Garrett Stewart | Academic Influence

Garrett Stewart's AcademicInfluence.com Rankings

Garrett Stewart

Literature

#2931

World Rank

#5021

Historical Rank

Literary Theory

#33

World Rank

#37

Historical Rank

literature Degrees

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Literature

Garrett Stewart's Degrees

Bachelors English University of California, Berkeley

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Why Is Garrett Stewart Influential?

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According to Wikipedia, Garrett Stewart is an American literary and film theorist. He has served as the James O. Freedman Professor of Letters in the English Department at the University of Iowa since 1993. Career Stewart graduated with a B.A. from the University of Southern California in 1967 and then earned a Ph.D. in English from Yale University in 1971. He taught at Boston University and the University of California, Santa Barbara before joining the University of Iowa faculty.

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Garrett Stewart's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Dear Reader: The Conscripted Audience in Nineteenth-Century British Fiction (1996) (120)
Reading Voices: Literature and the Phonotext (1990) (96)
Between Film and Screen: Modernism's Photo Synthesis (1999) (80)
Death Sentences: Styles of Dying in British Fiction (1984) (55)
Framed Time: Toward a Postfilmic Cinema (2007) (54)
Dickens and the trials of imagination (1975) (46)
Novel Violence: A Narratography of Victorian Fiction (2009) (41)
Digital Fatigue: Imaging War in Recent American Film (2009) (35)
The Foreign Offices of British Fiction (2000) (26)
Bookwork: Medium to Object to Concept to Art (2011) (24)
Closed Circuits: Screening Narrative Surveillance (2015) (24)
Modern Hard Times: Chaplin and the Cinema of Self-Reflection (1976) (19)
Lying as Dying in Heart of Darkness (1980) (18)
Catching the Stylistic D/rift: Sound Defects in Woolf's the Waves (1987) (17)
Bookwork as Demediation (2010) (16)
Dickens and language (2001) (15)
Screen Memory in Waltz With Bashir (2010) (14)
The Look of Reading: Book, Painting, Text (2006) (14)
Pre-War Trauma: Haneke's The White Ribbon (2010) (12)
The New Mortality of Bleak House (1978) (10)
Amnesias of Murder: Mother (2010) (8)
Painted Readers, Narrative Regress (2003) (8)
Frame-Advance ModernismThe Case of Fritz Lang’s M (2016) (8)
Lawrence, "Being," and the Allotropic Style (1976) (7)
Coppola's Conrad: The Repetitions of Complicity (1981) (7)
The Deed of Reading: Literature * Writing * Language * Philosophy (2015) (7)
"Lamia" and the Language of Metamorphosis (1976) (7)
Keats and language (2001) (6)
Dickens and the Narratography of Closure (2008) (6)
The "Golden Bower" of Our Mutual Friend (1973) (5)
Cinecriture: Modernism's Flicker Effect (1998) (4)
The One, Other, and Only Dickens (2018) (4)
The Deed of Reading: Toni Morrison and the Sculpted Book (2013) (4)
Organic Reformations in Richard Powers's The Overstory (2021) (4)
Haneke's Endgame (2013) (4)
Vitagraphic Time (2006) (3)
The Mind's Sigh: Pictured Reading in Nineteenth-Century Painting (2004) (3)
Shakespearean Dreamplay (1981) (3)
The Value of Style in Fiction (2018) (3)
The Ethics of Temporality - A Rejoinder Syllepsis Redux and the Rhetoric of Double Agency (2012) (2)
Literary Impressionism and Modernist Aesthetics (review) (2003) (2)
The Long Goodbye from Chinatown (1974) (2)
Ethical Tempo of Narrative Syntax: Sylleptic Recognitions in Our Mutual Friend (2010) (2)
Digital Mayhem, Optical Decimation: The Technopoetics of Special Effects (2017) (2)
“Count me in”;: Dracula, hypnotic participation, and the Late‐Victorian gothic of reading (1994) (1)
Lit et rature “an earsighted view” (1989) (1)
Metallusion: The Used, the Renewed, and the Novel (2004) (1)
Forster's Epistemology of Dying (2011) (1)
Body Work: Objects of Desire in Modern Narrative (review) (2009) (1)
Transmedium: Conceptualism 2.0 and the New Object Art (2018) (1)
Contra Modernism: From the Mediatic to the Transmedial (2015) (1)
