Gerry Smyth | Academic Influence

Gerry Smyth's AcademicInfluence.com Rankings

Gerry Smyth

Literature

#3466

World Rank

#5765

Historical Rank

literature Degrees

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Literature

Gerry Smyth's Degrees

Bachelors English National University of Ireland
Masters English National University of Ireland
PhD English National University of Ireland

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Why Is Gerry Smyth Influential?

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According to Wikipedia, Gerry Smyth is an academic, musician, actor and playwright born in Dublin, Ireland. He works in the Department of English at Liverpool John Moores University, where he is Professor of Irish Cultural History. His early publications were mainly in the field of Irish literature, although since 2002 he has also written widely on the subject of Irish music.

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Gerry Smyth's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The Novel and the Nation: Studies in the New Irish Fiction (1997) (57)
Space and the Irish cultural imagination (2001) (55)
Decolonisation and Criticism: The Construction of Irish Literature (1998) (40)
Irish National Identity after the Celtic Tiger (2012) (30)
Helping Bilingual Pupils to Access the Curriculum (2003) (19)
The novel and the nation (1997) (17)
The Right to the City: Re-presentations of Dublin in Contemporary Irish Fiction (2000) (14)
Music in contemporary British fiction : listening to the novel (2008) (14)
The Politics of Hybridity: Some Problems with Crossing the Border (2000) (10)
Across the margins : cultural identity and change in the Atlantic archipelago (2002) (10)
The past, the post, and the utterly changed: Intellectual responsibility and Irish cultural criticism (1995) (10)
Irish studies, postcolonial theory and the ‘new’ essentialism (1999) (6)
Ireland unplugged: the roots of Irish folk/trad. (Con)Fusion (2004) (6)
Ethnicity and language (2013) (5)
Who's the greenest of them all? Irishness and popular music (1992) (5)
‘Amateurs and Textperts’: Studying Irish traditional music (1995) (5)
‘The natural course of things’: Matthew Arnold, Celticism and the English poetic tradition (1996) (5)
The Crying Game: postcolonial or postmodern? (1997) (4)
Decolonization and Criticism: Towards a Theory of Irish Critical Discourse (1999) (3)
The Keeper's Recital: Music and Cultural History in Ireland, 1770–1970 . By Harry White. Cork: Cork University Press in association with Field Day, 1998. 277 + xi pp. £14.95. (1999) (3)
Music and Irish Identity: Celtic Tiger Blues (2016) (3)
The Isle is full of noises: music in contemporary Ireland (2004) (3)
The Complete Guide to Celtic Music: From the Highland Bagpipe and Riverdance to U2 and Enya. By June Skinner Sawyers. London: Aurum Press, 2000. ix + 318 pp (2002) (2)
The ends of Ireland: criticism, history, subjectivity (2013) (2)
Irish Music Abroad: Diasporic Sounds in Birmingham . By Angela Moran. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2012. 211 pp. ISBN 978-1-4438-4037-8 (2013) (2)
The Judas kiss: Treason and betrayal in six modern Irish novels (2015) (2)
Editors’ Introduction (2017) (2)
Irish music: what it is and what we think it is (2010) (2)
Hymns to the silence: inside the words and music of Van Morrison (2011) (2)
Waking up in a Different Place: Contemporary Irish and Scottish Fiction (2001) (2)
From Shellshock Rock to Ceasefire Sounds: popular music in Northern Ireland (2008) (2)
The Representation of Dublin in Story and Song (2012) (1)
‘Waiting for the Performance to Begin’: Kazuo Ishiguro’s Musical Imagination in the Unconsoled and Nocturnes (2011) (1)
“The Same Sound but with a Different Meaning”: Music, Repetition, and Identity in Bernard Mac Laverty’s Grace Notes (2002) (1)
Popular Music and the Celtic Tiger (2014) (1)
Irish National Identity after the Celtic Tiger: A Lecture Delivered in the "New Perspectives on National Identity" Series Liverpool, Thursday 15th March 2012 (2012) (1)
