Hamid Naficy
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Iranian-American academic
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Sociology Philosophy
Hamid Naficy's Degrees
- Bachelors Sociology University of Tehran
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Why Is Hamid Naficy Influential?
(Suggest an Edit or Addition)According to Wikipedia, Hamid Naficy is an Iranian-born American filmmaker, writer, scholar, and educator. He is the Hamad Bin Khalifa Al-Thani Professor in Communication at Northwestern University in the department of Radio/Film/Television, an affiliate faculty member in the Department of Art History, and a core member of the Middle East and North African Studies Program.
Hamid Naficy's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- An Accented Cinema: Exilic and Diasporic Filmmaking (2001) (648)
- The Making of Exile Cultures: Iranian Television in Los Angeles (1993) (291)
- The Poetics and Practice of Iranian Nostalgia in Exile (1991) (64)
- Phobic Spaces and Liminal Panics: Independent Transnational Film Genre (1994) (46)
- Iranian Cinema under the Islamic Republic (1995) (40)
- Otherness and the Media: The Ethnography of the Imagined and the Imaged (1993) (33)
- Iranian feature film: A brief critical history (1979) (28)
- Nonfiction fiction: documentaries on Iran (1979) (27)
- Identity Politics and Iranian Exile Music Videos (1998) (25)
- Narrowcasting in diaspora: Middle Eastern television in Los Angeles (2003) (25)
- A social history of Iranian cinema (2011) (23)
- Multiplicity and multiplexing in today's cinemas: Diasporic cinema, art cinema, and mainstream cinema (2010) (20)
- Framing Exile: From Homeland to Homepage: Film, Media, and the Politics of Place (1999) (20)
- A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897-1941 (2011) (17)
- A Social History of Iranian Cinema: The Globalizing Era, 1984–2010 (2012) (17)
- Introduction: Framing exile: From homeland to homepage (2013) (15)
- A Review of Pharmacological Treatments for Hypersexual Disorder (2013) (14)
- Between Rocks and Hard Places: the Interstitial Mode of Production in Exilic Cinema: Film, Media, and the Politics of Place (1999) (14)
- A Social History of Iranian Cinema, Volume 4: The Globalizing Era, 1984-2010 (2012) (13)
- Islamizing Film Culture in Iran: A Post-Khatami Update: Politics, Representation and Identity (2002) (13)
- Exile discourse and televisual fetishization (1991) (13)
- Theorizing "Third-World" Film Spectatorship (1996) (12)
- Veiled voice and vision in iranian cinema : The evolution of Rakhshan Banietemad's films (2001) (12)
- A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978 (2011) (12)
- ISLAMIZING FILM CULTURE IN IRAN (1995) (11)
- Introduction--Consuming the Other (1991) (10)
- Theorizing ‘Third World’ Film Spectatorship: the Case of Iran and Iranian Cinema (2003) (10)
- A Social History of Iranian Cinema: The Islamicate Period, 1978–1984 (2012) (10)
- Iranian Émigré Cinema as a Component of Iranian National Cinema: Living with Globalization and the Islamic State (2008) (10)
- A Social History of Iranian Cinema: The Artisanal Era, 1897–1941 (2011) (9)
- A Social History of Iranian Cinema: The Industrializing Years, 1941–1978 (2011) (9)
- Mediating the Other: American Pop Culture Representation of Postrevolutionary Iran: Image and Perception (1997) (8)
- A Social History of Iranian Cinema, Volume 4 (2020) (8)
- Epistolarity and Textuality in Accented Films: On the Foreignness of Film (2004) (8)
- A Social History of Iranian Cinema, Volume 3: The Islamicate Period, 1978–1984 (2012) (8)
- From accented cinema to multiplex cinema (2009) (7)
- The Accented Style of the Independent Transnational Cinema: A Conversation with Atom Egoyan: Editing Events, Documenting Change at Century's En (1997) (7)
- Making films with an accent: Iranian émigré cinema (2002) (7)
- The Averted Gaze in Iranian Postrevolutionary Cinema (1991) (7)
- Power in America (1979) (5)
- Television Intertextuality and the Discourse of the Nuclear Family. (1989) (5)
- Autobiography, Film Spectatorship, and Cultural Negotiation (1989) (5)
- The Development of an Islamic Cinema in Iran (1987) (5)
- Iran media index (1984) (5)
- For a theory of regional cinemas: Middle Eastern, North African and Central Asian cinemas (2008) (5)
- Veiled Visions/Powerful Presences: Women in Postrevolutionary Iranian Cinema: Women in Postrevolutionary Iran (1994) (5)
- From Broadcasting to Narrowcasting: Middle Eastern Diaspora in Los Angeles (1993) (4)
- Palestinian Exilic Cinema and Film Letters: On Palestinian Cinema (2006) (4)
- Narrowcasting and Diaspora: Middle Eastern Television in Los Angeles: Mapping the Globe (2003) (3)
- Cinema Under the Islamic Republic (1990) (3)
- The effect of thyroid extract on luteal phase deficiency. (1975) (3)
- Women and the Semiotics of Veiling and Vision in Cinema (1991) (3)
- Islamizing Film Culture in Iran: Political Culture in the Islamic Republic (1992) (3)
- Poetics and Politics of Veil, Voice, and Vision in Iranian Postrevolutionary Cinema: Veiling, Representation and Contemporary Art (2003) (3)
- Accented filmmaking and risk taking in the age of postcolonial militancy, terrorism, globalization, wars, oppression, and occupation (2012) (3)
- Narrowcasting in Diaspora: Iranian Television in Los Angeles: A Global Television Reader (2002) (2)
- The Tutor's Guide (1985) (2)
- Narrowcasting and Nationality: Middle Eastern Television in Los Angeles (1993) (2)
- Richard Leacock: A Personal Perspective (1982) (2)
- Ethnography and African Culture: Jean Rouch on La Chasse au Lion à l’Arc and Les Maîtres Fous: The Cinema of Jean Rouch (2007) (2)
- Branch-Campus Initiatives to Train Media-Makers and Journalists: Northwestern University’s Branch Campus in Doha, Qatar (2013) (2)
- From Liminality to Incorporation: Iranian Exile Television in the USA (1991) (2)
- Cinema as a Political Instrument: The Dialectic of Continuity and Change (1981) (2)
- Cyclic hormonal changes in patients with congenital abscence of the uterus. (1977) (2)
- Teaching Accented Films As a Global Cinema (2012) (2)
- Faster than a Speeding Bullet, More Powerful than a Locomotive—Mutual Instrumentalization of Culture, Cinema, and Media by Iran and the U.S.: The 2009 Presidential Election Uprising in Iran (2010) (2)
- Direct Numerical Control (1970) (2)
- Cinematic Exchange Relations: Iran and the West: Interactions in Culture and Cultural Politics (2002) (2)
- Situating Accented Cinema: The Film Reader (2006) (2)
- Lured by the East: Ethnographic and Expedition Films about Nomadic Tribes—the Case of Grass (1924): Cinema and Travel (2006) (1)
- All Certainties Melt into Thin Air: Art-House Cinema, a “Postal” Cinema (2012) (1)
- Situating Accented Cinema: An Anthology (2004) (1)
- Under Cover, on Screen: Women’s Representation and Womens’s Cinema (2012) (1)
- Iranian Cinema: The Oxford History of World Cinema (1996) (1)
- Cultural dynamics of Iranian post‐revolutionary film periodicals (1992) (1)
- An Accented Cinema (2018) (1)
- Lured by the East: Ethnographic and Expedition Films about Nomadic Tribes—The Case of Grass (1925) (2020) (1)
- Iranian cinema: A Brief Take on a Long Film History (2002) (1)
- Documenting the Uprising, the Revolution, and the Emerging Opposition (2012) (1)
- Iranian Cinema: The New Iranian Cinema (1999) (1)
- The semiotics of veiling and vision: Women and cinema (1993) (1)
- Self-Othering: A Postcolonial Discourse on Cinematic First Contact (2000) (1)
- Jean Rouch: A Personal Perspective (1979) (1)
- Islamicizing Film Culture in Iran--An Update (1995) (1)
- Palestinian film letters (1995) (1)
- Open Learning: The Free University of Iran (1978) (1)
- 4. Epistolarity and Epistolary Narratives (2001) (1)
- Recurrent Themes in the Middle Eastern Cinema of Diaspora: Middle Eastern Identities in Transition (1995) (1)
- The Free University of Iran. Research and Evaluation of TV and Radio Programmes. (1976) (1)
