Ian Pace
#126,255
Most Influential Person Now
British pianist
Ian Pace's AcademicInfluence.com Rankings
Download Badge
Communications
Ian Pace's Degrees
- PhD Music University of Southampton
Why Is Ian Pace Influential?
(Suggest an Edit or Addition)According to Wikipedia, Ian Geoffrey Pace is a British pianist. Pace studied at Chetham's School of Music, The Queen's College, Oxford and the Juilliard School in New York. His main teacher was the Hungarian pianist György Sándor.
Ian Pace's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- COMPOSITION AND PERFORMANCE CAN BE, AND OFTEN HAVE BEEN, RESEARCH (2015) (14)
- Tim Rutherford-Johnson, Music after the Fall: Modern Composition and Culture since 1989 (2017) (13)
- Notation, Time and the Performer’s Relationship to the Score in Contemporary Music (2009) (10)
- Unfolding Time: Studies in Temporality in Twentieth Century Music (2009) (7)
- Positive or negative 1 (1998) (7)
- Uncommon ground : the music of Michael Finnissy (1997) (7)
- The Piano Music (1998) (6)
- Music of the Absurd? Thoughts on recent Kagel (1997) (5)
- The New State of Play in Performance Studies (2017) (4)
- The Panorama of Michael Finnissy (II) (1996) (4)
- Conventions, Genres, Practices in the Performance of Liszt’s Piano Music (2006) (3)
- Verbal Discourse as Aesthetic Arbitrator in Contemporary Music (2009) (3)
- Complexity as Imaginative Stimulant: Issues of Rubato, Barring, Grouping, Accentuation and Articulation in Contemporary Music, with Examples from Boulez, Carter, Feldman, Kagel, Finnissy (2007) (3)
- The harpsichord works of Iannis Xenakis (2001) (3)
- Negotiating borrowing, genre and mediation in the piano music of Finnissy (2019) (3)
- Does elite music teaching leave pupils open to abuse (2015) (2)
- Positive or negative 2 (1998) (2)
- The culture of music education lends itself to abuse (2013) (2)
- The Cold War in Germany as ideological weapon for anti-modernists (2011) (2)
- Music teacher sentenced to 11 years in prison as abuse film Whiplash prepares for Oscars (2015) (2)
- Positions, Methodologies and Aesthetics in the Published Discourse about Brian Ferneyhough: A Critical Study (2015) (2)
- Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti's Études for Piano (2012) (2)
- The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45) (2018) (2)
- Response to Charlotte C. Gill article on music and notation – full list of signatories (2017) (2)
- Never to Be Naught (1997) (2)
- Performing Liszt in the Style Hongroise (2007) (1)
- Book Reviews (2007) (1)
- Michael Finnissy's "The History of Photography in Sound": A Study of Sources, Techniques and Interpretation (2013) (1)
- The RAE and REF: Resources and Critiques (2018) (1)
- The Perils of Pluralism (1998) (1)
- Critical Perspectives on Michael Finnissy (2019) (1)
- Response to Stella Duffy on the arts, elitism, and communities (2017) (1)
- The New State of Play in Performance Studies (2017) (1)
- The Panorama of Michael Finnissy (I) (1996) (1)
- Beginner's mind (2003) (1)
- Lachenmann's Serynade--Issues for Performer and Listener (2005) (1)
- Introduction (2019) (1)
- Ethnographically sourced experiences of Ethnomusicology – a further response to the debate (2016) (1)
- "The Best Form of Government…": Cage’s Laissez-Faire Anarchism and Capitalism (2007) (1)
- World Premiere Performance 2 June 2017 - Luc Brewaeys, completed Michael Finnissy, The Dale of Tranquillity (2004, completed 2017) (2017) (0)
- Guest Editorial: UK Gold? (1999) (0)
- CD recording - David Felder, Rocket Summer (2013) (0)
- Michael Finnissy at 70: The piano music (1) (2016) (0)
- Gordon Downie and Ian Pace: A Dialogue (2007) (0)
- World Premiere 3 August 2013, York Late Music Festival - Frederic Rzewski, Illusions perdus for solo piano (2013) (0)