‘Trust Not Appearances’: Political and Personal Betrayal in James Joyce's Ulysses (2014) (1)
Musical stereotyping and Irish identity: The case of the Pogues (2016) (1)
Déirdre and the sons of Usnach (2015) (1)
The Edinburgh companion to Irish modernism (2021) (1)
Explorations in cultural history (2001) (1)
Displacing the Nation: Performance, Style and Sex in Eimear McBride’s The Lesser Bohemians (2019) (1)
Being Difficult: The Irish Writer in Britain (2017) (1)
The Location of Criticism, or, Putting the ‘I’ into ‘Ireland’ (2001) (0)
Joyce and Music a Critical Fantasia (2020) (0)
A spy in the house of love (2015) (0)
Place, noise, nation: Towards a spatial analysis of Irish popular music (2004) (0)
Remapping Irish modernism (2018) (0)
Prolegomena: A musical day (2016) (0)
3 “ ‘ Join us ’ ” : Musical Style and Identity in “ My Dear Palestrina (2013) (0)
Two dramatic treatments of the ‘Déirdre’ legend: a case study in Irish betrayal (2013) (0)
Tiger, Theory, Technology (2007) (0)
‘You understand what domestic architecture ought to be, you do’: Finding Home in The Wind in the Willows (2006) (0)
Another Listen to the Music in ‘A Mother’ (2020) (0)
‘Not About Something … that Something Itself’: Musical Joyce and the Critics (2020) (0)
Waking up in a different place (2018) (0)
A Shout in the Street: Listening to the City in ‘Wandering Rocks’ (2020) (0)
“The orchestra of memory”: Music, Sound and Silence in A Goat’s Song [...] A sister is a honk in the void as the orchestra of memory takes to the air (2015) (0)
Editors’ Introduction (2017) (0)
The Irish novel 1960–2010 (2013) (0)
Jesus or Judas?: Francis Stuart’s Black List, Section H (1971) (2015) (0)
Irish Literary Criticism During the Revival (2020) (0)
Listening for the Music of What Happens: The Education of Stephen Dedalus (2020) (0)
Reader Acknowledgment (2017) (0)
‘Trust Not Appearances’: James Joyce’s Ulysses (1922) (2015) (0)
‘But Low, Boys Low, He Rises’: Joyce, Sea Shanties and the Irish Atlantic (2020) (0)
‘Show Me the Way to Go Home’: Space and Place in the Music of U2 (2001) (0)
Introduction (2018) (0)
'The Orchestra of Memory': Music, Sound and Silence in Dermot Healy's 'A Goat's Song' (2016) (0)
Making Spaces, Saving Places (2020) (0)
‘A family – a whole fucking country – drowning in shame’ (2015) (0)
Shanty singing and the Irish Atlantic: Identity and hybridity in the musical imagination of Stan Hugill (2017) (0)
‘Gardens All Wet With Rain’: Pastoralism in the Music of Van Morrison (2019) (0)
Music and Sound in the Life and Literature of James Joyce (2020) (0)
Here Comes Everybody! Remembering Joyce’s Music (2020) (0)
Singing the ﬁsherman’s blues: Mike Scott and the grain of the Irish voice (2016) (0)
Irish Cultural Studies and the Re-emergence of Spatial Analysis (2001) (0)
A short history of betrayal (2015) (0)
Trust Not Appearances (2015) (0)
The Judas kiss (2015) (0)
Cangled both to treachery (2015) (0)
From shellshock rock to ceasefire sounds (2016) (0)
Echo and Repetition in Chamber Music (2020) (0)
Secret history of Khalsa Durbar (2002) (0)
Across the margins: Cultural identity (2002) (0)
The Globalization of Irish Traditional Song Performance . By Susan H. Motherway. Farnham: Ashgate, 2013. 212 pp. ISBN 978-1-4094-3423-8 (2014) (0)
The Location of Criticism: Ireland and hybridity (1997) (0)
‘Join us’: Musical style and identity in Bernard MacLaverty’s ‘My Dear Palestrina’ (2014) (0)
Big Mistakes in Small Places: Exterior and Interior Space in Seamus Deane’s Reading in the Dark (2001) (0)
What the brother did in 1916 (2016) (0)
Moore, Wagner, Joyce: (2020) (0)
Joyce, George Moore and the Irish Wagnerian Novel (2020) (0)
The Role and Representation of Betrayal in the Irish Short Story since Dubliners (2020) (0)
The landscape of betrayal (2015) (0)
Nationalism and gender in the music of Augusta Holmès: Notes from an unwritten biography (2016) (0)

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