- Males, Masculinity, and Power: The Tough-Guy Movie Genre and Its Evolution (2011) (1)
- The anthropological unconscious of Iranian ethnographic films: a brief take (2014) (1)
- Neorealism Iranian style (2011) (1)
- Popular Culture of Iranian Exiles in Los Angeles: Iranians in Los Angeles (1993) (1)
- 5. Iranian Internet Cinema, a Cinema of Embodied Protest : Imperfect, Amateur, Small, Unauthorized, Global (2021) (0)
- On Research and Evaluation of Television and Radio Programs at the Free University of Iran (1977) (0)
- The Piano Player (1969) (0)
- Veiled Visions/Powerful Presences: Women in Postrevolutionary Iranian Cinema: The New Iranian Cinema (1999) (0)
- Narrowcasting And Nationality (1992) (0)
- Sakhteh Shodan-e Farhangha-ye Dar Tabid: Kanalha-ye Telvezioni-ye Irani Dar Los Angeles (2003) (0)
- Women in Iranian Cinema: The 8th Annual Festival of Film from Iran (1998) (0)
- Beethoven: Triumph Over Silence (1984) (0)
- Cinema in Iran, 1900-1979 by Mohammad Ali Issari (1990) (0)
- Mediawork's Representation of the Other (1989) (0)
- Viva Cinema! Or How Cinema Changes Incessantly In Order to Remain the Same (2007) (0)
- Ellis Island: A Commune (1969) (0)
- Iranian Documentaries/Documentaries About Iran: Rice Cinema (2000) (0)
- Sonnat-e Qanat dar Iran (1977) (0)
- Iranian Cinema Under the Islamic Republic: Visual and Performing Arts of the Middle East (1998) (0)
- Kiarostami’s “Close-Up: Questioning Reality, Realism, and Neorealism": A Norton Reader (2005) (0)
- The Aesthetics and Politics of Iranian Exile Cinema (1990) (0)
- The Statist Documentary Cinema and Its Alternatives (2011) (0)
- Mitra Tabrizian “Border” with Andy Goldberg and Zadoc Nava (2006) (0)
- Shahed-e Sadeq (1996) (0)
- Negahi beh Filmha-ye Mostanad-e Boland (1976) (0)
- Crossing boundaries: Globalization of American Culture Does Not Necessarily Mean Control (1999) (0)
- Sima-ye Penhan, Hozuri Moqtader: Zanan dar Sinema-ye ba’d az Enqelab: Sinema-ye Novin-e Iran (2000) (0)
- Family Melodramas and Comedies: The Stewpot Movie Genre (2011) (0)
- “Truthful witness”;: An interview with Albert Maysles (1981) (0)
- Narrowcasting and Diaspora: Middle Eastern Television in Los Angeles: Race and Television in the United States (1998) (0)
- Cinema in Persia iii. Documentary Films: Encyclopaedia Iranica (1991) (0)
- Consumer Information Service (1972) (0)
- Consolidating a New “Islamicate” Cinema and Film Culture (2012) (0)
- Film-e Mostanad (1979) (0)
- Iran (Persia): Encyclopedia of Early Cinema (2005) (0)
- Mastery Teaching with Madeline Hunter (1980) (0)
- State Formation and Nonfiction Cinema: Syncretic Westernization during the First Pahlavi Period (2011) (0)
- The Blind Owl (1973) (0)
- Nostalzhi-yeh Mohajer (1996) (0)
- The Cage and the Suitcase: The Confining Spaces of the Iranian Cinema in Exile (1996) (0)
- Arabs in America (1981) (0)
- Sinema Beh Masabeh-ye Abzari Sisasi (1999) (0)
- Sinema-ye Iran: Sinema-ye Novin-e Iran (2000) (0)
- The Rape of Von Kleinsmid Pit (1968) (0)
- Branch-Campus Initiatives to Train Media-Makers and Journalists (2013) (0)
- King Rodney: The Rodney King Video and Film & TV Studies (2001) (0)
- Iranian Internet Cinema, a Cinema of Embodied Protest : Imperfect, Amateur, Small, Unauthorized, Global (0)
- The Stranger and the Fog, directed by Bahram Baizai, 1974 (1974) (0)
- The anthropological unconscious of Iranian ethnographic films (2018) (0)
- The Tutor's Guide (Film): Producer/Director (1985) (0)
- Film Misazam ta Mo'tarez-e Mardomshenasi Basham (1996) (0)
- Narrowcasting in Diaspora (2020) (0)
- Kabutarkhan [Pigeon Towers] (1978) (0)
- Negahi beh Arbain (1990) (0)
- Theta Evening News (1971) (0)
- Commercial Cinema’s Evolution: From Artisanal Mode to Hybrid Production (2011) (0)
- Tarikhnegari-ye Ista (1994) (0)
- The Cycle, directed by Dariush Mehrjui, 1977 (1985) (0)
- A word about illustrations (2020) (0)
- The Americanization and Indigenization of Lino Brocka through Cinema: Framework (1992) (0)
