Francesco Casetti

Francesco Casetti's AcademicInfluence.com Rankings

Francesco Casetti

Philosophy

#3520

World Rank

#5674

Historical Rank

Logic

#9767

World Rank

#12436

Historical Rank

philosophy Degrees

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Philosophy

Francesco Casetti's Degrees

PhD Film Studies University of Iowa
Masters Film Studies University of Iowa
Bachelors Film Studies University of Iowa

Why Is Francesco Casetti Influential?

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According to Wikipedia, Francesco Casetti is an Italian naturalized US citizen film and television theorist. He is Sterling Professor of Humanities and Film and Media Studies at Yale University. He has been described as "the best analyst of cinematographic enunciation."

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Francesco Casetti's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Theories of cinema, 1945-1995 (1999) (52)
Inside the gaze : the fiction film and its spectator (1998) (46)
Eye of the Century: Film, Experience, Modernity (2008) (45)
Back to the Motherland: the film theatre in the postmedia age (2011) (40)
The relocation of cinema (2012) (39)
The Lumière Galaxy: Seven Key Words for the Cinema to Come (2015) (21)
Theory, Post-theory, Neo-theories: Changes in Discourses, Changes in Objects (2007) (14)
Sutured Reality: Film, from Photographic to Digital (2011) (13)
What Is a Screen Nowadays (2013) (13)
The conflict between high definition and low definition in contemporary cinema (2013) (10)
Adaptation and Mis‐adaptations (2007) (7)
Antonioni and Hitchcock: Two Strategies of Narrative Investment (1986) (5)
Why fears matter. Cinephobia in early film culture (2018) (5)
Semiotics in Italy (1986) (4)
Communicative situations: The cinema and the television situation (1996) (4)
Screen Genealogies (2019) (3)
Dall'inizio, alla fine. Teorie del cinema in prospettiva/In the Very Beginning, at the Very End. Film Theories in Perspective. (2010) (2)
Cinema in the cinema in Italian films of the fifties: Bellissima and La signora senza camelie (1992) (2)
Early Film Theories in Italy, 1896-1922 (2017) (2)
Monstration and the Monstrous : The Grotesque in the Very Beginning and at the Very End (2010) (2)
Christian Metz and Modern Cinema (2017) (2)
Realism: the imaginary of mediated reality (2010) (1)
Film Theory and Enunciation (2003) (1)
8. The Persistence of Cinema in a Post-Cinematic Age (2015) (1)
Primal Screens (2019) (1)
Early Film Theories in Italy, 1896–1922. The Little Magic Machine (2017) (1)
Post-cinema Ecology (2020) (1)
A Countergenealogy of the Movie Screen; or, Film’s Expansion Seen from the Past (2020) (1)
8. Christian Metz and Modern Cinema (2018) (1)
Handheld aesthetics: time-affect and home video narration (2010) (0)
The Throb of the Cinematograph (2017) (0)
Film in Transition (2017) (0)
UN Goals: Collective Imagination and Political Agenda, (2016) (0)
Economic and textual models for the analysis of tv serials (1984) (0)
2. Relics/Icons (2015) (0)
Comments on Richeri (2006) (0)
Cinema and Modern Life (2017) (0)
Rethinking the Phantasmagoria: an enclosure and three worlds (2022) (0)
Ten Footnotes To a Mystery (2011) (0)
Artwork as Screen (2017) (0)
1. Primal Screens (2019) (0)
Introduction (2019) (0)
Cinema and the Question of Reception (1998) (0)
Inside the Gaze (1998) (0)
The Optical and the Environmental: From Screens to Screenscapes (2023) (0)
Close-Up-Ness: Masks, Screens, and Cells (2020) (0)
Philosophical Issues in Early Film Theory (2012) (0)
11. Post-cinema Ecology (2020) (0)

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Francesco Casetti's Academic­Influence.com Rankings