Afro-Cuban American artist
According to Wikipedia,
Harmonia Rosales is an Afro-Cuban American artist from Chicago. She works mostly as a classical painter depicting women and people of color assuming roles of power and beauty in exquisite imaginings of ancient myths, Afro-Cuban culture, and Renaissance paintings. Her style is detailed renderings involving oil paint, raw linens, gold leaf, and wood panels. Since 2017, her work has used iron oxide to portray not only African soil but the decay in African history in America, a choice she intended to amplify the question “Why? Why have we accepted Eurocentric perceptions of beauty and historical narratives for so long?” In 2017, Rosales posted an image, on social media, of her first completed work for her solo exhibition Black Imaginary To Counter Hegemony. This image was of The Creation of God, a piece of art that went viral. The painting is an oil-on-canvas piece that took two months to craft. In this painting, Rosales recreates Michelangelo’s Creazione di Adamo by displaying both God and Adam as Black women. Some have described The Creation of Adam as having indescribable beauty in showing Jehovah’s finger and the elegant, naked body of the first man. In contrast, the painting created by Rosales shows God as a black woman and creates the illusion of the heavens as a womb from which she is birthing Eve in an act of strength and empowerment. This piece received much backlash, with critics going as far as calling her work a “disgrace, disgusting and cultural appropriation.” However, Rosales was trying to demonstrate that “we have been taught that God created ‘man’ in his own image. [But] in fact, we have created God in our own image.” This is why she called this painting The Creation of God. This image was created to show that White subjects are the standard in classic art while challenging the viewer to consider why that practice is commonly accepted.
Harmonia Rosales is affiliated with the following schools: