Jay Telotte
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Philosophy
Jay Telotte's Degrees
- PhD Film Studies University of Iowa
- Masters Film Studies University of Iowa
- Bachelors English University of Iowa
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Why Is Jay Telotte Influential?
(Suggest an Edit or Addition)According to Wikipedia, Jay P. Telotte, published as J. P. Telotte, is a professor in the School of Literature, Media, and Communication at the Georgia Institute of Technology. With over 150 published scholarly articles and 10 published books, his area of expertise lies in film studies. His primary field of study is film history and genres, and he is particularly involved in the studies of science fiction. In his book Animating the Science Fiction Imagination, Telotte combines his interest in the science fiction genre and animation to explore the intersection between the two.
Jay Telotte's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Voices in the Dark: The Narrative Patterns of Film Noir (1991) (70)
- Replications: A Robotic History of the Science Fiction Film (1995) (68)
- Science Fiction Film: APPROACHES (2001) (58)
- The Blair Witch Project Project: Film and the Internet (2001) (39)
- The Mouse Machine: Disney and Technology (2008) (36)
- The Cult film experience : beyond all reason (1991) (29)
- A Distant Technology: Science Fiction Film and the Machine Age (1999) (27)
- Human Artifice and the Science Fiction Film (1983) (22)
- Science Fiction Film: Introduction: The World of the Science Fiction Film (2001) (18)
- Animating Space: From Mickey to WALL-E (2010) (16)
- The Essential Science Fiction Television Reader (2008) (15)
- Androids, Humanoids, and Other Science Fiction Monsters: Science and Soul in Science Fiction Films (1995) (15)
- Self and Society (1982) (13)
- Through a Pumpkin's Eye: The Reflexive Nature of Horror (1982) (12)
- Definitely—Falling—Down: 8 1/2, Falling Down, and the Death of Fantasy (1996) (12)
- The Mouse Machine (2008) (11)
- The Tremulous Public Body: Robots, Change, and the Science Fiction Film (1991) (11)
- Faith and Idolatry in the Horror Film (1980) (9)
- Verhoeven, Virilio, and "Cinematic Derealization" (1999) (9)
- Song of the South (2010) (9)
- The Changing Space of Animation: Disney's Hybrid Films of the 1940s (2007) (6)
- CHAPTER 1 Beyond All Reason: The Nature of the Cult (1991) (6)
- The Terminator, Terminator 2, & The Exposed Body (1992) (5)
- Rounding up The Usual Suspects: The Comforts of Character and Neo-Noir (1998) (5)
- In the cinematic zone of The Twilight Zone (2010) (5)
- Robot Ecology and the Science Fiction Film (2016) (5)
- Minor Hazards: Disney and the Color Adventure (2004) (4)
- The Problem of the Real and THX 1138 (2000) (4)
- Heinlein, Verhoeven, and the Problem of the Real: Starship Troopers (2001) (4)
- A Fate Worse Than Death: Racism, Transgression, and Westerns (1998) (4)
- A Sober Celebration (1980) (4)
- Science Fiction TV (2014) (4)
- Language and Perspective in James's "The American" (1979) (4)
- The Stereoscopic Mickey: Space, Animation, and the Mouse (2008) (4)
- Fatal Capers: Strategy and Fnigma in Film Noir (1996) (3)
- The Seductive Text of "Metropolis" (1990) (3)
- Dancing the Depression (1980) (3)
- INTRODUCTION: Film and/as Technology: Assessing a Bargain (2001) (3)
- Disney in Science Fiction Land (2005) (3)
- Science fiction film, television, and adaptation : across the screens (2013) (3)
- Lindbergh, Film, and Machine Age Dreams (1999) (2)
- Film noir and the dangers of discourse (1984) (2)
- Disney's Most Notorious Film: Race, Convergence and the Hidden Histories of Song of the South (2014) (2)
- The Space of Today and the World of Tomorrow: Hybrid Film and Sky Captain and the World of Tomorrow (2010) (2)
- Technoscience in Contemporary American Film: Beyond Science Fiction (Inside Popular Film Series) (2004) (2)
- Review: Round up the Usual Suspects: The Making of Casablanca. Bogart, Bergman, and World War II by Aljean Harmetz (1993) (2)
- Arbuckle Escapes: The Pattern of Fatty Arbuckle's Comedy (1988) (2)
- Science Fiction Double Feature: The Science Fiction Film as Cult Text (2015) (2)
- Disney's cows, the mouse, and the modernist moment (2010) (2)
- Ub Iwerks' (Multi)Plain Cinema (2006) (2)
- Science Fiction as "True-Life Adventure": Disney and the Case of 20,000 Leagues Under the Sea (2010) (2)
- Disney’s Alice Comedies: A Life of Illusion and the Illusion of Life (2010) (2)
- Scott Bukatman, Matters of Gravity: Special Effects and Supermen in the 20th Century; Michele Pierson, Special Effects: Still in Search of Wonder; Aylish Wood, Technoscience in Contemporary American Film: Beyond Science Fiction (2004) (2)
- THE WORLD OF TOMORROW Am THE 'SECRET GOAL' OF SCIENCE FICTION (2016) (2)
- A Photogenic Horror: Lewton Does Robert Louis Stevenson (1982) (2)
- The Call of Desire and the Film Noir (1989) (2)
- The Sounds of Blackmail: Hitchcock and Sound Aesthetic (2001) (2)
- Crossing Borders and Opening Boxes: Disney and Hybrid Animation (2007) (2)
- Self-Portrait: Painting and the Film Noir (1989) (2)
- Kiss Me Deadly’s Apocalyptic Discourse (1985) (1)
- Lewtonian space: Val Lewton's films and the new space of horror (2010) (1)
- From Midway to Korea!: John Ford and the De-Fused Documentary (2015) (1)
- Robot Monster and the “Watchable … Terrible” Cult/SF Film (2015) (1)
- Lost in Space: Television as Science Fiction Icon (2006) (1)
- Silent Serial Sensations: The Wharton Brothers and the Magic of Early Cinema by Barbara Tepa Lupack (review) (2021) (1)
- Making Tele-Contact: 3-D Film and The Creature from the Black Lagoon (2004) (1)
- The Empire's New Robots (2015) (1)
- Science Fiction Film: The Science Fiction Film as Uncanny Text: RoboCop (2001) (1)
- LaBute's Frankenstein, or the Postmodern Prometheus (2007) (1)
- John Ford’s Stagecoach (2003) (1)
- Serenity, cinematisation and the perils of adaptation (2008) (1)
- Narratives of Resistance: Verhoeven's Soldier of Orange (2006) (1)
- Winsor McCay's warped spaces (2007) (1)
- Effacement and Subjectivity: Murder My Sweet's Problematic Vision (1987) (1)
- Science Fiction Film: Notes (2001) (1)
- Special Effects: Still in Search of Wonder (Film and Culture Series) (2004) (1)
- : In a Lonely Street: Film Noir, Genre, Masculinity . Frank Krutnik. (1992) (1)
- The Displaced Voice of "In a Lonely Place" (1989) (1)
- Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967 by Mike Bogue (review) (2022) (1)
- Robby the Robot and Robotic Persistence (2016) (1)
- John Ford's Stagecoach : “A Little Bit Savage”: Stagecoach and Racial Representation (2002) (1)
- Space Opera TV: Seeing the World of Tomorrow (2012) (1)
- Space Opera TV (2012) (1)
- A Cinematic Companion (2015) (0)
- FILM, 1895–1950 (2009) (0)
- 2 NOIR NARRATION (2000) (0)
- 1 German Expressionism (2005) (0)
- Of War and Beyond (2019) (0)
- Badfilm: Incompetence, Intention and Failure by Becky Bartlett (review) (2022) (0)
- American Science Fiction Film and Television (review) (2011) (0)
- Looking in on LifeDisney’s Real Spaces (2010) (0)
- Man and Superman: The Fleischer Studio Negotiates the Real (2010) (0)
- From the Editor (2010) (0)
- Cover Stories (2019) (0)
- Animating the Technocratic Utopia (2021) (0)
- 2001, 50 years later (2018) (0)
- Reshaping SF Film History (2018) (0)
- Annual Bibliography of Film Studies-2001 (2002) (0)
- Hollywood on the Moon: “Scientifilm,” the Pulps, and the SF Imagination (2017) (0)
- Science Fiction Film: Crossing Genre Boundaries/Bound by Fantasy: The Fly (1986) (2001) (0)
- Spatial Presence and Disney's Oswald Comedies (2011) (0)
- Astounding Wonder: Imagining Science and Science Fiction in Interwar America by John Cheng (review) (2013) (0)
- The Detective As Dreamer (1984) (0)
- Review: The Passion of David Lynch: Wild at Heart in Hollywood by Martha P. Nochimson (1999) (0)
- "Complementary Verses": The Science Fiction of Twin Peaks (2016) (0)
- Introduction (2019) (0)
- The Right Way With Reality: James's "The Real Right Thing" (2010) (0)
- Convergence and the Rhetoric of Scientifilm (2019) (0)
- Sex and machines: the ‘buzz’ of 1950s science fiction films (2015) (0)
- A Review of “Picturing American Modernity: Traffic, Technology, and the Silent Cinema” (2011) (0)
- Introduction: Science Fiction’s “Composite” Project (2019) (0)
- Méliès’s Extraordinary Voyages (2012) (0)
- Animation, Modernism, and the Science Fiction Imagination (2015) (0)
- The Horror Mythos and Val Lewton’sIsle of the Dead (1982) (0)
- Radio and Television (2014) (0)
- Review: In a Lonely Street: Film Noir, Genre, Masculinity by Frank Krutnik (1992) (0)
- Science Fiction Film: Science Fiction Film: The Critical Context (2001) (0)
- Science Fiction Film: The Science Fiction Film as Marvelous Text: Close Encounters of the Third Kind (2001) (0)
- The Real Thing (2019) (0)
- Revival: Southern Writers in the Modern City, and: The Idea of Florida in the American Literary Imagination, and: Walker Percy: A Southern Wayfarer (review) (2009) (0)
- Narration, Desire, and a Lady from Shanghai (1984) (0)
- Disney and this world's fair thing (2014) (0)
- The Pixar Reality (2010) (0)
- Select Filmography of the American Science Fiction Film (2001) (0)
- Digital Effects Animation and the New Hybrid Cinema (2010) (0)
- Tim Burtonâs âFilledâ Spaces (2013) (0)
- Science Fiction Film: A Trajectory of the American Science Fiction Film (2001) (0)
- Science Fiction Film: The Science Fiction Film as Fantastic Text: THX 1138 (2001) (0)
- UB Iwerks’s (Multi)Plaian Cinema (2010) (0)
- Tim Burton’s “Filled” Spaces: Alice in Wonderland (2013) (0)
- The Cinematic Gaze and Kuttner’s “Man with a Movie Camera” (2018) (0)
- In this issue (2005) (0)
- Science Fiction Film: Conclusion: A Note on Boundaries (2001) (0)
- Toontown Spaces and the New Hybrid World (2010) (0)
- Science Fiction Research and Teaching at Georgia Tech (2014) (0)
- About the contributors (2019) (0)
- Negotiating Disney and Technology (2002) (0)
- Felix in—and out of—Space (2019) (0)
- Chris Pallant,Demystifying Disney: A History of Disney Feature Animation (New York:Continuum Books,2011, $110.00 cloth, $29.95 paper). Pp. 180.isbn978 1 4411 7421 5,978 1 6235 6744 6. (2014) (0)
- What’s Up—And Down—Doc? (2010) (0)
- The kiss of the rabbit woman (2012) (0)
- Science Fiction Film: Bibliography (2001) (0)
- CHAPTER 4 Casablanca and the Larcenous Cult Film (1991) (0)
- Projecting Tomorrow: Science Fiction and Popular Cinema by James Chapman and Nicholas J. Cull (review) (2014) (0)
- Review: Joel and Ethan Coen by R. Barton Palmer. Champaign, IL: University of Illinois Press, 2004 (2007) (0)
- Another Form of Life: Science-Fiction Marketing and The Blob (1958) (2021) (0)
- Keaton Is Missing (1995) (0)
- Introduction: Science Fiction Double Feature (2015) (0)
- Expression on Its Own Terms: All That Jazz (1983) (0)
- “The Dark Side of the Force”: Star Wars and the Science Fiction Tradition (1983) (0)
- FILM NOIR AT COLUMBIA: (2021) (0)
- William Irwin Thompson and the Play of Knowledge (1983) (0)
- The Double Space of the Fleischer Films (2010) (0)
- : The Passion of David Lynch: Wild at Heart in Hollywood . Martha P. Nochimson. (1999) (0)
- What Is This Thing? Framing and Unframing the Science-Fiction Film (2019) (0)
- Books received (1983) (0)
- Pondering the “Pulp Paradox”: Pal, Paramount, and the SF Pulps (2022) (0)
- The fractured frames of Black Mirror (2021) (0)
- The Pulps in the Consumer’s Republic (2019) (0)
- Sketching the cinematic scientist (2006) (0)
- Movies, Modernism, and the Science Fiction Pulps (2019) (0)
- The Stereoscopic Mickey (2010) (0)
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