Frédéric Godart | Academic Influence

Frédéric Godart's AcademicInfluence.com Rankings

Frédéric Godart

Business

#809

World Rank

#890

Historical Rank

Management

#495

World Rank

#543

Historical Rank

business Degrees

Frédéric Godart

Economics

#3855

World Rank

#4359

Historical Rank

economics Degrees

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Business
Economics

Frédéric Godart's Degrees

PhD Sociology Stanford University
Masters Management HEC Paris
Bachelors Economics HEC Paris

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Why Is Frédéric Godart Influential?

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According to Wikipedia, Frédéric Godart is a French sociologist and researcher who is an Associate Professor of Organizational Behavior at INSEAD in Fontainebleau . His work is on the dynamics of creative industries, and fashion and luxury. He is co-editor-in-chief of Poetics: Journal of Empirical Research on Culture, the Media and the Arts. Godart's 2012 book is called Unveiling Fashion: Business, Culture, and Identity in the Most Glamorous Industry.

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Frédéric Godart's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Fashion with a Foreign Flair: Professional Experiences Abroad Facilitate the Creative Innovations of Organizations (2015) (164)
Sociology of Fashion: Order and Change (2013) (119)
How Do Cultural Producers Make Creative Decisions?: Lessons from the Catwalk (2009) (112)
Switchings under uncertainty: The coming and becoming of meanings (2010) (107)
Making the Most of the Revolving Door: The Impact of Outward Personnel Mobility Networks on Organizational Creativity (2014) (93)
Mobilizing Identities (2007) (73)
Network-Domains in Combat and Fashion Organizations (2010) (56)
Stories from Identity and Control (2007) (47)
the power structure of the fashion industry: Fashion capitals, globalization and (2014) (35)
Unveiling fashion : business, culture, and identity in the most glamourous industry (2012) (33)
Which boundaries? How mobility networks across countries and status groups affect the creative performance of organizations (2017) (28)
The Sociology of Creativity: Elements, Structures, and Audiences (2020) (26)
Empires, Federated Arrangements, and Kingdoms: Using Political Models of Governance to Understand Firms’ Creative Performance (2013) (25)
Trend Networks: Multidimensional Proximity and the Formation of Aesthetic Choices in the Creative Economy (2015) (21)
Harrison White : des réseaux sociaux à une théorie structurale de l'action. Introduction au texte de Harrison White Réseaux et histoires (2007) (21)
Explaining the Popularity of Cultural Elements: Networks, Culture, and the Structural Embeddedness of High Fashion Trends (2019) (21)
Is sustainable luxury fashion possible (2017) (19)
Influencing the Influencers: Diversification, Semantic Strategies, and Creativity Evaluations (2017) (18)
What is Social Status? Comparisons and Contrasts with Cognate Concepts (2009) (18)
Why is Style Not in Fashion? Using the Concept of “Style” to Understand the Creative Industries (2018) (17)
Culture, structure, and the market interface: Exploring the networks of stylistic elements and houses in fashion (2018) (15)
Produire en contexte d'incertitude: La construction des identités et des liens sociaux dans les marchés (2008) (11)
How and when do conglomerates influence the creativity of their subsidiaries? (2018) (11)
Turning Points and the Space of Possibles: A Relational Perspective on the Different Forms of Uncertainty (2013) (11)
Semantic Networks and the Market Interface: Lessons from Luxury Watchmaking (2017) (10)
Drivers of China’s Desire for Luxury and Consequences for Luxury Brands (2014) (9)
Brokerage and Production in the American and French Entertainment Industries: Invisible Hands in Cultural Markets (2016) (8)
Sector-Specific Regulation in European Electronic Communications & Meant to Disappear ? Regulation in European Electronic Communications & Meant to Disappear ? (2005) (7)
How History, Culture, and Demography Drive Luxury Consumption in Russia (2014) (7)
Task complexity and shared value orientation: exploring the moderators of a social dilemma in team social networks (2016) (6)
Relational Language: The Example of Changes in Business Talk (2010) (3)
Status and style in creative industries: The case of the fashion system (2009) (3)
Networks on the walls: Analyzing “traces” of institutional logics in museums’ permanent exhibitions (2020) (3)
The Aesthetic Turn in Strategy: Creating Value with Style (2020) (2)
Prise de décision créative en situation d’incertitude : le cas de la sélection des mannequins par les maisons de mode (2011) (1)
Material Matters: Objects, Value Orientations, and Network Ties Formation in Artistic Collectives (2019) (1)
17. Les bifurcations sont la règle et non l'exception : perspectives sur les différentes formes d'incertitude (2009) (1)
Dynamics and Evaluation of Organizational Style: From Practice to Category (2015) (1)
Transitory ties: A network ecology perspective on job opportunities in fashion modeling (2022) (1)
Book Review: Damon J. Phillips Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form (2014) (1)
The Trendmakers: Behind the Scenes of the Global Fashion Industry (2017) (1)
A Flair for Fashion: Professional Multicultural Experience and Creative Performance (2012) (0)
Lone Geniuses Or Collaborative Pairs? Formal Role Separation to Enhance Organizational Creativity (2020) (0)
Applying Political Models of Governance to Business Groups in Creative Contexts (2011) (0)
V. Symbolisation : la puissance des signes (2010) (0)
Giulia Mensitieri, “Le plus beau métier du monde”. Dans les coulisses de l’industrie de la mode (2020) (0)
IV. Personnalisation : la mode des métiers et des professionnels (2010) (0)
II. Convergence : la centralisation des tendances (2010) (0)
III. Autonomie : émergence et dynamique des styles (2010) (0)
Introduction / La mode, un « fait social total » ? (2010) (0)
I. Affirmation : la mode entre individu et société (2010) (0)
VI. Impérialisation : la mode systématisée (2010) (0)
Le défi de la mode durable (2021) (0)
Introduction / Les différents visages de la mode (2016) (0)
ONE. Identities Seek Control (2012) (0)
Performance implications of outward personnel mobility networks in creative industries (2011) (0)
Task complexity and value orientation: Exploring the moderators of a dilemma in social networks (2013) (0)
Reflections on Style and Strategy: an interview with Virginia Postrel (2020) (0)
Identity and Meaning in Organizational Networks: Evidence from Fashion Houses and Combat Units (2007) (0)
Reflections on Style and Strategy: An interview with Davide Ravasi (2020) (0)
Fashion Power: Status Transfer and Price (2017) (0)
The Costs of Co-Leadership in Fashion Houses, Mountaineering Teams, Qualitative Reports, and the Lab (2017) (0)
The Imperialization Principle — How Fashion Became Systematized (2012) (0)
The Network Structure of Cultural Toolkits and Organizational Creativity: Robust Cultural Elements in the Face of Mobility Shocks (2022) (0)
"Style Popularity in High Fashion: Resilience, Replication, and Embeddedness of Cultural Elements" (2014) (0)
Reflections on Style and Strategy: An interview with Antonio Strati (2020) (0)
"External Threat, Core-Periphery Structure, and Radical Innovation in French Fashion, 1945-1973" (2016) (0)
Social Movements, Identity Stereotypes and Gender: How Did #MeToo Affect Footwear Consumption? (2022) (0)
A Multilevel Perspective on Social Networks and Creativity/Innovation (2018) (0)
Introduction — The Six Principles of Fashion (2012) (0)
Gatekeepers, Structural Embeddedness of Firm Names, and Customers’ Demand in Luxury Watchmaking (2021) (0)
Coping with Professional Requirements and Organizational Constraints in the Staging of Art Museum Permanent Collections (2014) (0)
The Convergence Principle — The Centralization of Trends (2012) (0)
Fast-Paced Networks: How Varieties of Social Capital Impact Fashion Modeling Careers (2015) (0)
Styles and Market Structure: The Case of the Fashion Industry (2009) (0)
Conceptualizing and Measuring Outcomes in Creative Industries Research (2019) (0)
RELATIONAL SOCIOLOGY –TRANSATLANTIC IMPULSES Précis for Berlin – September 25, 2008: Meaning Emerges in Relation Dynamics (2008) (0)
Fast-Paced Networks: How Various Forms of Social Capital Impact the Careers of Fashion Models (2015) (0)
Reflections on Style and Strategy: An interview with Gianni Lorenzoni (2020) (0)
The Autonomy Principle — The Emergence and Dynamics of Styles (2012) (0)
Aesthetic and Technological Complexity in Luxury Watchmaking (2020) (0)
Reflections on Style and Strategy: An interview with Candace Jones (2020) (0)
Economic sociology at the crossroads (2012) (0)
Bridges across Chasms: How Mobility Across Geographic and Status Holes Affects Creative Performance (2016) (0)
Book Review: Book Review (2011) (0)
Superstar Longevity and Burnout in the Globalized Creative Industries: Who Gets to Walk the Catwalk, and for How Long? (2011) (0)
Social protest and cultural factors in the adoption of fur in the global fashion industry (2018) (0)
The Personalization Principle — Fashion and Its Professionals (2012) (0)
The Symbolization Principle — The Power of Signs and Meanings (2012) (0)
The Affirmation Principle — Fashion, between the Individual and Society (2012) (0)
Jack of many trades or master of few? Identity breadth and firm appeal in media-mediated markets (2013) (0)
Dancing with Names: The Dynamics of Perceptual Creativity in Diversification (2015) (0)
Cultural Stereotyping & the Role of Metacognitive Skills in Culturally Distant Work Relationships (2017) (0)
EIGHT. Overview and Contexts (2012) (0)

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