Janet Staiger

Q: What Schools Are Affiliated With Janet Staiger

Janet Staiger is affiliated with the following schools: University of Texas at Austin, University of Wisconsin–Madison

Janet Staiger's AcademicInfluence.com Rankings

Janet Staiger

Communications

#5085

World Rank

#7091

Historical Rank

Linguistics

#1485

World Rank

#1873

Historical Rank

communications Degrees

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Communications

Why Is Janet Staiger Influential?

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According to Wikipedia, Janet Staiger is the William P. Hobby Centennial Professor Emeritus of Communication in the Department of Radio-Television-Film and Professor Emeritus of Women's and Gender Studies at the University of Texas at Austin.

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Janet Staiger's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1985) (725)
Interpreting Films: Studies in the Historical Reception of American Cinema (1992) (234)
Perverse Spectators: The Practices of Film Reception (2000) (213)
Media Reception Studies (2022) (198)
Atmospheric scaling of cosmogenic nuclide production : Climate effect (2007) (106)
The Politics of Film Canons (1985) (62)
Plio-Pleistocene history of Ferrar Glacier, Antarctica: Implications for climate and ice sheet stability (2006) (60)
Announcing Wares, Winning Patrons, Voicing Ideals: Thinking about the History and Theory of Film Advertising (1990) (60)
Bad Women: Regulating Sexuality in Early American Cinema (1995) (57)
15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History (1997) (55)
Affective Stories: Understanding the Lack of Progress of Women Faculty (2007) (38)
Blockbuster TV: Must-See Sitcoms in the Network Era (2000) (31)
Authorship and Film (2002) (31)
Political Emotions: New Agendas in Communication (2011) (26)
Dividing Labor for Production Control: Thomas Ince and the Rise of the Studio System (1979) (26)
Modeling long-term stability of the Ferrar Glacier, East Antarctica: Implications for interpreting cosmogenic nuclide inheritance (2007) (25)
Convergence Media History (2009) (17)
The Studio system (1995) (17)
Authorship studies and Gus Van Sant (2004) (14)
Individualism versus Collectivism (1983) (10)
Combination and Litigation: Structures of U.S. Film Distribution, 1896-1917 (1984) (10)
Introduction: Political Emotions and Public Feelings (2010) (9)
From primitive to classical (1988) (9)
An excessively obvious cinema (2003) (8)
Combination and Litigation: Structures of US Film Distribution, 1896–1917 (1990) (8)
Independent of what? sorting out diﬀerences from Hollywood (2012) (8)
“Tame” authors and the corporate laboratory: Stories, writers, and scenarios in Hollywood (1983) (7)
The Slasher, the Final Girl and the Anti-Denouement (2015) (7)
Technology, style and mode of production (2003) (6)
Space in the classical film (1988) (6)
The continuity system (2003) (6)
The package-unit system: unit management after 1955 (2003) (6)
Story causality and motivation (2003) (5)
The Future of the Past (2004) (5)
Graphic stories: Representing the status of female faculty (2004) (5)
The Hollywood mode of production : the construction of divided labor in the film industry (1981) (4)
The Hollywood mode of production: its conditions of existence (1988) (4)
Creating the Brand: The Hitchcock Touch (2015) (4)
Standardization and differentiation: the reinforcement and dispersion of Hollywood’s practices (1988) (4)
Stanley Kubrick's A Clockwork Orange : The Cultural Productions of A Clockwork Orange (2003) (4)
Promotion and Senior Women Faculty: A Study of the Status of Tenured Faculty Women in Six Academic Units at The University of Texas at Austin (2002) (4)
"Because I Am a Woman": Thinking Identity and Agency for Historiography (2013) (3)
The formulation of the classical narrative (2003) (3)
Reading King's Reading (1988) (3)
The Pleasures and Profits of a Postmodern Film Historiography (1995) (3)
Matters of Taste, Subtexts of Rank (2004) (2)
Since 1960: the persistence of a mode of film practice (1988) (2)
Janet Staiger Replies to Dudley Andrew and Gerald Mast (1985) (2)
Securing the Fictional Narrative as a Tale of the Historical Real: The Return of Martin Guerre (1989) (1)
The labor-force, financing and the mode of production (1988) (1)
The More the Change, the More the Same (2015) (1)
Janet Staiger Responds to Matthew Bernstein's "Hollywood's Semi-Independent Production" ("Cinema Journal", Spring 1993) (1994) (1)
Classical narrative space and the spectator’s attention (1988) (1)
Shot and scene (1988) (1)
Standardization and Independence: The Founding Objectives of the SMPTE (1987) (1)
The division and order of production: the subdivision of the work from the first years through the 1920s (1988) (1)
Some Hopes of SCMS (2009) (1)
The Revenge of the Film Education Movement (2008) (1)
Deep-focus cinematography (2003) (1)
The bounds of difference (1988) (1)
Considering the script as blueprint (2012) (1)
The director system: management in the first years (1988) (1)
Film History, Film Practices (2010) (1)
The Romances of the Blonde Venus: Movie Censors Versus Movie Fans (1997) (1)
The producer-unit system: management by specialization after 1931 (2003) (0)
Sound and the Comic/Horror Romance Film: (2020) (0)
Being Rita Hayworth: Labor, Identity, and Hollywood Stardom (review) (2010) (0)
Speculating about Spectatorship (2020) (0)
Abstract: Collapse of the Newfoundland Ice Cap and evidence against the Nunatak Hypothesis (2007) (0)
Sound and the Comic/Horror Romance Film (2020) (0)
Film reception studies and feminism (2016) (0)
Widescreen processes and stereophonic sound (2003) (0)
Glacial erosion in Atlantic and Arctic Canada determined by terrestrial in situ cosmogenic nuclides and ice sheet modelling. (2006) (0)
Proto-Indie: 1960s “Half-Way” Cinema (2016) (0)
The central producer system: centralized management after 1914 (2003) (0)
H OMER, O VID, D ISNEY AND S TAR W ARS : T HE C RITICAL R ECEPTION AND T RANSCULTURAL P OPULARIT Y OF P RINCESS M ONONOKE (2019) (0)
The National Conference of the Society for Cinema Studies The University of California, Los Angeles June 28‐July 2, 1982 (1983) (0)
Arctic and Atlantic Canadian glacial erosion and till dispersion; a new approach using cosmogenic beryllium-10 (2005) (0)
The stability of the classical approach after 1917 (1988) (0)
The director-unit system: management of multiple-unit companies after 1909 (2003) (0)
Response to Ideology Takes a Day Off: Althusser and Mass Culture (1994) (0)
UvA-DARE ( Digital Academic Repository ) Before or beyond narrative ? Towards a complex systems theory of contemporary films (2011) (0)
Perverse Spectators (2022) (0)
""Based on the True Story of": Political Filmmaking and Analogical Thinking" (2014) (0)
Book of the Month (1985) (0)
Theory and Historicity in Film Studies (1992) (0)
Blockbuster TV (2022) (0)
(Dis)Agreements: Censorship and the configuration of cinematic classicism (2019) (0)
Glacial erosion and till dispersion using the source and the sink: A new cosmogenic nuclide application (2005) (0)
Tightening the deglacial history and glacial erosion of Atlantic Canada; exposure ages of bedrock and boulders (2005) (0)
Time in the classical film (1988) (0)
Self-Regulation and the Classical Hollywood Cinema (2008) (0)
Alternative modes of film practice (1988) (0)

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Other Resources About Janet Staiger

en.wikipedia.org

What Schools Are Affiliated With Janet Staiger?

Janet Staiger is affiliated with the following schools: