Ingrid Monson | Academic Influence

Ingrid Monson's AcademicInfluence.com Rankings

Ingrid Monson

Communications

#10728

World Rank

#14447

Historical Rank

#4747

USA Rank

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Communications

Ingrid Monson's Degrees

PhD Musicology University of Chicago
Masters Musicology University of Chicago
Bachelors Music University of California, Berkeley

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Why Is Ingrid Monson Influential?

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According to Wikipedia, Ingrid Monson is Quincy Jones Professor of African-American Music, supported by the Time Warner Endowment, and Professor of African and African American studies at Harvard University. Education Monson earned a Bachelor of Music from New England Conservatory of Music and a Bachelor of Arts from the University of Wisconsin-Madison, where she studied economics. She later earned an M.A. and Ph.D. in musicology from New York University.

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Ingrid Monson's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Saying Something: Jazz Improvisation and Interaction (1997) (570)
The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (1995) (139)
Freedom Sounds: Civil Rights Call out to Jazz and Africa (2007) (132)
Hearing, Seeing, and Perceptual Agency (2008) (74)
Riffs, Repetition, and Theories of Globalization (1999) (70)
Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology (1994) (64)
Jazz Improvisation (1963) (37)
Oh Freedom: George Russell , John Coltrane, and Modal Jazz (1998) (27)
Jazz Performance as Ritual: The Blues Aesthetic and the African Diaspora (2004) (21)
Black women and music : more than the blues (2007) (18)
Forced Migration, Asymmetrical Power Relations and African-American Music: Reformulation of Cultural Meaning and Musical Form (1990) (14)
Women, Music, and the “Mystique” of Hunters in Mali (2004) (14)
Oral and written transmission in Ethiopian Christian chant (1993) (12)
Musical interaction in modern jazz : an ethnomusicological perspective (1991) (8)
What’s Sound Got to Do With It?: Jazz, Poststructuralism, and the Construction of Cultural Meaning (1997) (8)
Abbey Lincoln's Straight Ahead: Jazz in the Era of the Civil Rights Movement (1997) (7)
Hotter than That: The Trumpet, Jazz, and American Culture. By Krin Gabbard. New York: Faber and Faber, 2008. (2010) (7)
The African Diaspora (2018) (6)
Monk Meets SNCC (1999) (6)
Miles, Politics, and Image (2001) (3)
[The Theory of Participatory Discrepancies: A Progress Report; Searching for Swing: Participatory Discrepancies in the Jazz Rhythm Section; Rhythm as Duration of Sounds in "Tumba Francesa"]: Responses (1995) (2)
Why Jazz Still Matters (2019) (2)
Music and the Anthropology of Gender and Cultural Identity (1997) (1)
Music, Language, and Cultural Styles: Improvisation as Conversation (2014) (1)
FITTING THE PART (2020) (1)
ECCENTRIC, GIFTED, AND BLACK: THELONIOUS MONK REVEALED (2010) (1)
On Ownership and Value: Response (2010) (0)
Modernism, Race, and Aesthetics (2007) (0)
Musical Echoes: South African Women Thinking in Jazz. Carol Ann Muller and Sathima Bea Benjamin. 2011. Durham, NC: Duke University Press. 348 pp. (2012) (0)
Activism and Fund-Raising from Freedom Now to the Freedom Rides (2007) (0)
Introduction (2018) (0)
Review of You Just Fight for Your Life: The Story of Lester Young, by Frank Büchmann-Møller (1991) (0)
In Praise of Eclecticism: Relational Thinking and Theoretical Assemblage (2020) (0)
Editor's note (1992) (0)
New Musical Figurations: Anthony Braxton's Cultural Critique . Ronald M. Radano . (1996) (0)
Yusef Lateef's Autophysiopsychic Quest (2019) (0)
Review of Fire Music: A Bibliography of the New Jazz, John Gray compiler (1993) (0)
Responses (To Charles Keil) (1995) (0)
Activism and Fund-Raising from Birmingham to Black Power (2007) (0)
Review of Just My Soul Responding: Rthythm and Blues, Black Consciousness, and Race Relations, by Brian Ward (1999) (0)
Jim Crow, Economics, and the Politics of Musicianship (2007) (0)
Review of Duke Ellington: The Early Years, by Mark Tucker (1992) (0)
The Debate Within: White Backlash, the New Thing, and Economics (2007) (0)
CHAPTER 3 From the American Civil Rights Movement to Mali: Reflections on Social Aesthetics and Improvisation (2020) (0)
Voices of the Rainforest: A Day in the Life of Bosavi Papua New Guinea (2022) (0)
Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz CultureJazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa (2020) (0)
Art Blakey's African Diaspora (2018) (0)
Review of Representing Jazz, and Jazz Among the Discourses, edited by Krin Gabbard (1997) (0)
Mamaya: Renewal and Tradition in Maninnka Music of Kankan, Guinea 1935–45) (2004) (0)
Review of New Musical Figurations: Anthony Braxton's Cultural Critique, by Ronald M. Radano (1996) (0)
Report of Study Session 22: Theorizing the Transnational (2001) (0)
Global (Re)vision: Musical Imagination in African America (2007) (0)
From the American Civil Rights Movement to Mali: Reflections on Social Aesthetics and Improvisation (2017) (0)
Review of New Perspectives on Music: Essays in Honor of Eileen Southern, Josephine Wright with Samuel A. Floyd, Jr., eds. (1994) (0)
Africa, the Cold War, and the Diaspora at Home (2007) (0)
Aesthetic Agency, Self-Determination, and the Spiritual Quest (2007) (0)
Jazz Among the Discourses (1997) (0)
Music Analysis and the Dignity of African Music (2022) (0)
On Serving as an Expert Witness in the ‘Blurred Lines’ Case (2019) (0)

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