Gary Scavone

Q: What Schools Are Affiliated With Gary Scavone

Gary Scavone is affiliated with the following schools: McGill University, Stanford University

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Gary Scavone

Communications

#10757

World Rank

#14486

Historical Rank

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Communications

Gary Scavone's Degrees

PhD Music Technology Stanford University
Masters Music Technology Stanford University

Why Is Gary Scavone Influential?

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According to Wikipedia, Gary Paul Scavone is a computer music researcher and musician. Scavone is currently an associate professor of music technology at McGill University. Previously, Scavone directed the Center for Computer Research in Music and Acoustics at Stanford University. He, along with Perry Cook, authored the Synthesis Toolkit . After conducting extensive research into the digital modeling of woodwind instruments , Scavone turned to the electronic synthesis of such instruments.

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Gary Scavone's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The Synthesis ToolKit (STK) (1999) (188)
An Acoustic Analysis Of Single-Reed Woodwind Instruments With An Emphasis On Design And Performance Issues And Digital Waveguide Modeling Techniques (1997) (93)
A SIMPLIFIED APPROACH TO HIGH QUALITY MUSIC AND SOUND OVER IP (2000) (76)
Measurement of vocal-tract influence during saxophone performance. (2008) (67)
Rtmidi, Rtaudio, and a synthesis Toolkit (STK) Update (2005) (56)
SONART : THE SONIFICATION APPLICATION RESEARCH TOOLBOX (2002) (53)
Perceptual evaluation of violins: a quantitative analysis of preference judgments by experienced players. (2012) (49)
Numerical simulations of fluid-structure interactions in single-reed mouthpieces. (2007) (39)
THE PIPE: Explorations with Breath Control (2003) (36)
Real-time Computer Modeling of Woodwind Instruments (1998) (36)
Perceptual evaluation of violins: A psycholinguistic analysis of preference verbal descriptions by experienced musicians. (2017) (30)
Sound reflection at the open end of axisymmetric ducts issuing a subsonic mean flow: A numerical study (2009) (28)
Different Strokes: a Prototype Software System for Laptop Performance and Improvisation (2006) (27)
The Wave Digital Tonehole Model (2000) (25)
PERCEPTUAL SPACES FOR SOUND EFFECTS OBTAINED WITH AN INTERACTIVE SIMILARITY RATING PROGRAM (2001) (24)
Characterization of woodwind instrument toneholes with the finite element method. (2012) (24)
Acoustical interaction between vibrating lips, downstream air column, and upstream airways in trombone performance. (2013) (24)
Digital Waveguide Modeling of Woodwind Toneholes (1996) (22)
Frequency Content of Breath Pressure and Implications for Use in Control (2005) (22)
Lattice Boltzmann simulations of the acoustic radiation from waveguides (2007) (19)
Design of Recursive Digital Filters in Parallel Form by Linearly Constrained Pole Optimization (2016) (19)
The sonic mapper: An interactive program for obtaining similarity ratings with auditory stimuli (2002) (18)
On the Use of Flute Air Jet as A Musical Control Variable (2005) (17)
Application of composite materials to the chenda, an Indian percussion instrument (2015) (17)
RtAudio: A Cross-Platform C++ Class for Realtime Audio Input/Output (2002) (16)
MODELING VOCAL-TRACT INFLUENCE IN REED WIND INSTRUMENTS (2003) (15)
Analysis/Synthesis of Sounds Generated by Sustained Contact Between Rigid Objects (2010) (15)
Noise-free haptic interaction with a bowed-string acoustic model (2011) (13)
Enhanced Wave-Based Modelling of Musical Strings. Part 2: Bowed Strings (2016) (13)
A landmark article on nonlinear time-domain modeling in musical acoustics. (2021) (13)
ANALYSIS / SYNTHESIS OF ROLLING SOUNDS USING A SOURCE-FILTE R APPROACH (2010) (13)
Digital modeling of bridge driving-point admittance from measurements on violin-family instruments (2013) (12)
Audio-Haptic Interaction with the Digital Waveguide Bowed String (2009) (12)
Digital Waveguide Modeling of the Non-Linear Excitation of Single-Reed Woodwind Instruments (1995) (12)
Laptop Performance: Techniques, Tools, and a New Interface Design (2006) (12)
Modeling Wind Instrument Sound Radiation Using Digital Waveguides (1999) (11)
Combined Linear and Nonlinear Periodic Prediction in Calibrating Models of Musical Instruments to Recordings (1994) (9)
Synchronous Multimodal Measurements on Lips and Glottis: Comparison Between Two Human-Valve Oscillating Systems (2014) (9)
Investigating the origin of interindividual differences in the preference for violins (2011) (9)
Joint Modeling of Bridge Admittance and Body Radiativity for Efficient Synthesis of String Instrument Sound by Digital Waveguides (2017) (9)
Time-Domain Synthesis of Conical Bore Instrument Sounds (2002) (9)
Vocal-tract Influence in Trombone Performance (2010) (9)
In-Vitro and Numerical Investigations of the Influence of a Vocal-Tract Resonance on Lip Auto-Oscillations in Trombone Performance (2015) (8)
A STABLE ACOUSTIC IMPEDANCE MODEL OF THE CLARINET USING DIGITAL WAVEGUIDES (2006) (8)
Development of an electrolabiograph embedded in a trombone mouthpiece for the study of lip oscillation mechanisms in brass instrument performance (2011) (8)
Modeling and Control of Performance Expressin in Digital Waveguide Models of Woodwind Instruments (1996) (8)
A COMPARISON OF IMPEDANCE MEASUREMENTS USING ONE AND TWO MICROPHONES (2007) (8)
Perceptual Evaluation of a Real-time Synthesis Technique for Rolling Sounds (2007) (8)
Effect of task constraints on the perceptual evaluation of violins (2015) (7)
Post-Classification of Nominally Identical Steel-String Guitars Using Bridge Admittances (2015) (7)
Investigation of the Relationships Between Perceived Qualities and Sound Parameters of Saxophone Reeds (2017) (7)
External Tonehole Interactions in Woodwind Instruments (2012) (7)
Investigation of the effect of upstream airways impedance on regeneration of lip oscillations in trombone performance (2012) (7)
CONCEPTUALIZATION OF VIOLIN QUALITY BY EXPERIENCED PERFORMERS (2013) (6)
Modeling of the subjective quality of saxophone reeds (2013) (6)
Time-Domain Analysis / Synthesis of the Excitation Signal in a Source / Filter Model of Contact Sounds (2008) (6)
Matching of fundamental modes at a junction of a cylinder and atruncated cone; application to the calculation of some radiation impedances (2015) (5)
Enhanced wave-based modelling of musical strings. Part 1: Plucked strings (2016) (5)
Scattering Parameters for the Keefe Clarinet Tonehole Model (1997) (5)
CORRIGENDUM: Lattice Boltzman simulations of the acoustic radiation from waveguides (2007) (5)
Time-domain simulation of the bowed cello string: Dual-polarization effect (2013) (5)
The Study of Mapping Strategies Between the Excitators of the Single-Reed Woodwind and the Bowed String (2019) (4)
On Minimum Bow Force for Bowed Strings (2017) (4)
Numerical Investigation of the Mean Flow Effect on the Acoustic Reflection at the Open End of Clarinet-Like Instruments (2010) (4)
Knowledge acquisition by listeners in a source learning task using physical models (2000) (4)
Refinements to the Model of a Single Woodwind Instrument Tonehole (2010) (4)
Microstructure Contributions to Vibrational Damping and Identification of Damage Mechanisms in Arundo Donax L: Reed Cane for Woodwind Instruments (2017) (4)
Three-dimensional tuning of idiophone bar modes via finite element analysis. (2021) (4)
Bridge Admittance Measurements of 10 Preference-Rated Violins (2013) (4)
Analysis-Synthesis of Saxophone Input Impedances via Recursive Parallel Filters (2017) (4)
Evaluating violin quality: How consistent are skilled players? (2010) (3)
Finite Element Modeling of Woodwind Instruments (2010) (3)
Optimization of marimba bar geometry by 3D finite element analysis (2019) (3)
Investigating vocal tract modifications during saxophone performance (2017) (3)
Acoustical modeling of the saxophone mouthpiece as a transfer matrix. (2021) (3)
