Hugo Leichtentritt
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Most Influential Person Across History
German-Jewish musicologist and composer
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(Suggest an Edit or Addition)According to Wikipedia, Hugo Leichtentritt was a German-Jewish musicologist and composer who spent much of his life in the USA. His pupils include composers Leroy Robertson and Erich Walter Sternberg. Early life Leichtentritt was born to a family of Jewish merchants in Pleschen, German Empire. His German father, Gerson Leichtentritt, was a successful distillery owner. His mother, Frances Caroline Wax, was from Boston, Massachusetts. His great-uncle, Hirsch Leichtentritt, had a high social rank among local nobility, and was responsible for the small Leichtentritt family fortune.
Hugo Leichtentritt's Published Works
Published Works
- Music, History and Ideas (1938) (15)
- 4 The Netherlands (1956) (7)
- THE REFORM OF TRENT AND ITS EFFECT ON MUSIC (1944) (6)
- HANDEL'S HARMONIC ART (1935) (5)
- MECHANICAL MUSIC IN OLDEN TIMES (1934) (5)
- Serge Koussevitzky, the Boston Symphony Orchestra, and the new American music (1946) (4)
- Leichtentritt's "History of the motet" (1958) (3)
- Helen Hewitt, ed., Harmonice Musices Odhecaton A , Cambridge, Massachusetts, 1942. Cambridge, Mass.: The Mediaeval Academy of America. Cloth. $4.00. (1943) (3)
- GERMAN MUSIC OF THE LAST DECADE (1924) (2)
- THE RENAISSANCE ATTITUDE TOWARDS MUSIC (1915) (2)
- Aesthetic Ideas as the Basis of Musical Styles (1945) (1)
- The Problem of Reconstruction in Monteverdi (1937) (1)
- 13 Latin America (1956) (1)
- FERRUCCIO BUSONI AS A COMPOSER (1)
- 2 The Hebrews (1956) (0)
- CHAPTER X. aesthetic ideas as the basis of musical styles and forms (1951) (0)
- CHAPTER FIVE. THE REFORMATION (1947) (0)
- CHAPTER VI. theme and variations (1951) (0)
- 12 Hungary and Rumania (1956) (0)
- CHAPTER FOUR. THE RENAISSANCE (1947) (0)
- CHAPTER 13. THE ARTIST KOUSSEVITZKY (1946) (0)
- CHAPTER XIV. additional remarks on song form (1951) (0)
- CHAPTER 9. THE RUSSIAN-AMERICAN SCHOOL -AND OTHERS (1946) (0)
- CHAPTER TWELVE. THE TWENTIETH CENTURY (1947) (0)
- CHAPTER IV. Y the contrapuntal forms (1951) (0)
- Folk-Song in Its National Aspect (1947) (0)
- SCHUBERT'S EARLY OPERAS (0)
- CHAPTER 7. ILLUSTRATIVE AMERICAN PROGRAM MUSIC (1946) (0)
- CHAPTER XIII. the forms of unison music (1951) (0)
- CHAPTER 8. JUDAISM IN AMERICAN MUSIC (1946) (0)
- CHAPTER 14. KOUSSEVITZKY AS AN EDUCATOR (1946) (0)
- CHAPTER V. the suite (1951) (0)
- CHAPTER XI. logic and coherence in music (1951) (0)
- CHAPTER NINE. THE FRENCH REVOLUTION AND THE NAPOLEONIC AGE (1947) (0)
- CHAPTER ELEVEN. THE “MUSIC OF THE FUTURE” (1947) (0)
- CHAPTER 12. RETROSPECTIVE GLANCE (1946) (0)
- CHAPTER THREE. THE GOTHIC PERIOD (1947) (0)
- CHAPTER XXII. arnold schdnberg: opus 11 and opus 19 (1951) (0)
- CHAPTER TEN. THE ROMANTIC MOVEMENT (1947) (0)
- CHAPTER II. irregularities in the construction of musical phrases (1951) (0)
- CHAPTER I. the regular construction of musical phrases (1951) (0)
- CHAPTER III. the song forms and their application to the dance and march (1951) (0)
- CHAPTER 6. FIRST WAVE OF AMERICANISM IN MUSIC (1946) (0)
- CHAPTER 3. TWO OLDER GENERATIONS OF AMERICAN COMPOSERS (1946) (0)
- CHAPTER XII. the accompaniment in its formal and stylistic significance (1951) (0)
- CHAPTER XXI. Anton Bruckner: the eighth symphony (1951) (0)
- 6 Germany, Austria, and Switzerland (1956) (0)
- CHAPTER VIII. the sonata (1951) (0)
- 3 Supranational Polyphony (1956) (0)
- 7 France and Belgium (1956) (0)
- CHAPTER XVIII. free forms (1951) (0)
- CHAPTER TWO. GREGORIAN CHANT AND ROMANESQUE ART (1947) (0)
- Everybody's Little History of Music (1938) (0)
- CHAPTER SIX. SEVENTEENTH–CENTURY BAROQUE (1947) (0)
- CHAPTER 2. KOUSSEVITZKY'S FIRST SEASONS IN BOSTON (1946) (0)
- Serge Koussevitzky (1950) (0)
- CHAPTER 11. THE NEW AMERICANISM OF THE THIRTIES AND FORTIES (1946) (0)
- Lortzing in Germany (1931) (0)
- CHAPTER IX. the vocal forms (1951) (0)
- 14 The United States (1956) (0)
- 11 The Slavic Nations (1956) (0)
- CHAPTER XXIII. in conclusion (1951) (0)
- CHAPTER XVI. variation form (1951) (0)
- 8 Spain and Portugal (1956) (0)
- CHAPTER XX. fantasy (1951) (0)
- CHAPTER ONE. THE MUSIC OF THE GREEKS (1947) (0)
- CHAPTER 10. THE NEO-CLASSICISM OF STRAVINSKY AND HINDEMITH IN AMERICAN MUSIC (1946) (0)
- CHAPTER XVII. sonata form (1951) (0)
- CHAPTER 4. SECOND PHASE OF AMERICAN SYMPHONIC WRITING (1946) (0)
- CHAPTER SEVEN. BAROQUE AND RATIONALISTIC TRAITS IN BACH AND HANDEL (1947) (0)
- CHAPTER EIGHT. CLASSICAL TENDENCIES OF THE LATER EIGHTEENTH CENTURY (1947) (0)
- CHAPTER XIX. concerto form (1951) (0)
- CHAPTER 5. FRENCH IMPRESSIONISM AND EXOTICISM IN AMERICAN MUSIC (1946) (0)
- Miserere : Psalm LI, for four women's voices, soli and in chorus, with piano accompaniment (1937) (0)
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