Irene J. Winter
American art historian
Irene J. Winter's AcademicInfluence.com Rankings
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Education
Irene J. Winter's Degrees
- PhD Art History Columbia University
- Masters Art History Columbia University
- Bachelors Art History Columbia University
Why Is Irene J. Winter Influential?
(Suggest an Edit or Addition)According to Wikipedia, Irene J. Winter is an American art historian who is an influential and pioneering scholar of ancient Near Eastern art. Life BA Barnard College, Anthropology, 1960; MA University of Chicago, Near Eastern Studies, 1967; PhD Columbia University, Art History and Archaeology. She has taught at Queens College, CUNY, 1971-1976, The University of Pennsylvania, 1976-1988, and Harvard University since 1988, chairing the department of Fine Arts from 1993-1996, and served on the Faculty Council, 2006-2009; retired June 2009. Slade Professor, University of Cambridge, 1997. She was elected a member of the American Academy of Arts and Sciences in 1999 and the American Philosophical Society in 2016.
Irene J. Winter's Published Works
Published Works
- Phoenician and North Syrian Ivory Carving in Historical Context: Questions of Style and Distribution (1976) (126)
- Royal Rhetoric and the Development of Historical Narrative in Neo-Assyrian Reliefs (1981) (76)
- On the Problems of Karatepe: The Reliefs and their Context (1979) (61)
- Is There a South Syrian Style of Ivory Carving in the Early First Millennium B.C.? (1981) (51)
- Chapter Twenty-Three. ‘Idols Of The King’: Royal Images As Recipients Of Ritual Action In Ancient Mesopotamia (2009) (44)
- Carved Ivory Furniture Panels from Nimrud: A Coherent Subgroup of the North Syrian Style (1976) (34)
- "Seat Of Kingship"/"A Wonder To Behold": The Palace As Construct In The Ancient Near East (2009) (33)
- Agency Marked, Agency Ascribed: The Affective Object in Ancient Mesopotamia (2008) (23)
- Chapter Two. Art In Empire: The Royal Image And The Visual Dimensions Of Assyrian Ideology (2009) (22)
- Chapter Fifteen. Homer’S Phoenicians: History, Ethnography, Or Literary Trope? [A Perspective On Early Orientalism] (2009) (18)
- Chapter Nineteen. Sex, Rhetoric, And The Public Monument: The Alluring Body Of Naram-Sîn Of Agade (2009) (16)
- The "Hasanlu Gold Bowl": thirty years later (1989) (15)
- Ornamental Wall Painting in the Art of the Assyrian Empire (2007) (15)
- What/When is a Portrait?: Royal Images of the Ancient Near East (2009) (14)
- Seals and seal impressions (2001) (14)
- Ornament and the rhetoric of abundance in Assyria (2009) (14)
- The Hasanlu Gold Bowl : Thirty Years Later in East of Assyria : the Highland Settlement of Hasanlu. (1989) (13)
- Chapter Twenty-Seven. The Aesthetic Value Of Lapis Lazuli In Mesopotamia (2009) (12)
- Ancient Near Eastern art in context : studies in honor of Irene J. Winter (2007) (11)
- Chapter Thirteen. Art As Evidence For Interaction: Relations Between The Assyrian Empire And North Syria (2009) (11)
- Carchemish ša kišad puratti (1983) (10)
- Chapter Twenty-Two. The Body Of The Able Ruler: Toward An Understanding Of The Statues Of Gudea (2009) (9)
- Chapter Thirty-One. The Affective Properties Of Styles: An Inquiry Into Analytical Process And The Inscription Of Meaning In Art History (2009) (8)
- Art and Visual Culture (1995) (8)
- Chapter Thirty-Three. Babylonian Archaeologists Of The(Ir) Mesopotamian Past (2009) (8)
- On Art in the Ancient Near East (2009) (8)
- Chapter Eighteen. Women In Public: The Disk Of Enheduanna, The Beginning Of The Office Of En-Priestess, And The Weight Of Visual Evidence (2009) (7)
- Chapter Twenty-Five. Reading Ritual In The Archaeological Record: Deposition Pattern And Function Of Two Artifact Types From The Royal Cemetery Of Ur (2009) (6)
- Culture and History of the Ancient Near East (2008) (6)
- Chapter Nine. North Syrian Ivories And Tell Halaf Reliefs: The Impact Of Luxury Goods Upon "Major" Arts (2009) (6)