Recent Developments in the Different Strokes Environment (2009) (3)
Digital modeling of string instrument bridge reflectance and body radiativity for sound synthesis by digital waveguides (2015) (3)
Perceptual evaluation of rolling sound synthesis (2011) (3)
COUPLING LATTICE BOLTZMANN MODELS TO DIGITAL WAVEGUIDES FOR WIND INSTRUMENT SIMULATIONS (2007) (2)
Modeling of a violin input admittance by direct positioning of second-order resonators (2011) (2)
Simulating different upstream coupling conditions on an artificial trombone player system using an active sound control approach (2013) (2)
Musical Acoustics Session 1 pMU : Player / Instrument Coupling 1 pMU 2 . Simulating different upstream coupling conditions on an artificial trombone player system using an active sound control approach (2013) (2)
An interactive similarity rating program for large timbre sets (2001) (2)
Thresholds for Discriminating Upward from Downward Trajectories for Smooth Virtual Source Motion Within a Sagittal Plane (2007) (2)
Acoustical properties of the vocal-tract in trombone performance (2011) (2)
Delay-Lines and Digital Waveguides (2018) (2)
Benchmarking the lattice Boltzmann method for the determination of acoustic impedances of axisymmetric waveguides (2006) (2)
Granular Analysis/Synthesis for Simple and Robust Transformations of Complex Sounds (2013) (2)
LBM SIMULATION OF THE QUASI-STATIC FLOW IN A CLARINET (2015) (2)
A comparison of vibration analysis techniques applied to the Persian setar (2012) (2)
Real‐time measurement/viewing of vocal‐tract influence during wind instrument performance (2006) (2)
Domain decomposition method for the digital waveguide mesh (2009) (2)
Computational analysis of the dynamic flow in single-reed woodwind instruments (2013) (2)
Vibrational analysis of arundo donax L (woodwind reed cane) through internal friction measurements and microstructure evaluation (2016) (2)
Sounds like melted chocolate: How musicians conceptualize violin sound richness (2019) (2)
Synchronous visualization of multimodal measurements on lips and glottis: Comparison between brass instruments and the human voice production system. (2013) (2)
Conformal method for the rectilinear digital waveguide mesh (2011) (1)
TROMBONE SOUND SIMULATION UNDER VARYING UPSTREAM COUPLING CONDITIONS (2013) (1)
Experimental measurements of a prototype vibraphone bar with three-dimensional cutaway geometry (2022) (1)
Creating virtual acoustic replicas of real violins (2019) (1)
Measurement-based comparison of marimba bar modal behaviour (2019) (1)
Input impedance measurements of conical acoustic systems using the two‐microphone technique (2008) (1)
An Acoustic and Perceptual Evaluation of Saxophone Pad Resonators (2015) (1)
STUDY OF THE PERCEIVED QUALITY OF SAXOPHONE REEDS BY A PANEL OF MUSICIANS (2013) (1)
Perceptual evaluation of violins: A comparison of intra-individual agreement in playing vs. listening tasks for the case of richness (2013) (1)
Evaluation and classification of steel string guitars using bridge admittances (2014) (1)
EVALUATING VIOLIN QUALITY : A COMPARISON OF PLAYER RELIABILITY IN CONSTRAINED VS UNCONSTRAINED TASKS (2013) (1)
The influence of the acoustic feedback on the fluid‐structure interaction within single‐reed mouthpieces: A numerical investigation (2007) (1)
A hybrid approach for simulating clarinetlike systems involving the lattice Boltzmann method and a finite difference scheme (2006) (1)
Tonehole Radiation Directivity: A Comparison of Theory to Measurements (2002) (1)
State-space modeling of sound source directivity: An experimental study of the violin and the clarinet. (2021) (1)
On the extraction of excitation from a plucked string sound in time domain (2011) (1)
AN INTERACTIVE PROGRAM FOR OBTAINING SIMILAIRTY RATINGS WITH AUDITORY STIMULI (2002) (1)
Enhanced simulation of the bowed cello string (2013) (1)
Experimental modal analysis/synthesis of saxophone input impedances (2016) (1)
Hybrid lattice-Boltzmann digital-waveguide simulation of wind instruments (2021) (0)
