Horst Bredekamp | Academic Influence

Horst Bredekamp's AcademicInfluence.com Rankings

Horst Bredekamp

Education

#803

World Rank

#1168

Historical Rank

Pedagogy

#247

World Rank

#322

Historical Rank

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Education

Horst Bredekamp's Degrees

PhD Art History Free University of Berlin

Why Is Horst Bredekamp Influential?

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According to Wikipedia, Horst Bredekamp is a German art historian and visual historian. Life and work Bredekamp studied art history, archaeology, philosophy and sociology in Kiel, Munich, Berlin and Marburg. In 1974 he received his doctorate at the Philipps-Universität Marburg with a thesis on art as a medium of social conflicts, especially the "Bilderkämpfe" of late antiquity to the Hussite revolution. He worked first as a volunteer at the Liebieghaus in Frankfurt am Main, from 1976 as assistant in the division of Art History at the University of Hamburg.

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Horst Bredekamp's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

From Walter Benjamin to Carl Schmitt, via Thomas Hobbes (1999) (82)
The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art and Technology (1995) (76)
A Neglected Tradition?Art History as Bildwissenschaft (2003) (65)
Image Acts: A Systematic Approach to Visual Agency (2017) (50)
Culture, Technology, Cultural Techniques – Moving Beyond Text1 (2013) (29)
Image Acts (28)
The Technical Image: A History of Styles in Scientific Imagery (2015) (25)
The Cambridge Companion to Hobbes's Leviathan: Thomas Hobbes’s Visual Strategies (2007) (22)
Gazing Hands and Blind Spots: Galileo as Draftsman* (2000) (17)
gazing hands and blind spots: galileo as draftsman (2001) (15)
Von Walter Benjamin zu Carl Schmitt, via Thomas Hobbes (1998) (8)
Walter Benjamin’s Esteem for Carl Schmitt (2017) (7)
Galileo’s Thinking Hand (2019) (6)
The Simulated Benjamin: Medieval Remarks on its Actuality (2009) (5)
Sandro Botticelli: The Drawings for Dante's Divine Comedy (2000) (4)
A Galileo forgery : unmasking the New York Sidereus nuncius (2014) (4)
Material Agencies (2020) (2)
The Picture Act: Tradition, Horizon, Philosophy (2014) (2)
Staging Neoclassicism. Antonio Canova’s Exhibition Strategies for Triumphant Perseus (2010) (1)
Leviathan: Body politic as visual strategy in the work of Thomas Hobbes (2020) (1)
Darwin's Corals (2019) (1)
Philosophical Anthropology and the Embodied Cognition Paradigm: On the Convergence of Two Research Programs (2011) (1)
Transformatio et Continuatio: Forms of Change and Constancy of Antiquity in the Iberian Peninsula 500-1500 (2017) (1)
HORIZONS OF PICTURE ACT AND EMBODIMENT (2012) (1)
Hercules in the Garden of the Hesperides: A Geographical Myth in the Creation Tapestry? (2017) (1)
Der konturlose Staat (2010) (0)
VII Towards a Psychology of the Forger (2014) (0)
Falconry as a Variant of the Image Act (2020) (0)
Evaluation Process at the Austrian Academy of Sciences (2003) (0)
Galileo's: Vol. I: Galileo's Sidereus Nuncius (Ed. by: Irene Brückle; Oliver Hahn); Vol. II: Paul Needham, Galileo Makes a Book (2011) (0)
V. Intrinsic Image Acts: Image as Form (2017) (0)
Rubens, the Antique, and Originality Redrawn (2010) (0)
Volume II: XI. Parallel Printing and Running Titles (with David Vander Meulen) (2011) (0)
VI. Conclusion: The Nature of the Image Act (2017) (0)