- World Premiere Performance 2 August 2014 - Ralph Bateman Studies (2014) (0)
- Finnissy, Michael (Peter) (2001) (0)
- Some final thoughts on composition, performance, the REF, and teaching (2015) (0)
- Tempo and its modifications in the music of Brahms from primary sources and evidence of early performers (2012) (0)
- Robert Waddington, Former Dean of Manchester Cathedral, and Chetham's School of Music (2013) (0)
- The Tory Government distrusts the arts and humanities – but what about academics? (2018) (0)
- Child abuse and identity politics – the normalisation of abuse on such grounds (2014) (0)
- 23 World Premieres of New Commissions for Ian Pace at 50 - 30 April 2018. Composers including Patricia de Almeida, James Dillon, Michael Finnissy, Christopher Fox, Sadie Harrison, Morgan Hayes, Wieland Hoban, Alwynne Pritchard, Lauren Redhead, Walter Zimmermann (2019) (0)
- Floating, Drifting (CD Recording) (2018) (0)
- World Premiere Performance - Samuel Andreyev, Piano Pieces I-IV (2011-16) - 25 May 2018. With UK Premieres of piano works of Betsy Jolas. (2018) (0)
- Michael Finnissy - Verdi Transcriptions (2005) (0)
- Ethnographic Approaches to the Study of Western Art Music: Questions of Context, Realism, Evidence, Description and Analysis (2020) (0)
- New article on abuse and classical music by Damian Thompson in the Spectator, and some wider reflections on classical music and abuse (2014) (0)
- Horatiu Radulescu - first recording of L'Exil Intérieur for Cello and Piano, opus 98, with Catherine Tunnell - on Mode Records MOD-CD-313 (2018) (0)
- CD recording - Lauren Redhead, Robin and Marian (2012) (0)
- Hierarchies in New Music: Composers, Performers, and 'Works' (2013) (0)
- Music in Germany Since 1968 by Alastair Williams. Cambridge: Cambridge University Press, 2013. £60.00. (2014) (0)
- The Fetish of the 'Contemporary' (2013) (0)
- World Premiere 30 May 2014 - Adam de la Cour, Holy Toledo (2013-14) (2014) (0)
- The Theatrical Works (1998) (0)
- Repertoire Guide: Richard Barrett (1996) (0)
- Premieres of 16 New Piano Pieces, 13 May 2019 (2019) (0)
- Radio Broadcast of Volker Heyn 203 (55' piano piece) for Westdeutscher Rundfunk (2019) (0)
- Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences (2022) (0)
- Modulor von Ian Willcock (1999) (0)
- Modulor by Ian Willcock (1999) (0)
- World Premiere 7 May 2016 - York Late Music - Andrew Toovey, First Out (2016) (2016) (0)
- Book Review: Music in Germany Since 1968 by Alastair Williams (2014) (0)
- World Premiere Performance of Herman Vogt, Concordia Discors, Études - Ultima Oslo Contemporary Music Festival 10 - 19 September 2015 (2015) (0)
- Interview with Marc Bridle (2001) (0)
- Modernist Fantasias: The Recuperation of a Concept (2019) (0)
- Between Adorno and HIP: Possibilities of Synthesis (2008) (0)
- Eleven Concert Series of Complete Piano Works of Michael Finnissy, February 2016-January 2017 (2017) (0)
- Quilting Points and Ethnomusicology (2016) (0)
- Marcel Gazelle and the Culture of the Early Yehudi Menuhin School (2013) (0)
- World Premiere 12 January 2013, Teatro Académico, Coimbra, Portugal - Patricia de Almeida, Reditus ad Vitam (2012) (2013) (0)
- The Marxist programme note: The logic of the supplement in the textual accompaniment (2006) (0)
- World Premiere Performance 2 June 2017 - Marc Yeats, william mumler’s spirit photography (2016) (2017) (0)
- The Anatomy of Melancholy - The Piano Music of Marc Yeats (CD Recording) (2019) (0)
- How to negotiate the tricky territory of ‘fascist music’ (2016) (0)
- Luigi Dallapiccola and Musical Modernism in Fascist Italy by Ben Earle (review) (2017) (0)
- Review, Serge Prokofiev – Fiftieth Anniversary Set (Warner Classics) (2003) (0)
- Musicology is not Musical PR (2013) (0)