- Tall Shadows of the Wind, directed by Bahman Farmanara, 1980 (1985) (0)
- 3. Collective Mode of Production (2001) (0)
- The Middle East and North Africa on Film: An Annotated Filmography (1983) (0)
- Artisanal Silent Cinema in the Qajar Period (2011) (0)
- Cultural Dynamics of Iranian Post- Revolutionary Film Periodicals (1992) (0)
- Introduction: National Cinema, Modernity, and Iranian National Identity (2011) (0)
- Say-eh hay-e Boland-e Bad: Moruri bar Asar-e Bahman Farmanara va Chand Goftog (2001) (0)
- In This Issue… (2011) (0)
- Cinema under the Islamic Republic: A Decade of Iranian Cinema: 1980-1990 (1990) (0)
- Cinema in Iran, 1900–1979, Mohammad Ali Issari, New York: Scarecrow Press, 1990, 446 pages. Hardcover. Illustrated. (1989) (0)
- International Haggling over Iranian Public Screens (2011) (0)
- The Resurgence of Nonfiction Cinema: Postrevolutionary Documentaries and Fiction War Films (2012) (0)
- Theta Cable Fable Car (1972) (0)
- Film-e Mostanad va Film-e Dastani (1976) (0)
- Collecting Pre- and Post-Revolution Iranian Movie Posters in the United States and in Iran (2020) (0)
- Zan va 'Mas'aleh-ye Zan' dar Sinema-ye Ba'd az Enqelab (1991) (0)
- Dubbing, Doubling, and Duplicity (2005) (0)
- Modernity’s Ambivalent Subjectivity: Dandies and the Dandy Movie Genre (2011) (0)
- Sinema-ye Bivaseteh (1975) (0)
- Emergent Contestatory Films, Media Culture, and Public Diplomacy (2012) (0)
- A Transitional Cinema: The Feature Film Industry and Sound Cinema (2011) (0)
- Filmsazi, Kari Shabih-e Mahigiri (1996) (0)
- The Politics and Poetics of Iranian Art-House Cinema (2016) (0)
- Iranian, but with a Different Accent: A Cinema of Displacement or a Displaced Cinema? (2012) (0)
- Situando o Cinema com Sotaque (2010) (0)
- Parallel Worlds: Shirin Neshat (2000) (0)
- Siname-ye Mostanad dar Iran (2008) (0)
- On the Global Inter-, Multi-, and Trans-: Transcultural Documentary Practice (2008) (0)
- Taneshha-ye Farhang-e Sinema'i dar Jomhuri-ye Eslami (1996) (0)
- Iranian Cinema, Cinema of Displacement and Deliverance: MFA Films (1993) (0)
- A New Path to Higher Education (1975) (0)
- Behtarin Filmha-ye Zendegi-e Ma (2009) (0)
- From the Ashes, the Emergence of Cinema after the Revolution: 10th Festival of Iranian Cinema (2003) (0)
- Sexually Transmitted Disease (1982) (0)
- A Dissident Cinema: New-Wave Films and the End of an Era (2011) (0)
- Sonnat-e Qanat dar Iran [The Qanat Tradition in Iran] (1977) (0)
- Social Change in Post-Khomeini Iran Summary Report (2013) (0)
- Raveshha-ye Sinema-ye Mostanad (1977) (0)
- Iranian Internet Cinema, a Cinema of Embodied Protest: (0)
- Sinema-ye Lahjehdar (1999) (0)
- Chronic Obstructive Pulmonary Disease (1981) (0)
- Embodied Protest: Another Country (2012) (0)
- Divorce Iranian Style, directed by Kim Longinotto and Ziba Mir-Hosseini, 1988 (1999) (0)
- Social Change in Post-Khomeini Iran (2013) (0)
- Divorce Iranian Style. [Iran] 1998 76 min. Dir/Prod: Kim Longinotto and Ziba Mir-Hosseini for Channel 4, BBC/TV. Distributor: Women Make Movies, 462 Broadway, Suite 500 E, New York, NY 10013. Tel: 212/925-0606. Fax: 212/925-2052. Email: info@wmm.com (1999) (0)
- Ideological and Spectatorial Formations (2011) (0)
- Films with an Accent: Globalization of Cinema (2001) (0)
- Guneh-ye Film-e Jaheli dar Sinema-ye Iran: Barressi-ye Sakhtari-ye Film-e Dash Akol (1992) (0)
- Social Change in Post-Khomeini Iran Arabic Summary Report (2015) (0)
- Sinema-ye Kiarostami, Sinema-y Moallef (2016) (0)
- Transition from “Cinema of Idolatry” to an “Islamicate Cinema,” (2012) (0)
- History, Memory, and Film: Voices from Inside Lebanon: Jusur (1987) (0)
- 2. Interstitial and Artisanal Mode of Production (2001) (0)
- Neorealism Iranian Style: The Transnational History of a Film Style (2012) (0)
- The Sealed Soil, directed by Marva Nabili, 1976 (1985) (0)
- The Aesthetics and Politics of Iranian Cinema in Exile (2010) (0)
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