Material properties and microstructure contributions to vibrational damping in arundo donax L : Reed cane for woodwind instruments (2016) (0)
How different strings affect violin qualities (2018) (0)
The influence of the mean flow on the transmission properties of wind instruments (2008) (0)
Wind instrument acoustic research in the computational acoustic modeling laboratory, McGill University (2007) (0)
Numerical Simulation of Whistles Using Lattice Boltzmann Methods (2014) (0)
Evaluating Vocal‐Tract Influence in the Production of Saxophone Multiphonics (2008) (0)
Current State and Future Directions of Technologies for Music Instrument Pedagogy (2022) (0)
Tuning idiophone bar torsional modes with three-dimensional cutaway geometries (2021) (0)
Perceptual thresholds of violin soundpost length variation (2018) (0)
Categorization and lexicon in verbal descriptions of violin quality by performers (2014) (0)
A unified digital waveguide (infra)structure for synthesizing wind instrument sounds (2005) (0)
PLAYER EVALUATION OF PERFORMANCE AND STUDENT VIOLINS (2019) (0)
Investigating vocal tract effects during note transitions on the saxophone (2017) (0)
Time–domain synthesis of conical bore instruments (2001) (0)
Efficient rendering of saxophone sound by modal synthesis and wave scattering (2018) (0)
Static Stiffness Evaluation and Aging Behaviour of Played Alto Saxophone Reeds (2017) (0)
Mechanical, anatomical and modeling techniques for alto saxophone reed evaluation and classification (2020) (0)
Perception of violin soundpost tightness through playing and listening tests. (2021) (0)
Simulating a Hexaphonic Pickup Using Parallel Comb Filters for Guitar Distortion (2021) (0)
Accurate time-domain modeling of the bowed string (2016) (0)
Validating the Lattice Boltzmann Method for the Characterization of Impedances in Pipes (0)
Table of Contents (2011) (0)
Design of a mechanical player system for fatigue-life evaluation of woodwind reeds (2019) (0)
Aspects of experimental design for the perceptual evaluation of violin qualities (2011) (0)
On the bore shape of conical instruments (2011) (0)
Computational aeroacoustics for low Mach number flow using the lattice Boltzmann method (2020) (0)
ANALYTICAL MODEL OF THE TRANSITION BETWEEN CYLINDER AND CONICAL TUBES (2015) (0)
DESIGN , MANUFACTURING AND TESTING OF A CYLINDRICAL DRUM-SHELL USING A SANDWICH STRUCTURE (0)
Mechanical, anatomical and modeling techniques for alto saxophone reed evaluation and classification (2020) (0)
An Exploration of Guitar Neck Admittance Measurements Taken at Different String Stopping Locations (2017) (0)
Computational aeroacoustic modeling of single-reed mouthpiece using Palabos (2019) (0)
Tone hole radiation directivity measurements (2001) (0)
A perceptual study on the e ff ect of pad resonators on the saxophone (2014) (0)
AUDIO-HAPTIC INTERACTION WITH THE DIGITAL WAVEGUIDE (2009) (0)
Physical modelling synthesis of a harmonium (2022) (0)
Lattice Boltzmann simulations of sound directivity of a cylindrical pipe with mean flow (2013) (0)
Perception of violin soundpost height differences (2019) (0)
The Music Technology Program at McGill University (2004) (0)
A tutorial on the transfer matrix method for acoustic modeling (2021) (0)
Acoustical Analysis of the Chinese Transverse Flute (dizi) using the Transfer Matrix Method (2022) (0)
State-space simulation of sound source directivity for interactive geometric acoustics (2021) (0)
Mental Representation of Auditory Sources (2002) (0)
Input impedance measurements of alto saxophones with a calibration error analysis (2006) (0)
Two methods for acoustic modeling of the saxophone mouthpiece (2020) (0)
Exploring Simulation-Based Playability Metrics of 9 Perceptually Evaluated Violins (2017) (0)
Investigating the effect of body geometry on the acoustics of electric guitars (2016) (0)

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What Schools Are Affiliated With Gary Scavone?

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