: Reading for the Plot: Design and Intention in Narrative. . Peter Brooks. (1986) (1)
Citizen Adam: The Latest James Ivory and the Last Henry James (2002) (1)
Introduction: The Science of British Literature, 1819, 1851, 1882–94 (2002) (1)
Review: Death Watch by Bertrand Tavernier (1983) (1)
‘Secondary Vocality’ and the Sound Defect (2015) (1)
2 PRODUCTION NOTES: Tech Specs (2020) (0)
Editor's Note (1969) (0)
Dickens's Style: Lived death: Dickens’s rogue glyphs (2013) (0)
Prose Sense and Its Soundings (2020) (0)
5 VFX FESTIVAL: SF and Beyond (2020) (0)
1.The Omitted Person Plot: Little Dorrit’s Fault (2019) (0)
Book Reviews (2008) (0)
5. THE OTHERING OF LIVES (2019) (0)
“Assertions in Technique”: Tracking the Medial “Thread” in Cavell’s Filmic Ontology (2020) (0)
I. The Pickwick Case: Diagnosis (1974) (0)
Cinemachines: An Essay on Media and Method (2020) (0)
Cinesthesia: Museum Cinema and the Curated Screen (2020) (0)
Words (2021) (0)
5. Splitting the Difference (2017) (0)
The Late Great Dickens: Style Distilled (2021) (0)
Allegorical Angst@@@The Transformations of Allegory (1975) (0)
Last Things First: A Reply to Sutton (2001) (0)
A Metacinematic Spectrum (2021) (0)
Dickens on Screen: Dickens, Eisenstein, film (2003) (0)
Verbal Fframe-Advance: Toward a Cinematographic Sentence (2022) (0)
Rabid Imaginists@@@Dickens and the Trials of Imagination (1976) (0)
Meredith of the Crossways@@@The Readable People of George Meredith (1976) (0)
Self-Relayance: Emerson to Poe (2013) (0)
Book, Text, Medium (2020) (0)
Film and literature: A debate revisited (1977) (0)
4. The Pivotal Swiveller (1974) (0)
6. Talking Room (2017) (0)
5. Death per Force: Tess’s Destined End (2019) (0)
Screenarration: The Plane and Place of the Image (2018) (0)
10. Books of Critical Interest Books of Critical Interest (pp. 622-631) (2008) (0)
POSTSCRIPT: Special AffX (2020) (0)
Attention Surfeit Disorder (2009) (0)
‘Beckoning Death’: Daniel Deronda and the Plotting of a Reading (1990) (0)
On the Brontëesque (2017) (0)
Scene One. Image Frames (2019) (0)
The Narrator in Heart of Darkness - Reply (1981) (0)
Hamlet’s ‘Serious Hearing’: ‘Sound’ vs. ‘Use’ of ‘Voice’ (2012) (0)
Prelude: Advance Press (2020) (0)
3. Mind Frames: Anne Brontë’s Exchange Economy (2019) (0)
Death per Force (2009) (0)
Cinemachines (2020) (0)
Actual (2020) (0)
4. Of Time as a River: The Mill of Desire (2019) (0)
Review (1984) (0)
Prelim: Conceptualism 2.0 (2019) (0)
Introduction. Narrative Intension (2019) (0)
2. Secondary Vocality (2017) (0)
Prologue: The Parable of The "Rosy Wine" (1974) (0)
Prose (2018) (0)
3. Errands of the Ear (2017) (0)
Backlog \ Prologue: Fiction in Its Prose (2019) (0)
1. THE PRYING “I” OF MONTAGE (2019) (0)
From photograph to photogram: Film's Victorian masterplot (2001) (0)
4 RERUN TRIPLE BILL: Kinks of Comedy (2020) (0)
Beyond the “auteur” theory (1977) (0)
6. Escape Artists (1974) (0)
Paper, Scissors, Ash: Defaced Books and the House of Fiction (2012) (0)
2. TELESCREEN PROSE (2019) (0)
Film Exists in a State of Philosophy: Two Contemporary Cavellian Views (2020) (0)
5. Apollo And The Naughty Company (1974) (0)
IIBook Quirks (2011) (0)
Rose Thurgood and Cicely Johnson (2011) (0)
The Ways of the Word (2022) (0)
Of Time as a River (2009) (0)
4. Imp-aired Words (2017) (0)
The Storied Book (2019) (0)
Epilogue / Dialogue: Novel Criticism as Media Study (2019) (0)
The Omitted Person Plot (2009) (0)
Borges and the bibliobject (2007) (0)
Teaching Prose Fiction: Some "Instructive" Styles (1975) (0)
4. IN PLANE SIGHT (2019) (0)
POSTFACE: ON MEDIATION AS INTERFACE (2019) (0)
8. PARALLEL WORLD EDITING (2019) (0)
The Gist of Reading by Andrew Elfenbein (review) (2019) (0)
1 SNEAK PREVIEW: Past the Apparatus? (2020) (0)
The Metanarrative Hall of Mirrors (2022) (0)
Contributors (1978) (0)
6. DIGITAL RECONNAISSANCE AND WIRED WAR (2019) (0)
Open-Circuit Narrative: Programmed Reading in Richard Powers (2022) (0)
Visualizing Books, Virtualizing Readers (2022) (0)
Interpolation as Critical Category (2022) (0)

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