokoschka, 1906-1976 : selected from the collection of Reinhold, Count Bethusy-Huc (0) Ernst Gombrich Lectures (0) On Information Available in Pictures (Continued) The Visual Image The Wit of Saul Steinberg Kenneth Keele's Contribution to the Study of Leonardo Da Vinci An Early Seventeenth-Century Canon of Artistic Excellence: Pierleone Casella's Elogia Illustrium Artificum of 1606 Art as Image and Idea@@@The Story of Art Reviews: Mind Sights: Original Visual Illusions, Ambiguities, and other Anomalies, with a Commentary on the Play of Mind in Perception and Art, the Visual Display of Quantitative Information, Envisioning information, Ecological Perception Research, Visual Communication and Aesthetics Topics of Our Time: Comments on Twentieth-Century Issues in Learning and in Art History as a tool in critical interpretation : a symposium (0) The Sociology of Art and Literature: A Reader@@@Art History and the Social Sciences More Papers This paper list is powered by the following services:
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Ernst Gombrich has made the following academic contributions:
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