Fernando de Toro | Academic Influence

Fernando de Toro's AcademicInfluence.com Rankings

Fernando de Toro

Education

#1315

World Rank

#1873

Historical Rank

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Education

Fernando de Toro's Degrees

PhD Education University of British Columbia
Masters Education University of British Columbia
Bachelors Education University of British Columbia

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Why Is Fernando de Toro Influential?

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According to Wikipedia, Fernando de Toro wasborn the 13th of January 1950 in Santiago / Chile. Fernando de Toro is a Full Professor in the Department of English, Film and Theatre at the University of Manitoba, Winnipeg, Manitoba, Canada. He was for five years Dean of the Faculty of Graduate Studies in the same university . De Toro published in diverse fields: literary theory, semiotics, comparative literature, post-modernity and post-coloniality, Latin American literature and Western Literatures. Some of his publications include: * Brecht en el teatro latinoamericano contemporáneo * Semiótica del teatro * Theatre Semiotics * Intersecciones * Explorations in Post-Theory * Borders and Margins * New Intersections * Intersecciones II . Semiotica del Teatro, Nueva edicion revisada y aumentada, 2010 Intersecciones III Inter He published over one hundred refereed articles and delivered over four hundred lectures and international seminars. In the last years he worked in a project on the "Epistemological Foundations of Modern and Postmodern Architecture", a collaborative project with the Universidad Iberoamericana in Mexico City on the "Post-Modern Condition in Mexico: architecture, theatre, literature, music, and painting." and completing a book entitled Intersecciones III: Globalisation and Culture: Essays on Architecture, Painting, Music, LiteratUre and Theatre to be published in Editorial Galerna. ==References==

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Fernando de Toro's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Theatre Semiotics: Text and Staging in Modern Theatre (1995) (30)
Semiotics of theatre and drama (2008) (29)
Borders and Margins Post-Colonialism and Post-Modernism (1995) (10)
From Where to Speak? Latin American Postmodern/Postcolonial Positionalities (1995) (8)
THE POSTCOLONIAL QUESTION: ALTERITY, IDENTITY AND THE OTHER(S) (1999) (5)
Explorations on post-theory : toward a third space (1999) (4)
Toward a socio-semiotics of the theater (1988) (3)
Jorge Luis Borges : thought and knowledge in the XXth century (1999) (2)
New Intersections: Essays on Culture and Literature in the Post-Modern and Post-Colonial Condition (2003) (2)
The end of theatre semiotics? a symptom of an epistemological shift (2008) (2)
Borges/Derrida and Writing (1999) (1)
From Where to Speak? Post-Modern/Post-Colonial Positionalities (1995) (1)
Borges and the construction of “reality” (2013) (1)
Post-Modern Fiction and Theatricality: Simulation, Deconstruction, and Rhizomatic Writing (1994) (1)
I. GENERAL BACKGROUND (1995) (1)
Toward a socio-semiotics of the theater (1988) (1)
Fernando de Toro, "Theatre semiotics : text and staging in modern theatre", Toronto - Buffalo 1995 : [recenzja] / Robert Boroch. (2001) (1)
III. THEORY OF LITERARY HISTORY IN LATIN AMERICA: ONE EXAMPLE (1995) (0)
ENDNOTES CHAPTER III (1995) (0)
THU0617 Information on disease and treatment of patients with rheumatic diseases treated with subcutaneous biologicals: sources and satisfaction. rheu-life survey (2017) (0)
Toward a Specification of Theatre Discourse (1990) (0)
IV. THEORETICAL PROPOSAL (1995) (0)
Explorations on Post-Theory: New Times (1999) (0)
II. NATURE OF THE THEATRE SIGN (1995) (0)
BOOKS AND SPECIAL ISUUE JOURNAL DEVOTED TO THEATRE SEMIOTICS AND THEATRE THEORY (1995) (0)
II. THEATRE RECEPTION (1995) (0)
II. THEATRE DISCOURSE (1995) (0)
Borges and the construction of “reality” (2013) (0)
Borges, Pierre Menard, rhizomaticity, and the simulation of palimpsestic writing (2018) (0)
La exposición Vernichtungskrieg. Verbrechen der Wehrmacht 1941 bis 1944. El debate sobre los crímenes de la Wehrmacht (2020) (0)
I. RECEPTION THEORY (1995) (0)
The end of theatre semiotics? A symptom of an epistemological shift (2008) (0)
III. FUNCTIONS OF THEATRE DISCOURSE (1995) (0)
I. THE NOTION OF DISCOURSE (1995) (0)
Borges and Rulfo: the paradigms of Modernity and Post-Modernity (1999) (0)
III. THE ICON, THE INDEX, AND THE SYMBOL ACCORDING TO PEIRCE (1995) (0)
II. THE CURRENT STATE OF AFFAIRS IN HISTORIC RESEARCH (1995) (0)
III. PERFORMANCE TEXT (1995) (0)
The legacy of the Linguistic Circle of Prague (2012) (0)
CHAPTER VI: THEATRE HISTORY AND SEMIOTICS (1995) (0)
IV. THE ICON, INDEX AND SYMBOL AT WORK IN THEATRE (1995) (0)
II. THE DRAMATIC TEXT (1995) (0)
III. NEW PERSPECTIVES (1995) (0)
IV. SPECIFICATION OF THEATRE DISCOURSE (1995) (0)
Insights into Economics and Management Vol. 3 (2020) (0)
V. THEATRE REFERENTIALITY (1995) (0)
Borges, Pierre Menard, rhizomaticity, and the simulation of palimpsestic writing (2018) (0)
II. THE ACTANTIAL MODEL (1995) (0)

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