- Chapter Sixteen. After The Battle Is Over: The Stele Of The Vultures And The Beginning Of Historical Narrative In The Art Of The Ancient Near East (2009) (5)
- Chapter Thirty. Opening The Eyes And Opening The Mouth: The Utility Of Comparing Images In Worship In India And The Ancient Near East (2009) (5)
- On Art in the Ancient Near East Volume II: From the Third Millennium BCE (2009) (5)
- Chapter Three. Le Palais Imaginaire: Scale And Meaning In The Iconography Of Neo-Assyrian Cylinder Seals (2009) (4)
- Chapter Thirty-Two. The Eyes Have It: Votive Statuary, Gilgamesh’S Axe, And Cathected Viewing In The Ancient Near East (2009) (4)
- On Art in the Ancient Near East Volume I: Of the First Millennium BCE (2009) (4)
- Chapter Twenty-Six. "Surpassing Work": Mastery Of Materials And The Value Of Skilled Production In Ancient Sumer (2009) (4)
- Chapter Seventeen. Eannatum And The "King Of Kiš"?: Another Look At The Stele Of The Vultures And "Cartouches" In Early Sumerian Art (2009) (4)
- Chapter Twenty. Tree(S) On The Mountain: Landscape And Territory On The Victory Stele Of Naram-Sîn Of Agade (2009) (4)
- Chapter Eight. North Syria As A Bronzeworking Centre In The Early First Millennium B.C.: Luxury Commodities At Home And Abroad (2009) (3)
- Ivories from Nimrud (1949-1963), Fascicule III: Furniture from SW7 Fort Shalmaneser (1976) (3)
- A Decorated Breastplate from Hasanlu, Iran: Type, Style and Context of an Equestrian Ornament (1980) (3)
- Chapter Twenty-Four. Representing Abundance: A Visual Dimension Of The Agrarian State (2009) (3)
- Chapter Eleven. Perspective On The "Local Style" Of Hasanlu Ivb: A Study In Receptivity (2009) (2)
- Chapter Twenty-One. How Tall Was Naram-Sîn’S Victory Stele? Speculation On The Broken Bottom (2009) (2)
- Chapter Ten. Establishing Group Boundaries: Toward Methodological Refinement In The Determination Of Sets As A Prior Condition To The Analysis Of Cultural Contact And/Or Innovation In First Millennium B.C.E. Ivory Carving (2009) (2)
- On Art in the Ancient Near East, Volume 1 Of the First Millennium BCE On Art in the Ancient Near East Volume I (2009) (2)
- Chapter Twenty-Eight. Agency Marked, Agency Ascribed: The Affective Object In Ancient Mesopotamia (2009) (1)
- An archaeological history of religions of Indian Asia (1992) (1)
- ART HISTORY IN THE STUDY OF THE ANCIENT NEAR EAST: HISTORICAL PERSPECTIVE AND A PERSONAL DEBT (1985) (1)
- On Art in the Ancient Near East Volume II (2009) (1)
- Chapter Thirty-Five. Change In The American Art Museum: The (An) Art Historian’S Voice (2009) (1)
- North Syria as a Bronzeworking Centre in the Early First Millennium BC: Luxury Commodities at Home and Abroad (2021) (1)
- Book Review The Small Collections from Fort Shalmaneser Georgina Herrmann (1998) (1)
- Proceedings of the XLVe Rencontre Assyriologique Internationale. Two Volumes. Part I: Historiography in the Cuneiform World, Part II: Seals and Seal Impressions (2002) (0)
- Direction in Etruscan Art' (0)
- Book Review:Ivories from Room 37 Fort Shalmaneser. Fasc. 1. Commentary and Catalogue. Fasc. 2. Plates Georgina Herrmann (1992) (0)
- Chapter Seven. Is There A South Syrian Style Of Ivory Carving In The Early First Millennium B.C. (2009) (0)
- Chapter Thirty-Four. Exhibit/Inhibit: Archaeology, Value, History In The Work Of Fred Wilson (2009) (0)
- The harpist’s left hand: (2020) (0)
- Cultural Property@@@The Return of Cultural Treasures (1993) (0)
- A STUDY IN CONTRAST : SARGON OF ASSYRIA AND RUSA OF URARTU 1 (2010) (0)
- Chapter Six. Carved Ivory Furniture Panels From Nimrud: A Coherent Subgroup Of The North Syrian Style (2009) (0)
- The Nimrud Ivories. Max Mallowan (1981) (0)
- Chapter Thirty-Six. Packaging The Past: The Benefits And Costs Of Archaeological Tourism (2009) (0)
- Commentary: Cross-Cutting Issues and Historiography in Levantine Ivory Research (2015) (0)
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