Volume II: IV. Design and Layout (2011) (0)
The aura of the image (2021) (0)
Michael Jackson in Bukarest (2008) (0)
Art History Is the Best Discipline: Horst Bredekamp inConversation with Ladislav Kesner (2014) (0)
Reconstructing Antiquity in the 1770s: The Decoration of Pliny the Younger’s Villa Maritima in Count Stanislaus K. Potocki’s Vision (2010) (0)
1. Truth but No Consequences: Why Philosophy Doesn't Matter Truth but No Consequences: Why Philosophy Doesn't Matter (pp. 389-417) (2003) (0)
Volume II: VIII. The Moon Etchings (2011) (0)
Volume I: The Signature Inscription (2011) (0)
Image Science and Embodiment or: Peirce as Image Scientist (2011) (0)
The Originality of Copies. An Introduction (2010) (0)
Volume I: The Example of the Large Crater (2011) (0)
The superstes Resurrection, the Survival of Antiquity, and the Poetics of the Body in Romanesque Sculpture (2017) (0)
Volume II: V. The Sidereus Nuncius Autograph Dossier (2011) (0)
Volume II: II. Structure, Format and Paper of Sidereus Nuncius (2011) (0)
More than a Linguistic Turn in Philosophy: The Semiotic Programs of Peirce and Cassirer (2011) (0)
Autonomy and Asceticism (2014) (0)
CENSUS, IMAGO, TECHNICAL IMAGE, PROMETHEUS: Projects of Digital Art History (2004) (0)
III. Schematic Image Acts: Animation of the Image (2017) (0)
False Ski-Turns: Edgar Wind’s Critique of Heidegger and Sartre (2014) (0)
Volume II: XII. Quire A; The Completed Book (2011) (0)
Synesthesia and the Theory of Signs (2011) (0)
Volume II: Introduction (2011) (0)
Contemporary Art: Zkm Center for Art and Media Karlsruhe (1997) (0)
Original Rom? Das Originale der Rekonstruktion in Piranesis Antichità Romane (2010) (0)
Volume II: VII. Quire C (2011) (0)
Volume I: The Drawings: The Example of Page 8r (2011) (0)
Postscript: The Eye in Flight (2017) (0)
Volume II: Appendix (2011) (0)
Volume I: The Fingerprints and Other Discoveries (2011) (0)
Volume II: XIV. Publication and Distribution; Galileo's Presentations (2011) (0)
I. Origins and Concepts (2017) (0)
Early Forms of Articulation (2017) (0)
Introduction: The Problematic Centrality of the Image (2017) (0)
The Master of the Tympanum of Cabestany Continuous Sculptural Metamorphosis (2017) (0)
II. Inherent Theory (2017) (0)
II. DAS THEATER DER EXPONATE (2004) (0)
On the Good Ship Lollipop (2019) (0)
Bernini’s Bees – Picasso’s Bulls. On the Death of the American Art Historian Irving Lavin (1927–2019) (2019) (0)
Volume II: I. January 1610 (2011) (0)
Construction and Collapse of a Hernhut Mission Community at the Cape (1997) (0)
Darwin's Corals: A New Model of Evolution and the Tradition of Natural History (2019) (0)
Volume II: III. Printing Materials (2011) (0)
Volume II: IX. Quire D (2011) (0)
Water, Earth and Wind – A Ship Sailing from Within (2019) (0)
Galilei’s Spiral Scribbles, Campanella and Fludd (2016) (0)
The Garden of Forking Paths (2012) (0)
Leibniz’s Concept of Agens in Matter, Space, and Image (2021) (0)
Volume II: XIII. The Martayan Lan Proof Copy (2011) (0)
VIII Final Thoughts (2014) (0)
Bodies in Action and Symbolic forms : Zwei (2018) (0)
A Genre of Copies and Copying? The Eighteenth-Century Portrait Bust and Eighteenth-Century Responses to Antique Sculpture (2010) (0)
IV. Substitutive Image Acts: The Exchange of Body and Image (2017) (0)
Art History and Prehistoric Art: Rethinking their Relationship in the Light of New Observations (2019) (0)

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