Joan Anim-Addo's AcademicInfluence.com Rankings Why Is Joan Anim-Addo Influential? (Suggest an Edit or Addition)
According to Wikipedia , Joan Anim-Addo is a Grenadian-born academic, poet, playwright and publisher, who is Emeritus Professor of Caribbean Literature and Culture in the English and Creative Writing Department at Goldsmiths, University of London.
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Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
2000 2010 0 5 10 15 20 25 30 35 40 45 Published Works Haunted by History (1998) (37)Touching the body : history, language and African-Caribbean women's writing (2007) (27)activist-mothers maybe, sisters surely? Black British feminism, absence and transformation (2014) Framing The Word: Gender & Genre in Caribbean Women’s Writing (1996) (13)gendering creolisation: creolising affect (2013) Sister Goose’s sisters: African-Caribbean women’s nineteenth-century testimony (2004) I am Black, White, Yellow: An Introduction to the Black Body in Europe (2007) (8)Longest Journey: A History of Black Lewisham (1995) (8)Caribbean-Scottish Relations: Colonial and Contemporary Inscriptions in History, Language and Literature (2007) (6)Interculturality and Gender (2009) (5)Imoinda: or She Who Will Lose Her Name: A Play for Twelve Voice in Three Acts (2008) (5)Imoinda Birthing the Creole Nation: Rewriting Aphra Behn’s Oroonoko (2003) (4)“Another Doorway? Black Women Writing The Museum Experience” (1998) (4)Centre of Remembrance: Memory and Caribbean Women’s Literature (2002) (3)Towards a Post-Western Humanism Made to the Measure of Those Recently Recognized as Human (2008) (3)Drama with Young Learners in School (2017) Secrets and lies: Narrative methods at the limits of research (2012) Tracing Knowledge, Culture and Power: Towards an Intercultural approach to Literary Studies (2009) (3)Queen Victoria’s Black Daughter (2003) (3)ReSisters in Conversation: Representation Responsibility Complexity Pedagogy (2006) (2)British Literature in British Universities – A Twenty-first Century Reality? (2008) (2)The Power of the Neo-Slave Narrative Genre (2019) The Power of the Neo-Slave Narrative Genre (2019) I, Daughter”: Auto/Biography, Fractured Histories, and Familial Quest for “Scotch Blood” in Grenada and the Grenadines (2013) (2)Human Endeavour: a creative finding aid for the Women of Colour Index (2015) (1)Translational Space and Creolising Aesthetics in Three Women’s Novels: the Radical Diasporic (Re)turn (2015) The Stuart Hall Project: Signifying Diaspora (2018) acrid text: memory and auto/biography of the ‘new human’ (2012) Daughter and His Housekeeper (2019) Imoinda: or She Who Will Lose Her Name: A play for twelve voices in three acts/ Imoinda, colei che perder√† il nome: Opera per dodici voci in tre atti (2003) (1)Sugar, Spices and Human Cargo: An Early Black History of Greenwich (1996) (1)Janie: Cricketing Lady, with Carnival and Hurricane Poems (2006) (1)The Transformative Potential of Imoinda: An Interview with Joan Anim-Addo (2015) Another Doorway: Visible Inside the Museum (1998) (1)affect and gendered creolisation (2013) Inventing the Self: An introduction to the Black Woman Subject/Object in Britain from 1507 (2007) (1)"To Begin Our Knowing": The Claiming of Authority and the Writing of "Imoinda" (2003) (1)Autobiograpical Negotiation in Selected Novels by Beryl Gilroy and Joan Riley: Black Women Narrating the Post-Windrush Self (2008) (0)The African-Caribbean Woman Writer’s Project: Merle Collins and Alecia McKenzie (2000) (0)Women Activists against Enslavement (2008) (0)“We Sleeping Volcanoes; We Women”: Writing Self, Memory and Diaspora (2008) (0)Authorship in Africana Studies (2015) Synthesis: an Anglophone Journal of Comparative Literary Studies (2020) (0)Pan-Africanist Women, Modernity, Silence: Amy Ashwood Garvey and other Invisible Activists (2005) (0)Travelling with Imoinda: Art, Authorship, and Critique (2015) Voice Memory Ashes: Lest We Forget (1999) (0)Haunted by History: Poetry (1998) (0)Hija y su ama de llaves (2012) (0)Small ironies: Jamaica Kincaid's Small Place as travel writing (2003) (0)Anguish and The Absurd: "Key Moments," Recreated Lives and the Emergence of New Figures of Black Womanhood in the Narrative Works of Beryl Gilroy (1998) (0)May a Partially-sighted Black Woman? (2003) (0)Introduction: Perspectives from the Radical Other (2015) A screech in the dark (2016) The Colour of Silence (2000) (0)Books Received (2007) The Black Woman as Subject and Object in Britain from 1507 (2007) (0)Caribbean Women’s History (2005) (0)Windrush Children and Broken Attachments (2000) (0)Her Own Woman – Opal Palmer Adisa, Daughter and his Housekeeper (2008) (0)Screening and Panel Discussion on the work of Angela Davis, Free Angela and Other Political Prisoners (2013) (0)Writing and Resistance: Tracing Grenada’s Written Literary Tradition (2013) (0)Woman-Centred Narratives at the Intersections of the oral and literary traditions in the short stories of Merle Collins (1996) (0)More Papers This paper list is powered by the following services:
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