- World Premiere Performance, 7 May 2016 - Michael Finnissy, Beethoven's Robin Adair (2016), co-commissioned by York Late Music and Transit Festival (2016) (0)
- The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (1) (2019) (0)
- Ian Pace Interview 528 (2005) (0)
- Marxism and Britain (2017) (0)
- Alan Doggett, first conductor of Joseph and Jesus Christ Superstar, and the Paedophile Information Exchange (2014) (0)
- Position Statement: 'Questioning the Gap: Defining a Role for the SMA in Preparing Students for Music Degrees in Higher Education Today', SotonMAC, 30 July 2019 (2019) (0)
- Three Concert Series - History of Contemporary Piano Music, York Late Music Festival (2018) (0)
- World Premieres - new commissions from Howard Skempton, John White, David Power, Edward Caine, Steve Crowther - Late Music Concerts, York, 6 May 2017 (2017) (0)
- World Premiere Performance 29 October 2016 - Patrícia de Almeida, Vacuum Corporis (Piano Piece 4) - commissioned by Transit New Music Festival, Leuven, Belgium (2016) (0)
- World Premiere Performance 29 October 2016 - Lauren Redhead, For Luc Brewaeys (2016) - commissioned by Transit New Music Festival, Leuven, Belgium (2016) (0)
- Homage to David Tudor - Recreation of combined programmes of avant-garde pianist David Tudor, Jacqueline du Pré Music Building, Oxford (2017) (0)
- My contribution to the debate ‘Are we all ethnomusicologists now?’ (2016) (0)
- Militarisation, Industrialisation and the growth of the Symphony Orchestra in the Nineteenth Century (2010) (0)
- Darla Crispin and Bob Gilmore, eds, Artistic Experimentation in Music: An Anthology (Leuven: Leuven University Press, 2014) (2017) (0)
- Topologies: The Juniper Tree (soprano and chamber ensemble) (2000) (0)
- Researching and Writing on Contemporary Art and Artists (2020) (0)
- World Premiere Performance 29 October 2016 - Luc Brewaeys, The Dale of Tranquility - Transit New Music Festival, Leuven, Belgium (2016) (0)
- Multicultural Musicology for Monolingual Academics (2015) (0)
- Sadie Harrison, Return of the Nightingales - CD Recording (2017) (0)
- Composition and Performance as Research: some wider responses to John Croft and others (2015) (0)
- World Premiere, 24 March 2013 - Lauren Redhead - i am but one small instrument (2013) (0)
- When Ethnography Becomes Hagiography: Uncritical Musical Perspectives (2020) (0)
- Performance as ideology (2005) (0)
- Recording, Ideology and Critical Approaches to Interpretation (2008) (0)
- World Premiere Performance 27 November 2018 - Patrícia de Almeida, Desperatio (Piano Piece No. 5) (2017-18) with film by Daniel Antero (2018) (0)
- From Jean-Luc Godard to Dennis Potter (2019) (0)
- Those 300-word statements on Practice-as-Research for the RAE/REF – origins and stipulations (2015) (0)
- Thirty for Grace (2019) (0)
- Coldness and Cruelty as Performance in Deleuze’s Proust (2009) (0)
- Frank Cox on Richard Taruskin's The Oxford History of Western Music (2012) (0)
- Response to Anna Bull (on Stella Duffy and everyday creativity) (2017) (0)
- Clifford Hindley: Pederasty and Scholarship (2014) (0)
- Concert of contemporary works, York Late Music Concert Series, 7 March 2015, with premieres of new works by Steve Crowther and Edward Caine (Etude: Resonance) (2015) (0)
- Michael Parkin - The Courting Rites of Cranes (CD recording) (2016) (0)
- Ferneyhough Hero: Scholarship as Promotion (2015) (0)
- On Canons (and teaching Le sacre du printemps) (2016) (0)
- Performance as Analysis, Analysis as Performance (2009) (0)
- 'Music & Letters' Awards (2017) (0)
This paper list is powered by the following services:
Other Resources About Ian Pace
What Schools Are Affiliated With Ian Pace?
Ian Pace is affiliated with the following schools:
