Ewa Mazierska
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Polish academic
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Why Is Ewa Mazierska Influential?
(Suggest an Edit or Addition)According to Wikipedia, Ewa Mazierska is a reader in Contemporary Cinema, in the Department of Humanities of the University of Central Lancashire. Her publications include various articles in Polish and English and a number of monographs. She also co-edited Relocating Britishness .
Ewa Mazierska's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Crossing New Europe: Postmodern Travel and the European Road Movie (2006) (83)
- From Moscow to Madrid: Postmodern Cities, European Cinema (2002) (40)
- Popular Music in Eastern Europe (2016) (31)
- Tourism and the moving image (2006) (26)
- European Cinema and Intertextuality: History, Memory and Politics (2011) (21)
- European Cinema and Intertextuality (2011) (20)
- Work in Cinema (2013) (18)
- Eastern European cinema: old and new approaches (2010) (14)
- From Self-fulfilment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present (2015) (11)
- Masculinities in Polish, Czech and Slovak Cinema (2008) (11)
- Roman Polanski: The Cinema of a Cultural Traveller (2007) (10)
- In the Land of Noble Knights and Mute Princesses: Polish heritage cinema (2001) (10)
- Postcolonial Approaches to Eastern European Cinema: Portraying Neighbours on Screen (2014) (9)
- The Cinema of Nanni Moretti : Dreams and Diaries (2004) (9)
- Introduction: Popular Music in Eastern Europe: Breaking the ‘Cold War Paradigm’ (2016) (9)
- "Polish Postcommunist Cinema : from Pavement Level", Ewa Mazierska, Oxford, Bern, Berlin, Brussel, Frankfurt/Main, New York, Wien 2007 : [recenzja] / Wolfgang Schlott. (2011) (8)
- The Redundant Male: Representations of Masculinity in Polish Postcommunist Cinema (2003) (8)
- Contemporary Cinema and Neoliberal Ideology (2017) (8)
- The Future of Live Music (2020) (7)
- Jerzy Skolimowski: The Cinema of a Nonconformist (2010) (7)
- Road to authenticity and stability (2002) (7)
- Polish Cinema in a Transnational Context (2014) (6)
- Red Alert: Marxist Approaches to Science Fiction Cinema (2016) (6)
- Trapped in the Present: Time in the Films of Wong Kar-Wai (2000) (5)
- Women in Polish Cinema (2022) (5)
- Marx at the Movies: Revisiting History, Theory and Practice (2014) (5)
- International Co‐productions as Productions of Heterotopias (2012) (5)
- Introduction: Marking Political Cinema (2014) (5)
- Marxism and the computer game (2016) (4)
- Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema (2017) (4)
- Czesław Niemen: Between Enigma and Political Pragmatism (2016) (4)
- Polish martial law of 1981 in Polish post-communist films: Between romanticism and postmodernism (2009) (4)
- Introduction: Cinema and the Realities of Work (2012) (4)
- Wanda Jakubowska’s Cinema of Commitment (2001) (4)
- The ideal and reality of work in the 1970s films of Krzysztof Kieślowski (2015) (4)
- Non-Jewish Jews, Good Poles and Historical Truth in the Films of Andrzej Wajda (2000) (4)
- Relocating Popular Music (2015) (3)
- The Cinematic Bodies of Eastern Europe and Russia (2016) (3)
- In The Name Of Absent Fathers And Other Men (2006) (3)
- Work in Cinema: Labor and the Human Condition (2013) (3)
- Želimir Žilnik and Eastern European independent cinema (2013) (3)
- What Happened to the Polish Multitude?: Representation of Working People in Polish Postcommunist Cinema (2012) (3)
- The Autobiographical Effect in the Cinema of Roman Polanski (2005) (3)
- Production, Consumption, Power, and Humor in the Films of Marek Piwowski (2016) (2)
- Marx at the Movies (2014) (2)
- Introduction: Imagining the North of England (2017) (2)
- Polish Popular Music on Screen (2020) (2)
- REPRESENTATION OF WOMEN OF DIFFERENT GENERATIONS IN INVITATION ( ZAPROSZENIE, 1985), DIRECTED BY WANDA JAKUBOWSKA AND IT'S ME, NOW ( TERAZ JA, 2004), DIRECTED BY ANNA JADOWSKA (2009) (2)
- Queer(in)g Poland in the 21st Century: How Was It at the Beginning of the Millennium? Introduction to This Special Issue on Queer Culture and the LGBTQ+ Movement in Poland (2021) (2)
- Neighbours (Almost) Like Us: Representation of Germans, Germanness and Germany in Polish communist and Postcommunist Cinema (2014) (2)
- From South to East: Exoticism in Polish popular music of the state socialist period (2018) (2)
- Improvisation in Electronic Music—The Case of Vienna Electronica (2018) (2)
- Gazing at the Baltic: Tourist Discourse in the Cinema of the Baltic Sea Countries (2017) (2)
- Challenges to British Nightclubs During and After the Covid-19 Pandemic (2021) (2)
- The Evolution of Electronic Dance Music (2021) (2)
- Polish Cinematic Dystopias (2004) (2)
- Gender Discourse in Eastern European SF Cinema (2014) (2)
- The Exclusive Pleasures of Being a Second Generation Inteligent: Representation of Social Class in the Films of Andrzej Wajda (2002) (2)
- Framing a Terrorist: The Politics of Representation in Ici et ailleurs (1970–1974), Four Lions (2010), and Essential Killing (2010) (2014) (2)
- Multifunctional Chopin: the representation of Fryderyk Chopin in Polish films (2004) (2)
- Polish martial law of 1981 seen from abroad (2009) (2)
- Vienna, the city of music (2018) (2)
- Eastern European film festivals: streaming through the covid-19 pandemic (2021) (2)
- Introduction: Setting Popular Music in Motion (2015) (2)
- Popular Polish Electronic Music, 1970–2020 (2020) (1)
- Travelling to the Margins of Europe (2001) (1)
- The Meaning of History and the Uses of Translation in News from Ideological Antiquity — Marx/Eisenstein/The Capital (Video 2008) by Alexander Kluge (2014) (1)
- The motif of escape in recent Polish films (2005) (1)
- Existentialism and socialist realism in the early films of Wojciech Has (2013) (1)
- Introduction: Crossing National and Regional Borders in Eastern European Popular Music (2019) (1)
- Tourism and Heterotopia in Falco’s Songs (2015) (1)
- Introduction Work, Struggle, and Cinema (2013) (1)
- Representation of Slow Violence in the Films about Collapsed East European State Farms (2016) (1)
- Between the Sacred and the Profane , the Sublime and the Trivial : The Magic Realism of Jan Jakub Kolski (2013) (1)
- Polish Postcommunist Cinema and the Neoliberal Order (2012) (1)
- Nabokov’s Cinematic Afterlife (2010) (1)
- Any Town? Post-communist Warsaw in Juliusz Machulski's Girl Guide (1995) and Kiler (1997) (1999) (1)
- Introduction: Marx at the Movies: Revisiting History, Theory and Practice (2014) (1)
- Witches, Shamans, Pandoras-Representation of Women in the Polish Postcommunist Cinema (2013) (1)
- The present and the future of Polish coastal music festivals (2020) (1)
- Borowczyk as Pornographer (2016) (1)
- Domesticating Madness, Revisiting Polishness: The Cinema of Marek Koterski (2004) (1)
- Third Cinema, World Cinema and Marxism (2020) (1)
- Popular Viennese Electronic Music, 1990–2015 (2018) (1)
- Capitalism and wasted lives in District 9 and Elysium (2016) (1)
- Introduction: Popular Music and the Moving Image in Eastern Europe (2019) (1)
- Between Escape and Tourism - Czech and Polish Travel Films of the Postcommunist Period (2004) (1)
- Deserters, Saints, Tyrants and 'Little Moles': Image of Father in Polish and Czech Post-communist Cinema (2007) (1)
- The Postdigital in Film and Popular Music (2018) (1)
- From a lady to a lost ‘Prole’: Girls in the city in Polish cinema of the 1960s and early 1970s (2018) (1)
- The Sight and Sound Poll and Eastern European Cinema (2023) (1)
- The unjustly neglected career of Wojciech Jerzy Has (2013) (0)
- Blackpool Fantasy Narrative in Bob’s Weekend, The Harry Hill Movie and Miss Peregrine’s Home for Peculiar Children (2020) (0)
- From Fordism to Post-Fordism: Representation of Work in the Films about Nazi Concentration Camps (2013) (0)
- Malarstwo, kino, Krzyżacy = Painting, cinema and the Teutonic knights / Ewa Mazierska. (2010) (0)
- Representation of poverty in Polish, Lithuanian and Latvian documentary films of the post-communist period (2020) (0)
- Wojciech Jerzy Has at Era New Horizons International Film Festival, Wrocław, Poland, 22 July-1 August 2010 (2011) (0)
- Andrzej Wajda: History, Politics, and Nostalgia in Polish Cinema. By Janina Falkowska. New York: Berghahn Books, 2007. viii, 340 pp. Notes. Bibliography. Index. Filmography. Illustrations. Photographs. $85.00, hard bound. (2008) (0)
- The Influence of Berlin on Austrian and Polish Electronic Musickers (2020) (0)
- Conclusion (2020) (0)
- The Power of YouTube: Music Videos After the Fall of the Iron Curtain (2020) (0)
- Introduction (2020) (0)
- Demolish, preserve or beautify: Ewa Mazierska (2013) (0)
- Escape into a different person, escape into a different reality:Despairby Vladimir Nabokov and Rainer Werner Fassbinder (2010) (0)
- Kruder and Dorfmeister (2018) (0)
- Being Agnieszka‘I Am the Mouth’: Agnieszka Polska in the Nottingham Contemporary, 18 October 2014–15 January 2015. (2015) (0)
- Roman Polanski (and Others) on Trial (2022) (0)
- Screening Alternative Worlds (2015) (0)
- From Socialist Realism to Postmodernism: Polish Martial Law of 1981 in Polish and Foreign Films (2011) (0)
- Introduction: The Changing Fortunes of Blackpool (2020) (0)
- Domesticating Madness, Revisiting Polishness: (2016) (0)
- Eugeniusz Bodo: the tragic face of Polish capitalism (2021) (0)
- Transformation of dance culture in Poland as a battle over taste in music (2021) (0)
- Singing and Dancing Without the Audience: Music Videos of the Interbellum and State Socialist Period (2020) (0)
- Cinema of Hard Times: Individuals, Families and Society in Polish Contemporary Films (2004) (0)
- Reviews (2010) (0)
- 11 Into the light (2014) (0)
- Searching for alternatives: The evolution of the motif of work in Jean-Luc Godard's cinema in the years 1972–1982 (2010) (0)
- Moral Luck in the Films of Woody Allen (2011) (0)
- Representation of Young People in British Films Set in Coastal Resorts (2021) (0)
- Polish Modernization in Biographical Films of the 2010s (2022) (0)
- Book Reviews (2022) (0)
- Quiet Fanaticism: The Phenomenon of Leonard Cohen’s Popularity in Poland (2019) (0)
- Komeda: A Private Life in Jazz by Magdalena Grzebałkowska (review) (2023) (0)
- Introduction (2021) (0)
- Introduction: The Continuous Significance of Live Music (2020) (0)
- Introduction to the special issue: Listening to the North of England (2016) (0)
- The Adaptive Musician: The Case of Peter Hook and Graham Massey (2019) (0)
- Breaking the Iron Curtain (2020) (0)
- After 2000 (2020) (0)
- The Burden of the Past and the Lightness of the Present: Dealing with Historic Trauma through Film (2011) (0)
- The Cinema of Jan Å vankmajer: Dark Alchemy. Second edition. Directors' Cuts by Peter Hames (review) (2022) (0)
- The Deterritorialised Muslim Convert in Post-Communist Eastern European Cinema (2014) (0)
- Twists of Fate: Secret Agents, Communist Collaborators and Secret Files in German, Polish and Czech Films (2011) (0)
- Dossier: Marking Political Cinema (2014) (0)
- At War: Polish-Russian Relations in Recent Polish Films (2016) (0)
- The Added Value of Oscars and Festival Awards (2021) (0)
- Imagining the North of England (2017) (0)
- IMAGES COMING TO LIFE: PETER WATKINS' 'EDVARD MUNCH' (1974) AND JEAN-LUC GODARD'S 'PASSION' (1982) (Ozywianie obrazow: 'Edvard Munch' (1974) Petera Watkinsa i 'Pasja' (1982) Jean-Luca Godarda (2009) (0)
- Sofa Surfers (2018) (0)
- Reviews (2011) (0)
- Searching for International Success in Europe’s Periphery: The Case of Gin Ga and Fran Palermo (2019) (0)
- Vision and knowledge (2017) (0)
- Moving in Circles: Kinetic Elite and Kinetic Proletariat in ‘End of the World’ Films (2018) (0)
- The Missing Star of MC Tunes (2018) (0)
- Old School Capitalismin Post-Socialism (2015) (0)
- Goodbye Lenin or Not: Cinematic Representations of the End of Communism (2011) (0)
- Introduction: The Future of and Through Music (2019) (0)
- Discovering Armenian cinema (2017) (0)
- Introduction (2018) (0)
- The Films of Atom Egoyan (2002) (0)
- Vienna Electronica as scene and industry (2018) (0)
- Peter Rehberg, Christian Fennesz and the Label Mego (2018) (0)
- Disco Polo and Techno According to Maria Zmarz-Koczanowicz (2019) (0)
- Retelling Polish History through the “Soft Avant-Garde” Films of the 1960s (2012) (0)
- The 1980s (2020) (0)
- Mr. Kleks in space: science fiction for the end of state socialism (2020) (0)
- Editorial (2020) (0)
- Not Knowing Has Intimately (2018) (0)
- No longer a trivial entertainment: Popular cinema in Poland after 2000 (2019) (0)
- The office Polish style in The Office (2015) (0)
- The 1970s (2020) (0)
- Patrick Pulsinger (2018) (0)
- Life and work in Silesia according to Kazimierz Kutz (2019) (0)
- 10 Between Parochialism and Universalism: World War One in Polish Cinematography (2019) (0)
- Army film and the avant garde: cinema and experiment in the Czechoslovak military (2017) (0)
- Editorial (2018) (0)
- Introduction (2020) (0)
- Capitalist realism in European films about debt (2017) (0)
- The cool ambience of Tosca (2018) (0)
- Sportsmen without a cause in Polish films of ‘Small Stabilisation’ (2017) (0)
- The North and Europe in 24 Hour Party People and Control (2017) (0)
- Devils, Crows, Women: The Cinema of Dorota Kędzierzawska (2001) (0)
- Shaping the Cinematic Bodies of Eastern Europe and Russia (2016) (0)
- Between rock and electronic music, or the pleasures of sin(ging) (2018) (0)
- From Socio to Psycho-Biographies: Biographical Films About Popular Musicians (2020) (0)
- Reports (1986) (0)
- Introduction: Is the Past a Foreign Country? (2011) (0)
- From Reporting to Analysing: Documentaries About Musical Events and Phenomena (2020) (0)
- Between Sweden and the world: Documentary films about ABBA’s international success (2021) (0)
- The Postdigital in Film and Popular Music (2018) (0)
- The East Meets the West in Contemporary Eastern European Films (2015) (0)
- ‘Our Hitler’: New Representations of Hitler in European Films (2011) (0)
- World Cinema, Third Cinema (2020) (0)
- From Popular Songs to Manufactured Entertainment: Musicals of the State Socialist Period (2020) (0)
- THE PORTRAYAL OF WORKERS IN THE 1970s FILMS OF WOJCIECH WISZNIEWSKI (2022) (0)
- Music and Dance in the Service of Modern Poland: Interwar Musicals (2020) (0)
- Polish Popular Music beyond the Borders of Poland (2019) (0)
- Book review (2014) (0)
- Introduction (2021) (0)
- Women in a mixed world (2018) (0)
- 39th Lubuskie Lato Filmowe, Łagów, Poland, 20–27 June 2010 (2011) (0)
- Neither East, nor West (Jerzy Skolimowski) (2018) (0)
- Victims of the System? Documentaries About Popular Musicians (2020) (0)
- Introduction (2020) (0)
- Beyond Authenticity, Beyond Romanticism: Films About Maanam (2017) (0)
- Makavejev's uses of history in Innocence Unprotected, Sweet Movie and Gorilla Bathes at Noon (2014) (0)
- Bea Palya's I'll Be Your Plaything (2022) (0)
- Autobiographic Discourse in the Films of Jerzy Skolimowski (2008) (0)
- Introduction (2019) (0)
- The multi-layered transnationalism of Fran Palermo (2017) (0)
- Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians (2019) (0)
- Recycling Without Nostalgia: Postcommunist Musicals (2020) (0)
- Electronic Łódź, Poland: From Freedom Parade to Managed Entertainment (2021) (0)
- From self-colonisation to conquest in Eastern European postcommunist musicals (2022) (0)
- Introduction: Special Issue on Crossing national borders in Eastern European popular music (2018) (0)
- A Clear Dividing Line?: Cinematic Representations of German, Italian and Irish Terrorism (2011) (0)
- Book Reviews (2001) (0)
- Class, gender and ethnicity in Alfonso Cuarón’s Roma (2020) (0)
- 18 Falco Symphonic (2014) (0)
- Polish Music Videos (2019) (0)
- Aliens in an Alien World: The Portrayal of the Aliens and Humans in the Man Who Fell to Earth by Nicholas Roeg and Under the Skin by Jonathan Glazer (2018) (0)
- Ambitions, temptations and disappointments: the cinema of Barbara Sass (2003) (0)
- Conclusions (2018) (0)
- Heroines of Polish Cinema (2002) (0)
- Epic Biopics: Biographies of Polish Music Stars on Television (2020) (0)
- Transcending ‘Cold Intimacies’ in Veiko Õunpuu’s Works (2016) (0)
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What Schools Are Affiliated With Ewa Mazierska?
Ewa Mazierska is affiliated with the following schools:
